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THE
GREAT
NOWITZKI
Basketball and the Meaning of Life
THOMAS PLETZINGER
translated by Shane Anderson
with photographs by Tobias Zielony
For my team:
Martha, Fritzi, Anna, and Bine
Singin’ they don’t make ’em like this anymore.
—DAVID BAZAN,
“The Ballad of Pedro y Blanco”
CONTENTS
Author’s Note
Acknowledgments
Bibliography
Index
THE
GREAT
NOWITZKI
The Finish Line
(PROLOGUE)
The book in your hands is not the standard sports book. It’s not a
training manual. It’s not an inspirational hagiography or a
motivational lecture. This book is the improbable story of Dirk
Nowitzki, a scrawny kid from Würzburg-Heidingsfeld, Germany, who
became a superstar in Dallas, Texas. Who became a citizen of the
world, an ambassador for a truly global game. Who played for the
same team for 21 years and became a legend in his sport. The Great
Nowitzki. A player who shaped and changed the game he loves.
Who achieved this with an almost inexplicable level of dignity, and
without ever betraying himself, his love for the game, or his respect
for people.
It’s also my story. The story of someone who failed at basketball
but never stopped loving it—loving what the game means. There are
many like me. Everyone who watched Dirk Nowitzki for all these
years, watching him as if he were an old teammate who went a step
farther than them. Those who still ask themselves how someone can
be so good at what they do, at the highest level, with unbelievable
stamina and focus. And those who ask why we couldn’t.
I’ve observed Dirk Nowitzki and the people around him—my
observations are totally subjective, with all the blind spots of the
participant observer; I’ve become enmeshed and fragmented. This
book is my quest to find the significance of Dirk Nowitzki, his
singularity, his precision, his accuracy. His meaning to the world, to
the game, and to me. This book is not a biography. This book is my
attempt to make sense of Dirk Nowitzki.
1
DIRK NOWITZKI
Our plane was now above the Great Lakes, the Midwest was on the
seat-back screen in front of me; next came the plateaus of Kentucky,
flyover country; and then, finally, there was Texas, with its oil
pumps, warehouses, and fields for miles. We were getting close.
There were two days until the game that would decide everything,
and I wandered around Dallas without meeting Nowitzki. It was
unclear when he would have time—if at all. The Mavericks were the
reigning champions, expectations were high, the agitation in the
press was intense. They were down 3–0; nerves were running thin. I
was under pressure—I had flown over 5,000 miles and I owed the
magazine a story about our meeting. I had hoped one thing would
lead to the next when I arrived in Dallas. I pestered the press office.
They reluctantly mentioned the possibility of a conversation.
When?
We’ll see.
I called Haile and drove around the city with him in his taxi. I
talked to barkeeps, librarians, drunken fans. Haile explained the city:
Love Field. The Latinos of Oak Cliff. The Mansions of Preston Hollow.
University Park. Oil and business. Mexicans and Colombians. Metallic
reflective windows downtown. I collected impressions and talked
about Dirk instead of with him. It was always the same: Dirk, Dirk,
Dirk, mayor of our hearts, Dirk is unbelievable, Dirk is friendly, Dirk is
one of us (everyone called him Dirk—pronouncing it like the
Americans do: “Durk,” with a U). At the arena, security greeted me
in German. Sometimes people started suddenly singing “We Are the
Champions.” Just like Nowitzki did on the balcony of the AAC after
the championship parade.
I went for runs around the golf course at Stevens Park, along the
Trinity River, past the giant prison and the bail bonds businesses. It
was hot, and sometimes the sidewalk ended abruptly—Dallas was
built for cars. There were feudal mansion districts, poor shacks,
highways and bridges and bridges galore. I didn’t talk to a single
person who didn’t know about Dirk, who didn’t have a personal story
to tell. Nor did I meet someone critical of Dirk, a Dirk hater (I would
only meet one seven years later—on the day of his final home
game). It seemed like the championship had silenced all his critics.
On the second morning, I got into a conversation with a parking
attendant named Shane Shelley in the hotel’s driveway. Shelley was
a lean man who moved like an ex-basketball player. He had three
jobs, three children, and a 60-hour work week. He had diabetes but
had grown used to it ages ago. As tall as me, six foot four, he had
been a shooting guard at Cedar Hill High School. These days, he
only played very rarely. The red polo shirt of his company—
MetroParking—fluttered on his body. He looked tired, but enthusiasm
kept him going. He was, he said, almost the exact same age as Dirk
Nowitzki—born on October 3, 1978, in Dallas, Texas.
Shane was on the morning shift this week. I was still on German
time, so we stood around, watching the shimmering Dallas skyline at
dawn. Sirens howled and we drank black coffee from paper cups.
Shane talked about the championship, because everyone here talked
about the championship with eyes that glistened. They talked about
their championship. About their Dirk. But unlike the other people I
talked to, Shelley could describe individual sequences to such a level
of detail that it felt like he had played in the game himself.
“I watched the playoffs in my living room,” he said. “The Mavs
lost the first game, and when Miami was up by 15 in Game 2 after
Dwyane Wade’s made three, I went to the fridge.” His wife was out
of the house; he sat alone in front of the TV, afraid that these Finals
would go down the drain the way they had in 2006. “I was so
depressed,” he said, “that I put a six-pack on the table.” Coors Light,
the diabetic’s beer of choice. Someone had to do something. And the
Mavs made a comeback as soon as he started drinking.
“I started drinking,” Shane said, “and the Mavericks turned the
game around.”
He dribbled an imaginary basketball around his parking attendant
stand, faked a shot, and turned—a make-believe reverse at dawn.
He knew that his story sounded unlikely, but he liked to tell it
because it had worked. Because his story was the truth. “My
daughter was asleep, I drank Coors Light, and the Mavericks won.”
Final score: 95–93. In Miami. Magical drinking.
The week after had been amazing. The Mavs lost Game 3
because Shane had to watch it in a bar with his friends, but then he
sat on his sofa with a six-pack for the rest. The final seconds of
Game 6 were very emotional. “On the verge of tears,” Shane said,
then threw his coffee cup into the garbage can with a perfect one-
legged fadeaway. “Have a nice morning,” he said. “Say hi to Dirk.”
But Nowitzki couldn’t be reached. Not even at the daily morning
practices, where journalists weren’t allowed to watch the team
prepare. We could hear instructions, shoes squeaking and balls
bouncing on the court, but a black curtain was blocking our view. We
stood under the stands and waited for the team to finish (90 percent
of the job is waiting: waiting for the locker room doors to open,
waiting for flights to take off, for games to be decided and for press
conferences to begin). When we were finally allowed into the arena,
Dirk was already long gone. I then watched the press pounce on his
fellow players Jason Kidd and Jason Terry. On Coach Carlisle. On
Vince Carter and on the bench players Brian Cardinal and Ian
Mahinmi.
The Oklahoma City Thunder players crept slowly through the
catacombs of the arena in slides and crumpled T-shirts. Their hair
was messy, they hadn’t shaved. Their whole shtick was a pose. The
young athletes limped like retirees; their gait was sluggish. “We just
woke up, but we could easily beat you in flip-flops.” But when they
stepped on the court, they were wide awake. They were focused
during their rituals, their shooting drills, their handshakes and signs
of respect. Coach Scott Brooks and his assistants had meticulously
prepared their young team for the older Mavericks. Durant, Harden,
and Westbrook were all brimming with confidence; Father Time was
on their side. They fooled around after practice, placed bets for
ridiculous sums on half-court shots, and treated the Oklahoma
journalists like old pals, ignoring the rest. Durant had his jersey
wrapped around his neck like a scarf. The Thunder were confident
that they would win.
The Mavericks, by contrast, had their backs to the wall—if they
lost the game tomorrow, they were gone. Jason Kidd acted calm, but
the stress could be felt. This wasn’t just about a playoff series, it was
about defending the championship—and about a ton of money.
Jason Terry hammered out rote phrases, but the tone wasn’t the
same as the year before. The aura was missing. The Dallas Morning
News called for the Mavs to rely on Dirk even more. While the other
Mavericks talked to the press, Nowitzki kept practicing in a secluded
gym. The team’s press staff strung me along the way they strung all
the other journalists along. “Dirk wants to focus,” they said. He
needed to concentrate. “He doesn’t talk,” Tomlin said. “He’s
shooting.”
Cathedral of Possibility
MAY 5, 2012
I WAS WAY TOO EARLYthe morning of the next game. No one was
standing guard at the delivery entrance, so I pressed against the
heavy metal door. It was unlocked. Nothing beeped, no alarm went
off. No one was in the stairwell, nobody in the catacombs.
Somewhere in the distance, empty bottles clattered; the air smelled
of cold popcorn. The lacquered concrete glistened as if it had been
freshly mopped for this big night. I slowly walked beneath the
retractable bleachers, shoved the black curtain aside, and entered
the arena.
It was dark inside; only the emergency lights were on. The air
conditioning hummed softly; it was cool, almost cold. Beneath the
hardwood was the ice rink for the Dallas Stars’ hockey games. I
walked to the edge of the court and was surprised by my glee. The
huge arena felt very different in the semi-darkness than a few nights
before, when the Mavs lost the game: six whole tiers up to the
ceiling, rows and rows of seats right to the edge of the court. The
huge jumbotron hung above the court, dark and gloomy; countless
speakers dangled from the ceiling on thin chains and wires. Way up
above, in the rafters, were banners bearing the retired numbers of
Rolando Blackman and Brad Davis, as well as the conference
championships, the division titles, and, above all else, the Mavericks’
championship banner:
2011 NBA Champions.
I was alone; only a couple of luxury boxes across the way had
their lights on. I looked around, then cautiously stepped onto the
court, my shoes squeaking and cracking on the painted wood. I
made my way across the court slowly—Betreten mit Straßenschuhen
verboten—no street shoes. It was quiet, but you could sense the
volume, the intensity. Tonight, the place would shine and sparkle
and thunder. I stopped at center court. If I had a ball, I would have
taken a shot—I would have made it; my dream from long ago would
have come true.
I climbed the stairs of the stands, step by step, higher and
higher. I pulled out my notebook in the darkness of the back rows.
The Mavericks’ court lay quiet beneath me. Empty stadiums are
sentimental places for basketball players. We know what it feels like:
the practice, the panting, the burning muscles. The sound of
squeaking shoes is in our ears, the sound of the ball going through
the net.
Swish. Swish. Swish.
Empty gyms are cathedrals of possibility. We imagine what could
be: decisive shots, big wins, the now gray and empty rows of seats
packed with people. I sat in the dark and peered at my memories, at
all the gyms, all the pain, the games that were lost. The happiness. I
wrote down how it could have been; I peered into another life. All
the dreams. If I would have been a different player, bigger, faster,
more flexible. Smarter, more levelheaded. Freer in my thinking, more
present in the moment, less caught up in the rote narratives: what
kind of player I was, what basketball meant, and how the game was
supposed to be played. About before and after and the moment in
between. The hardwood of the American Airlines Center shimmered.
Suddenly, the lights went on. Clack, clack, clack. Spotlights
bathed half of the court in cold blue. A skinny boy in a Mavericks
uniform pushed a ball rack across the court. He stopped in front of
the scorer’s table and carefully adjusted the rack. There were seven
balls on it. The boy took each one into his hands, threw it in the air,
rotated it, checked its pressure. The temperature of the lamps slowly
rose; the light got warmer. I stayed where I was sitting. I wasn’t
even there.
Then two figures emerged from the tunnel, one in rolled-up
training pants and a Mavericks uniform, the other in jeans and a
checkered shirt. Dirk Nowitzki and Holger Geschwindner. The coach
took off his jacket and hung it on a chair in the second row. Nowitzki
put down a water bottle on the sideline. He went to the scorer’s
table, took a ball, spun it on his hand, and decided on another. Then
they began.
He made almost every shot. Nowitzki shot with his right, with his
left, from the key, from midrange, threes from the left, the right, the
corner, out of pivots and spins, he wrapped the ball around his body,
tak, tak, tak, adjusted his footwork, tak tadamm, reacted to
imaginary defenders, faked—they were flying by like ghosts from the
past. Grothe. Kruel. The ghosts from the future. Ibaka, Collison. In
between: free throws. Free throws and more free throws.
Geschwindner fished the ball out of the net, over and over, and
only occasionally indicated what Nowitzki should do differently. He
gestured in an almost overly exaggerated manner: how he should
roll off his feet and spread his fingers, how his body should move
under the ball. From where I was sitting, I couldn’t hear a word they
were saying, or if they were even saying anything at all, but their
concentration could be felt all the way up here in the dark. The
transcendence of the moment. It was about the game tonight, the
outcome of this playoff series; it was about defending the
championship. It was about the past and the present and the years
that would come after. It was about the minuscule details—the body,
the angle, the placement of his fingers. Everything depended on this
moment, everything was at stake, and no one was watching. Just
me, hidden in the dark, notebook on my knees, watching Dirk
Nowitzki and Holger Geschwindner get ready.
3036 Mockingbird Lane