Organ Sonata No.

4 in E minor, BWV 528

II. Andante



Johann Sebastian Bach

 
                           
           
                       
   

                  

          
 
            






                                             
                             

5


                    
    
    



         
   
                                      
     
8

   
       
          
                
        



                

              
          
                            
 
11

                   
                    
           




 
                                                    
                          
14


               
          
  

                                                              
       
17

 
    
                

     
   


 
                           
 
                       
                 
19

 
      
            
           




                  
            
       

             
              
22

   
          
     


 


                                                
     
                                   
24

                
  
                         
       
   
       


 
                       
  
                                          
28


        
                 




                                    
                            
         
31

      
             
       
 

2

                         
 
                            
     
34

 
                    
         



             

      
  
          
 
36

      
       
       


  

                            
   


 


38

           
    
    
      
   


 
  
    
                                   
     
             
39

   
  
      

   
    



 
   
                          
  
40

   
            

           
  
 


  
   


               
  
             
                                 
   

      
42

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