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Io - Chiang Mason
Io - Chiang Mason
Io - Chiang Mason
identity. I will be analyzing There, There by Tommy Orange, a novel first published in English,
and The Lying Life of Adults by Elena Ferrante, a novel first published in Italian. Through the
characters of Tony Loneman and Giovanna, I will analyze how external expectations in the
Opening with There, There by Tommy Orange, we are able to identify in protagonist Tony
Loneman two recurring motifs and sources of external expectation that have warped his
perception on identity; expectations having to do with his fetal alcohol syndrome (which he
refers to as his “Drome”), and expectations having to do with his Native American heritage.
Using my excerpt, I will analyze how Tony’s “Drome” is used as a metaphor to reflect how
Native American and their identities are subject to prejudices in contemporary society; being
demonized and viewed as intellectually lesser, reflecting how societal expectations affect Tony’s
self-image.
One way his “Drome” manifests is in facial deformities, which, when combined with his large
frame creates an intimidating aura. This is highlighted in lines 1-6 of my chosen extract, wherein
Tony deliberates about his experiences with his appearance. Specifically, in lines 4-6 Tony says
how his drome has “fucked with [him] since the day [he] found it there on the TV, staring back at
[him] like a fucking villain.” The authorial choice in using simile to liken Tony’s reflection to a
villain mirrors how Native Americans are viewed in contemporary society, and how that
prejudice impacts his self-image (hence the “looking at his reflection and seeing a villain”).
Furthermore, in lines 35-36 of my extract, Tony says “They look at me like I already did some
shit, so I might as well do the shit they’re looking at me like that for.” This further shows how
Tony allows others’ perceptions of him to affect his actions, which he insinuates to be of harmful
nature, ultimately warping his sense of identity to one that aligns with society’s expectation that
Another way Tony’s “Drome” has manifested is in his cognitive impairment. In lines 12-14,
Tony recollects feeling stupid due to his intelligence test scores; “They told me I’m stupid. Not
like that, they didn’t say that, but I basically failed the intelligence test. The lowest percentile.
The bottom rung.” The use of staccato when recalling his feelings of stupidity provides an
emphatic effect for his feelings, indicating how much his psyche was impacted by those results.
The staccato, however, is juxtaposed by the run-on sentences used lines 17-23, where his
counselor reassures him of his intelligence in ways not quantifiable by the test. The utilization of
run-on sentences symbolizes the freedom felt by Tony after he feels like he has the capacity for
intelligence, directly juxtaposing the restriction he had previously indicated. The use of
juxtaposition in this section creates contrast to highlight the impact of external expectations,
directly tying in to my global issue. This also reflects how Native Americans are unfairly
discriminated against and viewed as having lesser intelligence, which impacts how Tony views
Analyzing the text as a whole, I will explore how cultural attitudes toward Native Americans are
One recurring motif throughout the book is the dealing and consumption of narcotics and alcohol
substances. Tony Loneman recalls how he inadvertently started selling drugs when a couple of
white boys came up to him asking for cocaine; “I could tell that they were scared of being there,
in that neighborhood, from the way they kept their heads on a swivel, but they weren’t afraid of
me. It was like they thought I wasn’t gonna do some shit because of how I look. Like I’m too
slow to do some shit.” The scene created here uses metaphor and setting to parallel the drug trade
made between the white boys and Tony, to how the colonizers felt they could exploit the Natives
after entering Native land. Furthermore, Tony intuits that they look down on him, paralleling the
preconceptions of him by starting to deal drugs ties back into what he had said in my extract,
further supporting the idea that societal expectations can affect one’s perception of self.
Giovanna from The Lying Life of Adults. In the text, much of Giovanna’s identity revolves
around others’ perceptions of her, with great importance placed on beauty and the opinions of
Using my excerpt, I will analyze how the use of descriptive imagery by Giovanna when
describing her appearance shows the extent to which her perception of self is impact by others
A recurring theme throughout the literary work is Giovanna’s overemphasis on beauty standards.
After being compared to her Aunt Vittoria, a person whose appearance Giovanna knows little
about, yet one who her parents are filled with contempt for, thus thrusting her into insecurity
about her appearance. In lines 9-28, Giovanna gripes about every perceivable flaw enlightened to
her by her slip into insecurity. Through the presence of a long list and descriptive imagery we
can see how dramatically her father’s words had affected her perception of her beauty. Simile
and hyperbole are also used in abundance to convey how harshly she critiques herself, which is
best shown on lines 24-25; “the long neck that seemed as if it might break like the filament of a
spider web”. This adeptly shows the extent to which one sentence uttered by her father could
A core theme of the literary work is the reinvention of oneself during adolescence to become
more appealing. Through the analysis of the whole text through the lens of this theme, I will
explain how Giovanna’s identity formation is impacted by her desire to appeal to others and to
Giovanna appeals to others through her storytelling to Angela and Ida, where Giovanna reveals
about her Aunt Vittoria and embellishes to make it appear more interesting. Through her
fabrication of reality, Giovanna shows her desire to appeal to others. Ferrante’s use of recurring
motifs of beauty of honesty and the emphasis placed on them by her family illustrates the
significance of external expectations in that she alters her stories, her identity even to appeal to
The global issue matters especially in today’s society, where social media has increased the
importance we place on other’s opinions, and the quantity of people that affect you. Elena
Ferrante and Tommy Orange explore this issue through figurative devices such as metaphor and
symbolism, and through core themes exploring coming-of-age and identity formation,