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PDF Solution Manual For Introduction To Seismology 3Rd Edition Peter M Shearer Online Ebook Full Chapter
PDF Solution Manual For Introduction To Seismology 3Rd Edition Peter M Shearer Online Ebook Full Chapter
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Chapter 2
Exercise solutions
1. Assume that the horizontal components of the 2-D stress tensor are
τ= ττxx yx ττxy yy = - -30 20 - -20 40 MPa
(a) Compute the normal and shear stresses on a fault that strikes 10◦
east
of north.
cos 10◦ = 0.9848, sin 10◦ = 0.1736, thus fault parallel vector ^f =
(0.1736,
0.9848), fault normal vector ^n = (0.9848, -0.1736). The traction on the
fault plane is given by
t(^n) = τ^n = - -30 20 - -20 40 -00::9848 1736 = - -26 12: :07 75 MPa:
and
tN = t · ^n = (-26:07; -12:75) · (0:9848; -0:1736) = -23.46 MPa
tS = t · ^f = (-26:07; -12:75) · (0:1736; 0:9848) = -17.08 MPa
The fault normal compression is 23.46 MPa. The shear stress is 17.08
MPa.
(b) Compute the principal stresses, and give the azimuths (in degrees
east of
north) of the maximum and minimum compressional stress axes.
λ1 = -55:61 MPa, 38◦ E of N
λ2 = -14:38 MPa, 128◦ E of N
(solution computed using Matlab)
2. The principal stress axes for a 2-D geometry are oriented at N45◦ E
and
N135◦ E, corresponding to principal stresses of -15 and -10 MPa. What
are the
4 components of the 2-D stress tensor in a (x = east, y = north)
coordinate
system?
The eigenvector matrix is
N=
1
1 = 1==
p 2 pp2
2
1=p2 -1
2 CHAPTER 2. EXERCISE SOLUTIONS
Note that N = NT = N-1. The principal (diagonalized) stress tensor is
τP =
-
0 0-
1 10
5
which we can rotate to the stress tensor in E-N coordinates as
τ= NτP NT = --12 2::55 --12 2::55 MPa
3. Figure 2.5 shows a vertical-component seismogram of the 1989 Loma
Prieta
earthquake recorded in Finland.
(a) Estimate the dominant period, T , of the surface wave from its first
ten
cycles. Then compute the frequency f = 1=T .
There are about 8 peaks in 200 s so the period, T , is about 25 s . The
frequency, f, is 1/25 = 0.04 Hz .
(b) Make an estimate of the maximum surface-wave strain recorded at
this
site. Hints: 1 micron = 10-6 m, assume the Rayleigh surface wave phase
velocity at the dominant period is 3.9 km/s, remember that strain is
@uz=@x,
Table 3.1 may be helpful.
The amplitude A = 300 microns = 3 × 10-4 m. The wavelength Λ = cT =
(3.9 km/s)(25 s) = 97.5 km = about 100 km = 1 ×105 m. The
wavenumber
k = 2π=Λ = 0:0628/km = 6:28 × 10-5/m. We can approximate
displacement
as a harmonic wave as ux = A sin(kx). Strain = @ux=@x = kA cos(kx) so
the
maximum strain occurs when cos = 1 and is Ak = (3 × 10-4)(6:28 × 10-5)
=
1:9 × 10-8 .
Note that this value is halved if we express this in terms of the strain
tensor,
i.e.,
emax ≈
1
0 10
0 0-8
-8
4. Using Equations (2.4), (2.23), and (2.30), show that the principal stress
axes
always coincide with the principal strain axes for isotropic media. In
other
words, show that if x is an eigenvector of e, then it is also an eigenvector
of τ.
We can show that the principal strain axes coincide if we prove that if x
is an
eigenvector of the strain tensor e then it also must be an eigenvector of
the
stress tensor τ, that is if
eijxj = αxi
then
τijxj = α0xi
3
Using the isotropic stress/strain relation τij = λekkδij + 2µeij (equation
2.29),
we have
τijxj = λekkδijxj + 2µeijxj
= λekkxi + 2µαxi
= (λekk + 2µα)xi
= α0xi (2.1)
where α0 = λekk + 2µα. This completes the proof.
5. From Equations (2.34) and (2.35) derive expressions for the Lam´e
parameters
in terms of the seismic velocities and density.
µ = ρβ2
λ = ρ(α2 - 2β2)
6. Seismic observations of S velocity can be directly related to the shear
modulus
µ. However, P velocity is a function of both the shear and bulk moduli.
For
this reason, sometimes seismologists will compute the bulk sound speed,
defined
as:
Vc = rκρ (2.2)
which isolates the sensitivity to the bulk modulus κ.
(a) Derive an equation for Vc in terms of the P velocity, α, and the S
velocity,
β.
We have
Vc = rκρ
We need to solve for κ in terms of α and β. We have from the P and S
velocity
definitions:
λ + 2µ = ρα2
µ = ρβ2
λ = ρ(α2 - 2β2)
The bulk modulus κ = λ + 2=3µ and thus
κ = ρ(α2 - 2ρβ2 + 2=3ρβ2)
= ρ(α2 - 4=3β2)
and thus
Vc = rα2 - 4 3β2
4 CHAPTER 2. EXERCISE SOLUTIONS
(b) For the specific case of a Poisson solid, express Vc as a fraction of the
P
velocity.
For a Poisson solid, α = p3β, so β2 = 13α2. Substituting into our result
from
(a), we have
Vc = rα2 - 4 9α2 = αr9 9 - 4 9 = p35α = 0:745 α
7. What is the P /S velocity ratio for a rock with a Poisson’s ratio of 0.30?
Starting with equation (2.36), we have
σ=
(α=β)2 - 2
2(α=β)2 - 2
2σ(α=β)2 - 2σ = (α=β)2 - 2
2 - 2σ = (α=β)2 - 2σ(α=β)2 = (α=β)2[1 - 2σ]
αβ
= s2 1 - - 2 2σ σ
αβ
= s2 1 - - 0 0: :6 6 = r1 0: :4 4 = p3:5 = 1.87 for σ = 0:30
8. A sample of granite in the laboratory is observed to have a P velocity of
5.5
km/s and a density of 2.6 Mg/m3. Assuming it is a Poisson solid, obtain
values
for the Lam´e parameters, Young’s modulus, and the bulk modulus.
Express
your answers in pascals.
For a Poisson solid, β = α=p3 = 3.1754 km/s for α = 5.5 km/s. From
Exercise
2.5, we have
λ = ρ(α2 - 2β2) = 2:6(5:52 - 2(3:1754)2)
λ = 26:22Mg
m3
km2
s2
106m2
km2
103kg
Mg
λ = 26:22 × 109 kg
m s2
λ = 26:22 GPa
and
µ = ρβ2 = 2:6(3:1754)2
µ = 26:22 GPa
Note that λ = µ as should be the case for a Poisson solid. The Young’s
modulus is given by
since λ =
E = λ + µ = 2:5µ
µ
(3λ + 2µ)µ
5
E = 65:55 GPa
The bulk modulus is given by
κ=λ+2
3
µ=
53
µ
κ = 43:7 GPa
Summarizing, we have: λ = µ = 26.22 GPA, E = 65.55 GPa, κ = 43.7 GPa .
9. Using values from the PREM model (Appendix 1), compute values for
the
bulk modulus on both sides of (a) the core{mantle boundary (CMB) and
(b)
the inner-core boundary (ICB). Express your answers in pascals.
The bulk modulus is given by
κ=λ+2
3
µ
From Exercise 2.5 we have µ = ρβ2 and λ = ρ(α2 - 2β2) and thus
κ = ρ(α2 - 4
3
β2)
From the PREM model in the Appendix, we can thus construct a table
with
the κ values:
Vp CMB
den kappa
13.7 Vs top
5.5 657
2 7.2 CMB
7 Gpa
8.06 6 bot
9.9 643
10.3 0 ICB
0 GPa
6 0 top
12. 1306
11.0 3.5 ICB
17 GPa
3 bot
12. 1344
76 GPa
10. Figure 2.6 shows surface displacement rates as a function of distance
from the
San Andreas Fault in California.
(a) Consider this as a 2-D problem with the x-axis perpendicular to the
fault
and the y-axis parallel to the fault. From these data, estimate the yearly
strain (e) and rotation (Ω) tensors for a point on the fault. Express your
answers as 2 × 2 matrices.
Each year, @y=@x ≈ 43 mm / 50 km = (43 × 10-3 m) / (50 × 103 m) =
0:86×10-6 = 8:6 × 10-7/yr . This is the only non-zero partial derivative
in the J matrix. We thus have
J = 0 0 0θ = e + Ω = θ=02 0 θ=2 + -θ= 0 2 0 θ=2
where θ = @y=@x = 8:6 × 10-7 and thus
e = 4:3 ×0 4 10-7 :3 ×010-7
6 CHAPTER 2. EXERCISE SOLUTIONS
and
Ω = 4:3 ×010-7 -4:3 ×0 10-7
(b) Assuming the crustal shear modulus is 27 GPa, compute the yearly
change in the stress tensor. Express your answer as a 2 × 2 matrix with
appropriate units.
τ= 2:3 ×0 2 104 :3 ×0 104 Pa
(c) If the crustal shear modulus is 27 GPa, what is the shear stress across
the fault after 200 years, assuming zero initial shear stress?
4:6 × 106 Pa (4.6 MPa)
(d) If large earthquakes occur every 200 years and release all of the
distributed
strain by movement along the fault, what, if anything, can be inferred
about the absolute level of shear stress?
The absolute shear stress across the fault before the earthquake must be
at least 4.6 MPa, but it could also be much bigger, depending upon how
large the stress drop is relative to the absolute stress. The involves the
frictional properties of the fault, and is discussed in Chapter 9. (Note:
this question is to get students to think or do research|the answer is not
in the chapter)
(e) What, if anything, can be learned about the fault from the observation
that most of the deformation occurs within a zone less than 50 km wide?
Vertical strike-slip faults like the San Andreas are typically modeled as
a locked zone (where the earthquakes occur) above a creeping zone at
depth. The width of the deformation zone is proportional in some sense
to the depth of the locked zone. (Note: this question is to get students
to think or do research|the answer is not in the chapter.)
11. Do some research on the observed density of the Sun. Are the high
sound
velocities in the Sun (see Fig. 1.6) compared to Earth’s P velocities
caused
primarily by low solar densities compared to the Earth, a higher bulk
modulus
or some combination of these factors?
The average solar density is about 1.4 g/cc, compared to 4 to 5 g/cc in
Earth’s
mantle. This would make solar velocities higher by about a factor of p3 ∼
1:7.
But the average solar P velocity is about 50 times higher than in Earth, so
the
more important difference is that the bulk modulus, κ, is much higher for
the
Sun. Students can make this more complicated by trying to take into
account
the velocity depth dependence, but I was just looking for a rough
estimate
based on average properties.
7
12. The University of California, San Diego, operates the Pi~non Flat
Observatory
(PFO) in the mountains northeast of San Diego (near Anza). Instruments
include high-quality strain meters for measuring crustal deformation.
(a) Assume, at 5 km depth beneath PFO, the seismic velocities are α = 6
km/s and β = 3:5 km/s and the density is ρ = 2:7 Mg/m3. Compute
values for the Lam´e parameters, λ and µ, from these numbers. Express
your answer in units of pascals.
From the solution to Exercise 5, we have
λ = ρ(α2 - 2β2) = 2:7(6:02 - 2(3:5)2)
λ = 31:05Mg
m3
km2
s2
106m2
km2
103kg
Mg
λ = 31:05 × 109 kg
m s2
λ = 31:05 GPa
µ = ρβ2 = 2:7(3:5)2
µ = 33:07 GPa
Summarizing, λ = 31.05 GPa, µ = 33.07 GPa .
(b) Following the 1992 Landers earthquake (MS = 7:3), located in
southern California 80 km north of PFO (Fig. 2.7), the PFO strain meters
measured a large static change in strain compared to values before the
event. Horizontal components of the strain tensor changed by the
following amounts: e11 = -0:26×10-6, e22 = 0:92×10-6, e12 = -0:69×10-6.
In this notation 1 is east, 2 is north, and extension is positive. You may
assume that this strain change occurred instantaneously at the time of
the event. Assuming these strain values are also accurate at depth, use
the result you obtained in part (a) to determine the change in stress
due to the Landers earthquake at 5 km, that is, compute the change in
τ11, τ22, and τ12. Treat this as a two-dimensional problem by assuming
there is no strain in the vertical direction and no depth dependence of
the strain.
From (2.30), we have
τ= λ tr[e2] + 2 µe21µe11 λ tr[e2] + 2 µe12µe22
Given the Landers strain changes of e11 = -0:26×10-6, e22 = 0:92×10-6,
e12 = -0:69 × 10-6, then tr[e] = 0:66 × 10-6 and
τ= -45600 81300 3300 -45600 Pa
or τ11 = 3:3 × 103 Pa, τ22 = 8:13 × 104 Pa, and τ12 = -4:56 × 104 Pa
(c) Compute the orientations of the principal strain axes (horizontal) for
the
response at PFO to the Landers event. Express your answers as azimuths
(degrees east of north).
8 CHAPTER 2. EXERCISE SOLUTIONS
The strain tensor is
- -0 0: :26 69 0 -0::92 69 × 10-6
The solution to the eigenvalue problem for this matrix gives orientations
of principal strains as N65◦ E and N155◦ E (or N25◦ W) .
(d) A steady long-term change in strain at PFO has been observed to
occur in
which the changes in one year are: e11 = 0:101×10-6, e22 = -0:02×10-6,
e12 = 0:005×10-6. Note that the long-term strain change is close to
simple E{W extension. Assuming that this strain rate has occurred
steadily
for the last 1,000 years, from an initial state of zero stress, compute the
components of the stress tensor at 5 km depth. (Note: This is probably
not a very realistic assumption!) Don’t include the large hydrostatic
component of stress at 5 km depth.
From (2.30), we have
τ= λ tr[e2] + 2 µe21µe11 λ tr[e2] + 2 µe12µe22
Given the 1000 year strain changes of e11 = 0:101 × 10-3, e22 = -0:02 ×
10-3, e12 = 0:005 × 10-3, then tr[e] = 0:081 × 10-3 and using λ = 31:05
GPa and µ = 33.07 GPa from 2.6a we have
τ= 9 0: :20 0 33 1::19 33 MPa
(e) Farmer Bob owns a 1 km2 plot of land near PFO that he has fenced
and
surveyed with great precision. How much land does Farmer Bob gain or
lose each year? How much did he gain or lose as a result of the Landers
earthquake? Express your answers in m2.
Use tr[e] as a measure of area change. Each year, tr[e] = 0:081 × 10-6 so
Farmer Bob gains 0.081 m2 of land each year .
For Landers tr[e] = 0:66 × 10-6 so
Farmer Bob gained 0.66 m2 of land following the Landers earthquake .
(f) (COMPUTER) Write a computer program that computes the stress
across
vertical faults at azimuths between 0 and 170 degrees (east from north,
at 10 degree increments). For the stress tensors that you calculated in
(b)
and (d), make a table that lists the fault azimuth and the corresponding
shear stress and normal stress across the fault (for Landers these
are the stress changes, not absolute stresses). At what azimuths are the
maximum shear stresses for each case?
9
(g) (COMPUTER) Several studies (e.g., Stein et al., 1992, 1994; Harris and
Simpson, 1992; Harris et al., 1995; Stein, 1999; Harris, 2002) have
modeled the spatial distribution of events following large earthquakes by
assuming that the likelihood of earthquake rupture along a fault is
related
to the Coulomb failure function (CFF). Ignoring the effect of pore fluid
pressure, the change in CFF may be expressed as:
∆CFF = ∆jτsj + µs∆τn;
where τs is the shear stress (traction), τn is the normal stress, and µs is
the coefficient of static friction (don’t confuse this with the shear
modulus!). Note that CFF increases as the shear stress increases, and as
the compressional stress on the fault is reduced (recall in our sign
convention that extensional stresses are positive and compressional
stresses
are negative). Assume that µs = 0:2 and modify your computer program
to compute ∆CFF for each fault orientation. Make a table of the
yearly change in ∆CFF due to the long-term strain change at each fault
azimuth.
(h) (COMPUTER) Now assume that the faults will fail when their
longterm CFF reaches some critical threshold value. The change in time
to
the next earthquake may be expressed as
∆t = CFF1000+L - CFF1000
CFFa ;
where CFFa is the annual change in CFF, CFF1000 is the thousand year
change in CFF, and CFF1000+L is the thousand year + Landers change
in CFF (note that CFF1000+L 6= CFF1000 + CFFL). Compute the effect
of the Landers earthquake in terms of advancing or retarding the time
until the next earthquake for each fault orientation. Express your answer
in years, using the sign convention of positive time for advancement of
the next earthquake and negative time for retardation.
10 CHAPTER 2. EXERCISE SOLUTIONS
Results for parts f{h are given in the following table:
----Landers-- Annual
-- (*1000)
L
/a
2
dt
tau- tau- CFF- CFF 1.
tau-n -
s n L -a 3
3294. 20.
330. 919 463 217 1
0 7
7 6.2 02.3 0.0 7.
2125 -
azi tau-s 167 884 604 344 5
8.7 15.
0 -45643.5 9.6 1.7 91.1 7.9 1
4176 1
10 -56239.4 282 804 684 443 5.
4.0 -
20 -60052.0 5.9 7.3 04.8 5.3 4
6233 11.
30 -56621.4 363 690 690 501 1
6.7 7
40 -46361.5 1.3 8.7 88.8 3.0 3.
8049 -
50 -30509.7 399 556 624 511 8
5.3 8.8
60 -10977.9 8.7 3.4 60.5 1.4 1
9404 -
388 417 493 471 2.
9.8 5.9
3.8 3.4 19.6 8.5 2
1013 -
330 290 312 388 1
65.2 2.5
0.5 6.6 51.0 1.9 0.
2.4
5
8.
1
70 9877.9 101559.1 2319.1 1915.8 30189.8 2702.3 11.2 11.2
80 29542.3 94608.3 1058.0 1320.3 48464.0 1322.0 36.7 36.7
90 45643.5 81351.0 -330.8 1192.0 61913.7 569.2 -51.6 108.8
100 56239.4 63386.3 -1679.6 1546.5 68916.6 1988.9 -21.9 34.7
110 60052.0 42881.0 -2825.9 2341.0 68628.2 3294.0 -15.6 20.8
120 56621.4 22308.3 -3631.3 3479.5 61083.1 4327.2 -12.1 14.1
130 46361.5 4149.6 -3998.7 4824.9 47191.4 4963.7 -9.2 9.5
140 30509.6 -9404.8 -3883.8 6214.8 28628.7 5126.8 -6.3 5.6
150 10977.9 -16720.2 -3300.5 7481.6 7633.9 4796.8 -3.0 1.6
160 -9877.9 -16914.1 -2319.1 8472.5 6495.1 4013.6 1.6 1.6
170 -29542.3 -9963.3 -1058.0 9068.0 27549.7 2871.6 9.6 9.6
(i) No increase in seismicity (small earthquake activity) has been
observed
near PFO following the Landers event. Does this say anything about the
validity of the threshold CFF model?
Maybe! (another food for thought question to get students thinking, with
no simple answer)
Another random document with
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emphasis, humour of anecdote, and at times with a charming
sentimental music of speech. They say what everyone present would
regard as the right thing to say, and they say it very much better than
anybody else on the platform could say it. He is a spokesman, not a
discoverer. His freshness is that of a man who furnishes what is
already known rather than of one who adds to the stock of
knowledge. That he has also the gifts of the writer who can add to
the stock of knowledge is shown by his humorous, fascinating and
amiable portrait of Lord Randolph Churchill. Here he speaks for
himself, not for the meeting. Lord Randolph is as real to him as a
character in fiction, with his spell, his impudence and his disaster. As
we read this story we feel that, if he cared, Lord Rosebery might
write a book of reminiscences, telling with detached frankness the
whole truth about himself and his great associates, which would
have an immortal place in English biographical literature. For the
present, however, we must be content that there should be someone
who can speak the general mind on Burns and Burke, on Oliver
Cromwell and Dr. Johnson, with a hint of majesty and a lulling
charm.
Certainly, he reveals no secrets that are not open secrets about
his heroes. He is continually asking “What is his secret?” and the
answer is usually a little disappointing, a little exiguous in surprise,
when it comes. Thus he tells us that the secret of Burns “lies in two
words—inspiration and sympathy.” That is true, but it leaves Burns
smooth as a statue. Burns appeals to us surely, not only through his
inspiration and sympathy, but as the spirit of man fluttering
rebelliously, songfully, satirically, against the bars of orthodoxy.
Scotsmen revere him as the champion of human nature against the
Levites. His errors, no doubt, were as gross as those of the Levites,
but human nature turns affectionately to those who protest on its
behalf against tyranny, and Burns with all his sins, was a liberator.
When he comes to Burke, Lord Rosebery again asks, “What is his
secret?” “The secret of Burke’s character,” he says, “is this, in my
judgment—that he loved reform and hated revolution.” This, again,
leaves Burke with the eyes of a statue. We shall understand the
secret of Burke much better if we see him as a man who had far
more passionate convictions about the duties than about the rights of
human beings. He believed in good government and in good
citizenship, but he was never even touched by the Utopian dream of
the perfectibility of man. Lord Rosebery, indeed, brings the figures of
the dead to life, not in his interpretation of their secrets, but usually in
some anecdote that reminds us of their profound humanity.
His happiest speeches, as a result, are about great men whose
private lives have already been laid bare to all the world. When he
has to speak on Thackeray, whose life still remains half a secret, he
devotes more space to literary criticism, and Thackeray remains for
the most part an effigy hung with wreaths of compliments. It is the
fashion nowadays to speak ill of Thackeray, and Lord Rosebery’s
extravagances on the other side would tempt even a moderate man
into disparagement. He refers to Thackeray as “the giant whom we
discuss to-day.” There could not be a more inappropriate word for
Thackeray than “giant.” One might almost as well call Jane Austen a
“giantess.” Charlotte Brontë, as a young author coming under
Thackeray’s spell, might legitimately feel that she was in the
presence of a Titan. But a man may be a Titan to his contemporaries
and yet be no Titan in the long line of great authors. Thackeray, I am
convinced, is greatly underestimated to-day, but he will come back
into his own only if we are prepared to welcome him on a level
considerably below that of the Titans—below Dickens and Tolstoy,
below even Sterne. Not that Lord Rosebery finds nothing to censure
in Thackeray. Though he remarks that Vanity Fair “appears to many
of us the most full and various novel in the English language,” he has
no praise for “the limp Amelia and the shadowy Dobbin.” At the same
time, he turns aside his censures with a compliment. “The blemishes
of Vanity Fair exalt the book,” he declares; “for what must be the
merits of a work which absolutely eclipse such defects?” It is one of
the perils of oratory that it leads men to utter sentences of this kind.
They mean little or nothing, but they have the ring of amiability. On
the other hand, Lord Rosebery makes no concession to amiability in
his criticism of Esmond. “The plot to me,” he says, “is simply
repulsive. The transformation of Lady Castlewood from a mother to a
wife is unnatural and distasteful to the highest degree. Thackeray
himself declared that he could not help it. This, I think, only means
that he saw no other than this desperate means of extricating the
story. I cannot help it, too. One likes what one likes, and one dislikes
what one dislikes.” An occasional reservation of this kind helps to
give flavour to Lord Rosebery’s compliments. It gives them the air of
being the utterances, not of a professional panegyrist, but of a
detached and impartial mind. Thus he begins his eulogy of Dr.
Johnson with a confession that Johnson’s own writings are dead for
him apart from “two poems and some pleasing biographies.”
“Speaking as an individual and illiterate Briton”—so he makes his
confession. It is as though the tide withdrew in order to come in with
all the more surprising volume.
One thing that must strike many readers with astonishment while
reading these speeches and studies is that an orator so famous for
his delicate wit should reveal so little delight in the wit of authors. His
enthusiasm is largely moral enthusiasm. We think of Lord Rosebery
as a dilettante, and yet the dilettanti of literature and public life make
only a feeble appeal to him. He is interested in few but men of strong
character and men of action. His heroes are such men as Cromwell
and Mr. Gladstone. Is it that he is an ethical dilettante, or is it that he
is seeking in these vehement natures a strength of which he feels
the lack in himself? Certainly, as we read him, he casts the shadow
of a man who has almost all the elements of greatness except this
strength. He has been Prime Minister, he has won the Derby, he has
achievements behind him sufficient (one would imagine) to fill three
lives with success, and yet somehow we picture him as a brilliant
failure as we picture the young man who had great possessions.
These very Miscellanies bear the stamp of failure. They are the
praises of famous men spoken from a balcony in the Castle of
Indolence. They are graceful and delightful. But they are haunted by
a curious pathos, for the eyes of the speaker gaze wistfully from
where he stands towards the path that leads to the Hill Difficulty and
the pilgrims who advance along it under heavy burdens to their perils
and rewards.
VIII
MR. VACHEL LINDSAY
Mr. Lindsay objects to being called a “jazz poet”; and, if the name
implied that he did nothing in verse but make a loud, facetious, and
hysterical noise, his objection would be reasonable. It is possible to
call him a “jazz poet,” however, for the purpose not of belittling him,
but of defining one of his leading qualities. He is essentially the poet
of a worked-up audience. He relies on the company for the success
of his effects, like a Negro evangelist. The poet, as a rule, is a
solitary in his inspiration. He is more likely to address a star than a
crowded room. Mr. Lindsay is too sociable to write like that. He
invites his readers to a party, and the world for him is a round game.
To read “The Skylark” or the “Ode to a Nightingale” in the hunt-the-
slipper mood in which one enjoys “The Daniel Jazz” would be
disastrous. Shelley and Keats give us the ecstasy of a communion,
not the excitement of a party. The noise of the world, the glare, and
the jostling crowds fade as we read. The audience of Shelley or
Keats is as still as the audience in a cathedral. Mr. Lindsay, on the
other hand, calls for a chorus, like a singer at a smoking-concert.
That is the spirit in which he has written his best work. He is part
entertainer and part evangelist, but in either capacity he seems to
demand not an appreciative hush, but an appreciative noise.
It is clear that he is unusually susceptible to crowd excitement.
His two best poems, “Bryan, Bryan” and “The Congo,” are born of it.
“Bryan, Bryan” is an amazing attempt to recapture and communicate
a boy’s emotions as he mingled in the scrimmage of the Presidential
election of 1896. Mr. Lindsay becomes all but inarticulate as he
recalls the thrill and tumult of the marching West when Bryan called
on it to advance against the Plutocrats. He seems to be shouting like
a student when students hire a bus and go forth in masks and fancy
dress to make a noise in the streets. Luckily, he makes an original
noise. He knows that his excitement is more than he can express in
intelligible speech, and so he wisely and humorously calls in the aid
of nonsense, which he uses with such skill and vehemence that
everybody is forced to turn round and stare at him:
There are those who gibe at Punch. There are also those who gibe
at those who gibe at Punch. The match is a fairly even one. Punch is
undoubtedly not as good as it used to be, but it is not quite so certain
that it is not as clever as it used to be. Very few people realise that
Punch was once a good paper—that it was a good paper, I mean in
the Charles-Kingsley sense of the adjective. It began in 1841, as Mr.
C. L. Graves prettily says, by “being violently and vituperatively on
the side of the angels.” If Punch had kept pace with the times it
would, in these days, at the age of eighty, be suspected of Socialism.
Its championship of the poor against those who prospered on the
poverty of the poor was as vehement as a Labour speech at a street-
corner. One of the features of the early Punch was a “Pauper’s
Corner,” in which “the cry of the people found frequent and touching
utterance.” It was in the Christmas number of Punch in 1843 that
Hood’s “Song of the Shirt” was first published. Mark Lemon, the
editor, insisted on publishing it, though all his colleagues were
opposed to him on the point. In the following years we find the same
indignant sense of realities expressing itself in Leech’s cartoon, “The
Home of the Rick Burner,” which emphasised the fact that the cause
of an outburst of incendiarism in Suffolk was the greed of the farmers
who underpaid their labourers. Punch also took up the cause of the
sweated labourers in verse:
Nor did Punch shrink from looking a good deal higher than the fine
Old English Gentleman for his victims. He had a special, almost a
Lloyd Georgian, taste for baiting dukes. He attacked the Duke of
Norfolk with admirable irony for suggesting to the poor that they
should eke out their miserable fare by using curry powder. He made
butts in turn of the Duke of Marlborough, the Duke of Buckingham,
the Duke of Sutherland, the Duke of Richmond and the Duke of
Atholl. He did not spare even the Duke of Wellington. “The old
Duke,” he declared, “should no longer block up the great
thoroughfare of civilisation—he should be quietly and respectfully
eliminated.” It was in the same mood that the Marquis of
Londonderry was denounced both as a tyrannical coal-owner and an
enemy of the Queen’s English—“the most noble, but not the most
grammatical Marquis.” Punch’s view of the House of Lords is
expressed with considerable directness in his scheme for reforming
the Chamber, which begins:
Mr. Tomlinson has in that last sentence captured the ultimate secret
of a wet day in an African village. Even those of us who have never
seen Africa save on the map, know that often there is nothing more
to be said. Mr. Tomlinson, however, is something of a specialist in
bad weather, as, perhaps, any man who loves the sea as he does
must be. The weather fills the world for the seaman with gods and
demons. The weather is at once the day’s adventure and the day’s
pageant. Mr. Conrad has written one of the greatest stories in the
world simply about the weather and the soul of man. He may be said
to be the first novelist writing in English to have kept his weather-eye
open. Mr. Tomlinson shares Mr. Conrad’s sensitive care for these
things. His description of a storm of rain bursting on the African hills
makes you see the things as you read. In its setting, even an
unadorned and simple sentence like——
That is the farthest Mr. Tomlinson ever gets on the way towards
arrogance. He ignores Rome and Athens. They are not among the
ports of call of his imagination. He prefers the world that sailors tell
about to the world that scholars talk about. He will not write about—
he will scarcely even interest himself in—any world but that which he
has known in the intimacy of his imaginative or physical experience.
Places that he has seen and thought of, ships, children, stars, books,
animals, soldiers, workers—of all these things he will tell you with a
tender realism, lucid and human because they are part of his life. But
the tradition that is not his own he throws aside as a burden. He will
carry no pack save of the things that have touched his heart and his
imagination.
I wish all his sketches had been as long as “The African Coast.”
It is so good that it makes one want to send him travelling from star
to star of all those names that mean more to him than Byzantium.
One desires even to keep him a prisoner for a longer period among
the lights of New York. He should have written about the blazing city
at length, as he has written about the ferries. His description of the
lighted ferries and the woman passenger who had forgotten Jimmy’s
boots, remains in the memory. Always in his sketches we find some
such significant “thing seen.” On the voyage home from New York on
a floating hotel it is the passing of a derelict sailing ship, “mastless
and awash,” that suddenly recreates for him the reality of the ocean.
After describing the assaults of the seas on the doomed hulk, he
goes on:
A Russian critic has said that Tchehov had nothing to give his fellows
but a philosophy of hopelessness. He committed the crime of
destroying men’s faith in God, morals, progress, and art. This is an
accusation that takes one’s breath away. If ever there was a writer
who had a genius for consolation—a genius for stretching out a hand
to his floundering fellow-mortals—it was Tchehov. He was as active
in service as a professional philanthropist. His faith in the decency of
men was as inextinguishable as his doubt. His tenderness was a
passion. He was open-hearted to all comers. He never shut his door
either on a poor man needing medicine, or on a young man needing
praise. He was equally generous as author, doctor and reformer. He
who has been represented as a disbeliever in anything was no
disbeliever even in contemporary men of genius. His attitude to
Tolstoy was not one of idolatry, but it came as near being idolatrous
as is possible for a clever man. “I am afraid of Tolstoy’s death,” he
wrote in 1900. “If he were to die there would be a big, empty place in
my life.... I have never loved any man as much as him. I am not a
believing man, but of beliefs I consider his the nearest and most akin
to me.” In his gloomier moods he thought little enough of the work
either of himself or his younger contemporaries. “We are stale,” he
wrote; “we can only beget gutta-percha boys.” But this was because
he was on his knees before everything that is greatest in literature. In
a letter to his friend, Suvorin, editor of the Novoe Vremya, he wrote:
The writers, who we say are for all time or are simply
good, and who intoxicate us, have one common and very
important characteristic—they are going towards something
and summoning you towards it, too, and you feel, not with
your mind but with your whole being, that they have some
object, just like the ghost of Hamlet’s father, who did not come
and disturb the imagination for nothing. Some have more
immediate objects—the abolition of serfdom, the liberation of
their country, politics, beauty, or simply vodka, like Denis
Davgdov; others have remote objects—God, life beyond the
grave, the happiness of humanity, and so on. The best of
them are idealists, and paint life as it is, but, through every
life’s being soaked in the consciousness of an object, you
feel, besides life as it is, the life which ought to be, and that
captivates you.