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objects of foreign manufacture and those productions of the same
kind that were made at home; in many cases it requires the tact and
instinct of the archæologist to know one from the other. Such
faculties are always, in some degree, liable to err, while in many
cases it is very difficult to give reasons for the conclusions arrived at
by their exercise. The simplest way out of the difficulty has seemed
to us to describe these remains at the same time as the main
compositions to which they were formerly attached. But while we do
so we keep their doubtful character in mind; in our definition of the
style of Chaldæo-Assyrian sculpture we shall only have recourse to
them under great reserve, especially as the style in question is to be
amply studied without their help.
ROYAL STATUE
Louvre
J. Bourgoin, del. Imp. Ch.
Chardon Sulpis, sc.