European Suite

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I. Paris

     
           
Vivace

                       
                
            

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                 

  
10

                      
  
       
 



  

20

     

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II. Normandy

          
    
       
Adagio

   
         
         
         

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
III. The Matterhorn

  

       
Allegro

  
                                       
                


           Adagio 
       
2

  
                 
6

 
     
   
       
   
     







                        
  
14


    
    
     
  
  

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IV. Salzburg
 
               
            
 
Andante


                       
       


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 
    
                       
 
6

  
               
     
     

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V. Rothenburg

    
           
    
 
   
Adagio


           
       


  
  
    
8

     
  