Professional Documents
Culture Documents
Art Pamphlet G 8 - 12 EDITED
Art Pamphlet G 8 - 12 EDITED
Art Pamphlet G 8 - 12 EDITED
COMBINED
SCHOOL
ART & DESIGN – GRADES 8 -12
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Thin
Thick
Hard
Soft lines
Geometric (regular); these are constructed by human beings for a specific purpose. E.g. circle, rectangle, triangle,
square.
Form: it is an object with three-dimensions (it has length, width and height)
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
o Types shading:-
Hatching (line)
Cross-hatching (Cross-line)
Smudging (Continuous)
Scribbling (Textured)
Balance: the arrangement of elements in an artwork / equalizing visual elements in a work of art.
o Types of Balance:-
Symmetrical: when two sides of an artwork are the same e.g. Human head or body.
Asymmetrical: when two sides of an artwork are different but still balance.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Radial: lines, shapes spread out from a Centre point. Symmetrical Asymmetrical (Spiral)
Proportion: this is the relationship of one object to another in size, shape, amount, number or degree as it actually appears.
o Exaggerated proportion: it is when the normal look of something is changed but can still be recognized.
o Distorted proportion: it is the changing of the normal look of something so much that you cannot recognize it.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Variety: having different types of Colours, shapes, lines or objects in an artwork. Variety prevents artworks from being boring.
Emphasis (Dominance): it is drawing greater attention or importance to certain areas or objects in artworks. It is the centre
of interest.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Contrast: it is a great difference between two objects in an artwork. It adds excitement and interest to artworks.
Unity: it is when the art elements and art principles work well together as a team. E.g. A human figure with an orange cap
and collar, blue T-Shirt, orange skirt and blue pair of shoes.
Perspective: it is creating distance or depth on a flat surface / it is showing form on a flat surface.
Types of perspective:-
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
One point perspective: this is where there is one angle or varnishing point from which we must draw our shape /
object/ picture.
Two-point perspective: this is where there are two angles or varnishing points from which we must draw our
shape / object/ picture.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Design perspective: it the creation of an illusion of depth on a flat surface by the use of art elements thus,
colour, value, line, shape, space, form and texture.
Aerial or Bird view: this is drawing things that are below the viewer.
Overlapping: objects seeming to be blocking each other. (see two-point perspective above)
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
Frog view (drawing things above): drawing objects above the viewer. (see two-point perspective above)
2. DRAWING AND PAINTING
a. Drawing (Composition): it is the process of making pictures with the use of a drawing tool or media such as pencil, pen, etc.
i. Importance of drawing:
a. For quick record or sketch of things you see and want to remember.
b. To explore, plan and try out ideas for paintings, posters, sculptures and other kind of artworks.
ii. Tools (drawing media): these are objects that make marks when pressure is applied to them e.g. Pencil, brushes, pens, etc.
iii. Types of pencils:-
a. B – pencils thus, soft pencils (B, 2B, 3B, 4B,5B, 6B)
b. H, HB – pencils thus, hard pencils (H, 2H, 3H, 4H, 5H, 6H, 7H, 8H, 9H)
iv. How pencils work:-
a. B, 2B and 3B are medium soft pencils and 4B, 5B and 6B are soft pencils used for fine Art reproduction.
b. HB are medium hard pencils and 2H, 3H, 4H, 5H, 6H, 7H, 8H and 9H are hard pencils all used for technical
reproduction.
v. Stages of Drawing (Studies): a study is a detailed drawing.
1. Identify what you want to draw.
a. What type of drawing will you create?
b. What type of drawing tools and materials will you be using?
2. Sketch. This is visual brainstorming. Do a number of sketches of the object you want to draw.
3. Research. Use reference books, a nature walk or photos from magazines to develop your ideas.
4. Selection. Choose the best of what you planned or sketched.
5. Refine. Eliminate or remove sketches that you do not want refine those that you want to keep.
6. Production. From the final sketches, start your final drawing considering the art elements and principles.
7. Complete (whole work). Make a final artwork thus, shading and others.
8. Evaluate. Evaluate your drawing by seeing how you used the art elements and principles, cleanliness and so on.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
b. Colour: it is the way something looks when light strikes it.
i. Types of Colours:-
a. Primary Colours: Red, Blue and Yellow.
i. Secondary Colours:-Orange= (Red + Yellow); Green= (Yellow + Blue) and Violet = (Blue + Red).
b. Intermediate / Tertiary Colours:
i. Red- Orange (Red + Orange)
ii. Red – Violet (Red + Violet),
iii. Yellow – Orange (Yellow + Orange)
iv. Yellow – Green (Yellow + Green)
v. Blue – Green (Blue + Green)
vi. Violet – Blue (Blue + Violet)
c. Complementary Colours: Colours opposite one another on the Colour Wheel. E.g. complementary colour of
blue is Orange
d. Warm Colours (Red, Orange and Yellow): Colours that remind us of things that are warm. E.g. sun or fire,
happy moods.
e. Cool Colours (Blue, Purple and Green): Colours that remind us of things that are cool such as day with no sun,
cool rain, sad moods, etc.
c. Drawing and painting from observation: this is the composition of an object depicting even the smallest of its details. E.g. Trees,
flowers, fruits, twigs, logs, etc.
d. Drawing and painting from Still life: this is the composition of a group of objects assembled indoors that are not alive and cannot
move or it is the drawing of a group of motionless items. In this kind of drawing, small details are overlooked.
e. Figure drawing: the drawing of parts of the human body such as sketches, feet, palm, fingers, figures in action.
f. Imaginative composition: the drawing of a picture from the ability to create something new. It involves drawing something you
have not seen but coming from the mind such as at the river, harvesting, street vending, etc. Fantasy is also imaginative as one
imagines things to be a certain way e.g. singing with Angels in Heaven.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
3. PATTERN MAKING: a pattern is the repletion of an image many times. Patterns are designed to decorate objects.
a. Types of patterns:-
i. Boarders
ii. Geometrical
iv. Overlapping
v. Random
Patterns can be created in Batik (fabric work where wax is used as a resisting agent), Tie and Dye, Fabric Printing and
decorations.
4. CONSTRUCTIONAL CRAFTS: the art of making various items by building up.
a. Weaving, plaiting and knotting patterns.
i. Weaving: the art of making fabric by interlacing two sets of parallel threads or fibres (warp and weft) held at right angles to
each other on a supporting frame called a loom , which is a frame on which weaving is created.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
GRADE 9
1. DRAWING AND PAINTING
a. Colour:
i. Colour Schemes: these are plans for using Colours.
ii. Monochromatic: it is the use of one colour and values, tints and tones of that colour.
iii. Analogous: Colours found next to one another on the colour wheel. Yellow, Orange, Green.
iv. Complementary: Colours opposite one another on the colour wheel. Blue – Orange; Green – Red.
v. Colour triads: it is the use of three Colours e.g. Red, Yellow, Blue (primary triads) and Green, Orange, Purple (as secondary triads.)
vi. Warm colours: they are bright Colours (Red, Orange, Yellow)
vii. Cool Colours: they are dull Colours (Blue, Purple, Green)
viii. Neutral Colours: Colours that can be applied on all the Colours (black, white, brown, beige and grey)
b. Drawing and painting from nature: drawing and painting pictures based on natural objects such as landscape, tree trunks, logs,
twigs and fruits.
c. Still Life: painting pictures like bottles, boxes, kitchen utensils, skull bones, and simple machine parts.
d. Figure drawing: portraits, person in action, silhouette.
e. Imaginative composition: festivals, traditional dances, ceremonies, population concerns, contemporary (present / current) life.
2. PATTERN AND DESIGN
a. Types of pattern:
i. Random
ii. regular,
iii. alternating,
iv. counter change
v. block stencil
vi. Intaglio printing (a type of printing in which the design is engraved). Usually a metal printing block is used.
vii. Tie and dye
viii. Batik
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
3. CONTRUCTIONAL CRAFTS
a. Weaving, plaiting and knotting patterns: creation of the following: - mats, hand bags, folders, ropes, door / table mats, macramé.
b. Modeling and molding:
i. Preparation of clay
a. Kneading (squeezing clay with hands)
b. Wedging (shaping clay)
ii. Methods:-
a. Coil
b. Pinch
c. Plunge (dropping)
d. Slab (portioning)
c. Construction and Assemblage: process of joining a variety of materials together to make a sculpture. This can be done by gluing,
tying, nailing, welding or joining.
i. Tools and materials: tape, wood / twigs, pair of scissors, hand saw, knife, string, plastic bottles, tins, paper, wire, screws or
nails, wood glue, boxes.
ii. Steps:
1. Select an object / shape for a sculpture and sketch it.
2. Look for materials.
3. Create your sculpture by joining the found objects together.
d. Picture making:
i. Mosaic: a drawing or composition using small pieces of paper, glass, stones or tiles glued to a flat, hard surface.
a. Steps:
1. Have a clear idea of the picture you want to make and suggest the Colours.
2. Cut and glue the pieces on to the flat surface.
b. Types of mosaic are seed, paper, bead, glass, and stone.
e. Book craft: book binding
f. Carving: (see grade 8 work)
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
g. General craft: projects to deal with in grade 9 are gourd cutting and decoration, staining glass, junk or piece of sculpture decorations.
h. Lettering:
i. Types of letters (capital /block and small / lower)
ii. Letter styles (Calibri, times new roman )
i. Poster designing
i. A poster is an artwork that communicates a message.
1. Steps
a. Choose a topic e.g. (substance abuse, corruption, population concern, environmental concern, human rights)
and think about a slogan.
b. Make idea sketches for images in a sketchbook.
c. Develop one sketch and add a slogan to it.
d. Use paint to add final Colours to the shapes.
e. Finish off the lettering.
j. Computer Aided Design (CAD): the art of drawing using the computer. One can design logos, emblems, lettering and card.
i. Logo: it is a visual symbol that identifies a business, club, person or group. It is often made up of symbols, shapes and words.
1. Steps:
a. Think about an item used by the club.
b. Make sample designs.
c. Think about the balance of black and white.
d. Choose the best and develop it.
e. Use a pen, ink or paint to finish it.
ii. Emblem: it is a symbol that represents an organization.
4. ENTREPRENEURESHIP IN ART AND DESIGN (These are businesses, taking up financial risks in the hope of profit)
a. Project work: for one to come up with a project, the following must be considered:-
i. Identify the needs of the local market.
ii. Demonstrate or show economic use of resources / materials.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
GRADE 10
1. HISTORY OF ZAMBIAN ART
1.1. Crafts: this is the art of creating things for use or decoration. E.g. traditional crafts, basketry, mat making, fish traps, animal nets / traps.
1.2. Prominent Zambian Visual Artists (Important Zambian Artists)
1.2.1. History of prominent (famous or important) Zambian Visual Artists
NAME OF ARTIST LIFE HISTORY TECHNIQUES OF ART WORKS DONE
nd
Henry Tayari Born in Serenje on 22 Nov. 1943 Painting, 1. The Graduate at the University of Zambia.
Printmaking, 2. The Bull (along Kenneth Kaunda International
Sculpturing, raconteur (skillful teller), airport road)
lecturing. 3. Destiny (events to happen to a person)
4. Mother Afrika (wood cut)
5. Huge Bird Sculpture ( at Kapiri Railway Station)
6. Established a School of fine Arts in Zambia.
7. Formed the “Visual Arts Council.”
Akwila Simpasa Born in Ndola, Copper belt in 1945 Visual Artist 1. The Freedom Statue
Graphic Designer
Sculpture
Godfrey Setti Painting
Printmaking
Writing on people busy with their
daily lives.
Shadreck Simukanga Born in Ndola, Zambia. Painter Served as Visual Arts Council (VAC) vice
Teacher of Art Chairperson.
Sharing his knowledge and skills.
Inspiring others.
1.3. Traditional Decorations: this is the art of decorations according to traditions like, wall decorations, traditional attire, bead work,
creative needle work, etc.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
1.4. Musical Instruments and Equipment: as an artist, one should know the materials used for making musical instruments and how they
are used e.g. Kalimba, Xylophone, Flute, etc.
1.5. Secular Religious and Functional Items: these are items used in the community e.g. Hoe / axe/ adze handles, cooking sticks, masks,
mortar and pestles.
1.6. Traditional bodily / Ornaments: these are features of identity worn or put around the bodies. E.g. Tattoos, traditional ornaments,
traditional attire.
1.7. Sculpture: the art of making (creating) three dimensional representatives / artwork that has height, width and depth.
i. Types of Sculpture:-
a. Free standing: a sculpture that can stand without any supporting material.
b. Relief: a sculpture attached to a background such as a door, wall, etc.
i. Materials to be used are stones, wood and fire clay (Terracotta)
1.8. Rock painting: the application of ink or paint on rocks. Artists of this kind of art were the Bushmen.
i. Types of painting
a. Naturalistic: - based on real / natural things.
b. Schematic: - based on symbols / simplified work.
c. Realistic: based on exactly the way something might look like.
1.9. Pottery: this is the art of creating objects out of clay. E.g. Bowls, cups, plates or pots.
i. Types of pottery:-
a. Traditional pottery: works of clay done by local people.
a. How to prepare clay
ii. Dry method:-
a. Collect clay and slake it (make it loose) to remove impurities such as leaves, twigs, stones
or other rubbish. Push it through a screen, which turns it into a fine powder needed for
the next step.
b. Put the slaked clay into a large container so that it wets.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
c. Take the clay out of the container and wedge it on a board or hard clean surface. Wedging
is pressing both hands on the clay to remove the air bubbles and giving it an even
consistency (making it pliable.)
d. Form the wedge clay into a ball and wrap it (cover it) in a plastic and put it in an airtight
container so that it does not dry out.
iii. Wet method:-
a. Collect clay and break it into small pieces and place them into a large container, cover the
clay with water and continue to break up the clay with a large stick so that it remains
without lamps.
b. Take a piece of mesh screen and press the runny wet clay through the screen, to remove
impurities.
c. Spread the runny clay about 3 cm thick onto a large piece of plastic or hardboard and let it
dry in the air until it has formed a thick, stiff clay.
d. Form the clay into a ball, wrap it in a plastic and store it in an airtight container so that the
clay does not dry out.
b. Glazing: this is the application of a shiny coat to a fired pottery. It makes the piece shinny.
c. Firing / kilns: these are ovens for burning pottery.
i. Types of kilns
a. Modern kilns: powered by electricity and it is reliable.
b. Traditional kiln: it is just dug or built.
Types of traditional kilns
- Open firing: it is where a pit is dug for firing.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
and around the objects.Firing is done for two (2) hours with a continuation of
adding cow dung or dried barks.
c. Galvanized Iron Rubbish Bin Saw Dust Kiln: This is a punched or drilled bin. Holes are
punched randomly all over it.
Make a mixture of 30% coarse dry saw dust and 70% of fine saw dust.
Place it on the bottom of the bin and around the pottery.
Prepare a layer of saw dust and dried grass then lit the fire to burn the
objects.
Summary of pottery process:
i.Prepare clay
ii.Pottery making techniques:-
a. Pinch method:- this is making a hole on the top by pushing both thumbs into the clay.
b. Coil method: - this is where you make an object by cycling a roll of clay.
c. Slab method:-this is when you make an object using flat pieces of clay.
d. Thrown method:- this type of method works for all of the methods above (a, b and )
d. Uses of pottery: for reserving food, candle holders, plates, cups, etc.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
2. DESIGN ON PAPER:
2.1. Elements of Design: these are small blocks that make up the perfect art works. Therefore, the following are the
elements: - line, shape, colour, space, mass, texture, volume, tone and pattern.
2.2. Principles of Design: these are guidelines on how to arrange the elements of art. That is, arrangement, balance,
variety, emphasis, perspective.
2.3. Symbols: it is a mark such as a letter, figure or sign that represents a real object or idea.
2.3.1. Logo: it is a company identity.
From the above table, the common type of sculpture in all areas is STONE.METAL is found in West Africa and North Africa only; WOOD is common
for West Africa and Central Africa. The area withal the sculptures is West Africa.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
4. CRAFTS: The art of making usable and decorative objects
4.1. Picture making
4.1.1. Mosaic: a drawing using small pieces of paper, glass, stones or tiles glued to a flat hard surface. Glue and cement are used for sticking.
This was first used in the decoration of Christian churches in parts of Europe in the 4 th century.
4.1.1.1. Steps for creating a mosaic:
4.1.1.2. Have a clear idea of the picture you want to make and decide the colour.
4.1.1.3. Glue the on a flat hard surface making sure you leave a small space between the shapes.
4.1.2. Frieze: a sculpted or painted decoration around a wall.
4.2. Papier Mache’:- mashed paper or soaked and pound paper.
4.2.1. You can create puppets, toys, animal shapes, etc.
How to prepare pulp:
i. Shred newspapers, paper towels or tissue paper into tiny pieces and soak them in water overnight.
ii. Pound the soaked paper and mix it with glue.
4.3 . Jewelry: Creation of body ornaments.
4.3.1 Bone jewelry: You can make beads, bangles, bracelets.
4.3.2 Metal jewelry: cans, tins, bottle tops.
4.3.3 Paper jewelry: beads.
4.4 . Weaving: The art of making fabric by interlacing two sets of parallel threads or fibres [warp and weft] held at right angles to each
other on a supporting called a LOOM.
4.5 Fabric printing: the art of making prints on cloth.
4.5.1 Motif: small design for printing.
4.5.2 Relief printing: printing from raised images.
4.6 Sculpture: the art of making three dimension representations.
4.6.1 Types of sculptures:
4.6.1.1 Stone, metal, plaster of Paris, cement, fibre glass.
4.7 Ceramics: creation of objects out of clay and heat them.
4.7.1 Traditional methods:-
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4.7.2 Pinch
4.7.3 Coil
4.7.4 Slab
4.7.2 The potter’s wheel (a wheel for shaping objects)
4.7.2.1 Throwing
4.7.2.2 Decorations
4.7.2.3 Kilns
4.7.2.4 Glazes
4.7.2.5 Firing
4.8 Masks: face decorations
4.8.1 Types of masks:-
4.8.1.1 Wood and paper mashed
4.9 Mobile and stables: free moving objects such as man-made, natural objects like shells, piece of wood.
5. DRAWING AND PAINTING FROM OBSERVATION (drawing showing all the details.)
5.1. Natural objects: flowers, snail shells, branch, bone, foliage, animal skull, ant eaten wood, tree, pods, root
5.2. Rural setting: chicken run, at the river side, granary.
6. DRAWING AND PAINTING OF A LIVING PERSON ((based on human figures), head, bust (head, should and chest)/torso (unfinished work),
ear, palm, fingers, the whole body.
7. STILL LIFE DRAWING (drawing of a group of motionless objects without considering the smallest details).
7.1. Natural objects: vegetables, fruits, stone, wood, etc.
7.2. Man-made: parts of machine, various types of utensils, various types of clothe drapery (folded clothe).
7.3. Traditional objects: baskets, gourds, smoking pipe, clay pots, winnower, stools, etc.
8. COMPOSITION IN COLOUR (painting pictures)
8.1. Imaginative composition: drawing based on a
8.1.1. given theme or topic e.g. given text, narrated story or
8.1.2. cross cutting issues such as substance abuse ,child trafficking also
8.1.3. abstract themes (topics difficult to understand )
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8.1.4. National heritage
8.1.5. Contemporary issues (current issues).
8.1.6. Domestic violence.
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GRADE 12
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1.1.3. Contemporary art (modern): the type of art based on the use of any material an artist might come across. Paintings and sculpture are
methods mostly used. Demonstrate an understanding of techniques of contemporary Art. Apply techniques of the various Art
movements.
Master s
2. DESIGN ON PAPER
2.1. Symbols:
2.1.1. Logo: It is an identifying symbol for Companies, Associations and Organization.
2.1.2. Emblem: It is a representation of institutions such as Universities, Colleges, Schools (badges) and Churches.
2.2. Cards: The Art of making decorative cards for valentine, anniversary, birthday and charismas
2.3. Posters: Large pictures or notices for decoration or advertisement. E.g. Future events, Advertisements.
2.4. Lettering: A character representing one or more sounds.
2.4.1. Types of letters: Lower (small letters) and Upper Case (capital letters.)
2.5. Printmaking: A process in which an artist repeatedly transfers an original image from one prepared surface to another.
2.5.1. Techniques used in printmaking.
2.5.1.1. Relief: printing from raised images.
2.5.1.2. Intaglio: engraved design.
2.5.1.3. Lithography: printing from a flat metal.
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2.5.1.4. Screen printing: the art of forcing onto a surface through a prepared screen of fine material so as to create a picture or pattern.
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HOW TO WRITE A PROJECT REPORT FOR
1. INTRODUCTION: Write brief notes on the project you are making. You can also define the kind of project / course work.
2. MATERIALS: List all the materials you would use in order to complete your project.
3. PROCEDURE: This is where you state steps that you followed when coming up with the project.
4. PROBLEMS FACED: You discuss the problems faced during your project / course work.
5. CONCLUTION: You summarize the issue of your task.
Introduction:
My report is based on e.g. Papier Mache’, which is a French name meaning mashed or chewed paper. This will include materials used, procedure,
problems faced during the course work and the conclusion will sum up the course work.
Materials:
For my project to be completed I used newspapers / egg trays, wires, boom paste, glue, sand paper for smoothening, water, mortar and pestle , paint
and varnish.
Procedure
I sketched different drawings of the same animal in my sketchbook and later chose the best of them. (You draw the best picture you chose.)
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.
I took wires and made an armature, which is a frame on which mashed paper would be glued. At the same time I took the papers, which I tore and
soaked in a bucket of a mixture of water and boom paste and left the mixture overnight.
The next day I removed the soaked paper from the bucket and started pounding it in a mortar using a pestle until it became clay like, which is known
as pulp (mashed paper).
After finishing preparing the pulp, I began sticking it onto the armature using glue.
Problems faced
During my course or project work, I faced problems such as time, which was not enough for me although was given a year before because most of the
work was done during working days. Most of the times I was disturbed by class work as well as co-curricular activities.
Conclusion
In summary / conclusion/ all in all/Finally I would say that objects made of papier mache’ are light and even durable especially when varnish has been
applied.
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Prepared by: Bwalya A – PCAs DEPARTMENT (Art and Design Section), Masansa Secondary School.