Arreglo para Voces

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Arreglo para Voces: Tarea 1

Partitura abierta y cerrada


Frankey Lorenzo

 
(22-1855)

Soprano              
 
F


F C/E Dm F/A B♭ C F C/E F F/A B♭ C7

The Lord hath done most glo ri ous works. Sing prai ses to his



Alto               


The Lord hath done most glo rious works. Si ng prai ses to his

  
Tenor               
The Lord hath done most glo ri ous works. Sing pra i ses to his


             
Bajo
  
The Lord hath done most glo rious works. Sing prai ses to his

5 F C
S.             
      
F F A A7/C♯ Dm /C G /B G7 C C/B♭ F/A C F B♭ F/C C7

name. His mer cy and his righ teous ness has sound ly quenched out Sa tan's flame.Then


                  

A.


na me. His mer cy and his righ teous ness has so und ly quenched out Sa tan's flame.Then

T.                          
na me. His mer cy and his righ te ous ness has sound ly quenched out Sa tan's flame. Then

    
              
B.
 
name. His mer cy and his righ teous ness has sound ly quenched out Sa tan's flame. Then

Frankey Lorenzo 22-1855


 
2

           
C

A.     
F/A

   
B♭

   
10 C/B♭ F/A B♭ C C7 F
S.

         
    
sing to him Ho sa na for He has set you free, and

         


T.
B.

14
A. 
                   
   
A/C♯ A7
/C Dm G /B G7 C C/B♭ F/A C F F/A B♭ C F


S.

                  
   
ma de a home e ter nal with love ex ten ding all de gree.

              
T.
B.

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