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What has Gustavus Adolphus done for the art of war? In a
tactical sense, many things. Before him, not a few noted generals
had introduced improvements naturally growing out of the
introduction of gunpowder. Gustavus made various changes towards
greater mobility. The cumbrous armies of the day were marshalled in
battalia, which were huge, dense squares or phalanxes of deep files
of musketeers and pikemen mixed, awkward and unwieldy. The
recruiting of the day assembled many men of many minds, and the
three arms worked at cross-purposes. Gustavus began by reducing
the pikemen to one-third the entire infantry, and later (1631) formed
whole regiments of musketeers alone. He lightened the musket, did
away with the crutch-rest, till then used in firing, introduced wheel-
locks, paper cartridges, and cartridge-boxes. He taught his men a
much quicker manual of aims. The times and motions of loading and
firing had been some one hundred and sixty; Gustavus reduced
them to ninety-five, which sounds absurdly slow to us to-day. But his
men none the less vastly exceeded the enemy in rapidity of fire. He
lightened the guns of his artillery, and made the drill of other arms
conform to its manœuvres, so that his whole army worked with one
purpose. His batteries became active and efficient. In the Thirty
Years’ War he generally had a preponderance of artillery over the
Imperialists.
To secure better fire, Gustavus reduced his musketeers to six
ranks, which to fire closed into three. This it was which principally
gave it so much greater nimbleness of foot. The troops were well
armed and equipped, and uniformed for the first time. Few wagons
were allowed per regiment, and effectual discipline prevailed. Severe
regulations were enforced. The behavior of the Swedish troops was
the marked reverse of that of Wallenstein’s and Tilly’s forces. Service
and seniority alone secured promotion; nepotism was unknown. The
force Gustavus created was the first truly national regular army.
So much for discipline and tactics, which, in themselves, are of
minor value. But what has given Gustavus Adolphus unfading
reputation as a captain is the conduct, for the first time in the
Christian era, of a campaign in which the intellectual conception
overrides the able, consistent, and at times brilliant execution. From
a mere contest of animal courage he had raised war at one step to
what it really should be, a contest in which mind and character win,
and not brute force. Little wonder that Gustavus, landing at Rügen to
attack the colossal power of the German Empire with his 15,000
men, should have excited the laughter of his enemies, and have
provoked Wallenstein to exclaim that he would drive him back to his
snow-clad kingdom with switches. It appeared like Don Quixote
riding at the windmills. But his action was in truth founded on as
substantial a calculation as Hannibal’s march into Italy, and was
crowned with abundant results. The method of his work could not but
win. And Gustavus did one thing more. He showed the world that
war could be conducted within the bounds of Christian teachings;
that arson, murder, rapine, were not necessary concomitants of able
or successful war; that there was no call to add to the unavoidable
suffering engendered of any armed strife, by inflicting upon innocent
populations that which should be borne by the armies alone. In both
these things he was first and preëminent, and to him belongs
unqualifiedly the credit of proving to the modern world that war is an
intellectual art; and the still greater credit of humanizing its conduct.
L E C T U R E V.
FREDERICK.