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ICT Illustration9 Q4 LAS5 FINAL
ICT Illustration9 Q4 LAS5 FINAL
The TLE 9– ICT (Illustration) Activity Sheet will help you facilitate
the teaching-learning activities specified in each Most Essential Learning
Competency (MELC) with minimal or no face-to-face encounter between you
and learner. This will be made available to the learners with the
references/links to ease the independent learning.
2.Sadness
When we express sadness, the inner ends of the eyebrows are raised and
drawn together, which usually inclines the eyebrow. Horizontal skin
wrinkles develop on the center of the forehead only. The medial ends of the
folds covering the eye — that is, the ends nearer to the middle of the face —
are pulled up. The lateral parts of those folds, closer to the edges of the face,
are pulled down. The angles of the mouth are pulled down at the corners,
lengthening the “long face” of sadness.
3. Surprise
When our faces show surprise, the brows are
raised straight up and arched. The upper eyelids
are raised in more intense versions of surprise,
and the white above the iris shows. The lower jaw
drops with the mouth open, the lips relax, and the
face lengthens.
4.Fear
In fear, the brows are raised and drawn
together; they become straight and horizontal,
with a kink at the medial ends near the center of
the face. Wrinkles develop across the entire
forehead. The mouth is usually open. The entire
lower face widens and flattens, producing high,
rigid folds on the front and sides of the neck.
5.Anger
When our muscles express anger, the medial ends
of the eyebrows are pulled down and drawn
together. The nostrils flare; the mouth squares, exposing the teeth; the lips
tense; and the neck becomes engorged.
6. Disgust
The last emotion we’ll study here is disgust. In
this expression, the middle portion of each side of
the upper lip is pulled up, and the skin on the
bridge of the nose becomes wrinkled. The front of
the cheeks rise and bulge, and wrinkles develop
below the lower eyelid. Because the lower eyelid
is pushed upward by the rising cheek, the eye
opening becomes narrower. Extreme contraction
of these muscles will part the lips, exposing the
upper teeth. Facial expressions, like figure gestures, are fleeting. But with
knowledge of the underlying muscles and plenty of thoughtful practice, we
can draw them with conviction, widen our creative horizons and convey the
entire spectrum of human emotion.
Activity 1:
Direction: Name the facial expression being shown. Write your answer
on the space provided.
1. __________ 3. ___________
2. __________ 4. ____________
5. _______________
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V. Reflection
One of the many challenging aspects of drawing is that if you want to
learn how to draw a face, This is because faces showing different emotions
hardly look the same. The facial muscles can produce an almost infinite
number of expressions as they contract or relax. Some expressions are
emphatic, others subtle. True expressions are involuntary and convey the
emotions a person is feeling. False expressions do not; they can be used as a
mask or cover.
As an individual can you identify the different facial expressions?
What those expressions you identified means?
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Activity 1. Activity 3
Activity 2.
1. disgust Teachers Answers may
2. anger initiatives in vary.
3. surprise rating the
4. fear students Reflection
5. happiness output. Answers may
vary.