Department of Education DIVISION OF ORIENTAL MINDORO
SAMPAGUITA ELEMENTARY SCHOOL
Sampaguita, Victoria, Oriental Mindoro
A NARRATIVE REPORT ON THE 3-DAY LIVE-IN DIVISION SKILLS
ENHANCEMENT ON STORYBOOK WRITING August 16-18, 2023
The Schools Division Office of Oriental Mindoro - Curriculum Implementation Division
through the Learning Resource Management Section (LRMS) conducted a skills enhancement for the Key Stages 1 and 2 teachers who are writers or willing to write stories through the efforts of Sir Elmer P. Concepcion, Education Program Supervisor. The opening program started at 8 o’clock in the morning with the singing of the national anthem followed by a prayer. Sir Elmer P. Concepcion, gave the welcome remarks, oriented, and presented the participating schools. Moreover, he sends his message that we should produce quality books followed by the presentation program of activities, setting of purpose, and importance of stories given. He also gave new tips After this, Ms. Eleonor Q. Bicol, a Teodora Alonzo candidate from San Teodoro District, gave the participants the gist of joining the competition and shared her experiences on the national level. Sir Roswell O. Tolentino astoundingly introduced the lecturer to the 3-day live-in training, Sir Raymund Magno Gralitos, a bilingual poet, children’s book writer, and translator has won the Palanca Awards for Poetry in both Filipino (1998) and English (2000). His second children’s book, “Chenelyn! Chenelyn!” won the 2000 Gintong Aklat Award for Children’s Literature. His 3 rd children’s book, “Mga Lihim sa Gabi ni Ruming (Ruming’s Night Secrets)”, will come out by the middle of the year. The first day of the training covers the first topic, Introduction/Functions of Children’s Literature in the Philippines. According to Sir Rhandee, children's literature in the Philippines is a vibrant and diverse landscape, reflecting the country's rich culture and traditions. Stories often draw from local folklore, myths, and values, offering young readers a glimpse into the nation's heritage. Renowned authors like Genaro Gojo Cruz and Rene O. Villanueva have contributed immensely to the development of Filipino children's literature, fostering a sense of identity and pride among young readers. He also presented a brief history of children’s literature and the books that he wrote. The first day was great as it inspires us how to create a world that would add experience to a child the way they will enjoy life through stories. On the second day, Pinamalayan East District started the session with a prayer followed by the singing of a makabayan song, an energizer and a cheerful roll call of attendance. Each district chanted a description of themselves and stated their purpose for attending the seminar. After this, Sir Elmer introduced the screening committee members from SDO – Oriental Mindoro. The supposed to be second topic on the first day was introduced on the second day which is Profiling your target reader: Topics. Profiling target readers in storybook writing involves understanding your audience's age, interests, and preferences. This enables you to tailor the story's content, themes, and complexity to resonate with them. Sir Rhandee told us that just by creating relatable characters and situations, you can engage readers on a deeper level and make your story more impactful. He also said that a well-defined target reader profile helps shape the tone, language, and overall structure of your storybook. In the afternoon session, the third topic was Character Design and Story Pitching. Sir Rhandee explained that story design and character pitching are critical aspects of creating a captivating narrative. Story design involves crafting the overall structure, plot, and pacing of the story. Moreover, he said that it’s important to establish a clear beginning, middle, and end, as well as incorporate key plot points and conflicts to keep readers engaged. Character pitching, on the other hand, entails developing compelling and relatable characters. Each character should have a distinct personality, motivations, and arc that contribute to the story's development. By making characters relatable and multidimensional, readers are more likely to connect with them and become invested in their journeys. Ultimately, a well- designed story with carefully pitched characters ensures a captivating and memorable reading experience for your audience. The fourth topic was about Plotting Your Story: From Beginning to End. Sir Rhandee described plotting a story as structuring the narrative in a way that engages child readers and keeps them invested. Moreover, Sir Rhandee said that a well-plotted story maintains a balance between action, character development, and emotional arcs. By carefully crafting each phase of the plot, you create a satisfying and engaging reading experience from beginning to end. For the last topic for the day, Sir Rhandee showed us how to illustrate picture storybooks. Illustrating picture storybooks is a creative and collaborative process that brings the written narrative to life through visual elements. In illustrating picture storybooks, you need to understand the story, design the character, create a rough storyboard that outlines the sequence of illustrations for each page, consider composition, pacing, and how the illustrations flow with the text, choose an appropriate visual style that complements the story's tone, and page layout with a balance between text and illustrations. Sir Rhandee emphasized that picture book illustrations play a crucial role in engaging young readers and enhancing their understanding of the story. Likewise, a well-executed visual narrative complements the written word, creating a memorable and immersive reading experience. and Storyboarding. The second day was a jam pack of learnings about storybook writing. Likewise, I like how Sir Rhandee showed different children’s stories from different writers and creatively told those stories for us. One part of the training was a short activity of writing 1-2 sentences about our happiest and saddest experiences as a child. Sir Rhandee told us that this can be an inspiration in creating short stories for children because the real-life experiences of a child can be relatable for young readers too. Afterward, he chose some outputs and gave feedback and tips on how it can be an effective story for children. I was surprised when my happiest childhood memory was chosen by Sir Rhandee. It was about my childhood memories of playing with my friends and discovering the gumamela flower as “palobo” or bubbles. For me, the second day of training was like a candle that lit up my creative mind to think of out-of-this-world topics that would interest young minds and young-at-heart people like me. On that evening, after dinner, an amity hour was set. Each district showcased their talents followed by awarding a certificate and handing a simple token of gratitude to our lecturer Sir Raymund “Rhandee” Magno Garlitos from us participants. On the third and last day, the training started with an opening prayer by one of the participants followed by a Zumba dance and a roll call of attendees by district with a rhyming song/children’s songs. Sir Thervel Saez, one of the members of the screening committee and an English supervisor presented a topic on Fixing Possible Weaknesses in Writing (Story). He discussed how to spot and fix some of the writing weaknesses such as boring your readers to tears, lack of focus, lack of substance, dodgy flow, long-winded sentences, gobbledygook, misplaced jargon, fluff, and a bad sense of rhythm. He added that to be a good and skillful writer, you can become your own writing teacher and it is your task to spot your weaknesses. Most importantly, to encourage yourself to embrace your learning and have fun. Next to speak were Sir Elmer Alzarte, Mam Magdalena Lo, Mam Clarita Villaruel, and Mam Magdalena Morales. The program ended with the sharing of impressions of some teachers and awarding of certificates to the people behind making the event a successful one.