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Titlul: Attention Violinists: The Key to Masterful Performances Lies in
Technique! Are You Missing Out?

Acuma Formule Importante

1. Formulă
Intro –( introduc 2 personaje . ( Jeffrey și Adonis)
Jeffrey -El crede că tehnica la vioară nu contează, și crede că dacă se va ocupa 8 ore pe
lucrările lui, va reuși să aibă o performanță bună. În final, a venit examenul, și în pasajele pe care
le-a lucrat mult, oricum greșește în fața audienței și se face de rușine. Apoi el se întreabă de ce de
fiecare dată nu reușește.

Traducere

He believes that violin technique doesn't matter, and he thinks that if he spends 8 hours on his
pieces, he will manage to have a good performance. Finally, the exam came, and in the passages
he worked on a lot, he still makes mistakes in front of the audience and embarrasses himself.
Then he wonders why he never succeeds every time.

Adonis- Adonis nu îi plăcea să facă multe exerciții și scale pentru tehnica viorii, dar și-a
dat seama că dacă vrea să fie ca violoniștii virtuozi, trebuie să dedice cel puțin o oră pe zi pentru
exerciții și scale la vioară. Este normal că el are performanțe minunate și poate juca pasaje
dificile în diverse lucrări.

Traducere

Adonis didn't like to do many scales and exercises for technique, but he realized that if he
wanted to be like virtuoso violinists, he needed to dedicate at least an hour a day to scales and
various exercises on the violin. It's no wonder that he has wonderful performances and can play
difficult passages in different pieces.

Formula 2: spun o istorie de a mea, legat de tema

asta
("Îmi amintesc că nu-mi plăcea deloc să mă ocup de exerciții și scale la vioară; credeam că dacă
mă voi ocupa mult, voi reuși. Din cauza faptului că nu mi-am dezvoltat tehnica, nu eram capabil
să mă joc liber; când întâlneam un pasaj dificil, mă încordam foarte tare, și din cauza încordării,
acum fac fizioterapie și consult medici ca să-mi eliberez mușchii. Nu e glumă, din cauza acestor
probleme, am dezvoltat o scolioză gravă și o coastă mi s-a deplasat în stânga, de parcă eram
umflat. Și toți mușchii mei de la spate mă dureau după fiecare sesiune de practică. Și uneori
greșeam la examen nu din cauza emoțiilor, ci din cauza încordării atât de mari încât nu mai
puteam juca. Eu nu cred că vrei să ai astfel de probleme și să mergi la doctori. Dar te înțeleg,
poate că nimeni nu ți-a spus să te ocupi de tehnica corectă. Nu-ți face griji, căci dacă mă vei
asculta, eu îți voi da exerciții speciale și te voi ajuta să te eliberezi.")

Traducere

"I remember that I didn't like to practice with scales and exercises on the violin at all; I thought
that if I practiced a lot, I would succeed. Because I didn't develop my technique properly, I
wasn't able to play freely; whenever I encountered a difficult passage, I would tense up a lot, and
because of the tension, now I undergo physiotherapy and see doctors to release my muscles. It's
no joke, because of these issues, I developed a severe scoliosis, and a rib shifted to the left, as if I
were swollen. And all my back muscles hurt after every practice session. And sometimes I made
mistakes during exams not because of nerves, but because I tensed up so much that I couldn't
play anymore. I don't think you want to have such problems and go to doctors. But I understand
you, maybe no one told you to focus on proper technique. Don't worry, if you listen to me, I will
give you special exercises and help you release yourself." So, let's get started. By the way, I will
be making more videos on this topic and will share exercises and etudes that are very good for
technique in the upcoming videos. Therefore, please subscribe to become a subscriber and
receive updates from me. )
Dau sfaturi
"1: Scales

So, the point of practicing scales isn't just to reach the finish line. Scales are a mechanism; for
example, they help you develop better ear training and intonation, they teach you to control your
movements more effectively, and they make you pay attention to each note. There are many
types of scales and scale systems. One lesser-known scale system is the Albert Markov Violin
Method, which is very effective. I mention it here because it's straightforward and it will make
you a master of the instrument and improve your intonation. It's one of my favorite additions to
the typical scale system, the most well-known of which is the Gregorian. I'm sure your teacher
gave you scales from there. But until we only talk about Gregorian and Albert Markov, from
today onwards, warm up with a simple scale every day. It will only take you 5 minutes, and
you'll notice significant changes over time. Now, you might be wondering, which key should I
start with? A good place to begin is with the violin's major scales. The order in which you learn
them isn't as important as simply starting and feeling comfortable with the basic fingerings. Once
you've mastered a few major scales, you can move on to minor scales, chromatic scales, and
even more advanced patterns. Good luck! Let's move on to the next module.

2. Etudes
We can improve our intonation, sound production, musical understanding, expression, and
bowing technique using just a simple and beautiful etude. It doesn't matter if you're a
professional; these etudes will take you to another level of musical understanding, and I also like
them as warm-ups. Now, you might be wondering which etudes to practice. To start, I want you
to focus on not practicing difficult etudes. I want quantity, meaning, practice many of them and
learn them well. Maybe one of them could be challenging. Focus on quantity, and this will
develop your technique and surpass all your competition. As for etudes, I recommend two
composers: Kreutzer (Forty-two studies or caprices for the violin) and the next one will be
Russian etudes, specifically by Alexsey Yanshinov. I know you may not have heard of Alexsey
Yanshinov; he's lesser-known, and you might wonder why I recommend him over others. The
answer to this question is simple: These studies are unique in that they combine several great
qualities. They are very melodic, they are on the first position, they are musical and expressive,
they work on various aspects of technique intelligently, and they are perfect for varied bowings.
And these Russian etudes can be easily used as warm-ups, whether you're a professional or a
beginner. And don't think if you're a professional, you should only play difficult etudes; let go of
the arrogance. Sometimes you need to take a step back to come back even stronger. I will make a
separate video about etudes, playing and presenting them, and I'll provide you with the notes
online. But don't make excuses and don't waste time; just search on Google (6 etudes by Russian
pedagogue Alexsey Yanshinov pdf Download), and you'll find them, or you can even find them
in music libraries. Now, for Kreutzer, I'll give you a challenge: try to finish practicing all the
etudes and learn them well. But we'll do this step by step, so learn etudes numbers (15, 22, 33,
32, 2, 20, 2, 27, and 34). These etudes will train you in trills, double stopping, main bowing
problems, etc. Good luck! If you don't want to practice them, it's still not a problem; just choose
a set of etudes from Kreutzer that you like, and you'll notice changes. Play them all as warm-ups.
Success! Let's move on to the next module.

3. Exercises

I really love them, especially if I'm tired of scales and etudes; they fulfill me. And there's a whole
set of exercises that will help you feel a new level of ease and comfort across the entire
fingerboard. And now I want to introduce you to a great violin teacher and researcher, Samuel
Applebaum, from his series of exhaustive books "The Way They Play." I'll provide you with the
PDF online, but you can try to find it, and it will teach you a lot about various violinists and
violin exercises. And another set of exercises that I adore are Dounis' Violin Exercises. Dounis
will help you with finger independence, balance, clarity, stretching ability, as well as string
crossings. It's one of those exercises that is as challenging as you know. So, we have Samuel
Applebaum and Dounis. We'll only focus on these two violin researchers. I want you from now
on, every day to practice first a scale, then a simple etude, and then 2-3 exercises. If you do this,
you'll have freedom on the violin, and you'll notice changes over time. And here, we've
finished... so we have Scales - etudes - and finally exercises. Make yourself a regimen and a
practice system for the violin where you include at least 20-30 minutes for technique
development. I hope this video helped you; good luck with your work.
Videoclip nou
titlu copiat –( Transform Your Technique: The Ultimate Guide to Scales on
Violin!)

Intro hook: Adonis wakes up with the sunrise, seizing the day with unwavering
dedication to his craft. He begins each morning by immersing himself in three
invigorating scales, followed by meticulous arpeggios. As the sun ascends, Adonis
warms up his nimble fingers with a scale, laying the groundwork for a day of musical
exploration and refinement.

On the contrary, Jeffrey languishes in bed, reluctant to greet the dawn. While Adonis
embarks on his morning ritual of scales and arpeggios, Jeffrey remains ensconced in
slumber, dismissing the significance of technical exercises. Jeffrey, the skeptic, scoffs at
the notion that scales matter, dismissing them as mere formalities devoid of musical
merit.

Greetings, fellow musicians! I'm Music Majesty, a devoted violinist, and in this
comprehensive guide, we'll delve into the pivotal realm of scales, arpeggios, and double
stops on the violin. These fundamental exercises serve as the bedrock of technical
proficiency, and mastering them can profoundly elevate your playing prowess.

The Significance of Scale Practice

Amidst our pursuit of mastering complex repertoire pieces, it's imperative not to
overlook the importance of regular scale practice. I urge you to allocate a dedicated
portion of your practice routine—ideally 15 to 20 minutes daily—to immerse yourself in
the violinist's experimental laboratory. Here, scales serve as our testing ground for
refining technique, honing precision, and cultivating musical fluency.

Precision Over Speed: A Shift in Practice Paradigm

Traditionally, scale practice often emphasizes incremental speed escalation, starting slow
and gradually increasing tempo. While this approach undeniably fosters finger agility, it
can inadvertently perpetuate errors if precision is compromised in favor of velocity.
Instead, I advocate for a paradigm shift: prioritizing precision over speed during scale
practice sessions.

Practicing with Intention: Precision in Pitch

In our quest for technical mastery, precision of pitch reigns supreme. Playing in tune is
an enduring challenge for violinists, given the instrument's unforgiving nature. Even
minute discrepancies in finger placement can yield significant variations in pitch.
Therefore, our scale practice should revolve around meticulous attention to intonation.

Methodical Shift Practice: Building Muscle Memory

A common pitfall in scale practice lies in the temptation to hastily correct errors mid-
shift. While swift adjustments are indispensable during performance, habitual error
correction undermines the development of accurate muscle memory. Instead, adopt a
deliberate approach to shift practice, prioritizing slow, methodical movements.

Embrace the Slow Shift: A Path to Precision

In cultivating precise shifts, resist the urge to rush through passages or hastily correct
errors. Instead, embark on a deliberate journey of slow, deliberate shifting. Allow your
fingers to glide gradually until they reach the desired note, pausing to ensure accuracy
before proceeding. This intentional approach fosters ingrained muscle memory of
precise finger placement.

Leverage the Violin Lab: Slow and Steady Wins the Race

During scale practice, eschew the pursuit of speed in favor of meticulous precision.
Embrace the violinist's laboratory as a space for deliberate, methodical exploration. By
immersing yourself in slow, intentional practice, you lay the foundation for flawless
technique and unwavering precision in performance.

Trust the Process: From Lab to Stage

While it may initially seem counterintuitive, embracing slow, deliberate practice yields
profound dividends in performance settings. Just as acclimating to a new instrument
requires time and patience, so too does refining technique through deliberate scale
practice. Trust in the transformative power of intentional practice, knowing that
precision honed in the laboratory will seamlessly transition to the concert stage.

Conclusion: A Symphony of Precision and Mastery

In closing, scale practice stands as a cornerstone of technical excellence for violinists. By

prioritizing precision over speed and embracing deliberate, methodical practice, you lay
the groundwork for unparalleled mastery. As you embark on your journey of musical
refinement, remember the enduring wisdom: precision, cultivated in the laboratory of
scales, resonates harmoniously on the grand stage of performance.