STAGE MILEY CYRUS -FLOWER-MUSIC VIDEO YOUTUBE

SHOT 1 SHOT 2 SHOT 3 SHOT 4

SALIENT VISUAL FRAME

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SEMIOTIC RESOURCE
SPEECH “We were right till we weren’t “ “No remorse, no regret” “I can take myself dancing” “Yeah, I can love me better
than you can”
KINETIC FEATURES
 GAZE: Directed at the viewer Off the screen,looking at the Looking down while dancing Looking at the side
side upper portion
 BODY POSTURE: Straight and stiff Lying sideward She is dancing, both hand are Slightly bending forward wide
upward, the right foot is arms wide open. Head facing
slightly lifted from the ground sideward
GESTURE: Limited Movement, Straight Lying on the ground, the right Can move freely, raising both Twitching both hands, slightly
arm is in the side waist while hands, the body weight is on facing on the left side
the hand is on the hips, the the left foot
other hand is use to support
her head
CLOTHING/COSTUME
 MATERIAL: Mulberry Silk Lace Bikini,Polyester Wool Wool
 COLOR: Gold Black Black Black
CINEMATOGRAPHY

 LIGHTING: Low-key Lighting Daylight, Ambient Light Dark, Black Light Dark, Bounce Light
 CAMERA ANGLE: Shoulder Level Shot Mid Shot Wide Shot Medium Shot

SUBMITTED BY: RAEZIL ABADA, SHIELA ALIGARBES, VIANE MARIE JUANICO, KAYECEE SELIBIO, HUNCH
SUMAGAYSAY
 Flowers, is a fantastic tune and a pop anthem. Even though Cyrus admits that it was simple to write, there are still a lot of tasty

details included. The song mostly talks about confidence and self-empowerment. Making the most of things and moving on after a

split, but it also constantly pokes fun at the relationship she and Hemsworth shared. Here, we'll go into further detail and provide lyrics-

based instances.

The lyric” we were right till we weren’t “ . It appears to be discussing developing a relationship with someone when things are

going well and then something goes wrong eventually. The gold dress was actually the dress of the women her man cheated on her.

She wore that dress to expose the women behind her failed relationship. Matching the dress Miley wore a sunglasses, this sunglasses

signifies that she was blinded by her love that no matter how bright was the dress he wasn’t able to see what’s really happening. The

path she was taking implies that, despite the numerous gaps outside the grills, she was only able to move in one direction. It indicates

that, for the reason of her love for the man, he was unable to break free and had to push through. However, as she went on, she

managed to find a way out of the labyrinth that her love had created. Escaping was never a mistake as she said “no remorse, no

regrets” . She was happy. The eerie feeling in the first picture was exchange into a bright light of summer. She undresses herself,

which tells us that she already got his freedom from the pain she went through during her relationship. The last two pictures that

contains a lyrics “I can take myself dancing”, “I can love me better than you can”. Tells us that she doesn’t need him to do all those

things because she’s perfectly capable of doing them all herself. The lighting was dark, this represents the loneliness of being alone

but on the other hand you can see how she enjoys darkness around her. The suit that she was wearing symbolizes the power,

SUBMITTED BY: RAEZIL ABADA, SHIELA ALIGARBES, VIANE MARIE JUANICO, KAYECEE SELIBIO, HUNCH
SUMAGAYSAY
confidence the style that she carry outs without a man in her life. We all know that suits are known to be worn by Man but in this MV

she showcase that she can be her man on her own.

Flowers is ultimately about learning to love yourself, being content on your alone, and letting go of the need for the approval that

comes with romantic relationships. You don't need to be alone because you are capable of taking care of all those things for yourself.

Simply put, live it up, have fun, and have confidence in yourself. Flowers is a reminder that loving yourself can help you in that internal

journey toward happiness. In fact, you can think of self-love as a form of self-care.

SUBMITTED BY: RAEZIL ABADA, SHIELA ALIGARBES, VIANE MARIE JUANICO, KAYECEE SELIBIO, HUNCH
SUMAGAYSAY