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tree, King Sound
XLIII 1. Carved boabab nut, King Sound. 2.
“Wanningi” from north-western Australia. 3.
Slate scrapers used by the extinct
Adelaide tribe for trimming skins 336
XLIV 1. Hand marks in cave, Port George IV, Worora
tribe. 2. Foot marks in cave, Port George
IV, Worora tribe 344
XLV 1. Cave drawings, Forrest River, north-western
Australia. 2. Decorating the body with
pipe-clay, Humbert River, Northern
Territory 352
XLVI Wordaman native with his body and head
decorated in imitation of skeleton and
skull, Victoria River, Northern Territory 356
XLVII 1. Cave drawings (kangaroo, etc.), Forrest
River, north-western Australia. 2. Cave
drawing of kangaroo, Forrest River, north-
western Australia 360
XLVIII Rock-drawings of archer fish (Toxotes),
Katherine River, Northern Territory 364
XLIX Ochre-drawings, Katherine River 368
L 1. Cave drawing of camel, north of Musgrave
Ranges, central Australia. 2. Cave drawing
of human figure, Glenelg River, north-
western Australia 376
LI 1. Ochre-drawings of mythic semi-human
creatures, Forrest River, north-western
Australia. 2. Sacred “Utnguringita” or
witchedy grub drawings, Emily Gap,
MacDonnell Ranges 384
LII Aluridja man rendering a musical
accompaniment with boomerangs 388
LIII Wordaman youth playing on the “drone pipe” or
“bamboo trumpet” 392
LIV 1. Making “vegetable down” by pounding grass 396
between two stones, Humbert River,
Northern Territory. 2. Worora native
making a stone spear-head, Northern
Kimberleys, Western Australia
LV 1. Wongapitcha man shaping a spear-thrower
with an adze. 2. Aluridja man scraping a
boomerang with a sharp stone flake 400
LIST OF FIGURES IN THE TEXT
No. Page
1. Map of Australia showing geographical distribution of
tribes 4
2. Peculiar “hand-like” feet of Berringin tribesman 11
3. Berringin women netting fish 130
4. Two Arunndta carvings of scenes in a dagger-duel 172
5. Types of spears 191
6. Sacred sun-design of the “Ilpalinja” ceremony 266
7. Stone phallus, Northern Kimberleys, Western Australia 284
8. Ochre drawing of “Kukadja” men, north of Wickham
River, Northern Territory 286
9. Charcoal drawing of a Kukadja man named
“Mongarrapungja” dancing at a sacred fire with an
ancestral female, Pigeon Hole, Victoria River 293
10. Rock carvings at Port Hedland 300
11. Rock carvings at Port Hedland 301
12. Rock carvings at Port Hedland 301
13. Sketch of reconstructed manus of Diprotodon
compared with tracing of carving of supposed
Diprotodon track at Yunta 307
14. Carved grave posts of Melville and Bathurst Islanders 310
15. Ochre drawing, Glenelg River, Western Australia 312
16. Carved crocodile design on boabab nut, Derby district,
Western Australia 313
17. “Dangorra,” the great emu in the southern sky 315
18. Boomerang with a number of emu designs carved upon
it, Pidunga tribe, Broome 317
19. Charcoal sketch of crows, Pigeon Hole, Victoria River 319
20. Pipe-clay cave-drawings of dancing figures, Humbert
River, Northern Territory 320
21. Charcoal drawing of hopping kangaroos, Pigeon Hole, 321
Victoria River
22. Bark-drawing depicting an eagle-hawk clawing and
tearing the carcass of a wallaby, Port Darwin 323
23. Pipe-clay drawing of man and dogs, Humbert River 324
24. Charcoal sketch of native hunting buffalo, Pigeon Hole,
Victoria River 325
25. Charcoal sketch of native spearing kangaroo, Pigeon
Hole, Victoria River 326
26. Carving depicting a quarrel between a man and his gin,
Arunndta tribe 328
27. Ochre-drawing of spear-boomerang duel, Arunndta
tribe 330
28. Charcoal sketch of ceremonial dance, Pigeon Hole,
Victoria River 332
29. Remarkable cave drawing, Glenelg River, N.W.
Australia 333
30. Pictograph of lizard, natural and conventional form 334
31. Normal, conventional, and emblematic representations
of turtle 335
32. Normal, conventional, and emblematic representations
of frog 335
33. Normal, conventional, and emblematic representations
of echidna 336
34. Conventionalized “Ladjia” or yam tjuringa pattern 337
35. A dog track 338
36. A kangaroo track 338
37. A rabbit track 339
38. Emu tracks 339
39. Pictographic representation of nesting emu 340
40. A lizard track 340
41. A snake or snake track 341
42. Human foot-prints and trail 342
43. “A man is tracking a rabbit.” Simple example of
pictography 344
44. Pictographic representation of emu hunt 344
45. Flying fox pattern 345
46. Conventional representation of hopping kangaroo 346
47. Crossed boomerangs, the symbolic representation of a
fight 347
48. Witchedy grub tjuringa, Arunndta tribe 348
49. Symbolic pictograph of kangaroo tjuringa, Arunndta
tribe 349
50. Symbolic pictograph of caterpillar tjuringa, Arunndta
tribe 350
51. Symbolic drawing of “native-pear totem,” Arunndta tribe 351
52. Ochre drawing and tree-carving of man with shield,
Humbert River 352
53. Human chain-pattern 353
54. Camps consisting of a man and his wife, and of eight
men 353
55. Anthropomorphous designs, carved on spear-throwers 354
56. Anthropomorphous design, carved on pearl-shell,
Sunday Island 355
57. Sign language of Arunndta tribe 391
CHAPTER I
INTRODUCTION TO AN AUSTRALIAN TRIBE
“... they drop behind our caravan, and, at a measured distance, in our trail.”
CHAPTER II
RACIAL CHARACTERISTICS
“We notice, when looking upon the figure of an aboriginal in profile, and
comparing it with that of an European in a similar position, a straightness of the
spine.”
This ancient custom of tree-climbing is not peculiar to the
Australians, but is adopted by most primitive races. It is very
probable, too, that the prehistoric races were to a large extent
arboreal, and made use of similar methods of tree-climbing. When
considering the evolution of the human foot, therefore, we will have
to remember that it has been to some extent influenced by the tree-
climbing factor, which, indeed, must be considered in the light of a
forerunning stage in the acquisition of the upright attitude by man.
In this primitive method of ascending trees, by which the head is
thrown so far behind, we see also a likely explanation of the greater
cervical curvature we have noticed in the aboriginal’s spine, when
one compares it with the European’s. We might even venture to say
that these processes originally brought about the lumbar curvature,
and thereby laid the foundation to the acquisition of the erect
posture, by means of which man learned to balance his head upon
the vertical spinal column. Then the foot, which had been to a great
extent modelled through his arboreal activities, stood man in good
stead, and he began to walk erect between the trees.
The foot skeleton of the Tasmanian shows a peculiarity, in which it
differs from that of the Australian on the mainland. Under normal
conditions, the heel-bone of the Australian, and of the European as
well, has a small elongation or process on the anterior side which
separates the two adjoining small bones, the cuboid and the talus,
from each other. But in the case of the Tasmanian the two small
bones named lie in juxtaposition. This phenomenon is only
occasionally noticed in Australian skeletons, and is quite exceptional
in European; it is abnormal even in the anthropoids.
The Australian’s legs are often the subject of comment, if not
ridicule; they are so thin and lanky. Even when the proportions of the
chest and trunk as a whole are good, the legs usually remain
unshapely. Even under the best of conditions, there is a paucity of
flesh both in thigh and calf; the lower portions of the limbs are in the
true sense of the word spindle-shanks.
Even the gluteal musculature is only moderately developed.
Sedentary life and cosmetic culture seem to have been the principal