THE KALEVALA TAROT

Created by Kai Kalervo Aaltonen, Artwork by Taina Pailos

Reviewed by Joan Cole

Reindeer pulling sleighs through snowy landscapes, the rippling lights of the aurora borealis, dense forests of pine,
spruce and birch, coffee and sweet breads. These are all images of Finland, home of Christmas City, and Santa's home
at Korvatunturi. The Kalevala, the national epic of Finland, was a major inspiration to J.R.R. Tolkien, and Gandalf has
much in common with its central character Väinämöinen. The sound pattern of Tolkien's invented language, Quenya,
was strongly influenced by the Finnish language. So even though things Finnish are completely unknown to most
Americans, we do have a few points of familiarity we might not have realized.

What is the Kalevala?

The Kalevala was constructed by Elias Lönnrot in the nineteenth century from a tiny subset of the runo poems that had
been sung for centuries in rural parts of Finland. Lönnrot's collection and publication of folklore was part of the
national romanticism movement that was going on throughout Europe at the time. For instance, the Brothers Grimm
published their first collection of German folktales in 1812. But Lönnrot selected, ordered and published these poems
not as stories for children, but as a national epic for Finland on the order of Homer or the Nibelungenlied. Lönnrot's
publication of the Kalevala in 1835 and then, expanded and reordered in 1849, was a major force in helping the Finns
define themselves apart from the Swedes and Russians who had ruled over them in recent centuries (since the 12th
century) from the West and East respectively.
A unique feature of the Kalevala is that the heroism it celebrates is not based on a strong sword-arm, but ability in
magic. Magic is sung, just like the runos.

Then old Väinämöinen sang,

Sang his songs and cast his spells:
Sang a fir tree flower-crowned,
Flower-crowned and golden-leaved,
Stretched it high into the air,
Through the very clouds he sang it.
Till its leafy branches reaching
Spread its foliage high as heaven.
Singing songs and casting spells:
Sang a moon to shine up there
On the fir tree's golden crown;
Sang the Great Bear on the branches.
(Runo 10, Eino Friberg translation)

It struck me that like the Irish Tuatha de Danaan stories, the runo poems collected
into the Kalevala may be preserving the memory of the struggle between peoples
already present on a land and newer settlers who end up prevailing. The runo
selected by Lönnrot describe the struggle between two peoples: the Kaleva, the
"heros" from whose perspective the story is told (probably the Finns, a Finno-
Ugric people), and the Pohjola, the "great enchanters" from the "foggy land of
sedges", (probably the Saami, the indigenous people). Thus, in contrast to Kai Kalervo Aaltonen, I personally do not
see the story as a tale of good and evil or good guys and bad guys.
From strictly a story perspective, not looking for deeper meanings, the primary characters are Väinämöinen, the magic-
singer, Ilmarinen, the Smith, and Lemminkäinen, the Fighter and Lover. These three represent the side of the Kaleva;
Louhi, the Mistress and mighty enchantress of Northland is the main force on the side of the Pohjola. The magical
artifact, the Sampo, which provides great wealth to whoever possesses it, is woven throughout the epic, in which its
creation and destruction are told.

What about the deck?

I will sing a good song for you

And I'll make it beautiful:
Do it on a rye bread diet,
Wash it down with barley beer.
(Runo 1, Eino Friberg translation)

This deck makes an attempt to be as symbolically dense as the RWS, and several images are modeled on that deck.
The court cards are essentially the classic Golden Dawn (Book “T”) type, and are filled out with characters who don’t
appear in the epic. So this deck is not a RWS variation so much as it is a RWS influenced improvisation based on a
story cycle, or to put it less formally, a not-so-close theme clone.
In the Minor Arcana, the illustrations are scenes from the epic that express the same energy as the RWS images, and
while a few are obvious variants, most require knowledge of the epic to know what the story is. They do, however,
work with RWS divinatory meanings.
In this deck, especially in the Major Arcana, the associated characters and story elements are sometimes only a starting
point. From there, strict adherence to the happenings in the Kalevala is sometimes departed from to properly express
the card. For instance, the Emperor is represented by Joukahainen, not at the point in his life in which he appears in the
Kalevala, but as he might be as a mature and much wiser man. Because of the "as if" use of characters in the epic, it
would probably be useful to read the book even if you are familiar with both the Kalevala and Tarot. I'm not terribly
familiar with the epic, so I can't comment on whether the appropriate characters or scenes have been chosen for the
cards.

Major Arcana
Traditional Kalevala Tarot Depicts
A spirited and passionate adventure seeker. Some of his
stunts include: kidnapping and marrying Kylliki, trying
and failing to win one of Louhi’s daughters (and dying in
0 - Fool Lemminkäinen
the meantime, requiring maternal assistance for
resurrection), slaying Louhi’s husband, and joining the
expedition to steal the Sampo.
The Smith. Väinämöinen’s traveling companion who
1 - Magician Ilmarinen forged the heavens and gained the hand of one of Louhi’s
daughters.
Joukahainen’s sister who chose a watery grave over
2 - High Priestess Aino
marriage to Väinämöinen.
The so-called wicked Mistress of the North (Pohjola) who
3 - Empress Louhi has the Kaleva heroes pursuing her daughter and
commissions the forging of the Sampo.
4 - Emperor Joukahainen Thought he was so superior that he challenged
Väinämöinen to a contest and had to promise his sister’s
hand in marriage in order to save his skin when he lost.
The suit of swords in this deck is called Joukahainen’s
bow (even though it shows swords), in reference to the
 crossbow with which Joukahainen shot at Väinämöinen.
He existed before the world began and promised to return
5 - Hierophant Väinämöinen
when times were better.
Two couples: Ilmarinen and the Pohjola daughter, and
6 - Lovers Rakastavaiset
Lemminkäinen and Kylliki.
Master of Pohjola. Louhi’s husband who was killed by
7 - Chariot Isäntä
Lemminkäinen in a duel.
Kylliki of the Island – wife of Lemminkäinen. There are
8/11 - Strength 8 - Kylliki
several parallels between her story and that of Persephone.
A giant who lives in the bowels of the Earth – the Earth’s
9 - Hermit Vipunen
memory.
The word fate is actually “kohtalo”. This shows a wheel
10 - Wheel of Fortune Taro
of fortune with replaced animals.
11/8 - Justice 11 - Äiti Lemminkäinen’s mother.
12 - Hanged Man Tiera Lemminkäinen’s sidekick.
This shows Lemminkäinen hewn into fragments in the
13 - Death Tuonela river of Tuonela, the place where you are taken after
death.
Annikki (Ainikki is a misspelling) is Ilmarinen’s sister, the
14 - Temperance Ainikki
maiden of the dawn and the twilight.
The evil spirit is Metsahiisi. Hiisi is the place where the
15 - Devil Hiisi Ghost of the Mountain lived. There is a horse of Hiisi and
an elk of Hiisi that play a part in the epic.
16 - Tower Tammi The oak is also known as the god-tree.
Becomes pregnant by swallowing a cranberry, in a story
17 - Star Marjatta
with parallels to Mary, Mother of Jesus.
18 - Moon Mielikki Mistress of the Forest
19 – Sun Poika, Son Marjatta’s son
20 - Judgement Ukko Highest of the Gods
21 - World Luonnotar Mother Earth

Minor Arcana Suits

Traditional Kalevala Tarot Kalevala Realm Court Cards Depict
Wands Stakes Kaukomieli’s Blade Kalervo and Family
Cups Dishes The Kaleva Moors Marjatta and Family
Swords Swords Joukahainen’s Bow Kullervo and Family
Coins Loaves The Fields of Pohjola Untamo and Family

Court Cards
RWS Page King Queen Knight
Golden Dawn Princess Prince Queen King
 Thoth Princess Prince Queen Knight
Kalevala Daughter Son Mistress Master

As with most books accompanying decks, the orientation of the text is consultative rather than historical, meditative or
occult; and the discussion in the book briefly relates what story element is being illustrated as well as including sections
giving meanings that are pithy and practical for doing readings for the public. There is the standard reproduction of
qabalistic tree of life glyphs, and also an enneagram.
Fundamentally, this is not a study deck, it is a theme deck, and is typical of that genre. The artwork is rustic and
colorful and has really grown on me as I've worked on this review. It would appear that a majority of the cards depict
scenes set out of doors and in the summer. Some of the elements, such as the reindeer element used in the card back
design, come from traditional Saami art. I looked online for biographical information on Taina Pailos, but although I
found several sites in Finnish that appeared to be exhibitions her work appeared in, I found nothing in English.
Even if you are not Finnish, if you are a fan of Tolkien or high fantasy in general,
you should take a look at the Kalevala. If you are a lover of the Northwoods
(whether that be Canada, Minnesota, or Scandinavia), the mood of this deck
should prove very appealing to you.

Now bring back the splendor here

As it was in better days:
Like the moon in fir boughs gleaming,
Like the sun in pinetops shining,
And the forest filled with odors,
Smell of mead and smell of honey
Through the wide blue haze of woodland,
Smell of sweetwort round the clearings,
Swamps the smell of melted butter.
(Runo 14, Eino Friberg translation)

The Kalevala Tarot Book and Deck Set (ISBN 0-88079-187-X, copyright 1996) is
published by U.S. Games Systems and available through your local bookseller.
Another perspective can be found at this site dedicated to a thorough and excellent
review of this deck by Mathieu Ouellet, who is a long-term student of the
Kalevala and bought the pack to learn more about Tarot.
To learn more about topics mentioned in this review
 Read the Kalevala
Kalevala: Epic of the Finnish People. Translated by Eino Friberg, Editing and Introduction by George C.
Schoolfield. Illustrated by Björn Landström. 1988: Otava Publishing Company, Ltd., Helsinki Finland. ISBN
951-1-10137-4. Web Page

 Or, Read an Adaptation

o Synge, Ursula. Land of Heros: A Retelling of the Kalevala. 1978: Atheneum, New York. ISBN 0-
689-50094-7 - an abridged prose version

o Phelps, Ethel Johnston. The Maid of the North: Feminist Folk Tales From Around the World.
Illustrations by Lloyd Bloom. 1981: Holt, Rinehart and Winston, New York. ISBN 0-03-056893-5

o Shepard, Aaron. The Maiden of Northland: A Hero Tale of Finland. Illustrated by Carol Schwartz.
1996: Atheneum Books for Young Readers, Simon & Schuster Children's Publishing Division, New
York. ISBN 0-689-80485-7 Web Page and More about the story

o Other adaptations listed at A Kalevala Bookshelf

 About the Kalevala in General

o Kalevala: The Finnish National Epic Written for Virtual Finland by Anneli Asplund, senior
researcher; Sirkka-Liisa Mettomäki, researcher; The Kalevala Society, the Finnish Literature Society

o Kalevala: from Myth to Symbol This article was written for Virtual Finland by Professor Michael
Branch, School of Slavonic and East European Studies, University of London.

o SKS: Kalevala a large site on the epic by Suomalaisen Kirjallisuuden Seura

o A Talk on the Kalevala Given by Richard Impola at the Salolampi Adult Week Richard Impola is the
author of Words of Wisdom and Magic from the Kalevala

o The Kalevala Day Celebrations - Kalevala Day is February 28 - This page is by Minna Popkin and
Bob Breau

o The Kalevala: The Finnish National Epic by Kai Laitinen. The author describes how Lönnrot
assembled materials in the Kalevala, which resulted in a paradox. Many lines are folk poetry, but the
whole is not. By standardizing the language and style, giving coherence to the plot, and ordering the
poems according to a "logical progression, " Lönnrot created his own epic Professor Laitinen, who
teaches in the Department of Finnish Literature, University of Helsinki, also remarks on the
symbolism in Lönnrot 's Kalevala.

 About Finland

o UC Berkeley Finnish Studies Library Homepage A huge list of links

o The Viena Karelian Folklore Villages The birth site of the world renowned classic, the Kalevala, lies
in the Viena Karelian villages, an area still surrounded by primeval forest. The Finnish national epic
owes its existence to the folklore collected from the region´s unlettered peasants.

 About the Saami

o The Saami - people of the sun and wind

o An introduction to the Sami people A presentation to share information and knowledge so that others
may come to understand us. An overview of the native Sami art, culture, current issues, history plus a
few pages of recent events presented from an indigenous perspective. We hope that this taken
together with the links on a separate page will give an overall picture of the Sami people and what the
contemporary life is like.

o The Sámi people (not Lapps!) FAQ section for the Usenet newsgroup soc.culture.nordic

 JRR Tolkien

o The Finnish Epic Behind Tolkien's Lord of the Rings a National Geographic site

o The Octave: Kalevala and the Silmarillon Tehanu's Notes at TheOneRing.Net

o Not everyone agrees that World War I influenced Tolkien "He was already writing 'tragic' stories
inspired by the Kalevala by October of 1914, when the war had probably not had any significant
impact on him whatsoever...."

o Quenya's relation to Finnish

 Santa Claus
o Santa´s Lapland and Christmas Club - Finland is the home country of Santa Claus. Santa lives on a
fell called Korvatunturi (Ear Mountain) in the municipality of Savukoski. Santa can´t live on the
North Pole because there isn´t anything to eat for his reindeer there. But in Finnish Lapland a
reindeer is a very common animal and it has a lot of food there. There are about 200 000 reindeer in
Finland.