Dives and Lazarus / A Poor Wayfaring Man of Grief

For Solo Piano Justin K. Reeve

                                          
 = 140


0:28

  
   


  
   

                                         
6

  
  
  
cresc.

 
     

           

         
11

    
    
dim.

   
 


        
          
    
   
16


               
   

 




 
  
  
            
   
1:14


21

 
       

 
      
  
rit.

 
a tempo

Optional accompaniment track can be downloaded at https://music.justinreeve.com

The timestamps throughout the score indicate the position in the track, to help avoid falling behind or getting too far ahead.

Copyright (c) 2020 Justin K. Reeve

   
           
        

26

 
                 
      



  

      
   
 
         
31

    
     
       
   
  

    
        
              
  
36


            
        


 
                      
   
41

    
     
     
   

 
   
         
   
       
46

           
       
      
 

      
     
           
 
        
  
51

         
        
      
  
    
      

      
   
 
56

    
        
   
  


 

2 Copyright (c) 2020 Justin K. Reeve

             
          

61

     


        
          
  


  
    
          
     
66

   
     
    
    
  


   
  
 
     
      
71

     
         
     
 


    
         
        
76

     
      
    
  

  
      
   
 
         
81

         
 
      
 


 
cresc.

    


        
 
                  
          

86


        
        
     

Copyright (c) 2020 Justin K. Reeve 3

 
    
      
        
91

         
  
        
    

        
                 
     
96 3:20.5

       
 

 
        
   

 3:27      
      
           
             
101

 
    
    
  
   
  
    

   
                       
            
106

       
 
      
       


   
     
     
         
111


  
     
      

  

            
     
       

  
         
 
3:56.5
116

     
  
          
  


4 Copyright (c) 2020 Justin K. Reeve

 
                     4:03
     
             
121

  
           
  
 
 
cresc.

  

                
         
              
     
126


          
    
    

     

    
         
   
4:15

      
       


 
     


131

 
         
     
        



        

       
       

          
         

136

 
  
              
   
        
  
    
        
   
  
 

 
141


 


        
          

   


   
       
        
 
146 4:46

   
     
    
      
cresc.


     
Copyright (c) 2020 Justin K. Reeve 5
            
   
               
   
   
151

 
                     
    


 
   

      
     
 
         
      

        
 
  
  


156

   
          
            


      

        
     
  
           
   
161

            

  
          
 
    
       
  
  

        
        
            
     
166

   
                 
         
   
    
  
  
   
 
    
       
      
      
     

171

        
                 
         
   
   

                  
          
     
         
           
 
176

           
         
   
   
 
6 Copyright (c) 2020 Justin K. Reeve
          
       5:50

     
     
    
181

              
          
       



     

                   
  
            
        
   
187

    
   
    
              
     
cresc. 

  
rit.

   
   
  
       
                  
                 
193

 
 
 
    
  
    
 a tempo

 
dim.

 

             
                        
 
198

  
    


    
accel.

     

        
   
  
     
    
        

          
202

   
        
   
 accel.

    
    

         
                   
                   
   
207

      
    
  



a tempo

  
Copyright (c) 2020 Justin K. Reeve 7
 
 

               
      
212

    
 


     
a tempo

 
*e.o. rit.

  
cresc.

   
   

           
         
*e.o. (elbow optional): If you're feeling dramatic, get obnoxiously loud as the notes descend,

         
      
and at the fermata, play all the lowest keys of the piano with your elbow. Hold for effect.
217


      

       
 
 


            
     
  
      
  
222 6:57


       


 
   


               
        


227

       
   
           


   
rit.

     7:13
      


       
Moderato

  
232

 


    
        
   

      7:28 
    

     
  


237


       
 



rit.

   

    


8 Copyright (c) 2020 Justin K. Reeve