Bhūmisparśamudrā En sánscrito, “gesto de tocar la tierra”; Este mudrā se

forma cuando la mano derecha toca el suelo con los dedos extendidos Buda
(Śākyamuni/Shijiamouni/Shaka) Buda sentado mostrando el gesto de tocar la
tierra (bhūmisparśamudrā, el gesto de la iluminación) con la frente ancha, el
rostro ahusado y uṣṇīṣa (protuberancia craneal).

Declension table
of bhūmisparśamudrā
 Deva

Feminin
Singular Dual Plural
e

Nominat bhūmisparśam bhūmisparśamu bhūmisparśamu

ive udrā dre drāḥ

bhūmisparśam bhūmisparśamu bhūmisparśamu

Vocative
udre dre drāḥ

Accusati bhūmisparśam bhūmisparśamu bhūmisparśamu

ve udrām dre drāḥ

Instrum bhūmisparśam bhūmisparśamu bhūmisparśamu

ental udrayā drābhyām drābhiḥ

bhūmisparśam bhūmisparśamu bhūmisparśamu

Dative
udrāyai drābhyām drābhyaḥ

bhūmisparśam bhūmisparśamu bhūmisparśamu

Ablative
udrāyāḥ drābhyām drābhyaḥ

bhūmisparśam bhūmisparśamu bhūmisparśamu

Genitive
udrāyāḥ drayoḥ drāṇām

bhūmisparśam bhūmisparśamu bhūmisparśamu

Locative
udrāyām drayoḥ drāsu

Adverb -bhūmisparśamudram
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bhūmisparśamudrā ) es un mudrā de la doctrina budista realizado con las

manos y los dedos. Significa "tocar la tierra" y proviene de la experiencia de
Gautama Buda durante la iluminación. También se le conoce como gesto del
testigo de la tierra .
bhūmisparśamudrā tocando la tierra con la mano para simbolizar el contacto
con la divinidad de la tierra. Con este gesto demostró el logro del despertar.
El mudrā se realiza con ambas manos. Coloca tu mano derecha sobre la
rodilla con la palma hacia abajo y con las yemas de los dedos tocando el
suelo.
El Ṛg vēda es la escritura escrita más antigua
del mundo. Es un
registro auténtico y poético de la vida de los
contemporáneos.
Sociedad Harappa. Los mantras védicos
fueron transmitidos por tradición oral. Lo que
el maestro cantaba, el alumno lo oía y
repetido. De ahí el védico kRti fuimos
llamados 'Śruti' también. El Vedic Rshis había
desarrollado un sistema de enseñanza y
aprendizaje oral.
de los mantras, especialmente los svaras o
entonaciones, de modo que
podrían conservarse sin problemas y
transmitirse a la posteridad.
Como resultado, incluso hoy en día, hay
eruditos que son capaces de
recitando el encansa el Ṛgveda sin fallas.
Vedavyaasa enseñóel Ṛgveda a Paila, el
Yajur-veda a
Vaisampaayana, el Sama-veda de Jaimini y el
Atharva-
veda a Sumantu. Ellos a su vez enseñaron esto
a sus discípulos,
y a su debido tiempo, se produjodesarrollo de
varios
sakhas o recensionesde los vedas. De los
varios sakhas
del ṚgvedacomoSaakala, Baaskala,
Asvalaayana,
,, Sankhaayana, MaaNDukaayana, etc.el
primero
dos son más conocidos.
Veda Vyaasacomopada
nyaasa/vinyaasa.Donde hacepada
nyaasa¿existir?
Padanyaasa/ vyaakaraNa(gram-mar,nR-
yaaga)/
aaraNyaka(nR-yaaga/Narayana/Ramayana/
Ra-
haayana;haya-naara→asva/vac→nayana-
ra→miina-
ra→agnishtoma→agnimiiLa,),existe en
grantha/pustaka(libro)/vedagrantha.Grantha
indicarlibros (cf.veda grantha) y una forma
delBrahma
escritura utilizada para escribir sánscrito. En
otras palabrasBrahmaes
Grantha.Por lo tanto, Brahma le preguntó a
Vyaasa (V-
yaaja→vaaja→vaaca/vaak/bhaga)para hacer
Ganesa(agnesa/nages/mahesa/mahisha)su
escriba
por escribir el Mahabharata/Jaya/
yaja/yajna/aasaya/ vijaya/
udaya/
vidya/padya/payas/vacas/Vyaasa(yajna;V→N
).
Vyaasa es el compilador del Mahabharata así
como uno de
los personajes principales del mismo. Se dice
que fue la encarnación de
Señor Visnú(vis-nu/ha-vis,,,/ bindu-hace uno
Vishnu-vindu-sura-sun/sindhu-sarasvat-
mahisha/
vindu/vid-nu/sura/su-ra/soma/makha/mukha