Escalas con ornamentación cromática

         
Escala mayor/modo jónico (maj6 o I de una tonalidad mayor)

                
         
C6

                          
         
F6

                         
           
Bb6

           
                 
Eb6

                            
         
Ab6

    
                        
Db6

                        
            
F#6

                         
            
B6

                       
         
E6

                             
    
A6
     
2

                            
  
D6

                           
         
G6

Modo lidio (maj7)

                             
  
Cmaj7

Escala menor melódica (m6 o I de tonalidad menor)

                       
         
Cm6

Modo dórico (m7)

                       
         
Cm7

           
Modo mixolidio (7)

           
         
C7

               
Modo lidio b7 (7#11)

          
     
C7#11