DEPARTMENT OF FINE ARTS AND PAINTING

EXAMINATION SCHEME
B.A.PART I- 2023

Max. Marks : 90
Min. Marks : 33
Duration : 3 Hrs.

SECTION : A
will consist of 10 compulsory questions. There will be two questions from each unit and
answer of each question shall be limited upto 30 words. Each question will carry 2
marks.

SECTION : B

Will consist of 10 questions. Two questions from each unit will be set and students will
answer one question from each unit. Answer of each question shall be limited upto 250
words. Each question will carry 8 marks.

SECTION : C

Will consist of 5 questions. Five questions from each unit will be set and students will
answer any three questions. Answer of each question shall be limited upto 500 words.
Each question will carry 10 marks.
 DEPARTMENT OF FINE ARTS AND PAINTING

SYLLABUS
B.A.PART I- 2023
THEORY
PAPER I: FUNDAMENTAL OF FINE ARTS 6 periods per week
Duration of paper : 3 hours
Max. Marks: 90
Min. Marks : 33
PRACTICAL

PAPER II: PART A- STUDY FROM OBJECTS 6 periods per week

Duration of Paper: 4 Hours
Max. Marks: 60
Min. Marks :22
PAPER II: PART B- RENDERING (based on still life)
Duration of paper: 2 Hours
Max. Marks: 30
Min. Marks :11
SUBMISSION OF PRACTICAL WORK Max. Marks :20
Total marks: 110
Min. Marks: 39

Candidates will have to pass in Theory and Practical separately.

Note: Practical Examination will be held before Theory Examination.

PAPER I
Unit I : Definition of Fine Arts, Meaning and Importance of Fine Arts,
Visual and Performing Art (Painting, Sculpture, Music, Dance and
Drama) Folk Art.
Unit II : Creative process (Observation, Imagination, Perception, Creative
expression). Introduction to various painting techniques (Water
colour, Tempera, Acrylic, Oil, Fresco)
Unit III : Elements of Painting: Line, Form, Colour, Tone, Texture, Space,
Brief introduction of Six limbs of Indian Art .
Unit IV : Principles of composition with example from work of art : Unity,
Harmony, Balance, Rythem, Dominance, Proportion and
Perspective and rendering.
Unit V : Art and Nature, Art and Society, Art and Religion.
BOOKS RECOMMENDED

Agarwal R.A. and Sharma, Shiv Kumar: Roop Prad Kala Ke Mooladhara, Loyal Book
Depot, Meerut – 24
Nathan, K. Nobler: The Visual Dialogue, Holt Rajenart and Winston, Inc., New York.
Fedgetting: Learning with colour….The Meaning and Magic of Art.
Auriceide: Basic Design: The Dynamics of Visual Form.
Edmund Burka Feldman: Varietyof visual experiences.
Bruce D. Kurz: Visual Imagination.
A.K.Coomaraswamy: Fundamental of Indian Art .
Pkks;y ,.M vxzoky % fp= la;kstuk
'kSysUnzukFk Ms”% Hkkjrh; fp=dyk dh i)fr

PAPER II

PART-A

STUDY FROM OBJECTS

Size ¼ Imperial, Medium-Water Colour, Tempera

A group of objects (Not more than five objects) should be arranged against drapery background and
foreground. The objects should include common articles of daily use.

Practical paper shall have two session One of Four hours and Second of Two hours with a break of
half an hour.

PART-B

RENDERING

(Based on Still Life)

Rendering (based on still life) with a view to transform them into 2D pictorial images. Study of two
dimensional space and its organisational possibilities to Develop an awareness of pictorial elements.

Submission of practical work:

A sketch book of not less than 50 sketches size ¼ imperial
(a) 6 plates of still life studies
(b) 6 plates of Rendering
(c) A sketch book of not less than 50 sketches size A-4 Paper. Sketches should be based on
Human figure studies, Nature and Three dimensional forms (buildings, objects using in daily
life)
(d) 4 Creative works (1. Computer Graphics, 2. Sculptures, 3. Mix media, 4. Installation, 5.
Graffiti Art.) (Choose any Four)
Submission work will be submitted to the Head of the Department of Fine Arts and Painting before
15 days from the commencement of the examination. The marks in submission work will be awarded
by the internal examiner and external examiner both of them. Submission work will be retained till
the declaration of the result and returned to the student from the Department thereafter. If no claim is
made within two months of the declaration of the result, submission will be destroyed.
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 DEPARTMENT OF FINE ARTS AND PAINTING

EXAMINATION SCHEME
B.A.PART II- 2024

Max. Marks : 90
Min. Marks : 33
Duration : 3 Hrs.

SECTION : A
will consist of 10 compulsory questions. There will be two questions from each unit and
answer of each question shall be limited upto 30 words. Each question will carry 2
marks.

SECTION : B

Will consist of 10 questions. Two questions from each unit will be set and students will
answer one question from each unit. Answer of each question shall be limited upto 250
words. Each question will carry 8 marks.

SECTION : C

Will consist of 5 questions. Five questions from each unit will be set and students will
answer any three questions. Answer of each question shall be limited upto 500 words.
Each question will carry 10 marks.
 DEPARTMENT OF FINE ARTS AND PAINTING
SYLLABUS
B.A.PART II- 2024
THEORY
PAPER I: HISTORY OF INDIAN PAINTING AND SCULPTURE
Duration of paper : 3 hours
Max. Marks: 90
Min. Marks : 33

PRACTICAL

PAPER II: PART A- STUDY FROM LIFE IN FULL (MALE OR FEMALE)

Duration of Paper: 4 Hours
Max. Marks: 60
Min. Marks : 22

PAPER II: PART B- PICTORIAL COMPOSITION

Duration of paper: 2 Hours
Max. Marks: 30
Min. Marks : 11

SUBMISSION OF PRACTICAL WORK Max. Marks :20

Total marks: 110
Min. Marks: 39

Candidates will have to pass in Theory and Practical separately.

Note: Practical Examination will be held before Theory Examination.

PAPER I

HISTORY OF INDIAN PAINTING AND SCULPTURE

Unit I : Pre-historic painting, Ajanta painting and Six limbs of Indian

Painting.
Unit II : Jain painting, Rajasthani painting, Mughal painting and Pahari
painting.
Unit III : Raja Ravi Verma, Yamini Roy, Avnindra Nath Tagore, Ravindra
Nath Tagore, Amrita Shergil, Bandre, Hussain, Hebbar.
Unit IV : Sculpture - Mohanjodaro and Harappa, Mauryan, Sanchi, Bharhut,
Amaravati
Unit V : Gandhara, Mathura, Ellora and Elephanta
BOOKS RECOMMENDED:

Percy Brown : Indian Painting

Karl Khandalawala : Indian Sculpture
Laxmi Chand Sharma : A Study of Indian Painting
Hkkjrh; fp=dyk dk bfrgkl % vfouk’k cgknqj oekZ
okpLifr xSjksyk % Hkkjrh; fp=dyk dk v/;;u
izsepan xksLokeh % vk/kqfud Hkkjrh; fp=dyk ds vk/kkj LrEHk
MkW- oh.kk iou % Hkkjrh; ewfrZdyk dk bfrgkl
vjfoUndqekj ¼e-iz- fgUnh xzUFk vdkneh½ % Hkkjrh; ewfrZdyk o fp=dyk
Zimmer : Indian sculpture
Shivramurti : Indian Painting

PRACTICAL

PART A

SYUDY FROM LIFE (MALE OR FEMALE) MEDIUM PENCIL

OR WATER COLOUR (MONOCROME)

Study from life (full figure) : study of full figure showing broad masses of light shade.
Clearly bringing out the modelling of the figure and drapery.

PART B
PICTORIAL COMPOSITION (LINE DRAWING)
Composition based on daily life with minimum two human figures. Developing an awareness of
pictorial elements such as space division, point line, shape, volume, texture and light shade.
Medium. Pencil Pen & Brush (Black & White) size ¼ imp. Sheet

BOOKS RECOMMENDED:
Victor Perard: Anatomy and Drawing, J. V. Navalkhi, Mumbai
Vanderpol: Human Figure, J. Y. Navalkhi, Mumbai
Note: Life Model sit before the candidate for four hour with a rest of 10 minutes when required to the
model. First session of four hour should be devoted for the study from life. There will be a break of
one hour after first session. Second session will be of two hours for pictorial composition. Both the
parts be completed of the same day. The student should be allowed to use any style of c omposition
in the examination.
(a) Five plates-Study from Life
(b) Five plates-Pictorial composition
 (c) A Sketch book of not less than 75 sketches
A Sketch Book of not less than 75 sketches size A-4 paper based on Drawing from human figure
mainly based on general form and gesture. Introduction to elements of perspective study of basis
solids, plan and elevation, main aspects of parallel and 2 angular perpective.
INSTRUCTIONS FOR SUBMISSION
Submission work will be submitted to the Head of the Department of Fine Arts an d Painting before,
15 days from the commencement of the examination. The marks in submission will be awarded by
the subject teacher (internal). However the external examiner shall be empowered to review the work
of the submission in case there is a drastic difference between the marks of the examination and
submission. Submission work will be retained till the declaration of the result and returned to the
student from the Department thereafter. If no claim is made within two months of the declaration of
the result of submission will be destroyed.

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 FINE ARTS AND PAINTING
B.A. FINAL—2025
Scheme Duration Max. Marks Min. pass
Marks
Practical paper I 5 Hours 90 33
Portrait Study (Bust)
Practical Paper II 5 Hours 90 33
Pictorial composition
Submission of Practical work 20 7
Candidates will have to pass in the both the practicals (I&II)Separtrately.
NOTE: Practical examination will be held before theory papers.

PRACTICAL
PAPER I
PORTRAIT PAINTING- Male/Female (BUST)
Duration: 5 Hours Max. Marks: 90
Min. Pass: 33
Medium: oil colour or water colour
Size 1/2 Imperial sheet

Option to arrange a female model should also be given if the Centre Superintendent can
arrange one (life model male) could wear a turban or cap. Strictness about the quality of
model should be avoided like a model with beared is not possible to arrange at all the
centre.

(Emphasis will be given on correct drawing and broad masses of shade and light of
colours.)

PAPER II
PICTORIAL COMPOSITION

Duration: 5 Hours Max. Marks: 90

Min. Pass: 33

Medium: oil colour or water colour

Size 1/2 Imperial sheet

Composition should be based on any subject related to life, its important events and the
world around us. Composition should be created with three human forms. Styles of
composition be stylised, traditional or modern.

Subject may cover ‘Festivals’, important events from life (indoor or outdoor) like workers,
travellers, farmers and group meetings etc.
 SUBMISSION OF PRACTICAL WORK
Max. Marks: 20 Min.
Pass: 7
A Candidate should submit
(a) Five portraits
(b) Eight compositions
(c) 2 Lino / 2 Wood Cut / 2 Digital Painting / 2 Composition. (Size 8x10ʺ)
(d) 100 Sketches on A-4 paper size.

Submission
For (c) Wood Cut/Lino Prints could be made in colour. The Compositions can be in any
style. There Shall be no written examination in this.

For (d) 100 outdoor sketches consisting human forms, nature, animals, architecture should
be submitted.

Submission work will be submitted to the Head of the Department of Fine Arts and Painting of Jai
Narain Vyas University, 15 days before the commencement of the examination. The marks in
submission will be awarded by the subject teacher (internal). However the external examiner shall be
empowered to review the work of the submission in case there is a drastic differenc e between the
marks of the examination and submission. Submission work will be retained till the declaration of the
result and returned to the student from the Department thereafter. If no claim is made within two
months of the declaration of the result of submission will be destroyed.

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fp=dyk 2025

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vf/kdre vad% 90
U;wure vad%33

izk;ksfxd dk;Z vf/kdre vad% 20

U;wure vad%7
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uksV% izk;ksfxd ijh{kk lS)kfUrd ijh{kkvksa ls igys gksxhA
 izk;ksfxd

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ek/;e % vkW;y ¼rsy½ ;k ty jax
vkdkj% 1@2 bEihfj;y lkbt

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ekWMy dh izfrc)rk ugha gS] tSls nk<+h okyk gh gksA ekWMy ixM+h ;k Vksih igus gks ldrk gSA
lgh js[kkadu o jaxks ls Nk;k &izdk’k ds cMs cyksa dks izeq[krk nh tkuh pkfg,A

f}rh;&i=
fp= la;kstu

vof/k % 5 ?k.Vs
vf/kdre vad% 90
U;wure vad%33
ek/;e % vkW;y ¼rsy½ ;k ty jax
vkdkj% 1@2 bEihfj;y lkbt

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gSA la;kstu esa rhu ekuoh; :i gksus pkfg,A la;kstu dh 'kSyh ijEijkxr] vk/kqfud o 'kSyhc)
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¼v½ ikap eq[k fp=.k ¼iksVªsV½

¼c½ vkB fp= la;kstu

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yhuks @oqM dV fizUV jaxhu gksus pkfg,A la;kstu fdlh Hkh 'kSyh esa gks ldrk gSA
bldh fyf[kr ijh{kk ugha gksxhA

¼n½ 100 Ldsp% ,&4 isij lkbt ijA

100 Ldsp ekuoh; :iksa] izd`fr] i'kq] okLrqdyk ij vk/kkfjr gks ldrs gSA

l=h; dk;± dk;Z ijh{kk frfFk fu/kkZj.k ds 15 fnu iwoZ foHkkxk/;{k ds ikl tek gksus
pkfg,A blds vad vkarfjd ijh{kd ds }kjk fn;s tk;saxsA ;fn l=h; dk;± o ijh{kk ds vad esa
cM+k vUrj gks rks cká ijh{kd dks vf/kdkj gS fd og iqu% fujh{k.k djsaA ;fn l=h; dk;± dk;Z
ijh{kk ifj.kke ?kksf"kr gksus ds nks ekg rd okil ugha fy;k x;k rks mls u"V dj fn;k tk;ssxkA