e g i t i m .

n e t
w w w . g i ta r Study
Dionisio Aguado
Notasyon: Musa Çetiner (1784 - 1849)

 = 120    
 3 2 
  2      4  
    1        
4

1 4

1 1   2  3  
 1 1  1
2


  
  
 
 
  0
33 22 0 22 0 0
0 1 2 0 
4 4 0 0 4 4 0
4 4
  
22 2 0
 12
 12
12 11 22
11 1 2
34

 
 3 2  3  
   1      2
5

1  4    
 1  4   2 2        
2

3  
2

   3
3
  
 
3 2 0    0
   

3 2
3 11 4 3 1 0 1 0

3 1
0 23 22 0 2 2 0
2 4 3 2 2 0 0 0

1 4 2 2
34 3 0 2
  
3
3 3
  
3

  3  2     
  4      2
9

  
4
    2    2  
 3  1 3 3    
  
3 1

1   2  

2
4

 
  
3

 22 3  0  0
  3
4 3
 33
0
4 0 3 11  0 0 0

3 4 2


0 22 0
 1 2 0 2 2 3  4  0 33 11
4 42 2
33 3 2
21

 
3

       2 4 
   1    
14

   2       
 1 2
 
2 4

 3 1
1
 3 1 
2 2
4

3  1   
  
 
0 21
  
 
0 4 3 4 3 1 1
 

23 3 2 2 2 0 1 1 2 2 2 0 2 2
1 1 12 4 22

1 4
34 4 33 12 2 2

1
0 3 0
  
3

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 e g i t i m . n e t
w w w . g i ta r Study
Dionisio Aguado
Notasyon: Musa Çetiner (1784 - 1849)

 = 120
 
  3 2 
 4  2        4   
 
 1
 1   
4
 
1 1   2  3   
1   1
2


 
1

 3 2  3  
   1      2
5

   
   
 1  4   2  
2
  
1 4 2

3  
2

   3  3
 

 2     
  3   4      2
9

  
4
    2    2   
 
 3  1 3 3    
3 1

1   2  

2
4

3
 

       2 4  
  1     2 4 
14

    2       
   1  2
2 4

 3 1 
1
 3 1 
2

3  1   

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