CIne

May Jun Jul 2024

fan

Co m ed y –

O he r S ide of
K ism äki
The t
f A ki a ur
The Film s o
 May
Jun Jul
AC
香港藝術中心
2024 古天樂電影院
Louis Koo Cinema,
Hong Kong Arts Centre
灣仔港灣道2號
2 Harbour Road,
Wan Chai

Contents
目錄

2 11
The Other Side Seeing the Unseen –
of Comedy – Godfrey Reggio’s
The Films of The Qatsi Trilogy
Aki Kaurismäki 文明末世的沉思：
窮風流 冷幽默： 烈治奧的 ｢生活三部曲｣
雅基郭利斯馬基

影片放映格式請參閱電影節發燒友網頁。
For screening format information, please refer to the Cine Fan website.

除特別註明外，所有非英語對白電影皆設有英文字幕。
Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by 資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。
The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.
The funding support bears no relationship whatsoever to the content of, or views expressed in this project.
 MC IS TS PE BC
M+ 戲院 英皇戲院 尖沙咀 英皇戲院 銅鑼灣時代廣場 PREMIERE Elements 百老匯電影中心
M+ Cinema iSQUARE Emperor Cinemas Broadway Cinematheque
九龍尖沙咀
Emperor Cinemas Times Square
香港九龍博物館道38號 柯士甸道西1號 九龍油麻地眾坊街3號
iSQUARE
西九文化區 M+ LG層 銅鑼灣勿地臣街1號時代 圓方商場2樓 駿發花園
LG/F, M+, West Kowloon 九龍尖沙咀彌敦道63號 廣場13樓 2/F, ELEMENTS, Prosperous Garden,
Cultural District, 國際廣場7樓 13/F, Times Square, 1 Austin Road West, 3 Public Square Street,
38 Museum Drive, L7, iSQUARE, 1 Matheson Street, Kowloon Yau Ma Tei, Kowloon
Kowloon 63 Nathan Road, Causeway Bay
Tsim Sha Tsui, Kowloon

14 22 27
Psychedelia – The Golden Age Ticketing Information
Cinema as a Fever Dream 黃金時代 購票須知
迷上腦—
意識光影漫遊
24 28
Back to the Screen Screening Schedule
21 銀幕再現 放映時間表
Cinema Heritage:
From The Film Foundation
光影珍藏：電影基金會

語言 Language (語言代碼 Language Code: ISO 639-2/B) 字幕 Subtitles 默片 Silent

合作夥伴 Supporters
這
個年頭，若你看雅基郭利斯馬基的電影，
覺得不比每日新聞或自己人生可笑，那是
因為你悲觀。看，即使世界不似預期，街角總有
一間未被淘汰的酒吧；何妨多乾一杯，醉聽無厘
頭樂與怒，摸摸身邊善解人意的小狗，相信希望
在彼方。
最愛布烈遜的精煉、布紐爾的荒誕，也愛黑白默
片的清純，這位芬蘭怪傑把大師章法看得入骨入
髓，為哥哥作品任編劇當副導時，早已練就一身
O her S ide of
The t
The F ilm s
Aki Kaurismäki thinks his own films are dreadful.
And his deadpan comedies are grim. But the
bleaker the director has become, the more
tender his films. No matter how despairing the
reality is, his underdog characters always find
solace in a sleazy bar, in eccentric rock 'n' roll,
and in the company of a devoted canine friend.
Combining the restraint of Robert Bresson with
the surrealism of Luis Buñuel, the profound Finn
cinephile creates his own cinematic universe
of visual stylisation and mordant jokiness for
his humane comedy. Highly distinctive but hard
to define, Aki’s compositions are simple yet
subtly expressive; his approach skews towards a
tradition of neorealism, yet flecked with fairytale-
武功。淡定鏡頭、明快剪接，以颯爽敘事、簡約
構圖及黑色幽默，建構出一套獨門冷峻精闢的電
影語言，短小而精悍。明明嚴刻寫實，卻摻入奇
詭夢幻；一片懷舊氛圍，竟調出現代格調；謳歌
團結互助、人間有情，又一併連消帶打，對冷漠
社會與僵化制度來個尖刻嘲諷。不坐穩車，小心
被他的錯位碰撞弄得哭笑不得。
窮，也可活得有格。家徒配以鴨綠桃紅的四壁，
把窩居與工作場塑造成冰冷與溫情交錯的靈魂空
like fantasy; his ambiance is nostalgic, yet evoking
a modernist vibe. With witty irreverence and
stylish intelligence, the artist works dichotomy
into an arresting sensibility, championing
humanity and spontaneous solidarity while
sliding out an unspoken critique towards modern
alienation and social injustice.
Imbued with the melancholy lyricism of Edward
Hopper, Aki furnishes the humble homes and
working spaces with Scandinavian minimalism
and a colour palette at once muted and vibrant,
where the loneliness of the working class collides
with bittersweet tenderness. Retro radios,
vintage Cadillacs, and local bands all conspire
to tell stories about beautiful losers and bring
間。騎呢樂隊唱着夭心夭肺情歌，懷舊收音機 請殺手了斷自己，被扑頭黨洗劫一空到被迫揸槍
傳來亂世新聞，古董Cadillac駛過寂寞旅途；招 打劫銀行，個個是寂寞靈魂，雅基都不乏憐憫。
牌景物反覆出現，對照不同情緒氣氛。雅基早已 「當一切出錯，人就會最強」；一無所有之時，
找到自己的紅色水煲美學，一如崇敬的小津安二 最是人性善美的體現：人窮志不窮、卑微不卑
郎，做到情景交融，意在言外。 賤；失望而不絕望，奇蹟自會降臨。不信？反正
芬蘭冷，但世道更冷。雅基索性讓所有演員掛上 雅基是信了。
一張張冷口冷面，把低下層灰沉苦悶的人生寫 「當所有希望消失了，悲觀再無緣由。」是的，
在臉上；神情木訥、不苟言笑，把情感鑄在骨 假如世界令你欲哭無淚，倒不如笑一笑吧？
子裏，刻盡了人間的滄桑。由為妻報仇殺人到聘

–
ed y
Com Kaurismäki
of Ak i

out a full range of their shrouded but piercing – at the end. Comedy rarely comes so bleak,
emotions, transforming into his idiosyncratic depression is rarely so funny, and miracles are
motifs that emulate the red kettle of his revered rarely so real.
Ozu Yasujiro.
‘When all hope is gone, there is no reason for
Aki possesses the capacity to capture human pessimism.’ If you can’t cry, why not laugh?
vulnerabilities with a weird charm of dry and
deadpan humour. Surviving on the margins,
his reclusive working-class heroes persevere,
合辦 Co-organiser: 鳴謝 Special Thanks:
trying to walk tall in a world of prejudice, and
rebuild their lives against everyday adversity.
Hidden behind their poker faces and understated
dialogues are existential frustration, alongside
suppressed emotions and desires. Whatever fate
所有於百老匯電影中心放映的節目門票，只於其場地及網站發售。
throws at them, Aki always finds in his heart to
All tickets for screenings at Broadway Cinematheque are
reward them with a glimpse of hope – and love available at its venue and website only.
 雅基首執導筒，拍的竟是嚴肅至極的杜斯妥
也夫斯基鉅著。希治閣說過此書難度太高不
敢碰，初生之犢偏向虎山行，倒有另闢蹊徑
之勇。故事搬到八十年代赫爾辛基，屠房
工為妻報仇殺了商人，與警探展開貓捉老鼠
遊戲，並與唯一目擊女子命運交纏。長夜無
4.5 盡，在偏執與懺悔之間來來回回。雅基獨門
14:45
BC 風格尚未成形，但脆弱、失意、孤寂的題旨
早已浮現。敘事簡練、影像冷峻，布烈遜筆
芬蘭 Finland 1983 93min
觸影蹤處處，隱含深刻社會意識與人文精
Cast: Markku Toikka, Aino Seppo,
Esko Nikkari, Hannu Lauri
神，在沉鬱生命裏泛起雋永諷喻：罪與罰，
8.6
17:45 憑誰定？
PE
Challenging Hitchcock and himself in adapting
Dostoevsky’s epic novel, Aki’s bold and
disarmingly assured first solo transposes
the solemn literary text to early ‘80s
Helsinki, where an endless nocturnal spell
casts on his lonely character. Taking a cold-
blooded revenge on his wife’s murderer,
a slaughterhouse worker wavers between
freedom and redemption, as he plays a cat-
and-mouse chase with the police. Channelling
Bresson’s minimalist approach, Aki shows
the first glimpse of his recognisable sombre,
detached style, translating the questions about
guilt and responsibility into the highlights of
social awareness, mental anguish and moral
dilemmas.

一個大轉身，雅基在次作即玩個不亦樂乎。
黑超、長褸，十七個廢青，人人叫法蘭。兄
弟齊齊要離開頹弊不堪的城市，尋找失落烏
托邦。騎劫地鐵房車，沿途見盡眾生光怪
陸離；人已死剩無幾，方發現理想國不過是
子虛烏有幻夢。玩盡類型，奇詭過癮，一時
是黑色電影懸疑詭秘，一時是超現實怪異離
奇；槍聲剛過，樂與怒又響起。扮《不法之
徒》去看芬蘭國家美術館，又學迪尼路講兩
句《的士司機》經典對白。客串揸靈車的雅
基，自言此乃宿醉拍下的作品，也是私伙心
頭好。

In a complete turn-around from his solemn

debut, Aki heads straight for comic absurdity
in his personal favourite. Featuring 17 shades-
wearing weirdos, all named Frank, on a quest
to reach the fabled Eldorado, this ridiculously
fun work takes an outrageous journey from
distorted realism in Buñuelian logic, down to
film noir replete with improbable humour (the
farcical mimic of De Niro’s lines from Taxi
4.5 Driver ) – and a generous dose of death, from
16:45
BC the unexpected to the silliest killing. This highly
stylised series of episodic non-sequiturs is
芬蘭 Finland 1985 81min
reportedly shot while Aki was inebriated – in a
Cast: Matti Pellonpää, Puntti Valtonen, society fraught with futility and frustration, who
Pirkka-Pekka Petelius, Kari Väänänen
16.6 don’t need booze?
14:30
PE

4
垃圾佬遊走都市撿拾破爛，一無是處是苦悶
人生寫照。在垃圾堆拾得唱片，買來整套音
響器材配套，型過聽卡式。愛上被炒超市女
收銀，竟也被嫌棄，幸好佳人回心轉意。
「無產階級三部曲」首章，把首作的嚴肅與
次作的無聊平衡得剛剛好，為雅基招牌式社
會寫實悲喜劇類型奠定藍本。兩名愛將馬提 4.5
18:30
布朗巴和姬蒂奧天娜首次擔正，油頭二撇 BC
雞與木口木臉成絕配，在冷風蕭瑟的世界相
芬蘭 Finland 1986 74min
擁，同尋點點人生意義。簡約場面、精準調
Cast: Matti Pellonpää, Kati Outinen,
度、獨特畫外音設計，將低下層的絕望與希
15.6 Sakari Kuosmanen
望刻劃入微。 17:00
PE
Distinct minimalist aesthetics, motifs, and
character sketches that define Aki’s blueprint of
austere yet humanistic black comedy came into
sharp focus in this first part of his ‘Proletariat
Trilogy’. Striking a tone of droll and poignancy in
impeccable balance, this blend of grim romance
and societal critique revolves around a garbage
collector and a supermarket cashier, whose
relationship goes through dashed dreams
and collective disappointments. The walrus-
whiskered Matti Pellonpää and the stone-faced
Kati Outinen emerge as Aki’s perfect pair of
Finnish solitary souls, befuddled by reality yet
striving to find a glimmer of life’s meaning.

芬蘭改由核能發電，煤礦工人從此失業。從
冰天雪地揸架開篷車南下，也不見得春光明
媚。搵工難，生存更難；受害者被迫變加害
者，在監獄交了個患難死黨，一齊亡命天
涯，寄望與女友搭上昇空號遠走高飛。「無
產階級三部曲」的第二部，又一章曲折離奇
卻又殘酷寫實的荒誕詩篇，以黑過舊炭的諷
刺調子，透視社會邊緣人被迫走上末路窮
途，卻未忘送上苦中作樂與心靈寄託，伴以
芬蘭腔的〈Over the Rainbow〉。尖銳社會
洞察，溫潤人性感思，令雅基在國際影壇地
位飛升。

A compelling blend of gritty realism and escapist

fantasy, this second part of the ‘Proletarian
Trilogy’ elevates Aki to the pantheon of world
cinema. It all begins when a hapless coalminer
is laid off as Finland switches to nuclear power.
Setting off with a white Cadillac convertible to
find opportunities in the South, he only slides
into penury and misfortunate, leading him to
unjust imprisonment and eventually to criminal
acts. At once bleak and cynically humorous,
4.5
20:00
Aki’s cool existential tragicomedy toys his hero BC
with more than a twist, undercut by a minor-
芬蘭 Finland 1988 72min
key romance, and an optimistic light at the end,
alongside an exotic ‘Over the Rainbow’. Cast: Turo Pajala, Susanna Haavisto,
15.6 Matti Pellonpää, Eetu Hilkamo
18:45
PE

5
 個頭型過皮禮士利，對鞋尖過巴黎鐵塔，呢
隊黑超戇男樂團自稱列寧格勒牛仔，在西伯
利亞連熊人都唔吼。領班提議去美國發展，
因那兒垃圾都紅得起。流落紐約街頭搵朝
唔得晚，顧客得小貓三四隻。向老美占渣木
殊買架二手Cadillac，有情有義帶埋凍僵隊
5.5 友副棺材穿州過省；樂與怒不死，知音人原
14:30
BC 來在墨西哥，去到大翻身出人頭地。將音樂
劇同公路電影炒埋一碟，對美蘇文化碰撞的
芬蘭 Finland 1989 79min
諷刺更過癮抵死；雅基人在異鄉並無水土不
Cast: Matti Pellonpää, Kari Väänänen,
Mato Valtonen
服，獨門冷幽默大受歡迎，更帶挈樂隊當真
16.6
16:15 竄紅，果然人生如戲。
PE
Digging into his roots in the anarchism and
nihilism of 1970s punk rock, Aki champions his
deadpan comic musicians in this international
cult hit. With pointy pompadours and
winklepicker shoes, the struggling Siberian rock
band seeks their fortune in the US, carrying a
running joke of its frozen bass player on the
top of its Cadillac – bought from a cameoing
Jim Jarmusch. In a strange genre hybrid
recklessly mixing musical, comedy, and road
movie, Aki’s offbeat farce is unapologetically
silly, full of eccentric concurrences, and
mockery of capitalistic degradation down the
American road. As ironic as it goes, it brings
the fictional band to bonafide sensation.

工作悶到慌，仲要無端端被裁。寂寞到想
死，卻連自殺都頭頭碰着黑。把心一橫，自
掏腰包聘請殺手去了斷自己。專家未出馬，
此時偏偏邂逅賣花女，找到最愛，人生有了
希望。想中止合約不果，殺手步步進逼，如
何逃出生天？雅基膽敢為新浪潮浪漫象徵尚
彼埃里奧掛上一副樸克臉，他的亨利移居
十五年罩上倫敦的一片陰霾，在荒誕絕倫又
彷彿合情合理的處境下，惡運與好運交叉起
落，嘲諷人生無常。希治閣式懸疑驚慄看得
人抹汗之餘又稱慶，成就錯摸與對碰黑色喜
劇代表作。

Sacked from his civil service job, a lonely and

芬蘭Finland／瑞典Sweden 1990 79min
Cast: Jean-Pierre Léaud, Margi Clarke,
Kenneth Colley
威尼斯影展競賽影片
Venice Film Festival: In Competition
desperate Frenchman tries to kill himself in
vain, so hires a contract killer to bump him off.
Tasting his first whiskey during his final hours,
he falls for a flower girl, and life suddenly isn’t
the dead end it seems – if he could cancel the
contract. Aki dares to turn the symbol of new-
wave romanticism, Jean-Pierre Léaud, into a
misanthrope, giving him a sad-dog face shrouded
5.5 in the London mist. Steeped in Hitchcockian
16:15
BC suspense and noirish tropes, this droll thriller is
sublimely sad yet achingly funny, moving from
everyday realism through melodrama towards a
surprising ending – proving that life is hard but
15.6 still amazing!
20:30
PE

6
法國作家、阿爾巴尼亞畫家、愛爾蘭音樂
家，三個潦倒藝術家在巴黎同一屋簷下，過
着波希米亞生活。餓快活、窮風流，有幾個
錢寧願去買巴爾札克絕版書，揸架二手古董
車，飲幾杯廉價美酒，約女友結伴郊遊。然
而當死亡欺近摯愛，也不得不向現實低頭。
5.5
雅基還是名小郵差時，已立志將梅瑞的半自
18:00 芬蘭Finland／法國France／瑞典Sweden／
傳小說搬上銀幕，終償所願。抱擁波希米亞 BC 德國Germany 1992 103min
情懷，向最後的浪漫致敬；秉承一貫冷峻風 Cast: Matti Pellonpää, Évelyne Didi, André Wilms,
格，以黑色的嚴肅與幽默，拍出灰色人生的 Kari Väänänen, Christine Murillo
柏林影展國際影評人聯盟獎
Berlin International Film Festival: FIPRESCI Prize
淡淡哀愁。路易馬盧同森姆富勒客串一角，
8.6
生鬼傳神。 19:45
PE
Three down-on-their-luck artists – a French
writer, an Albanian painter, and an Irish
composer – live the bohemian life in 1960s
Paris, which looks like the forgotten fringes
of Helsinki. Acquainted with poverty and
starvation, they always manage to buy a drink,
drive a vintage car, and get into romantic
relationships. In his vibrantly scrappy adaptation
shot in gorgeous black and white, Aki makes a
laid-back and coolly funny update of his beloved
Henri Murger novel. Featuring cameos by
Louis Malle and Samuel Fuller, this deceptively
querulous comedy satirises the conventions of
art and romance, while exalting them as the
only means of salvation.

家有惡母，咖啡又冇，點可以唔離家走佬？
車衣男與整車佬揸架大到無倫的爛房車上
路，順道載上兩個想返塔林的女子。一趟
短短公路旅程，四人碰撞出不似預期的反浪
漫悲喜劇。兩男兩女有一句沒一句，一如芬
蘭、愛沙尼亞與俄羅斯的關係既近且遠。老
友找到所愛留在異鄉，他只能做個白日夢，
幻想自己不顧一切駕車衝破咖啡店大門。此
公路電影是雅基向芬蘭六十年代黃金歲月的
告別，經濟快車高速向前，一不小心，文化
與情感也許像女孩頭上絲巾，被風吹走，一
去不回。

Discovering his fierce mom is out of coffee, a

caffeine addict leaves home and hits the road
with his auto mechanic friend. It soon becomes
a wayward road movie, when the twosome
takes on two hitchhiking women trying to get
home to Tallinn. Wringing from their uneasy
silence, a tentative romance, to their awkward
night in a hotel, this wry and strangely touching
comedy, shot in sumptuous black and white,
evokes the political relationship between
11.5
14:30
Finland, Estonia, and Russia. Aki’s farewell BC
to Finland’s Golden Era in the mid-60s, as
芬蘭Finland／德國Germany 1994 65min
he quietly observes how modern life dashes
ahead at the expense of culture and emotions Cast: Kati Outinen, Matti Pellonpää,
– and nobody seems to care. 9.6 Kirsi Tykkyläinen, Mato Valtonen
17:15
PE

7
 什麼比中年失業更悲哀？就係夫婦齊齊冇得
撈。駕駛電車的老公抽中裁員下籤，老婆因
餐廳賣盤丟了飯碗。人窮志不窮，想自食其
力卻處處碰壁。人生一片灰，但雅基總愛
以幽默紓憂解困：電視梳化斷供被搬走，尚
留四壁鴨綠桃紅；為妻追討欠薪被打到頭破
芬蘭 Finland 1996 96min
11.5 血流，仍有柴可夫斯基《悲愴》慰藉。雅基
16:00
Cast: Kati Outinen, Kari Väänänen, BC 的「失敗者三部曲」以失業開篇，將第昔
Elina Salo, Sakari Kuosmanen 加《單車竊賊》的寫實沉重摻入法蘭基勃拉
康城影展天主教人道獎特別表揚
《莫負少年頭》的樂觀勵志，拼貼出蕭條時
Cannes Film Festival: Prize of the Ecumenical Jury -
Special Mention 代下小人物的哀樂人生。天無絕人之路，希
2.6
16:30 望尚在人間。
PE
Misfortune begets misfortune – a man is
laid off by the tram company, and his wife
loses her job at a bankrupt restaurant. As
the desperation and humiliation of searching
for work begin to take their toll, they find
themselves facing a life crisis. Addressing
the sorrows of unemployment in the first
instalment of his ‘Loser Trilogy’, Aki places his
Finnish reality in between the gritty realism of
Bicycle Thieves and the joyful optimism of It’s
a Wonderful Life , delivering one of his most
poignant and compassionate works. The sets,
the props, and the vivid colour schemes all
conspire to overwhelm the ill-fated ironies,
giving heartwarming humanism and a sense of
hope.

從前，有一對調理農務夫婦，粗茶淡飯但快
樂過活。有一天，來了個跑車浪子，無知村
姑擋不住誘惑，跟佬走到大城市，被賣進火
坑。丈夫出城尋妻砍死姦夫，自己也賠上性
命，遺下孤兒寡婦。老掉牙的愛情倫理大悲
劇，搖身一變成為雅基前衛風格試煉場；嫌
用台詞說故事太易，就以去蕪存菁的極限作
自我挑戰：以簡約字幕卡取代對白，再以創
新聲效及蕩氣回腸音樂推動節奏，配襯時而
滑稽時而哀傷的畫面。黑白攝影，回歸默片
時代影像敘事的純粹，還電影以「清白」本
質。

It's an age-old story of love and tragedy – a

芬蘭Finland 1999 78min
Cast: Sakari Kuosmanen, Kati Outinen,
André Wilms
柏林影展C.I.C.A.E. 獎特別表揚
Berlin International Film Festival:
C.I.C.A.E. Award - Honorable Mention
peasant couple whose simple life is ruined by a
city slicker, who seduces the naïve wife and sells
her into prostitution. Proclaiming that ‘stories
have lost their purity’, Aki takes on a daunting
venture by turning the morality tale into a silent
melodrama, stripping it of audible dialogue and
laying out purely with camera, expression, and
gesture. Driven entirely by a sensational score
11.5 and exquisite black-and-white photography, the
18:00
earnest fable now acquires a touch of deadpan
BC
humour and compassionate sorrow beyond
its visual elucidation, returning cinema to its
essence: innocence.
9.6
18:45
PE

8
初來甫到遇上扑頭黨夜繽紛，中年漢財物同
記憶被洗劫一空。死過翻生，獲一家窮L好
心打救，住在碼頭貨櫃，街友送上關照問
候。救世軍果然救世，給予工作還帶來緣
份。決定重整生命之時，卻糊里糊塗捲入銀
行劫案，被認出真正身份……「失敗者三部
11.5 芬蘭Finland／法國France／瑞典Sweden／
曲」的第二章，同情寄予無家者，淪落人相
19:45 德國Germany 2002 97min
濡以沫，溫馨感人；同時一巴摑向資本社會
Cast: Markku Peltola, Kati Outinen, Annikki Tähti
BC
與僵化制度，笑中有怒。雅基集大成巔峰 康城影展評審團大獎、最佳女演員、
作，康城頒來評審團大獎及最佳女演員； 天主教人道獎及狗棕櫚獎
Cannes Film Festival: Grand Prize of the Jury, Best Actress,
Prize of the Ecumenical Jury, and Palm Dog
Tähti 更威，拿下狗棕櫚獎。同場加映短片
2.6
《好狗上天堂》（2002，10分鐘），雅基愛 18:30
將的結婚前放監後。 PE

Aki’s compassion for the marginalised comes

to its most refined expression in this second
part of the ‘Loser Trilogy’. His tenderness
embraces a nameless man, who loses his
memory after being savagely beaten by
muggers. He joins some homeless folk living
in genteel contentment in empty containers,
as love blossoms with the Salvation Army
lady. A brightly idiosyncratic testament to
a community’s capacity for resilience and
kindness, this uplifting comedy is a rarified
blend of heartfelt socio-political sensitivity and
Kaurismäki-esque deadpan. Tähti steals the
show, taking home the Palm Dog. Screening
with Dogs Have No Hell (2002, 10min).

夜更實Q，悶到出竅。一事無成卻胸懷大
志，希望有日開舖做老闆。神秘冷艷美女來
搭訕，以為真愛降臨，點知只是大賊設的美
人計，被失戀、失業、失夢想兼失自由。忠
忠直直，終須孤寂。「失敗者三部曲」終
章，講寂寞。褪去浪漫燈光與童話色彩，赫
爾辛基剩下一片暮色灰沉，打劫、欺騙、背
叛適者生存飛黃騰達，忠心、善良、耿直卻
不合時宜無處容身。好在雅基不悲觀，壞人
雖逍遙法外，但好人總不致慘淡收場：小狗
有了新主人，寂寞男也有了熱狗女。同場加
映短片《比科》（2004，5分鐘），拍葡萄
牙小村，見牛羊，又見狗。

Concluding his ‘Loser Trilogy’ is the tale of a

lonely night watchman, whom the world has
turned shadowy for holding old-fashioned
virtues and humanity. When a mysterious
blond’s sudden interest in him is revealed to
be part of a plot to rob the mall, the surrogate
victim passively accepts whatever cruelties
come his way, spiralling down into prison
and homelessness. Aki’s haunting musing on
12.5
14:30 芬蘭Finland／德國Germany／法國France
loneliness is tempered with an undertone of BC
2006 78min
gallows humour, and a ‘justice’ that may be
Cast: Janne Hyytiäinen, Maria Järvenhelmi,
Ilkka Koivula, Maria Heiskanen
late but never absent: the dog finds a new
owner, and the hapless man finds the hot dog 康城影展競賽影片
girlfriend. Screening with Bico (2004, 5min).
2.6 Cannes Film Festival: In Competition
20:45
PE

9
 從赫爾辛基移師法國北港，開幕一場火車站
警匪以眼神對峙已擺明向法國經典作致敬。
《波希米亞人生》的作家馬塞退隱當擦鞋
匠，與老妻雖貧亦樂。向非洲小人蛇伸出援
手，面對刑警窮追不捨，幸好街坊老友出心
芬蘭Finland／法國France／德國Germany 2011 93min
Cast: André Wilms, Kati Outinen,
出力，一齊送佛送到倫敦。席捲歐洲的難民
12.5
Jean-Pierre Darroussin, Blondin Miguel 潮令雅基重出江湖，赤子之心始終不變，輕
16:15
康城影展國際影評人聯盟獎及狗棕櫚評審團獎 BC 描淡寫已看透世情。世界荒謬，更須以幽默
Cannes Film Festival:
抗衡，一鏡神探抱菠蘿已令人失笑。亂世中
FIPRESCI Prize and Palm Dog Jury Prize
一股窩心暖流，結局美滿得有點超現實，但
何妨一笑領情，相信世間有奇蹟？同場加映
1.6
映後座談會講者喬奕思、朗天 17:30 短片《鑄造廠》（2006，3分鐘），給康城
Seminar with Joyce Yang and Long Tin PE 的情書，工人放工齊齊去睇戲。

Moving to the port town of Le Havre, Aki’s

stylised and offbeat film gives a new heartfelt
urgency on the refugee crisis. Marcel, the
playwright in La Vie de Bohème , now retreats as
a shoeshiner, living hand to mouth with his ailing
wife. With instinctive kindness and the support
of his tight-knit neighbourhood, he stands up
against a tough inspector doggedly pursuing a
young African refugee for deportation. A nod to
the French noir classics, and in resonance with
Aki’s fondness for vintage lighting and décor,
this political fairytale yields a nostalgic portrait
of a community, where humanity and solidarity
are rewarded with miracles. Screening with The
Foundry (2006, 3min).

不打不相識，爛餐廳霉老闆遇上潛逃敘利亞
青年，兩個淪落人都望重過新生。青年因戰
亂家破人亡輾轉流落芬蘭，可惜面對官僚鐵
板一塊，尋求政治庇護被拒門外。仗義每多
平凡輩，老闆二話不說好心收留。餐廳雖生
意慘淡，但上下同舟共濟逆市求存。《心靈
港灣》後的「移民第二部曲」，雅基繼續談
笑用兵，以冷幽默道來世界很冷制度很冷但
人心未冷；獨門秘方泡製的鹹魚辣辣壽司令
人涕淚交流，沒得米芝蓮，卻贏了隻柏林銀
熊。雅基說過是最後之作，好彩反口，才有
了《落葉》。

Back to his hometown for another coolly comic

and sympathetic take on the refugee crisis, Aki
brings together two men from different worlds
– a sour Helsinki restaurateur and a fleeing
Syrian asylum seeker – who forge an unlikely
but mutually enriching friendship, navigating
the hardship and heartbreak to begin life anew.
Covering a serious refugee story with an
unworldly absurdity, the Berlinale Best Director
12.5 never fails to combine poignancy with torrents
芬蘭Finland／德國Germany 2017 100min
18:15
BC of laughter – not unlike the taste of the salted
Cast: Sherwan Haji, Sakari Kuosmanen, herring sushi loaded with wasabi – to speak of
Janne Hyytiäinen
selfless compassion without sentimentality, and
柏林影展最佳導演銀熊獎
Berlin International Film Festival:
beliefs of hope in an unforgiving world.
Silver Bear for Best Director
1.6
20:45
PE

10
 文明末世的沉思：烈治奧的「生活三部曲」
Seeing the Unseen
Godfrey Reggio’s
他
是電影藝術家、社運倡議先驅、
抑或末世預言者？或許，他更像 The Qatsi Trilogy
一位沉思者，以影像及音樂思索現代文
明的沉淪。
In his Qatsi (= life) Trilogy, former Catholic monk
and artist-cum-activist Godfrey Reggio’s critique of
葛費利烈治奧年少時曾任職教會服務社 technology is not a message, but manifests as cinematic
區，看到社會種族階級與階層貌合神離 method in the form of non-fiction and wordless, visual
的狀況，想方設法改善杯水車薪疲憊對 narrative. Between poetry and discourse, and via
話的世情。於是《機械生活》在「城市 torrents of images transported through Philip Glass’
交響曲」的美學基礎上知性發揮，以嶄 music, cinema becomes, in Reggio’s own terms, a
新而高瞻的地球視野考察當下。沒有同 ‘sacrament’ directly confronting the technicised human
步聲音、沒有對白旁述，全程由菲利普 world by firing it up.
格拉斯的簡約派音樂相隨，城市影像樂 In his unique universe, images of nature, urbanity,
章式陳展，純粹地直達人心，讓觀眾領 human conditions, space technology, militarism and
悟不一樣的視聽觀賞經驗，自行開發非 consumer culture all share the same image space non-
劇情的文明沉思。之後《天地乾坤》和 hierarchically, articulating what Reggio describes as
《戰爭生活》，烈治奧在霍皮族的古老 the ‘unity imperatives’ of technological society. They
詞彙裏找中對應命題，以「生活三部
blend into one another and juxtapose without any plot

曲」察視當下，道出平衡、變形及擠壓
function. The world is like a new organism – breathlessly

三種文明型態與命運共同體。
pulsating, horizonless, and as real as it is virtual. An
image may hiss, scream, stagger, dash off, blink, swerve
烈治奧曾在訪問中簡潔申述創作態度： and swirl – that’s all cinema doing it. Slow motion,
「我致力根除傳統電影的前景，主力聚 reverse backward play, time-lapse, superimposition,
焦在後景，把房屋、群眾、運輸、工業 computer-graphics, synthetic images, found footage,
化看成彼此相關的實體……與自然同等 augmented vision and more are all at Reggio’s free
對待，多過把大自然看成為無機死物， disposal, without symbolic burden, and stripped of
像一塊石頭。」簡言之，他關注人類在
conventional usage.

高度文明發展過程中，與大自然同行逆 To Reggio, the celluloid film is about the negative

行的摺疊生態，投射末日世界的文明暴 becoming the positive; and negation is a way to resist
力，警世而富力量。 destiny, to bring about change by learning to feel strange
for what has become routine. Cinema and image-
making would remain that liminal space to uphold
perceptual estrangement, and camera presence, from
within or outside our planet, to make concrete and
visible the unseen.

11
 電影史上最具野心的影像與音樂平起平坐完美結
合，在樂曲與影像同步輸出時，不是音樂在配畫
面，而是視聽時空合一體現非敘事純電影的亮麗
追求。烈治奧借用寇比力克的漫遊概念，從山崖
壁畫縱跳至現代城市，慢速倒放是前奏，在大幅
度遠距及縮時景觀下，時空形成既遠且近的自由
時態觀賞。人群在車站飛快流動，交通演成流
線，及至消費行為，亦在重覆變奏的音調下乍現
鬼影幢幢。若能拋棄看電影敘事性依賴的話，你
得反思在電影院外所選擇的生活軌跡。

Koyaanisqatsi (from the Hopi Indian language),

referring to life out of balance, forms an
Koyaanisqatsi: apocalyptic vision of the collision of two worlds,
that of technological urban life versus the
Life Out of Balance environment. It all starts with familiar, highly
circulatable and recyclable images streaming and
機械生活 braiding like the raw material of contemporary
society: city, crowds, housing, industries, assembly
(又名：失衡生活） line, streams of traffic, inaccessible territories…
19.5 Featuring music by Philip Glass, Reggio sets up
14:30
TS his own visual tone poem of cross-disciplinary
‘systems theory’ to make visible technology,
our new nature, all inserted between the cave
美國 USA 1982 86min
柏林影展競賽影片
paintings of primitive society, and it resonates even
Berlin International Film Festival: In Competition
7.7 louder in the age of Artificial Intelligence today.
14:30
映後座談會講者黎肖嫻、黃可欣 MC
Seminar with Linda Lai and Mimi Wong

「生活三部曲」的第二部曲換上大量慢動作的鋪
述，釋出走近直面的沉思空間。格拉斯擁有世界
耳朵，入鄉隨俗的音色凸顯低迴採風的況味。離
開富裕的美國來到地球以南考察第三世界勞動，
在巴西採礦場、非洲村落、印度城市渡輪上，面
孔有個性，尤對街童質樸捕捉，塵埃逆光晃動，
是全球化未完成的個性美。南北對話總會形成好
壞辨證，是薛西弗斯煉獄境界，抑或本質未污
染？香港出鏡不多卻有答案，霓虹電車與屏風
樓，品列為發展中城市，當時被寄予希望。

In the second instalment of The Qatsi Trilogy,

Reggio shifts from the Northern Hemisphere to
the Third World nations in Southern Hemisphere.
It opens with the emotive texture of slavery and
hard labour, alternating between the choreographic
Powaqqatsi: labourers’ movement and shallow focus portraits
of their enigmatic expressions. Is this the Roman
Life in Transformation 25.5
Empire? Colonial exploitation? Or cinematic re-
14:30 enactment? The rest of the piece is a meditative
天地乾坤 TS space of industrial landscape taking over natural
landscape. In the name of transformation, is it
(又名：變形生活） good use of nature or the destruction of it? Philip
Glass’ music continues to facilitate us to stay with
7.7 Reggio’s image procession, like moving through an
16:45
MC estranging ceremony.
美國 USA 1988 99min

12
若說前兩部是南北緯度地球生態的辨證，那麼第
三部則以科技資訊之眼，檢視整個地球的存在
感，不再一二三等去看世界，卻演述地球村的二
手訊息紛亂狀，正值菲林過渡數碼，以電子視像
彙集取代實拍書寫，見證着時代過渡一刻。前兩
部的集體流動未見「人物」，這回出現舉足輕重
的政治風頭躉，特朗普竟然未過時，卻只是蠟像
群，欠真實人性面貌。戰爭狀態源於後消費主義
人生持續的因果關係，烈治奧還是將第三次世界
大戰的可能性拋回給親愛的觀眾們。

A mournful announcement of life as war. The

meditative space of the final instalment places
the viewer in the midst of forceful presences –
positive images of nature and history, interspersed
Naqoyqatsi:
with the (celluloid-)negative images of humans.
Synthetic images take over – to our comfort, or to
Life as War
dethrone us from the comfort of feet-on-ground
haptic space? Are we already too used to military
戰爭生活
imageries and those of space conquer, which have
long dominated our imagination? Points of view and 26.5
14:30
perspectival space are deconstructed: is it possible TS
to move into the fractal space of mathematical
concision, or the unseen space of domination?
Objects enlivened by technology… Human faces
turned technological (arti-)facts... Historical figures 7.7
19:30
permanent circulatable simulacrums... MC
美國 USA 2002 89min

Seminars 座談會

Seminar on Seminar on
Godfrey Reggio’s Aki Kaurismäki
The Qatsi Trilogy 雅基郭利斯馬基座談會
烈治奧「生活三部曲」
座談會

19.5
時間Time:
Sun 日 // TS 1.6
時間Time:
Sat 六 // PE
4:00-4:45pm 《機械生活》放映後 7:10-8:10pm 《心靈港灣》放映後
After the screening of Koyaanisqatsi: Life Out of Balance After the screening of Le Havre

講者Speakers: 講者Speakers:
黎肖嫻 Linda Lai、黃可欣 Mimi Wong 喬奕思 Joyce Yang、朗天 Long Tin

13
迷
幻電影名堂於上世紀六、七十年代出現，啟
發自迷幻藥的誕生。在此之前已有死藤水、
大麻及蘑菇，也有令人出神的世俗宗教禮儀，
以及想像幻境的藝術及文學創作，可稱為狂喜之
舞、被提之夢，或愛麗絲的仙境。簡言之，迷幻
電影是由一記腦中暈眩感的捕捉開始。
‘One pill makes you smaller, and one pill makes you
small. And the ones that mother gives you don’t do
anything at all...’
Made popular by the widespread use of psychedelic
substance among young people during the
counterculture movement of the 60s and 70s,
psychedelic cinema emerged as part of the artistic
revolution involving music, art, literature and
philosophy.
Psychedelic, which literally means ‘mind-manifesting,’
can just be applied to an aesthetic style or an
affective-sensorial influence, conjuring an altered
state of subjective reality and hallucinogenic
experiences that reflect the revelation of our mind.
Blurring the lines between dream and reality, these
films often use visual images or unconventional
narrative techniques to alter the viewers' sense of
spatiotemporal perception.
電影有必要脫離現實，那麼所有超現實主義電影
都有迷幻性嗎？《魔鬼》、《砂漏療養院》和
《願能甜睡如夢》都沒有附上嗑藥指南，主角一
出場便身處某種不對勁的現實─ 有像自己心智
設計出來的中陰身迷宮，有像墮進馬克夏卡爾夢
幻畫作的氛圍，亦有像迷惑在過去式的電影現場
樂不思蜀。
Dennis Hopper’s 1969 Easy Rider , one of America’s
first counterculture films that fused mainstream
aesthetics with avant-garde tendencies to capture
the sociopolitical climate of the time, helped bring
psychedelic films into Hollywood. Robert Altman’s
surreal, dreamlike reality in 3 Women , Donald
Cammell and Nicolas Roeg’s dizzying experiment in
Performance , and Hayashi Kaizo’s grafting of silent-
era aesthetics in To Sleep So as to Dream - all see
the artists explore the interplay of films and drug-
induced states of mind as mutually constitutive
transformations in human consciousness – and also
cinematic adventures.
加斯柏盧埃在《死心不息》的逆思索，正給這個 次文化後，不能不提次類型觀點。類型定調後
超現實＝迷幻的探問提供答案。全程模擬啪丸後 就要疏離再走─ 可以貌合神離脱出，像《異教
識神升空浮起狀，俯瞰的都是鄰居的現實畫面，儼 徒》在安寧氣氛中體現「民間恐怖」；也可以類
如在說：眼下盡是現實，不代表就不是迷幻電影。 型交合，像《迷幻演出》，前半是黑道片，後半
正如《三女性》看似是最現實的作品，不過羅拔阿 是性藥品搖擺樂逆轉身世的乾坤，配上哥德恐怖
特曼說只是照着夢境去拍。 氣息。而《發條橙》更變本加厲遊走多元類型，
迷幻之旅可以慢慢來，但在流行次文化漫畫及搖 新型視覺營造出既當下亦未來的stoned模樣，寇
滾樂陪行演繹下，速度感割裂感才是真王道。 比力克就像以類型元素在試藥。
《迷幻車手》是帶攝影機上公路飛馳的Speed實 因迷幻之名，你可以啟程去做夢了，而這片單是
錄，丹尼士賀巴與彼得方達high着拍，之所以要 一個不錯的開始。
jump cut！《巨星湯美》是The Who的迷幻搖滾
But perhaps there is no experience like a drug-
概念創作，比Pink Floyd 的《迷牆》早了七年。 addled mind in terror. The Wicker Man sees
Some psychedelic films are full-on assault on the director Robin Hardy combine incredibly creepy
senses, pushing your mental state to the edge. behaviours, eerie folk music and the mainstream
Recreating an out-of-body experience fuelled fear of exotic religions into a trailblazing folk horror
by psychedelic drugs, provocateur Gaspar Noé genre. In Kubrick’s A Clockwork Orange , a terrifying
conceives a transcendental odyssey that defies depiction of a drug-fuelled crime spree is followed
life and death with masterful aerial shots in Enter by even more horrible depiction of state-sanctioned
the Void . Ken Russell creates a bombastic take on mind-control that sear into your brain forever.
the pop opera genre with Tommy , a relentlessly As Jefferson Airplane’s Grace Slick sings in the band’s
frenetic musical experience with jaw-dropping Alice in Wonderland -inspired psychedelic anthem
visual imagination. ‘White Rabbit’: ‘Remember what the dormouse said,
feed your head.’
 「生來野性」、「我不是生來服從」，性藥
在路上交感樂與怒，彼得方達與丹尼斯賀巴
駕駛醒目機車穿州過省印證嬉皮自由狀態。
「美國隊長」與「比利小子」，漫畫與西部
片英雄認同，迷幻境界卻不時顛覆身份認
知；前者實在嚮往家觀念，後者單純原型是
傻瓜愚人。途上遇上沒有特別衣飾符碼的積
尼高遜，他自知在美國夢裏舉步維艱，犬儒
式憤怒抱怨卻從不決絕反抗。不要誤會這是
頌揚反文化世代勝出的作品，它只是準確回
應時代男兒心存憂戚及不盡不實的狀況，面
© 1969, renewed 1997 Columbia Pictures Industries, Inc. All Rights Reserved.
對主流建制價值觀的仇視，這趟美景實踐最

Easy Rider
終還是弄跨了。

Dennis Hopper’s counterculture classic is as

pertinent today as it was back in 1969, with
迷幻車手 its scathing depiction of a country at war with
itself. Upon first release, it sent shockwaves
丹尼士賀巴
through the Hollywood establishment, ushering
Dennis Hopper in a new generation of cynical, politically
美國 USA 1969 95min
motivated filmmakers who were disillusioned
18.5
Cast: Peter Fonda, Dennis Hopper, 14:30
by a torrent of civil rights abuses and
Jack Nicholson, Karen Black TS disastrous foreign policies. Accompanied by a
康城影展最佳首作奬 groundbreaking soundtrack, Hopper and Peter
Cannes Film Festival: Best First Work Fonda immortalised themselves as a pair of
free-spirited bikers, who set out cross country
22.6 to attend Mardi Gras in New Orleans, but
映後談講者林瀚光 16:45
Film talk with Derek Lam IS amidst the incredible natural beauty, they find
only prejudice, bigotry and violence.

又一部性藥及樂與怒加持的神作。倫敦頭號
金牌打手落難，潛逃期間大隱於市藏身藝術
品充斥、由過氣搖擺巨星擁有的大宅，陽剛
個性與陰柔氛圍格格不入，兩名性感女住客
遂出動，用肉體及蘑菇打磨硬漢菱角，兩男
生不知不覺進入你中有我我中有你的境界。
占士霍斯古惑仔入型入格，滾石主音米克積
加第一次銀幕演出竟然真心拆解偶像形象，
當奴卡米爾與尼古拉斯洛當時是未發光石
頭，一個是波赫斯迷，一個鍾情早期尚盧高
達，命運安排從不認識到合作，率直攪拌類
型美學巧製兔洞意象，大膽新穎蒙太奇裏盡
是滿盈視聽感官。

Identities are fluid and psychedelics flow in

Performance
this dizzying experiment. Bloody gangster
shakedowns kick things off before a London
thug flees to a bohemian bedsit. There
迷幻演出 he acquires a new state of mind when his
housemates – including a rocker – usher in a
whirl of hallucinogens and free love. Donald
Cammell and Nicolas Roeg, making directing
當奴卡米爾、尼古拉斯洛 18.5 debuts, opened their film with intense
Donald Cammell, Nicolas Roeg 17:00 cross-cutting before settling into a string
TS
英國 UK 1970 105min of identity and gender flips. Studio bosses
Cast: James Fox, Mick Jagger, who’d wanted a simple pop flick with Mick
Anita Pallenberg, Michèle Breton
Jagger were appalled, and held the film for
21.7 re-editing. Performance still perplexed on
14:30 release, but shines now as an influential and
映後談講者劉嶔 AC
Film talk with Lau Yam trippy cult fave.

16
 A Clockwork Orange
假如人性宛如沉睡的火山表面，暴力可像底
層流動的熔岩，伺機爆發摧毀一切？可能是
《2001太空漫遊》外寇比力克最廣為人知的
作品，影片彷彿在向觀眾開一個最終一點也 發條橙
不好笑的玩笑。狂暴小子恣意傷害他人，被
抓後接受行為主義治療，一度變成看見色情
暴力便暈眩不適的「自新者」。盡失自由意 史丹利寇比力克 1.6
志的他獲釋後隨即捲入左、右派政治角力漩 Stanley Kubrick 14:45
PE
渦，並身陷自己種下的復仇陷阱。巧妙的廣 英國 UK／美國 USA 1971 136min
角鏡拍攝配合精準的調度，加上馬康麥杜維 Cast: Malcolm McDowell, Patrick Magee,
Michael Bates
的邪惡表演震驚天下，助影片摘下威尼斯影
威尼斯影展最佳外語片
展最佳外語片獎。 Venice Film Festival: Best Foreign Film
6.7
20:00
One of the most controversial films ever MC
made, Stanley Kubrick’s surreal dystopian satire
endures as a scathing commentary on free will
versus totalitarian rule. Set in a near-future
Britain, it follows teenage hoodlum Alex and his
three droogs as they embark on a drug-fuelled
rampage of sex and ultra-violence, resulting
in his subjugation to experimental, mind-
altering treatments. Based on Anthony Burgess’
eponymous darkly comic novel, but notably
omitting its redemptive final chapter, Kubrick
and McDowell created a pop culture icon in the
Beethoven-loving, Nasdat-spewing delinquent,
who becomes a pawn in a political campaign
for subservience and control.

The Devil
1783年普魯士軍隊入侵瓜分波蘭領土，政治
犯雅各獲陌生黑袍人指點迷津重獲自由，回
家路上他碰不到解脫的天梯，卻旁觀歷史時
刻迷宮境地，世道崩離亂象一幕接一幕。家 魔鬼
鄉未婚妻與後母像陌路人，熟悉面孔背後只 (Diabel)
有貪歡與尋死。政治理想究竟是定心丸抑或
是迷幻藥，多重打擊後他簽下出賣靈魂的安
19.5
樂書。借古諷今意圖顯而易見，自由意志最 19:30
終屈服在梅菲斯特式的感覺良好安慰劑中。 安德烈素羅斯基 TS
《銀色星球》暫時束於高閣，素羅斯基在出 Andrzej Zuławski
走波蘭前的最後時光，於政權及教會面前勇 波蘭 Poland 1972 125min
Cast: Wojciech Pszoniak, Leszek Teleszynski,
敢擺放照出魔像的鏡子。
Malgorzata Braunek
23.6
17:00
Before he won cult fame for his psychological IS
horror film Possession , Polish maverick Andrzej
Żuławski delivered this beastly picture of
insanity, fear and evil. Political prisoner Jakub,
already worn down by torture, is freed from
jail by a black-caped character and manipulated
into mounting mania. The stranger takes Jakub
to family, friends and others, and at each stop
prods the ex-prisoner to kill. Żuławski based
the tale on Polish authorities’ 1968 stoking of
student protests as an excuse for crackdowns,
and cloaked the theme with 18th century
costume, a frenzied atmosphere and fuzzed-
out psych rock. Censors weren’t impressed,
and the film lay banned for 17 years. A fierce
exploration of mind games and madness.

17
 約瑟火車出發找不明地址，輾轉遇見醫生查
問父親的狀況，被告知他處於彌留之際。約
瑟門房窗間遊蕩，迎面而來是真假難辨的記
憶，及失而復現的慾望想像。「砂漏療養院
又一天，沒有夜晚」。砂漏意象是死亡大
限，是父親生命已如慢流之沙，抑或約瑟凝
在玻璃密封的視角裏；在時間以外、中陰身
之內。影迷喜歡拿哈斯另一部傑作《薩拉戈
薩手稿》相對照，那邊不斷明朗現實穿梭，
這裏則是連綿不斷、充滿孔洞的夢，約瑟心
性在編織與縫補中無始無終迴行，等待有心
人在滴漏未盡時及時擺渡。

The Hourglass SanAtorium A man arrives at a remote Polish sanatorium

to see his ailing father, only to find the facility
砂漏療養院 falling apart and time shifting back and forth. So
begins the labyrinthine mind warp of Wojciech
(Sanatorium pod Klepsydra) Has’ lavishly staged opus. Entering a dreamlike
state, the new arrival stumbles through bizarre
encounters and memories, and reconnects with
25.5 his parents, a past flame and his once vibrant
胡錫謝西哈斯 19:15 Jewish community. Has drew on the work of
Wojciech Jerzy Has TS Polish Jewish writer Bruno Schulz, then tied in the
波蘭 Poland 1973 124min
Holocaust and Poland’s 1968 antisemitic purge.
Cast: Jan Nowicki, Tadeusz Kondrat, Irena Orska
Authorities sensing allegory blocked the film from
康城影展評審團獎
Cannes Film Festival: Jury Prize 20.7 entering the 1973 Cannes Film Festival, but Has
17:15 snuck it in and scored the Jury Award for his
AC surrealist tour de force.

警員侯維理性自律，是虔誠天主教徒，隻身
來到蘇格蘭赫布里底群島中的夏島追查失蹤
少女下落，旋即進入看上去現代化核心卻秉
持原始膜拜的異樣國度。貴族領主由基斯杜
化李飾演沒有半點猙獰面相，有個坦蕩任性
像巫女的女兒，叫唯一的外來者困頓迷惑其
中。新手導演羅賓哈迪拍法平實不嚇人，像
在拍民歌音樂片，光天化日戲多過黑夜危機
四伏，然而這卻是英國於前一個世紀七十年
代興起的「民間恐怖類型」濫觴之作。結局
五月節全島慶祝夏收，侯維竭力阻止處女獻
祭，以個人純淨身心靈迎向不惑異教風俗無
邪之境，叫觀眾看得心戚。

Dubbed one of the greatest horror films of all

The Wicker Man

time, The Wicker Man actually contains very
little in the way of violence and gore. Instead,
this story of a policeman who encounters an
(Director’s Final Cut)
unknown evil while searching for a missing
異教徒 （導演終極版） girl on a remote Scottish island gets under
your skin by being an eerie, outlandish and
weirdly musical odyssey that instils dread using
羅賓哈迪 25.5 elements of pagan folklore and the terror of
Robin Hardy 16:45 isolation. Featuring one of the most memorable
TS
英國 UK 1973 94min finales in the history of cinema, it pioneered the
Cast: Edward Woodward, Christopher Lee, ‘folk horror’ genre, which includes Ari Aster’s
Diane Cilento Midsommar and Na Hong-jin’s The Wailing .
23.6 It also inspired a so-bad-it’s-good 2006 cult
19:30 classic remake starring Nicolas Cage, and Edgar
映後談講者紀陶 IS
Film talk with Keeto Lam Wright’s meta-comedy Hot Fuzz .

18
 Tommy
湯美童年目睹母親與養父殺死親父，從此陷
入不聽不見不講的獨然狀態。母親千方百試
聖藥靈丹仍無法挽回遺憾，卻神推鬼使發現
小子竟有馴服彈珠機的本領，並由彈珠王逐 巨星湯美
步覺醒，一躍而為靈性大師，追隨者眾。然
而福兮禍之所倚，沒有人可預見巨星湯美的 簡羅素
Ken Russell
真正結局。簡羅素任情發揮其龍飛鳳舞般的
英國 UK 1975 111min 26.5
Cast: Ann-Margret, Oliver Reed, Roger Daltrey,
導技，和傳奇樂隊The Who合作，拍出一部影 16:30
TS
史罕見的超現實主義搖滾歌劇片。聖母與彌 Elton John, Eric Clapton
賽亞的強烈暗示，把七十年代宗教與迷幻結 金球奬最徍女主角（音樂劇／喜劇）
合的文化果子給你甜甜咬一口，好一個爽字 Golden Globe Awards: Best Actress – Comedy or Musical

了得。 21.7
17:00
Ken Russell brings typically unflagging energy 映後談講者林錦波 AC
Film talk with Lam Kam-po
and an outrageous visual flair to his flamboyant
adaptation of The Who's classic rock opera.
Starring Roger Daltrey as the titular messiah
figure, Tommy spectacularly charts the spiritual
journey in a fallen world of a boy turned blind,
deaf, and dumb by the murder of his father,
only to become the reigning pinball champion (!)
and subsequently an enlightened religious guru.
The Who appears alongside Jack Nicholson and
a host of rock legends (Elton John as the Pinball
Wizard, Tina Turner as the Acid Queen, Eric
Clapton as the Preacher) in a series of glittering
cameos set amidst eye-popping, psychedelic
imagery that helped to make the film a cult
favourite.

3 Women
靈感是英瑪褒曼的《假面》，然而羅拔阿特
曼是照着他一個夢完整地去拍。稚氣未除的
Pinky與時尚自滿的Millie同租住加州沙漠地
帶平房的一個單位，那裏有個泳池，池底神 三女性
秘意象畫作，出自鬱鬱不歡的業主Willie手
筆。Pinky不自主地偷取Millie身份與形態，
決裂時卻說自己真正名字是Mildred。當Pinky
26.5
墮進泳池後失憶，輪到Millie跟Willie兩個女 羅拔阿特曼 19:15
性身世去印照。在水態浸淫和鏡子反象下， Robert Altman TS
三人成為一家人，抑或孕育拼合出一個你我 美國 USA 1977 124min
Cast: Shelley Duvall, Sissy Spacek, Janice Rule
皆是的新女人？經得起考驗的迷幻結局，一
康城影展最佳女主角獎
個阿特曼感到自豪、說不盡的不解謎。 Cannes Film Festival: Best Actress 20.7
14:30
Set in an arid Californian desert town, Altman’s AC
languid yet beguiling psychodrama follows
the timid, child-like Pinky, as she befriends
the ditzy, air-headed chatterbox, Millie. They
work together at a health spa for the elderly
and share a modest apartment overseen by a
heavily pregnant Willie, who spends her days
adorning the surrounding buildings with bizarre,
erotically charged murals. Drawing deserved
parallels to Ingmar Bergman’s Persona , the lives
of these three seemingly independent women
become inextricably intertwined. 3 Women
unfurls like a sun-stroked fever dream, where
lucid tenets of reality and identity soon become
elusive, fluid constructs evaporating into the
expansive wilderness.

19
 私家偵探魚塚甚受託偵查被綁架的月島桔梗
下落。綁匪索款一百萬日圓，並且拋下謎
題，神秘莫測。魚塚和助手小林排除萬難，
循種種蛛絲馬跡，逐步找到一部沒有拍完的
電影《永遠的謎》。在淺草電氣館中，他們
終於親睹詭異的放映，並赫然發現自己成為
片中角色！如夢似幻、虛實交疊的敘事，處
處透闢林海象面向默片時代，對那純粹電影
的追求與想像。在謎底終於解開的一瞬，時
空摺疊，女神下凡；夢圓夢醒後的安息，悲
慟昇華，乃悟電影本該如是。日本八十年代
新電影代表作。

To Sleep So as to Dream The first 10 minutes of Hayashi Kaizo’s cult

classic may fool you into thinking that it is a noir
mystery taken straight from the silent film era.
願能甜睡如夢 However, this story of an egg-loving private
(Yumemiru yoni nemuritai) detective and his assistant’s search for a silent
era film star’s missing daughter soon becomes
increasingly bizarre as red herrings and vague
林海象 clues lead them further down the rabbit hole.
Hayashi Kaizo 2.6 Shooting at the age of 29 with zero professional
14:30
日本 Japan 1986 81min PE film set experience and a meagre budget,
Cast: Kamura Moe, Sano Shiro, Otake Koji Hayashi made a miraculous piece of independent
橫濱電影節最佳獨立電影及最佳新導演 filmmaking that is also a cinephile’s loving re-
Yokohama Film Festival: Best Independent Film interpretation of silent era film noir by way of
and Best New Director
6.7 David Lynch and Obayashi Nobuhiko.
17:30
MC

一開首已刺激神經，個個霓虹字母閃灼囂
動，一把拉你進亢奮迷幻世界。這是東京的
晚上，艷紅慘綠燈光閃爍不停。美國毒男向
妹妹擲下一部《西藏度亡經》，不久便因帶
粉中伏歸西。生前死後繼續盤旋夜空，看顧
妹妹在脫衣舞台上下的真人騷。毋須啪丸，
單看畫面已靈魂出竅；以鳥瞰鏡頭的主觀視
角，登入high爆兼頹爆的極樂塵囂，俯視毫
無禁忌的性愛、墮胎與暴力場面，跟着精子
來一趟高潮與投胎轉世。加斯柏盧埃又一驚
世駭俗之作，把生死性愛觀赤裸坦逞，成就
cult片極品。

Arguably the crowning achievement of enfant

terrible Gaspar Noé’s cinematic oeuvre, his
first-person psychedelic odyssey remains

Enter the Void a wildly hallucinatory epic. The narrative

concerns American siblings Oscar and Linda,
who struggle to survive in present day
死心不息 Tokyo through drug dealing and working as
a nightclub stripper. When Oscar is killed
during a police bust, his spirit ascends above
加斯柏盧埃 8.6 the Tokyo skyline. From this transcendental
Gaspar Noé 14:30 vantage point, Oscar – and the audience –
PE
法國 France／德國 Germany／意大利 Italy experiences abortion, creation, violence, drug
2009 161min use and explicit sex, but Noé’s unflinching
Cast: Nathaniel Brown, Paz de la Huerta, Cyril Roy direction remains stunning throughout,
康城影展競賽影片
Cannes Film Festival: In Competition
22.6 unleashing a kaleidoscope of imagery that
19:00 transports us far beyond the infinite.
IS

20
落英繽紛未聞時
The Connection
五十年代末外百老匯生活劇場打破成規，奇作呈現舞台導演慫恿一群真癮 莎莉卡拉克
君子做演員，請客上電陪他們等「外賣」，醒神時刻除了即興爵士樂演 Shirley Clarke
奏，還有台上打真針。裝腔作勢的導演打算拍部真‧紀錄片，鏡頭下卻只 美國 USA 1961 110min
Cast: William Redfield, Warren Finnerty,
有一批表現不合作的「演員」與沒有用的畫面，氣餒不已遂由得攝影師草
Garry Goodrow
草剪輯，成為試當不成真的失敗拍攝紀錄。事實上這是沙莉卡拉克高度求
真的後設仿紀錄片，既玩味又詩意地呈現某種美國遊魂狀，頹廢而叛逆，
與卡薩維蒂的《面貌》、羅拔法蘭克的《採吾菊》並列為美國獨立新電影 映後談講者張偉雄
時代創新之作。 Film talk with Bryan Chang

Adapted from Jack Gelber's provocative off-Broadway play, Shirley Clarke’s

groundbreaking feature debut follows a group of junkies, including jazz
musicians, waiting anxiously for their drug dealer in a New York loft, while a
filmmaker, played by William Redfield, tries to document their lives trapped in
desperation. Clarke skillfully combines Beat dialogue and jazz music by pianist
Freddie Redd, creating a captivating and kinetic cinematic experience. Despite
facing censorship for its indecent language upon release, The Connection
fearlessly confronts the harsh reality of drug addiction and stands as a seminal
work within the American independent film movement.
16.6
18:00
Preserved by the UCLA Film & Television Archive with funding provided by the Film Foundation. PE

6.7
14:30
MC

21
 Back
To 銀幕
The
Screen 再現

迷幻牛郎
Drugstore Cowboy
兩男兩女聯群結黨，一邊沿路打劫藥行一邊追趕迷離境界，嘗試自證 吉士雲辛
青春就是不斷的冒險，浪擲，再浪擲。可惜上得山多，盯上他們的警 Gus Van Sant
探固然如影隨形，失控的浪心也不覺迎向令人難以回頭的生死巨濤。 美國 USA 1989 101min
Cast: Matt Dillon, Kelly Lynch, James Le Gros
為了擺脫彷彿只有自己才看得見的無形詛咒，牛郎不惜被織女背棄，
柏林影展CICAE藝術電影獎
Berlin International Film Festival:
踏上孤獨的贖罪之道。吉士雲辛執導第二部長片，幾乎拍出了影史上
最美的波特蘭。巔峰狀態的麥迪倫型到爆炸，完美演繹深沉酷思的迷 C.I.C.A.E. Award
幻俊男，帶領影片贏得影評人一致青睞，許為美國獨立電影史經典傑
作。

In Portland in the early seventies, a gang of wayward drug addicts feed their
one-track lifestyle by robbing medical-grade narcotics from local pharmacies and
hospitals. Adapted from James Fogle’s autobiographical novel, which remained
unpublished until after the film’s release, Gus Van Sant’s counterculture classic
features a who’s-who of brat pack luminaries, including Matt Dillon and a young
Heather Graham, in her breakout role. Oozing beat generation cool with its
washed-out cinematography and surreal, superimposed imagery, this signature
vibe is further accentuated by the appearance of iconic writer William S. 19.5 22.6
Burroughs, whose seminal texts Junkie and Naked Lunch defined the era, and 17:15 14:30
TS IS
were famously fuelled by his lifelong drug consumption.

22
 Back
To 銀幕
The
Screen 再現

賭城風情畫
Fear and Loathing in Las Vegas
泰利基咸遠赴「Brazil」後要到拉斯維加斯high一趟，聲稱去做一部令人 泰利基咸
最討厭的偉大影片。改編亨達湯臣親身經歷，Duke（尊尼特普）夥同法律 Terry Gilliam
顧問兼迷幻藥達人Dr. Gonzo（班尼斯奧迪多路）驅着紅色開篷雪佛萊， 美國 USA 1998 118min
Cast: Johnny Depp, Benicio Del Toro,
前往賭城報導越野電單車賽，沙塵滾滾是未退藥力，他忽爾處身越南戰
Tobey Maguire
地。麥司卡林裸蓋菇素如數家珍，輪盤馬戲團幻彩繽紛，迷幻之旅抵達時
康城影展競賽影片
代次文化十字路口，兩個關鍵詞Speed與Gonzo（新新聞主觀介入態度）交 Cannes Film Festival: In Competition
感着，令Duke速度感探尋，二十世紀七十年代美國夢是哪種身影的前路茫
茫？

One of the most accurate depictions of a brain on drugs, Terry Gilliam’s

adaptation of Hunter S. Thompson’s fever dream of a novel was always intended
to be, as the director said, ‘one of the great movies of all time, and one of
the most hated movies of all time.’ Those who love it see Thompson’s gonzo
journalistic piece faithfully translated into a demented, frantic visual masterpiece
featuring both Johnny Depp and Benicio Del Toro’s most unhinged performance.
On the other hand, those who don’t love it see an agitating, episodic and vulgar
film made by a deranged filmmaker. Love it or hate it, Gilliam’s dizzying, drug- 18.5 23.6
fuelled vision of American depravity is certainly the closest thing to getting a 19:45 14:30
TS IS
contact high from a film – including the ugly crash after the ecstatic peak.

23
 脫胎換骨
Seconds
尊法蘭根海瑪 銀行大班對生活失去熱情，與妻子感情漸淡，深陷中年危機。得
John Frankenheimer 悉神秘組織運用尖端科技幫人脫胎換骨，以為換上他人之顏從此
美國 USA 1966 106min 開展新生，卻發現一切不似預期。尊法蘭根海瑪拍完政治驚慄片
Cast: Rock Hudson, John Randolph,
《洗腦人》和《靖海蛟龍》後，以這部心理驚慄力作結合為「妄
Salome Jens
想三部曲」，完成對資本主義掛帥美國夢的輕蔑與嘲諷。片頭設
計已先聲奪人，金像攝影師黃宗霑掌鏡，以多變的鏡頭及獨特拍
康城影展競賽影片 攝角度，凸顯主角不安扭曲的心理狀況。何止是身體重生但靈魂
Cannes Film Festival: In Competition
殞滅的尖刻寓言，更對社會道德敗壞大肆鞭撻，揭示反烏托邦對
映後談講者林瀚光 自由意志的扼殺。
Film talk with Derek Lam
A disillusioned businessman is confronted with the ultimate out-of-body
experience in John Frankenheimer’s paranoid psychological thriller that
imagines a near-future society where the wealthy can undergo surgical
rebirth as an escape into an anonymous carefree existence of aspirational
hedonism. Academy Award-winning cinematographer James Wong Howe’s
psychedelic monochrome lensing enhances the mind-altering surrealism
of Rock Hudson’s waking nightmare, who comes to discover that good
looks, fame and sexual liberation come at a horrifying price. Based on
9.6 20.7 the novel by David Ely and released at a time of turbulent distrust and
14:30 20:00 systemic corruption, Seconds challenges our preconceptions of identity
PE AC
and established definitions of self, which have become increasingly fluid in
the 21st century.

24
急先鋒奪命槍
Point Blank
急先鋒在一次行動中被朋友出賣，連老婆都被拐走；大難不死的他得到神秘 尊波曼
人幫助，劍指勢力龐大的「組織」，誓要拿回他應得的九萬三千美元。請勿 John Boorman
以為又是一部連環破關的「打大佬」黑幫片。由建立場景開始的凌厲剪接 美國 USA 1967 92min
Cast: Lee Marvin, Angie Dickinson,
早開誠布公，類型敘事也許只是他山之石，空間才是這部電影的真正主角。
Keenan Wynn, John Vernon
廢屋、橋底、河床、豪宅⋯⋯擴延的收縮，滲透瀰漫冰冷酷園的氛圍；回憶
和想像的鏡頭交疊，奪魄的原來不只槍聲。李馬榮全力配合，尊波曼一鳴驚
人，完美示範如何糅合黑色電影和前衛影像之作。 映後談講者朗天
Film talk with Long Tin
Betrayed and left for dead on Alcatraz by his wife and best friend, ageing tough
guy Walker storms into Los Angeles looking for revenge and the money they stole
from him. What he discovers is a monolithic crime syndicate, for whom his very
existence is a trivial inconvenience, but nevertheless he enlists his beautiful sister-in-
law as accomplice to his violent and increasingly Pyrrhic endeavour. Caught between
the jaded gunslingers of post-war westerns and the drug-addled psychedelia of the
swinging sixties, Boorman’s hallucinogenic neo-noir emerges as part hardboiled
thriller, part experimental nouvelle vague art film, a visually arresting fever dream 15.6 21.7
of fractured memories and bruised machismo that embodies Hollywood’s own 14:30 20:00
PE AC
existential identity crisis.

25
 即享 日全年優惠
Enjoy 365 Days of Benefits

迎新禮遇 生日禮物 會員專享活 動

Welcome Gift Birthday Treat Exclusive Events

Cine Fan / Cine Fan SummerIFF HKIFF

門票優惠 門票優惠
Tickets discount Tickets discount

贊 助 會員 星 級 優 惠
EXTRA BENEFITS FOR PATRON
年費
AN N U
AL F E
E
CLASS
限時優 IC
惠
HKIFF49 VIP Pass 憑 證 觀 看 Cine Fan 及
Cine Fan SummerIFF所 有 場 次
S PECI
AL O

原 價
FFER
$ 100
$ 120
O R IGIN A L
Admission to all P R IC E
Cine Fan + Cine Fan SummerIFF
screenings

PATRO
$ 10,000 N
限量發
LIM IT
E D AV 售
A IL A B
ILIT Y

合作伙伴優惠
SPECIAL BENEFITS FROM CINECLUB PARTNERS

cinefan.hkiff.org.hk
受有關條款及細則約束，詳情請參閱cinefan.hkiff.org.hk。香港國際電影節協會及其合作夥伴保留暫停或取消所有會員優惠的最終決定權。
Offers are subject to relevant terms and conditions. For details, please refer to cinefan.hkiff.org.hk. Subject to final agreement of HKIFFS & its
partners. HKIFFS reserves all rights and final decision to cancel or alter the discount offer.
TICKETING INFORMATION 購票須知
門票於2024年4月5日起於城市售票網公開發售 售票處購票 Counter Booking：
Tickets available from 5 April 2024 onwards at URBTIX 城市售票網售票處 URBTIX Outlets
網上購票 Internet Booking：
票價 Ticket Prices www.urbtix.hk
《死心不息》Enter the Void $100 電話購票 Telephone Booking：
英皇戲院 尖沙咀iSQUARE、英皇戲院 銅鑼灣時代廣場、 $85 3166 1288 (10am-8pm)
PREMIERE Elements 及 M+ 戲院放映之場次 流動購票應用程式 Mobile App：
Screenings at Emperor Cinemas iSQUARE / Emperor Cinemas Times Square / URBTIX (Android, HarmonyOS and
PREMIERE Elements / M+ Cinema iPhone/iPad Versions)
於香港藝術中心放映之場次 $75
Screenings at Hong Kong Arts Centre

所有於百老匯電影中心放映的節目門票只於百老匯電影中心及百老匯戲院網站發售。
有關票務詳情，請參閱 www.cinema.com.hk。
All tickets for screenings at Broadway Cinematheque are available at Broadway Cinematheque and
票務查詢及客戶服務
website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk. Ticketing Enquiries & Customer Service：
3166 1100 (10am-8pm)
門票優惠 Ticket Discounts
八折優惠 「電影會」贊助會員 / 會員
20% Discount CineClub Patron / Classic
「窮風流 冷幽默：雅基郭利斯馬基」於 bcinephile & MOViE MOViE 會員 @
PREMIERE Elements 放映之場次八折優惠 bcinephile & MOViE MOViE Membership@
20% Discount for “The Other Side of Comedy – The Films of
Aki Kaurismäki” screenings at PREMIERE Elements
PREMIERE Elements 其他場次九折優惠
10% Discount for other screenings at PREMIERE Elements
英皇戲院 尖沙咀iSQUARE 及 英皇戲院VIP會員@
英皇戲院 銅鑼灣時代廣場各場次九折優惠 Emperor Cinemas VIP Membership@
10% Discount for screenings at Emperor Cinemas iSQUARE /
Emperor Cinemas Times Square
九折優惠 「港樂會」會員 /「以舞會友」尊尚、精英會籍 / 城市當代舞蹈團「舞蹈靈」卡會員、
10% Discount Dance Card 會員 @、Kids Card 會員 @ /「進念之友」會員 /「中樂摯友會」會員 / 藝穗會會員 @
Hong Kong Philharmonic Orchestra Club Bravo Members/ Friends of HKDC Prestige,
Classic Membership/ CCDC 'Dance Inspirations' Card, Dance Card@, Kids Card@ / 'Zuni's
Friends' Members/ 'Friends of Hong Kong Chinese Orchestra' Members/ Fringe Club Members@

@ 優惠只適用於城市售票網售票處及相關戲院之即日門票，售完即止。
Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability.
每張門票最多只可享用其中一種購票優惠。
All of the above discounts cannot be used in conjunction with any other discounts or offers.
除於百老匯電影中心放映之場次外，所有場次不設劃位。所有已出售的門票均不能退款或更換。本會恕不負責任何門票遺失。
Free seating for all screenings, except for the screenings at Broadway Cinematheque. All tickets are non-refundable and non-exchangeable. HKIFFS will not be responsible for any lost tickets..

購票安排 自助取票服務 Ticket Collection Service

On-the-day Ticket Purchase Arrangement 顧客選擇自助取票服務提取門票，可於購票當日開始，攜同交易時使用的信用卡或以取票編碼及密碼在「自助售票
． 香港藝術中心及M+戲院放映之場次：城 機」或任何一間城市售票網售票處的售票櫃檯提取門票。
市售票網售票處於放映前一小時停止售 Customers may collect their pre-paid tickets from Self-service Ticketing Kiosks, or at the sales counter at any of the URBTIX
票，觀眾可於城市售票網網站或流動應 Outlets with the credit card used for transaction or by the claim ID and user-defined password, from transaction date onwards.
用程式購買門票。放映當日，觀眾亦可
於放映場地的自助售票機購買該場地之 惡劣天氣之放映安排
即日門票，售完即止。
Screenings at HK Arts Centre /
Arrangements under Inclement Weather Conditions
自助售票機購票指南
M+ Cinema: Tickets are available at Ticketing Kiosk Manual 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消，或未能提供投映
URBTIX outlets until one hour before the 字幕。詳情請留意香港國際電影節網站或社交媒體平台的最新公布。
screening, after which tickets are available at URBTIX website and Screenings or electronic subtitles may be cancelled when Tropical Cyclone Warning Signal No. 8 or above is in force or
mobile app. On-the-day tickets will also be available at the Self- Black Rainstorm Warning is issued. Please refer to the HKIFF website or social media platforms for the latest notice.
service Ticketing Kiosk of the respective venue, subject to availability.
． 英皇戲院 尖沙咀iSQUARE、英皇戲院 銅鑼灣時代廣場及 退款及節目更改
PREMIERE Elements放映之場次：城市售票網於放映前一天下午5 Refund and Programme Changes
時起停止發售門票，放映當日，觀眾仍可於放映場地票房購買剩
節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2024年8月9日申請退票。觀眾可於電影節
餘門票，售完即止。
發燒友（HKIFF Cine Fan）網站（cinefan.hkiff.org.hk）上填寫電子表格，或下載實體版本。如放映取消，將另作安排。
Screenings at Emperor Cinemas iSQUARE / Emperor Cinemas Times Square
/ PREMIERE Elements: Tickets are available at URBTIX till 5pm one 所有於百老匯電影中心放映節目的退款及節目更改安排，請參閱百老匯電影中心社交媒體平台的最新公布。
day before respective screening, after which tickets will be available For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot
only at the box office of the respective venue on the day of screening, or to get a refund on or before 9 August 2024. Ticket holders may fill out refund application form online or download from
subject to availability. Cine Fan website (cinefan.hkiff.org.hk). For cancellation of screening, alternative arrangement would be announced.
Please refer to the announcement on Broadway Cinematheque soical media platforms for the arrangements regarding
Refund and Programme Changes for all screenings at Broadway Cinematheque.
使用電話購票、流動購票應用程式或網上購票
香港國際電影節協會保留更改放映節目、節目內容、時間及地點的權利。有關節目更改或取消的最新消息 ，請參閱電
For Telephone Booking, 影節發燒友（HKIFF Cine Fan）網站或社交媒體平台的最新公布。
Mobile App and Internet Booking The HKIFF Society reserves the right to change the schedule, the venue and the programme itself should unavoidable
手續費：每張訂購門票港幣9元（手續費不設退款）。 circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan
Handling charge: levied at HK$9 per ticket (non-refundable). website or soical media platforms.

電影分級制 適合任何年齡人士 兒童不宜 青少年及兒童不宜 只准18歲或以上人士

Film Classification Suitable for All Ages Not Suitable for Not Suitable for Persons Aged 18 or
Children Young Persons and Children Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。
At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as
Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

 SCREENING SCHEDULE 放映時間表

MAY 五月
14:45 BC 16:45 BC 18:30 BC 20:00 BC
04 罪與罰
Crime and Punishment
法蘭兄弟
Calamari Union
天堂孤影
Shadows in Paradise
昇空記
Ariel
六 Sat

14:30 BC 16:15 BC 18:00 BC

05 列寧格勒牛仔征美記
Leningrad Cowboys
我聘請了職業殺手
I Hired a
波希米亞人生
La Vie de Bohème
日 Sun Go America Contract Killer

11 14:30 BC
坐穩車，泰天娜
16:00 BC
流雲
18:00 BC
大頭蝦與小瑪花
19:45 BC
扑頭前失魂後
六 Sat Take Care of Your Drifting Clouds Juha The Man Without a Past
Scarf, Tatiana

14:30 BC 16:15 BC 18:15 BC

12 暮色燈火
Lights in the Dusk
心靈港灣
Le Havre
希望在彼方
The Other Side of
日 Sun Hope

14:30 TS 17:00 TS 19:45 TS

18 迷幻車手
Easy Rider
迷幻演出
Performance
賭城風情畫
Fear and Loathing in
六 Sat Las Vegas

14:30 TS 16:00 TS 17:15 TS 19:30 TS

19 機械生活
Koyaanisqatsi:
烈治奧「生活三部曲」
座談會
迷幻牛郎
Drugstore Cowboy
魔鬼
The Devil
日 Sun Life Out of Balance Seminar on Godfrey
Reggio'sThe Qatsi Trilogy

25 14:30 TS
天地乾坤
16:45 TS
異教徒（導演終極版）
19:15 TS
砂漏療養院
六 Sat Powaqqatsi: The Wicker Man The Hourglass
Life in Transformation (Director's Final Cut) Sanatorium

14:30 TS 16:30 TS 19:15 TS

26 戰爭生活
Naqoyqatsi:
巨星湯美
Tommy
三女性
3 Women
日 Sun Life as War

JUNE 六月
14:45 PE 17:30 PE 19:10 PE 20:45 PE
01 發條橙
A Clockwork Orange
心靈港灣
Le Havre
雅基郭利斯馬基
座談會
希望在彼方
The Other Side of Hope
六 Sat Seminar on
Aki Kaurismäki

14:30 PE 16:30 PE 18:30 PE 20:45 PE

02 願能甜睡如夢
To Sleep So as to
流雲
Drifting Clouds
扑頭前失魂後
The Man Without a
暮色燈火
Lights in the Dusk
日 Sun Dream Past

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre MC M+戲院 M+ Cinema
IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE PE PREMIERE Elements
TS 英皇戲院 銅鑼灣時代廣場 Emperor Cinemas Times Square BC 百老匯電影中心 Broadway Cinematheque

28
 JUNE 六月
14:30 PE 17:45 PE 19:45 PE
死心不息
Enter the Void
罪與罰
Crime and Punishment
波希米亞人生
La Vie de Bohème
08
六 Sat

14:30 PE 17:15 PE 18:45 PE

脫胎換骨
Seconds
坐穩車，泰天娜
Take Care of Your
大頭蝦與小瑪花
Juha
09
Scarf, Tatiana 日 Sun

14:30 PE 17:00 PE 18:45 PE 20:30 PE

急先鋒奪命槍
Point Blank
天堂孤影
Shadows in Paradise
昇空記
Ariel
我聘請了職業殺手
I Hired a
15
Contract Killer 六 Sat

14:30 PE 16:15 PE 18:00 PE

法蘭兄弟
Calamari Union
列寧格勒牛仔征美記
Leningrad Cowboys
落英繽紛未聞時
The Connection
16
Go America 日 Sun

14:30 IS 16:45 IS 19:00 IS

迷幻牛郎
Drugstore Cowboy
迷幻車手
Easy Rider
死心不息
Enter the Void
22
六 Sat

14:30 IS 17:00 IS 19:30 IS

賭城風情畫
Fear and Loathing in
魔鬼
The Devil
異教徒（導演終極版）
The Wicker Man
23
Las Vegas (Director's Final Cut) 日 Sun

JULY 七月
14:30 MC
落英繽紛未聞時
17:30 MC
願能甜睡如夢
20:00 MC
發條橙
06
The Connection To Sleep So as to A Clockwork Orange 六 Sat
Dream

14:30 MC 16:45 MC 19:30 MC

機械生活
Koyaanisqatsi:
天地乾坤
Powaqqatsi:
戰爭生活
Naqoyqatsi: Life as War
07
Life Out of Balance Life in Transformation 日 Sun

14:30 AC 17:15 AC 20:00 AC

三女性
3 Women
砂漏療養院
The Hourglass
脫胎換骨
Seconds
20
Sanatorium 六 Sat

14:30 AC 17:00 AC 20:00 AC

迷幻演出
Performance
巨星湯美
Tommy
急先鋒奪命槍
Point Blank
21
日 Sun

所有於百老匯電影中心放映的節目門票，只於其場地及網站發售。
映後談 座談會 劃位場次
All tickets for screenings at Broadway Cinematheque are
Film Talk Seminar Assigned seating available at its venue and website only.

29
CINE FAN May Jun Jul 2024 // The Other Side of Comedy – The Films of Aki Kaurismäki
窮風流 冷幽默：雅基郭利斯馬基 // Seeing the Unseen – Godfrey Reggio’s The Qatsi Trilogy
文明末世的沉思：烈治奧的｢生活三部曲｣ // Psychedelia - Cinema as a Fever Dream 迷上腦—
意識光影漫遊 // The Connection 落英繽紛未聞時 // Drugstore Cowboy 迷幻牛郎 // Fear and
Loathing in Las Vegas 賭城風情畫 // Seconds 脫胎換骨 // Point Blank 急先鋒奪命槍

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