EXPRESION MUSICAL LA NOBEL

TARMA LIMA PERU

GENERAL MORAN
1°Clarinet in Bb
 
  
POR: NILTON CALDERON TORRES

              

         
      

q=80

       
     
7
           Cl y Sx /Trp.
     
1. 2.
      
  
mf

                               
13
       
  

    Cl ySx /Trp.       
  
1. 2.

         
21
 
TUTTY
 
  
23–24 mf

    
1. 2.

   
Cl y Sx /Trp.

       
31 TUTTY
   
 
  
pf

40                     
   


      
   
       
50 1. TUTTY 2.
  

 

56
          

    DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
2°Clarinet in Bb

POR: NILTON CALDERON TORRES

           
             
      
    
q=80

f

       
   
                   Cl y Sx /Trp.
7
   
1. 2.

 
   
mf

      
                              
13

  

                  
1. 2. Cl y Sx /Trp.
21
      
TUTTY

    
23–24 mf

  
1. 2.
        
Cl y Sx /Trp.

       

31 TUTTY
 
    

pf

40                     
   


  
     
50
      
1.
 
TUTTY 2.   

   

  
     
56
    
  DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
                                
1°Alto Saxophone POR: NILTON CALDERON TORRES

 
q=80 

   

           1. 
             
f
6
  
   
2.
 
Cl y Sx /Trp.

 

                         
mf
12  
  

           
1. 2. Cl y Sx /Trp.
     
20


TUTTY

   
23–24 1. mf 2.

            
Cl y Sx /Trp.

       
29 TUTTY
 
 
     

                  
pf
38

   

         
47
  
1.
  


       2.
            
54
 
TUTTY
    
Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN

POR: NILTON CALDERON TORRES

         
2°Alto Saxophone

        
          
 
    
 

q=80

        1.                       
7

   
2.
 
Cl y Sx /Trp.

 
mf

                               
13
      
     


                   
1. 2.
21
  
TUTTY Cl y Sx /Trp.

      
23–24 mf
1. 2.
  
      

31 TUTTY Cl y Sx /Trp.
         
 
   
 
pf

                  
40

  

          

50
    
1. 2.
  
TUTTY

 
 

56
          
     DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
POR: NILTON CALDERON TORRES
Tenor Saxophone

    

      
           

 
  
          

q=80
 
f
   
                     ClySx /Trp.        
7

    
1. 2.

    
mf

                         

13

 


                      
20 1. 2. Cl y Sx /Trp.
TUTTY

   
23–24 mf

             
29 1. 2.
  
TUTTY


        

                 
37

 
Cl y Sx /Trp.

   
pf

                 
46

 


                     

53

1. 2.

 
TUTTY

Fine
59 DC

 
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
Bari. Sax.

     
POR: NILTON CALDERON TORRES

  
               
      
   
q=80
  
f

     
        
7
    1. 2.

Cl y Sx /Trp.
  
        
 
mf

                               1.   
14

  
TUTTY

 

         

22

 
             
2. Cl y Sx /Trp.

     
mf

TUTTY  2.      
         
 
31 Cl y Sx /Trp.
 
1.

   
pf

40                    
  

     2.   
        
50
 
1. TUTTY

  

 

       
56
 
  DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
POR: NILTON CALDERON TORRES


1°Trumpet in Bb

              
       
          
q=80  

      
f

                    
   
              
7 1. 2. Cl y Sx /Trp.

 
   
mf

                         

13

 


                      
20 1. 2. Cl y Sx /Trp.

 
TUTTY
 
23–24 mf

             
29 1. 2.
  
TUTTY


        

                 
37

 
Cl y Sx /Trp.
   
pf

                 
46

 

  
       
53
      
1. 2.
    
      
TUTTY

Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN


2°Trumpet in Bb POR: NILTON CALDERON TORRES


                                  
q=80

f
    1.        Cl y Sx /Trp.      
7

      
 
2.

                 
mf

  
13

                          
     
 


          
Cl y Sx /Trp.

20
     TUTTY   
1. 2.

     
23–24 mf

    
29

               

1. 2.
    
TUTTY


  


                 
37

 
Cl y Sx /Trp.

  
pf

     
46
                
1.

            
54
 
2.

  
 
  
  
TUTTY
      
Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN

3°Trumpet in Bb POR: NILTON CALDERON TORRES

                              
q=80 
     
f
    1.       Cl y Sx /Trp.  
6

                              

2.


 mf
12

     
                          
 


    
     
19
  
1. 2.


  
 
TUTTY
       
23–24 mf
Cl y Sx /Trp.
27

     

        
    


          
35

          
1. 2. Cl y Sx /Trp.
  
    

TUTTY


pf
43

    

               


                      
52

1. 2.

    
TUTTY

    
Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU
GENERAL MORAN
1°Trombone POR: NILTON CALDERON TORRES

                  
 
          
    

   
q=80  
f
      
        1.     
            
7 2.  Cl y Sx /Trp.

       
   

                    
mf
13
                 


  1. TUTTY 2.                Cl y Sx /Trp.

  
  
20
      

mf

                              
27



                
 
     
34 1. TUTTY 2.
Cl y Sx /Trp.
   
     
pf
     
      
42
         
 

               TUTTY  2.
   
51 1.
   
 
56
       
          
 DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU
GENERAL MORAN POR: NILTON CALDERON TORRES

  
                        
 
2°Trombone

   

q=80     
f
        1.       2.        

        
7 Cl y Sx /Trp.
 
         
          mf   
       
13
                 


  1. TUTTY 2.                Cl y Sx /Trp.

             

20

 
mf

                              
27



       
          
    
34 1. 2.
     
TUTTY Cl y Sx /Trp.

  
 
 
pf
      
    
42
          


          TUTTY   
51 1.
 
       

                 
55 2.
    
Fine

59
  
 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU
GENERAL MORAN

                          
1°Euphonium POR: NILTON CALDERON TORRES

   

  
      
q=80

f

       
   
                    
7 1. 2.
   
Cl y Sx /Trp.

    
mf

         
   TUTTY  
14
 
1.

     

                               
22 2. Cl y Sx /Trp.


 
mf
28
                               
   

      
35
   
     
1. 2.
       
Cl y Sx /Trp.

     
TUTTY

pf

    
43

               
  

        
51

1. 2.
        
     
TUTTY

 

     
56
     
      DC
Fine
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU
GENERAL MORAN

2°Euphonium POR: NILTON CALDERON TORRES

              
           
     
    
q=80

f

   
                  Cl y Sx /Trp.
7

            
1. 2.

      

mf

   
14

1. 2.

          
    
    
TUTTY

 

       
23
      
Cl y Sx /Trp.

             
    
  
mf

 
29


         
1. TUTTY

                     

   
36

        
              
2. Cl y Sx /Trp.


pf
45
      
              
    

   
1. 2.

 
53

             

         
TUTTY
  
Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN

POR: NILTON CALDERON TORRES


Tuba Bb
 
                   
q=80
             
f

             
 
7 1. 2.
   
Cl y Sx /Trp.

    
             
  
mf

                            
14

        
  

        
                          
21 1. 2. Cl y Sx /Trp.
 
TUTTY

mf

 
29 1.
  
TUTTY
 
          


                                 
36
 
2. Cl y Sx /Trp.


pf

44
     
                           

          
52 1. 2.
   
         
 
TUTTY

     
Fine

59
 
 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU
GENERAL MORAN

    
Bass Drum POR: NILTON CALDERON TORRES

             
q=80

f

     
  
8 1. 2.

         
mf

       
16 1. 2.

      

23–25


  
26
            
mf

               
Cl y Sx /Trp.

 
35 1. 2.

  
pf
43

                

          
51 1. 2.

        
TUTTY

Fine

59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
Drum Set

POR: NILTON CALDERON TORRES


                                   
q=80 
  
f

          

 
7 1. 2. Cl y Sx /Trp.
          
   
  
mf

            

14 1.

                              


                                
22 2.

mf

 

30 1. 2.
                        

 
TUTTY
  

            

 
37 Cl y Sx /Trp.

pf

                                        
44

                 

52 1. TUTTY 2.
 
            
 
Fine
59

 DC
CONTACTOS - 988084442
 EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU GENERAL MORAN
Cymbals POR: NILTON CALDERON TORRES

                     
1.

q=80
 f

       
2. 
       
9
   
mf


           
  
19 1. 2.
  23–25
 
mf

              
30 1. 2. Cl y Sx /Trp.

     
pf

          
39
     

  
    
49 1.
      
TUTTY

  
55 2.
      DC
Fine
CONTACTOS - 988084442