Professional Documents
Culture Documents
Full Technical Communication A Practical Approach 8Th Edition Pfeiffer Solutions Manual Online PDF All Chapter
Full Technical Communication A Practical Approach 8Th Edition Pfeiffer Solutions Manual Online PDF All Chapter
https://testbankdeal.com/product/technical-communication-a-
practical-approach-8th-edition-pfeiffer-test-bank/
https://testbankdeal.com/product/practical-strategies-for-
technical-communication-2nd-edition-markel-test-bank/
https://testbankdeal.com/product/practical-strategies-for-
technical-communication-with-2016-mla-update-2nd-edition-markel-
solutions-manual/
https://testbankdeal.com/product/technical-communication-12th-
edition-markel-solutions-manual/
Technical Communication 14th Edition Lannon Solutions
Manual
https://testbankdeal.com/product/technical-communication-14th-
edition-lannon-solutions-manual/
https://testbankdeal.com/product/business-communication-
essentials-a-skills-based-approach-8th-edition-bovee-solutions-
manual/
https://testbankdeal.com/product/practical-strategies-for-
technical-communication-with-2016-mla-update-2nd-edition-markel-
test-bank/
https://testbankdeal.com/product/auditing-a-practical-
approach-3rd-edition-moroney-solutions-manual/
https://testbankdeal.com/product/auditing-a-practical-
approach-1st-edition-moroney-solutions-manual/
Another random document with
no related content on Scribd:
never mind about it, dear. It will all come right in the end. Don't you
worry your pretty head about it. Kiss me!"
She kissed him passionately.
III
IV
CHAPTER TWO
One dark dusk in November that was full of wind and fine rain
Speed stood up at his drawing-room window to pull down the blind.
But before doing so he gazed out at the dreary twilight and saw the
bare trees black and terrible beyond the quadrangle and the winking
lights of Milner's across the way. He had seen all of it so many times
before, had lived amongst it, so it now seemed to him, for ages; yet
to-night there was something in it that he had never seen before: a
sort of sadness that was abroad in the world. He heard the wind
screaming through the sodden trees and the branches creaking, the
rain drops splashing on the ivy underneath the window: it seemed to
him that Millstead was full that night of beautiful sorrow, and that it
came over the dark quadrangle to him with open arms, drenching all
Lavery's in wild and forlorn pathos.
He let the blind fall gently in front of his rapt eyes while the yellow
lamplight took on a richer, serener tinge. Those few weeks of
occupation had made the room quite different; its walls were now
crowded with prints and etchings; there was a sideboard, dull-
glowing and huge for the size of the room, on which silver and
pewter and cut glass glinted in tranquillity. Across one corner a baby-
grand piano sprawled its sleek body like a drowsily basking sea-lion,
and opposite, in the wall at right angles to the window, a large fire
lulled itself into red contentment with flames that had hardly breath
for an instant's flicker. But Speed left the window and stirred the
coals into yellow riot that lit his face with tingling, delicious half-tones.
In the firelight he seemed very tall and young-looking, with dark-
brown, straggling hair, brown, eager eyes that were almost black,
and a queer, sad-lipped mouth that looked for the present as if it
would laugh and cry in the same way. A leather-seated stool stood
by the fireside, and he dragged it in front of the open flames and sat
with his chin resting solemnly on his slim, long-fingered hands.
It was a Wednesday and Helen had gone with her mother to visit
some friends in the town and would not be back until, perhaps,
dinner-time. It was almost four o'clock, and that hour, or at any rate,
a few seconds or minutes afterwards, three youngsters would be
coming to tea. Their names were Felling, Fyfield, and Graham. All
were Juniors, as it happened, and they would be frightfully nervous,
and assuredly would not know when to depart.
Speed, liking them well enough, but feeling morbid for some
reason or other, pictured them plastering their hair down and
scrambling into their Sunday jackets in readiness for the ordeal. Poor
little kids! he thought, and he almost longed to rush into the cold
dormitories where they were preparing themselves and say: "Look
here, Felling, Fyfield and Graham—you needn't come to tea with me
this afternoon—you're excused!"
The hour of four boomed into the wind and rain outside. Speed
looked round to see if Burton had set the correct number of cups,
saucers and plates, and had obtained a sufficient quantity of cake
and fancy pastry from the tuck-shop. After all, he ought to offer them
some compensation for having to come to tea with him.
Tap at the door. "Come in.... Ah, that you, Felling ... and you,
Graham.... I expect Fyfield will be here in a minute.... Sit down, will
you? ... Take that easy-chair, Felling.... Isn't it depressing weather?
... I suppose you saw the game against Oversham? That last try of
Marshall's was a particularly fine one, I thought.... Come in.... Ah,
here you are, Fyfield: now we can get busy with the tea, can't we? ...
How's the Junior Debating Society going, Fyfield?" (Fyfield was
secretary of it.) "I must come round to one of your meetings, if you'll
promise to do exactly as you would if I weren't there.... Come in....
You might bring me some more hot water, Burton.... By the way,
Graham, congratulations on last Saturday's match: I didn't see it, but
I'm told you did rather well."
And so on. They were nice boys, all three of them, but they were
nervous. They answered in monosyllables or else embarked upon
tortuous sentences which became finally embedded in meringues
and chocolate éclairs. Felling, in particular, was overawed, for he
was a new boy that term and had only just emerged from six weeks
in the sanatorium with whooping-cough. Virtually, this was his first
week at school.
In the midst of the ponderously jocular, artificially sustained
conversation a knock came on the door. Speed shouted out "Come
in," as usual. The door opened and somebody came in. Speed could
not see who it was. He thought it must be a boy and turned back the
red lampshade so that the rays, nakedly yellow, glanced upwards.
Then he saw.
Clare!
II
III
IV
That night, sitting by the fire before bedtime, Helen said: "Was
Clare here a long time before I came in?"
Speed answered: "Not very long. She came while I was having
three Juniors to tea, and they stayed until after five.... After they'd
gone she told me about her holiday in France."
"She's been bargaining over her father's books in Paris, so she
says."
"Well, not exactly that. You see, Mr. Harrington's publishers never
arranged for his books to be translated, so she bought the rights off
them so as to be able to arrange it herself."
"I think it's rather mean to go haggling about that sort of thing after
the man's dead, don't you? After all, if he'd wanted them to be
translated, surely he'd have done it himself while he was alive—don't
you think so? Clare seems to be out to make as much money as she
can without any thought about what would have been her father's
wishes."
"I confess," replied Speed, slowly, "that it never struck me in that
light. Harrington had about as much business in him as a two-year-
old, and if he let himself be swindled right and left, surely that's no
reason why his daughter should continue in the same way. Besides,
she hasn't much money and it couldn't have been her father's wish
that she should neglect chances of getting some."
"She has the shop."
"It can't be very profitable."
"I daresay it won't allow her to take holidays abroad, but that's not
to say it won't give her a decent living."
"Of course," said Speed, mildly, "I really don't know anything
about her private affairs. You may be right in everything you say....
It's nearly eleven. Shall we go to bed?"
"Soon," she said, broodingly, gazing into the fire. She was silent
for a moment and then said, slowly and deliberately: "Kenneth."
"Yes, Helen?"
"Do you know—I—I—I don't think I—I quite like Clare—as much
as I used to."
"You don't, Helen? Why not?"
"I don't know why not. But it's true.... She—she makes me feel
frightened—somehow. I hope she doesn't come here often. I—I don't
think I shall ask her to. Do you—do you mind?"
"Mind, Helen? Why should I mind? If she frightens you she
certainly shan't come again." He added, with a fierceness which,
somehow, did not strike him as absurd: "I won't let her. Helen—dear
Helen, you're unhappy about something—tell me all about it!"
She cried vehemently: "Nothing—nothing—nothing!—Kenneth, I
want to learn things—will you teach me?—I'm a ridiculously ignorant
person, Kenneth, and some day I shall make you feel ashamed of
me if I don't learn a few things more. Will you teach me?"
"My darling. I'll teach you everything in the world. What shall we
begin with?"
"Geography. I was looking through some of the exercise-books
you had to mark. Do you know, I don't know anything about exports
and imports?"
"Neither did I until I had them to teach."
"And you'll teach me?"
"Yes. I'll teach you anything you want to learn. But I don't think
we'll have our first lesson until to-morrow. Bedtime now, Helen."
She flung her arms round his neck passionately, offered her lips to
his almost with abandonment, and cried, in the low, thrilling voice
that seemed so full of unspoken dreads and secrecies: "Oh, Kenneth
—Kenneth—you do love me, don't you? You aren't tired of me? You
aren't even a little bit dissatisfied, are you?"
He took her in his arms and kissed her more passionately than he
had ever done before. It seemed to him then that he did love her,
more deeply than anybody had loved anybody else since the world
began, and that, so far from his being the least bit dissatisfied with
her, she was still guiding him into fresh avenues of unexplored
delight. She was the loveliest and most delicate thing in the world.
The great event of the winter term was the concert in aid of the
local hospitals. It had taken place so many years in succession that it
had become institutional and thoroughly enmeshed in Millstead
tradition. It was held during the last week of the term in the Big Hall;
the boys paid half-a-crown each for admission (the sum was
included in their terminal bills), and outsiders, for whom there was a
limited amount of accommodation, five shillings. The sum was
artfully designed to exclude shop assistants and such-like from a
function which was intended to be, in the strictest sense, exclusive.
Millstead, on this solemn annual occasion, arrayed itself for its own
pleasure and satisfaction; took a look at itself, so to say, in order to
reassure itself that another year of social perturbation had mercifully
left it entire. And by Millstead is meant, in the first instance, the
School. The Masters, for once, discarded their gowns and mortar-
boards and appeared in resplendent evening-suits which, in some
cases, were not used at all during the rest of the year. Masters,
retired and of immense age, rumbled up to the main gateway in
funereal four-wheelers and tottered to their seats beneath the
curious eyes of an age that knew them not. The wives of non-
resident Masters, like deep-sea fishes that rarely come to the
surface, blinked their pleased astonishment at finding everything,
apparently, different from what they had been led to expect. And
certain half-mythical inhabitants of the neighbourhood, doctors and
colonels and captains and landed gentry, parked themselves in the
few front rows like curious social specimens on exhibition. In every
way the winter term concert at Millstead was a great affair, rivalling in
splendour even the concentrated festivities of Speech Day.
Speed, in virtue of his position as music-master, found himself
involved in the scurry and turmoil of preparation. This concert, he
decided, with his customary enthusiasm, should be the best one that
Millstead had had for many a year. He would have introduced into it
all sorts of innovations had he not found, very soon after he began to
try, that mysteriously rigid traditions stood in the way. He was
compelled, for instance, to open with the Millstead School Song.
Now the Millstead School Song had been likened by a witty though
irreverent Master to the funeral-march of a smoked haddock. It
began with a ferocious yell of "Haec olim revocare" and continued
through yards of uneuphonious Latin into a remorseless clump-
clump of a chorus. Speed believed that, even supposing the words
were sacrosanct, that ought to be no reason for the tune to be so,
and suggested to the Head that some reputable modern composer
should be commissioned to write one. The Head, of course, would
not agree. "The tune, Mr. Speed, has—um, yes—associations. As a
newcomer you cannot be expected to feel them, but, believe me,
they do—um, yes—they do most certainly exist. An old foundation,
Mr. Speed, and if you take away from us our—um—traditions, then
you—um—take away that which not enriches you and makes us,
urn, yes—poor indeed." And, with a glint of satisfaction at having
made use of a quotation rather aptly, the Head indicated that Speed
must not depart from the recognised routine.
Even without innovations, however, the concert demanded a great
deal of practising and rehearsal, and in this Speed had the rather
hazy co-operation of Raggs, the visiting organist. He it was who told
Speed exactly what items must, on no account, be omitted; and who
further informed him of items which must on no account be included;
these latter consisted chiefly of things which Speed suggested
himself. It was finally arranged, however, and the programme
submitted to and passed by the Head: there was to be a pianoforte
solo, a trio for piano, violin and 'cello, a good, resounding song by
the choir, a quartet singing Christmas carols, and one or two
"suitable" songs from operas. The performers, where possible, were
to be boys of the school, but there were precedents for drawing on
the services of outsiders when necessary. Thus when it was found
that the school orchestra lacked first violins, Raggs gave Speed the
names of several ladies and gentlemen in the town who had on
former occasions lent their services in this capacity. And among
these names was that of Miss Clare Harrington.
Speed, making his preparations about the middle of November,
was in a dilemma with this list of names. He knew that, for some
reason or other, Helen did not care for Clare's company, and that if
Clare were to take part, not only in the concert itself, but in all the
preceding rehearsals, she would be brought almost inevitably into
frequent contact with Helen. He thought also that if he canvassed all
the other people first, Clare might, if she came to hear of it, think that
he had treated her spitefully. In the end he solved the difficulty by
throwing the burden of selection on to Raggs and undertaking in
exchange some vastly more onerous task that Raggs was anxious to
get rid of. A few days later Raggs accosted Speed in the cloisters
and said: "I've got you a few first violins. Here's their names and
addresses on this card. They'll turn up to the next rehearsal if you'll
send them word."
When Raggs had shambled away. Speed looted curiously at the
card which he had pushed into his hand. Scanning down the list,
scribbled in Raggs' most illegible pencilled script, he found himself
suddenly conscious of pleasure, slight yet strangely distinct;
something that made him go on his way whistling a tune. Clare's
name was on the list.
VI
VII