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The Influence of Culture On Architectural Design
The Influence of Culture On Architectural Design
When we discuss the influence of culture on modern architecture, we often think about
Postmodernism. Postmodernism is the paradigm of cultural influence on architectural design in the history of
architecture. During this period which extends all through the second half of the 20th century, architects
viewed buildings as texts that have cultural meanings and importance behind. How does culture influence
architecture design? In this essay, we are going to see that cultural factors, including history, traditions, and
social norms, shape the design and construction of buildings and it happens through the use of traditional
One of the most apparent ways in which cultural norms impact architectural design is through the use
of traditional forms and styles. Architectural styles often reflect the prevailing culture, values, and historical
context of a society. A prime example is the Gothic architecture that emerged in Europe during the Middle
Ages. The towering cathedrals like the Notre Dame Cathedral in Paris, France, adorned with intricate
stained-glass windows and pointed arches were not only places of worship but also expressions of the spiritual
and cultural aspirations of the time (Simson, O. G. (1988). The Gothic Cathedral: Origins of Gothic
Architecture and the Medieval Concept of Order, Princeton University Press.). Similarly, the pagodas of East
Asia, with their distinctive tiered roofs and ornate decorations, exemplify the influence of cultural norms on
architectural forms (Cody, J. W., & Steinhardt, N. S. (2011). Chinese Architecture and the Beaux-Arts,
University of Hawaii Press.). In more recent times, cultural norms continue to shape architectural design. For
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instance, the sleek and minimalist designs of modernist architecture in the mid-20th century were influenced
by the desire for simplicity and functionality, reflecting the cultural values of the era: we can take as a witness
the sadly famous twin towers (World Trade Center), in New-York (Frampton, K. (1992). Modern Architecture:
A Critical History, Thames & Hudson.). In contrast, the resurgence of interest in vernacular architecture from
the 60’s the 21st century, known as postmodernism (mostly in developed countries, to fight the modernist
view), is characterized by a return to local and traditional building styles, is a testament to the enduring impact
of cultural traditions on design. A great example of this return to cultural norms is the Steinenberg Hotel in
Egypt, by Philip Johnson (Asquith, L., & Vellinga, M. (2006). Vernacular Architecture in the 21st Century:
Theory, Education, and Practice, Taylor & Francis.). Thus, architectural styles are not static; they evolve in
response to cultural shifts and societal preferences, perpetuating the interplay between culture and
architecture.
Materials used in architecture provide another canvas for cultural expression. The choice of materials
is influenced by factors such as climate, available resources, and cultural significance. For example, the use of
adobe in the construction of traditional Southwestern American Pueblos is not merely a matter of practicality
but a cultural legacy passed down through generations. Similarly, the warm and earthy tones of terracotta tiles
in Mediterranean architecture, in Venice, Marseille, Barcelona, Palermo… reflect the region's cultural
connection to the sun-drenched landscapes and historical traditions (Bell, V. B., & Rand, P. (2006). Materials
for Design, Princeton Architectural Press.). Furthermore, the utilization of modern materials can also be
influenced by cultural norms. The incorporation of sustainable and eco-friendly materials in contemporary
architecture is a response to the cultural shift towards environmental consciousness and responsible design.
Bamboo, for instance, is increasingly used in architecture due to its sustainability and its association with
Asian cultures, like on The Temple House at Green Village in Bali (Indonesia), that have long revered it for its
strength and versatility (Calkins, M. (2008). Materials for Sustainable Sites: A Complete Guide to the
Evaluation, Selection, and Use of Sustainable Construction Materials, Wiley.). These examples underscore
how the choice of materials in architecture is deeply rooted in cultural norms and environmental
considerations.
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Beyond form and materials, the very function of buildings is another aspect of architecture profoundly
influenced by culture. The purpose of a structure, whether it be a temple, a market, or a family home, is
intrinsically tied to the societal needs and cultural values of the community it serves. For instance, the Taj
Mahal in India is not just a mausoleum; it is a testament to love and the grandeur of Mughal architecture
(Williams, C. (1991). Art and Architecture –Taj Mahal– The Illumined Tomb: An Anthology of
Seventeenth-Century Mughal and European Documentary Sources. The Middle East Journal, 45(2), 353.). In
contrast, the design of modern skyscrapers, which emphasize efficiency and maximization of space, reflects
the fast-paced, urbanized, and commercially driven cultures of many Western societies (Ching, F. D. K.
(2014). Architecture: Form, Space, and Order, Wiley.). Mosques in non-Muslim countries, for example, are
designed to accommodate both religious rituals and cultural integration, symbolizing the harmonious
coexistence of cultures within a single architectural structure . As we saw in some cases, architecture serves as
a bridge between cultures, creating spaces that cater to the diverse needs of different communities.
In conclusion, we saw in this essay that actually, cultural norms, history, and traditions are intrinsic to
the very soul of architectural design. From the innovative postmodern creations like the Steinenberg Hotel in
Egypt that draw inspiration from the past to the age-old traditions that shape materials and form especially in
less developed countries of Asia (Indonesia, Vietnam, Malaysia…), architecture reflects culture's enduring
impact. The function of buildings, too, carries the imprints of cultural values and societal needs as we can see
with many mosques in western countries. As we traverse the diverse landscapes of architectural design
worldwide, cultures and its norms, traditions and history should be influencing the way we design, so it can be
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References :
Asquith, L., & Vellinga, M. (2006). Vernacular Architecture in the 21st Century: Theory, Education,
Bell, V. B., & Rand, P. (2006). Materials for Design, Princeton Architectural Press.
Calkins, M. (2008). Materials for Sustainable Sites: A Complete Guide to the Evaluation, Selection,
Cody, J. W., & Steinhardt, N. S. (2011). Chinese Architecture and the Beaux-Arts, University of
Hawaii Press.
Simson, O. G. (1988). The Gothic Cathedral: Origins of Gothic Architecture and the Medieval
Williams, C. (1991). Art and Architecture –Taj Mahal– The Illumined Tomb: An Anthology of
Seventeenth-Century Mughal and European Documentary Sources. The Middle East Journal, 45(2), 353.
Submitted to:
Date: 17/11/2023
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General Education Department
Student Undertaking
COURSEWORK ASSESSMENT- Essay Writing 15%
Weighting: 15%
Academic Honesty: Breaches of Academic Honesty will be treated with the utmost
seriousness. You are reminded the penalties for cheating or
plagiarism include dismissal from the CUD.
In accordance with CUD Academic Integrity & Honesty policy –
Art 14.8.2
• Students are required to refrain from all forms of academic
dishonesty as defined and explained in CUD procedures and
directions in the Undergraduate student handbook 2023-24.
• A student found guilty of having committed acts of academic
dishonesty may be subject to one or more of the disciplinary
measures as outlined in Article 14.8.2 of the Student and
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Signature: Rayan
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