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AMERICANA NORVEGICA
I
PUBLICATIONS OF
T H E AMERICAN INSTITUTE
UNIVERSITY OF OSLO
IN C O - O P E R A T I O N W I T H T H E
D E P A R T M E N T OF A M E R I C A N CIVILIZATION
G R A D U A T E S C H O O L O F A R T S AND S C I E N C E S
UNIVERSITY OF PENNSYLVANIA
AMERICANA
NORVEGICA
Norwegian Contributions
to American Studies
VOL. I
EDITORS :
SIGMUND SKARD HENRY H. W A S S E R
OSLO NEW Y O R K
U N I V E R S I T Y OF P E N N S Y L V A N I A P R E S S
PHILADELPHIA, PENNSYLVANIA
1966
Published in Great Britain, India, and Pakistan
by the Oxford University Press
London, Bombay, and Karachi
O S L O : GYLDENDAL N O R S K FORLAG
Manufactured in Norway
E R L I N G D. N A E S S ,
Donor of the American Institute,
University of Oslo
PREFACE
The Editors and the American Institute express their special grati-
tude to M r . Erling D. Naess (New York), to whom the volume is
dedicated, and whose generosity made the publication possible.
Oslo and New York, December 1965.
SIGMUND SKARD HENRY H . WASSER
T A B L E OF C O N T E N T S
PREFACE 7
TABLE OF CONTENTS 9
SIGMUND SKARD
The American Studies Movement.
Problems and Prospects 11
PETTER CHRISTIAN STEENSTRUP
Ludvig Kristensen Daa and the USA 45
PER SVEINO
Orestes A. Brownson's New Views 97
JOHANNES KJORVEN
Hawthorne, and the Significance of History 110
EINAR BOYESEN
Hartvig Nissen and American Educational
Reform 161
OTTO REINERT
Bartleby the Inscrutable: Notes on a
Melville Motif 180
PER E. SEYERSTED
Hjalmar Hjorth Boyesen: Outer Success,
Inner Failure 206
ORM OVERLAND
The Impressionism of Stephen Crane :
A Study in Style and Technique 239
SIGMUND SKARD
E. A. Robinson: "Eros Turannos".
A Critical Survey 286
HENRY H. WASSER
The New Deal and American Literature 331
ABOUT THE AUTHORS 339
P U B L I C A T I O N S OF T H E A M E R I C A N I N S T I T U T E 340
THE AMERICAN STUDIES MOVEMENT
P R O B L E M S AND PROSPECTS
B Y SIGMUND SKARD
sense of the human relevance of the New World and its civilization, —
what Crèvecoeur called its "close affinity with our present time".
They had a feeling of the uniqueness of the American phenomenon,
an historical process that could be studied from its very beginnings
in the spirit of Montesquieu and Herder against its background of
landscape and climate. And at the same time they felt that it could
only be understood in the light of general principles. Distance favored
generalization, and so did the lack of bothersome knowledge of details.
More serious and systematic studies of a similar scope were soon
to follow. But America itself had little to offer in this respect, at least
until the Civil War. Academic education was sdii quite elementary
in the young nation; as late as 1850 there were only eight graduate
students in all of the United States. History was not taught at the
universities; as late as 1880 there were only eleven professors in
the subject. The many home-produced works on the country and
its conditions past and present were often sustained by a fervent
patriotism. But mostly they were pedestrian collections of facts, or
lofty epics, with little grasp of the motive forces in American life.
For more than a century progress toward more penetrating methods
was due to Europeans, who gradually created real scholarship in the
spirit of Enlightenment. An early and impressive effort was the large
work of the Italian Filippo Mazzei (1788), a careful critical survey of
many aspects of American culture. And the method was brought into
system at the reorganized German universities, in the new inclusive
discipline of "Statistics", meaning at that time a combination of
Modern History, Geography and Political Science, where detailed
research was sometimes combined with a trend toward synthesis,
" a n intuitive approach, bordering on the mystical". 2 American
"Statistics" spread to many European universities, and found its
classical expression in the German Christoph Ebeling's immense de-
scription of North America, left unfinished after the publication of
seven volumes in 1816.
These scholars were much aware of the special character of their
subject. But it never occurred to them that the study of America needed
any method peculiar to the subject or demanded a place of its own
within the hierarchy of learning. Nor did the historians and economists
who, at many European universities in the 1840's and 1850's, took up
more thorough teaching and research in the field. Notwithstanding,
the broad approach remained. It showed in the flood of general works
on the United States, from bodiless fantasies to more serious syntheses,
The American Studies Movement 13
and in the early study of the American impact in other parts of the
world. This work reached a new climax in the outstanding contribution
to American Studies in the first half of the century, Alexis de Tocque-
ville's De la démocratie en Amérique (1835—1840), the most influential
work ever written on America by a European. Tocqueville's leading
idea was political, as expressed in the title of his book. But his analysis
turned out to be a survey of general trends in the growth of American
life, seen as a part of world developments.
and no history of its own". There was little willingness to see American
civilization as an entity, that had its national background and had to
be studied from many angles. When in 1866 a radical Liverpool
merchant offered to endow the University of Cambridge in England
with a readership in "the History, Literature, and Institutions of the
United States", the University Senate turned the offer down with a
considerable show of irritation, not only because of the generally
suspicious character of the subject, but certainly also because of the
vague and diffuse definition of it. 3
T h e development of more independent research in the American
field had to begin in the form of a reaction against such tendencies.
But here the United States itself was not yet leading the way. Still
the German tradition was solidly entrenched in American universities
and specialization was the catchword of the day. There were early
indications of a different attitude, isolated efforts to cross the traditional
border lines between established subjects. A wider concept of American
History appeared even before the First World War, in works by Fre-
derick Jackson Turner, J . B. Mc Master, James H . Robinson, Carl
Becker and Charles A. Beard. Thorstein Veblen fearlessly combined
Economics and Social Psychology, William James sweepingly analyzed
the American religious mind, J o h n Dewey saw education in the con-
text of American society. In the 1880's and 1890's Moses Coit Tyler
held a chair of "American History and Literature" at Cornell; at
Harvard around 1900 Barrett Wendell under the influence of Hippo-
lyte Taine introduced a parallel study of the Language, Literature and
History of any nation, including America. But this was not typical.
Most American universities paid no attention to American Literature
at all, and the old departments were citadels of independence. Even
within the new Social Sciences in America each speciality long tended
to isolate itself rigorously from the neighboring disciplines.
Thus it was in Europe that the revolt against excessive specialization
gained its first momentum. Great Britain remained a stronghold of
conservatism. " M o d e r n " subjects were regarded with suspicion at the
universities, James Bryce's magnificent synthesis of the American
Commonwealth (1888) was an isolated phenomenon. But in France
there were different tendencies, as witnessed for instance by the broad
development of French Sociology, and in the Humanities by the
foundation of Revue de synthèse historique (1900). This expansion also
made itself felt in other fields. This period saw the emergence of the
typically French explication de texte, which takes for granted a certain
The American Studies Movement 15
h a d only been accessory to other fields, the time h a d come for con-
centric investigations, guided by the methods of History, Psychology,
a n d the Social Sciences, and directed toward American Civilization
as a living whole. " T h e real thing we have to do, is to study each
single aspect, static or dynamic, of American life as a function of the
entire American Civilization". 4 Cestre's appointment was soon followed
by the establishment of more chairs of "American Literature and
Civilization" in French universities and a full chair of American Civi-
lization at the Collège de France.
T h e French approach was a practical one; the Germans furnished
the movement with a theoretical superstructure. T h e new trends were
closely tied to scholarly innovations of the 1920's that made themselves
felt with particular strength in post-war G e r m a n y : typology and
structuralism, Gestalt psychology and Geistesgeschichte, and comparative
research of many kinds, all of them opening u p new possibilities for
an inclusive interpretation of " t h e soul of a nation". And there were
impulses of a more pragmatic nature. T h e Germans felt they h a d lost
the World W a r because of their failure to understand their adversaries.
T h e r e was a political demand for a new Auslandkunde, which found its
models in books such as Wilhelm Dibelius' sweeping analysis of
British, and E. R . Curtius' and A. Bergstraesser's synthesis of French
civilization (1923 and 1930). American Studies took their place within
this context.
I n a manifesto from 1921 Friedrich Schönemann formulated the
p r o g r a m of what he called Amerikakunde. T h e study of America was
not to be a remote corner of Anglistics any longer, but a branch of
a new, integrated and interdisciplinary study of civilization based on
History, Literature and Economics. Similar views were expressed six
years later by the German-American Professor F.-K. Krüger. He
heralded "the methodical sociological integration of Psychology,
History, Political Science, Economics, Geography, etc., actually of all
fields of research, as applied particularly to the USA". 5 T h e new
approach aroused keen interest. Pedagogical reforms in Weimar
G e r m a n y gave the American subject considerable leeway in the schools.
Several universities moved in the same direction, and so did research.
Schönemann's own great work on the United States (1932) parallelled
André Siegfried's synthesis in France (1927), and there were other
similar contributions of importance.
This new departure was not generally accepted, however. T h e re-
volutionary subject was met with severe criticism on the part of the
The American Studies Movement 17
in the 1930's and the Second World War and its aftermath, when the
country suddenly saw itself thrown into the position of international
leadership. And these events were accompanied by a transformation
of American society that was no less radical and left no field of national
life untouched.
This extraordinary experience was also bound to exert its impact
on education and scholarship. In a challenging and dangerous world
many Americans felt an urge to emphasize the unity of the nation,
to redefine its heritage and give a sense of direction to its culture past
and present. A new national pride craved for the recognition of in-
digenous American values, no longer as a mere "extension of Europe",
but as an original contribution, and to have them understood at home
and abroad, as American literature was now suddenly gaining world
renown. These ideas were eagerly adopted by the reform movement
for a new synthesis of knowledge, pointing toward a "General Edu-
cation" that would give the teaching process more meaning, bridge
the gap between campus and society, and recreate a feeling of national
and social fellowship. The many international contacts within a rapidly
shrinking world stressed similar demands.
All these factors gave new strength to the criticism of established
teaching and research in the United States that had been growing in
the younger generation of American scholars : the traditional emphasis
on foreign and past civilizations, particularly British, at the expense
of America itself; the academic departmentalism with its formal
narrowness ; the worship of facts and details ; and the fear of large views
and value judgments. The time-honored approach to scholarship
seemed sadly inadequate in the face of present-day American Civiliza-
tion with its dynamism and dimensions and its immense range, from
broad folksiness to the complexity of modern design, a phenomenon
not to be exhausted by a mere enumeration of its parts.
The American Studies movement arose as a natural consequence of
this situation. It began as a modest attempt to organize a cross-
departmental study of American civilization. Only one such program
antedates the First World War. The 1920's added not more than two
programs; the forces were still largely engrossed in gaining recognition
for the study of American Literature within the traditional framework.
The social radicalism of the 1930's increased the awareness of the general
powers of society. Ten more programs were organized, among them
the postgraduate ones at Yale and Harvard. But only after 1945 did
the subject begin to claim recognition as a more or less separate entity.
The American Studies Movement 19
gradually new disciplines and approaches came to the fore with their
special aims and terminologies, and claimed equal rights.
There was an early impact from the History of Ideas, ranging from
Vernon L. Parrington and A. O. Lovejoy to Ralph H. Gabriel,
Perry Miller and Merle Curti. An increasing part was played by the
History of Science and Technology, which claimed to be "at the cen-
ter" of any synthesis of the new civilization.11
From the 1930's onward there was a parallel and growing influence
from various forms of structuralist thinking within many branches of
learning, such as Linguistics, Esthetics, Philosophy and a number of
psychological schools, individual and social. But the strongest impulse
came from the behavioral sciences : Sociology, Cultural Anthropology,
and Folklore, which saw culture (covert and overt) as a "totality of
institutions, adjustments, and values binding a distinctive social group
together". 14 The new school tried to study such groups in their internal
structures, functional relationships, and media of communication, and
applied the method undauntedly to entire civilizations, past and
present, primitive and sophisticated, including that of the United States.
The most energetic effort to bring the methods of these divergent
fields nearer to each other had its starting point in Literature, which
from the very beginning was the dominant field of study within the
movement. Basic problems came into focus as literary research and
criticism developed in the United States in the interwar and postwar
years, within and outside of the American Studies movement. Those
tendencies toward scholarly isolation which the movement saw as its
main adversary, were not strong in the established disciplines only.
They were equally rampant within that New Criticism which reached
its maturity in the 1940's, and in the 1950's left its mark on practically
all university departments of English and American Literature in the
United States. The New Critics certainly showed the influence of
structural thinking. But by principle they were ahistorical, and some-
times minimized all connection between creative writing and its social
and national milieu. At the opposite extreme the social sciences cer-
tainly were "synthetical" enough, with no fear of generalization.
But they were so only on the basis of a strictly quantitative method.
They showed a similar lack of historical perspective. They saw ima-
ginative writing as a mass phenomenon, and completely disregarded
form and value.
To the American Studies movement it became a primary concern to
bridge the gap between these two dominant schools. The study of the
22 Sigmund Skard
bring together between two covers all possible areas of American life,
but leave their "organic" interplay to the puzzled reader. 2 2
Behind such vagueness lies, in the view of these critics, the complexity
of the problem of integration as interpreted by the American Studies
movement. The existence of "total", homogeneous cultures is far from
being generally recognized. As yet, there are few "shared concepts"
about them, as witnessed by the ambiguity of terminology and the mot-
ley lists of definitions both of basic ideas and of national characteristics. 23
And certainly it is far from obvious that American Civilization has
such inner coherence, let alone a uniqueness that demands an in-
vestigation by completely new methods.
Historically speaking, American civilization is "less self-contained
than almost any other culture". 2 4 Its importance in the modern world
is to a considerable extent due to its being typical of a general, technical
and commercialized form of life. It is possible that the unique feature
of American culture is "unprecedented and unmeasured change", 2 6
even if this trait today certainly is no less pronounced in many other
parts of the world. But in any case there is nothing to indicate that a
basically different approach is needed in order to understand American
social mobility than, for instance, French stability.
Sometimes the claims of a unique "Americanness" of American
phenomena also seem to show little awareness of scholarly work on
similar questions in other parts of the world. In literary sociology,
in particular, the problems of "integration" are being raised in the
United States with a seriousness which seems to overlook that such
matters were discussed in Europe decades before the American Studies
movement got under way.
Sometimes, to a European observer, the pioneering zest of the mo-
vement has less connection with the American material itself, than
with American academic tradition. A great number of books and artic-
les listed in the annual American Studies bibliography actually seem
to present no specific material demanding differentiated rules of
operation. At best they show a somewhat wider application of pro-
cedures well known from traditional disciplines. If such efforts may
appear as in any way revolutionary, departmentalization must have
been more rigorous in American universities and in American learned
journals than is the case even in Europe.
Decisive to many critics is the question whether any theoretically
acceptable integration has proved possible as yet — not only "verbal
solutions", 26 but a real fusion of materials and methods. To the present
The American Studies Movement 27
The story of Mary Ann and Martha Ann and the red bonnet has
been so often retold to my children and grandchildren that every
detail has been retained, and in its completeness as I give it here, it
is a bit of authentic family history “dressed up” as its hearers love it.
“What kin we do, Ma’y Ann? I dun hear Miss Liza talkin’ ’bout it
agin, and ’lowin’ it got to be found.” The two little negroes sat under a
wide-spreading pecan tree that scattered its shade and its late
autumn nuts over the grassy lawn of a spacious Southern mansion.
They crouched closely together, heads touching, voices whispering
and faces turned to the river road, their scanty linsey skirts drawn
tightly over little black legs, so that no searching eye from the broad
veranda could spy them. Mary Ann looked anxiously around, and,
drawing her knotty, kinky head closer still to Martha’s softer locks,
whispered: “Marm Charlotte gwine to clean out de L, and you know
she’ll go in dat room fust thing.”
Marthy sprang back with dilated eyes.
“Ma’y Ann, it carnt stay dar; it’s gotten to cum outen dar, oh Lordy!
What did you put it dar in the fust place fur?”
“I didn’t put it dar.” Ma’y Ann’s eyes flashed. “You fotch it dar your
own self, unner your apern; you sed it was yourn and Miss Ellen giv
it to you.”
Marthy sprang to her feet. “Miss Ellen never giv me nothin’ in her
whole life.” She shook her clenched fist in Ma’y Ann’s face, then
burst into tears. The stolen conference, like many another that had
preceded it, was opened in a spirit of mutual conciliation, but as the
interview progressed and interest waxed, the poor little negroes
became fierce in their alarm, fast losing sight of the turpitude of the
deed committed in common in the over-mastering anxiety of each
one to shift the entire blame on the other.
“Hush, gal, set down; I hear Marm Charlotte dis bery minit; she
mustn’t kotch me under dis here pecon tree agin. I was down here
yisterday, tryin’ to dig a hole where we’s settin’ now! I want ter berry
de rotten thing. Marm Charlotte kotch’d me here, and she ax’d what I
doin’ and I ’low’d I was gitten pecons fur de turkeys, and she
’sponded she low’d ter tell me when to feed de turkeys.”
Marthy Ann slowly resumed her seat, taking care to get well
behind the pecan tree. She was nervously sobbing, “She’s kept me
—a—lookin’ fur it—till I feared to go in—our—room—feared to find it
—a settin’ on de baid—Oh, Ma’y Ann, what made you take hit?”
Ma’y Ann’s eyes flashed fire. She was of the heroic sort, and by no
wise melted by Marthy’s lamentations and tears.
“I didn’t take hit; you tuck hit, and you know you did; you’s de
biggest rascal on de place. You does a thing, den you goes whinin’
and cryin’ ’bout hit. I does a thing, I jist ’sponds fur hit and sticks hit
out.”
Marthy wiped her eyes on the linsey skirt and tried to imbibe some
of her companion’s courage.
“Well, Ma’y Ann, you put it whar tis and ghostes cum out ev’ry
night and ties me wid de long, red strings.”
“No ghostes cum arter me,” said Ma’y Ann, bridling up. “Dat shows
you put it dar your own self.”
“We ain’t got no time ter talk and fuss; we got ter find a place to
put hit now. God knows it cums atter me ev’y night, and las’ night de
debbel had it on, Ma’y Ann. I seed him; he jist strutted all around de
room wid it on his haid and de ribbons was tied to his horns.”
“Oh, Lordy, Marthy, is he got hit now?” The terrified child sprang to
her feet and gazed distractedly up the tree. “Marthy, we kin fling hit
up in dis tree; won’t de debbil let hit stay in de crotch?”
The strained eyes eagerly searched for a sheltering limb that
would catch and conceal the thing, the ghost of which would not lay,
day or night. Marm Charlotte had never relaxed in her search, in
bureaus, and armchairs, behind hanging dresses, in the big cedar
chest, among the blankets, upon top shelves, in old bandboxes, in
trunks, over bed testers, downstairs in china closets, among plates
and dishes, under parlor sofas and over library bookcases. Ma’y Ann
and Marthy Ann had no rest. They made believe to search the
garden, after the house had been pulled to pieces, going down
among the artichoke bushes and the cherokee rose hedge that
smothered the orchard fence, wishing and praying somebody might
find it in one of those impossible places all torn by squirrels or made
into nests by birds.
Christmas, with its turkeys and capons fattened on pecan nuts, its
dances and flirtations in the wide halls of the big house, its weddings
and breakdowns in the negro quarters, had come and gone. The
whirr of the ponderous mill had ceased; the towering chimney of the
sugar house no longer waved its plume of smoke by day nor
scattered its showers of sparks by night. Busy spiders spun nets
over big, dusty kettles, and hung filmy veils from the tall rafters.
Keen-eyed mice scampered over the floors and scuffled in the walls
of the deserted building whence the last hogshead of sugar and
barrel of molasses had been removed, and the key turned in the
great door of the sugar house. Tiny spears of cane were sprouting
up all over the newly plowed fields. Drain and ditches were bubbling
over, and young crawfish darting back and forth in their sparkling
waters. The balmy air of early summer, freighted with odors of
honeysuckle and cape jessamine, and melodious with the whistle
and trill of mocking birds, floated into the open windows and doors of
the plantation dwelling. The shadowy crepe myrtle tree scattered
crimpy pink blossoms over the lawn. Lady Banks rose vines
festooned the trellises and scrambled in wild confusion over the roof
of the well house, waving its golden radiance in the soft, sunny air.
Cherokee and Chickasaw hedges, with prodigal luxuriance, covered
the rough wooden fences, holding multitudes of pink and white
blossoms in thorny embrace, and sheltering the secret nests of
roaming turkey hens and their wild-eyed broods.
“Well, Levi, you’se dun your job, and it wus a big one, too.”
“Yes, William, I whitewashed as much as ten miles o’ fencing, and
all de trees in de stable lot, besides de cabins and de chicken
houses.”
“Ten miles o’ fencing,” replied William doubtfully. “I didn’t ’low dere
wuz dat much on de whole plantation. Why, dey call hit ten miles
from here to Manchac, and ’bout ten from here to Cohite.”
“I mean ten miles in and out; about five miles one side de fence
and five miles de odder.”
“Oh! that-a-way,” said William dubiously. “Charlotte, give Mr.
Stucker another dodger.”
The speakers were two negro men, one in the shirt sleeves and
long apron that betokened the household cook, the other in the
shiny, shabby “store clothes” of the town darky. They sat at the
kitchen table, in front of a window commanding a view of newly
whitewashed fences and trees. Etiquette required that William
should play the rôle of host, on this, the last morning of the
whitewasher’s stay. Charlotte had laid the cloth and placed the
plates and knives for two, and served the fried bacon and hot corn
dodgers to Mr. Levi Stucker, a free man, who had a house of his own
and a wife to wait on him and in view of this dignity and state was
deemed entitled to unusual consideration.
“Lemme ask you, Charlotte,” said Stucker, carefully splitting his
dodger, and sopping the hot crumbs in the bacon gravy, “is you
missed ary thing outen de yard on dese premises? Caze I heard
dem two little gals havin’ a big talk in dat room next to me last night;
you knows dat’s a mighty weaky boardin’ ’tween dose rooms and a
pusson don’t have to listen to hear. I bin hearin’ ’em movin’ ’bout and
a whisperin’ most ginerally every night when dey ought most likely to
be asleep. Las’ night a old owl was a squinchin’ on dat mulberry tree
by de winder, and de shutter hit slammed. Dat woke dem gals up; it
was atter midnight; dey was skeert, one on ’em begin to blubber and
sed de debbil was dar to kotch ’em. From de way dey talked—(but it
was mystifyin’, I tell you)—I ’lowed in my mind dem gals had stole
somethin’, I couldn’t gather what, fur dey didn’t name no specials,
but sure’s you born dey’s up to somethin’, and skeered to death
’bout its bein’ foun’ out.”
Charlotte stopped on her way to the frying pan with widening eyes
and uplifted fork, and listened attentively, with an occasional jerk of
the head toward William.
“Jist tell me,” pursued Levi, “if you ’low dose gals to have de run of
de quarters, caze dey gits mischief in dere heads if dey run wid
quarter niggers.”
“No, sir,” responded the woman emphatically, “dey never goes
down dar; I’m keerful ’bout dat—onreason’ble keerful; no, sir, if I was
to let ’em have the run o’ dat quarter lot dere would never be a cold
biskit nor a cup o’ clabber in dis house de minit atter you put ’em
outen your hands. No, sir, Mr. Stucker, if old Hannah, or ary of de
sick niggers down dar wants anything from dis house dey got to
send one of their own little niggers wid de cup or de pan, and I
pintedly gives ’em what’s needed; dere’s nuff work for Ma’y Ann and
Marthy Ann ’bout dis house ’dout dey visitin’ at de quarters and
waitin’ on quarter niggers. I bet, dough, dey’s bin in some mischief I
ain’t had time to ferret out.”
After a pause she continued, “And you say you think dey done
stole somethin’?”
“Yes,” answered Stucker, pushing back his chair and rising from
the table; “yes, I understand somethin’ of dat natur’, if you has
missed ary thing.”
“We did miss dat currycomb what William comb his har wid; it was
a bran new, kinder stiff one, and he missed it last Sunday,” replied
Charlotte.
“Dat jist fallen outen de winder, it warn’t lost,” interrupted William,
who had been watching for a favorable opportunity to join the
conversation.
“Yes, dem spawns foun’ hit outdoors, when I tole ’em I’d skin ’em if
it wasn’t perjuced,” said Charlotte, turning to William, who thereupon
relapsed into acquiescent silence.
“It warn’t no currycomb dey was talkin’ ’bout last night,” said
Stucker, jerking first one leg then the other to free his shaggy
breeches of dodger crumbs.
“Jist hold on a minit,” said Charlotte, stepping to the kitchen door
and shouting, “Ma’y Ann and Marthy Ann, whar’s you?”
“Here I is, ma’am, I’s comin’, yes ’em,” was responded from an
upper porch, and the two little darkies scuffled down the back stairs.
“Jist you two run down to de orchard whar I kin see you all de
time, hear me? All de time, and look fur dat Dominiker hen’s nest. I
hear her cacklin’ down dar, and don’t neither of you dar’ cum back till
you find it. If you cum back ’fore I call you, I’ll pickle you well. Run!”
Two little guinea blue cotton skirts whisked through a gap in the
rose hedge and emerged in the deep grass of the orchard, before
Charlotte turned back into the kitchen, satisfied they were at a
distance, and still under her observation. Levi Stucker meanwhile,
having carefully tied his two weeks’ earnings in the corner of his red
cotton handkerchief, and shared his last “chaw” of tobacco with
William, swung his bundle from the end of his long whitewash pole
and departed, with the shambling, shuffling gait of the typical
Southern negro.
“I’m gwine upstairs, William, and I’ll ramshackle dat room till I find
out what’s dar,” said the woman. She slowly mounted the stairs,
down which the two culprits had so lately descended with flying feet,
and turned into a small room on the servants’ gallery. She glanced
around the bare apartment the two little negroes called their own.
There was a battered trunk against the wall with a damaged cover
and no fastening of any kind, a rickety chair and a bed. Charlotte
tore the linsey dresses, homespun petticoats and check aprons from
nails behind the door, shaking and critically examining each article.
In the trunk she found remnants of rag dolls and broken toys and bits
of quilt pieces that had been their playthings for time out of mind.
There were no pockets to examine, no locks to pry open. “Dey don’t
need no pockets to carry dere money in, and no locked up trunks fur
dere jewelry,” Charlotte always said. It was her habit to go in and out
their room freely, to see that it was kept in some kind of order and
the bed regularly made up. The door of the room was always open,
and no means afforded for securing it on the inside. Notwithstanding
these precautions of Charlotte, who practically accepted the doctrine
of infant depravity, there was a mystery concealed in that room that
at intervals almost throttled the two little negroes, and, strange to
say, with all the woman’s vigilance, had slumbered months within
sound of her voice. She rapidly threw the clothes on the window sill,
turned the trunk inside out and pushed its battered frame into the
middle of the floor.
Nothing now remained to be searched but the plain unpainted bed.
It was neatly made up, the coarse brown blankets securely tucked in
all around. Charlotte whisked that off and dragged after it the cotton
mattress which rested on a “sack bottom,” secured by interlacing
cords to the bed frame. There was revealed the hidden secret!
Crushed quite flat and sticking to the sacking, long under pressure of
the cotton mattress and the tossing and tumbling children, what trick
of dainty beauty lay before her? It was so crumpled and smothered,
torn and ragged, soiled with fleeces of cotton lint that had sifted
through the bed seams, and covered with dust and grime that but for
glimpses of its original form and color here and there it would never
have been recognized. Charlotte snatched it out and fled to the
porch to see if Ma’y Ann and Marthy Ann were still down in the
orchard. There they lay, prone in the soft grass, happy as only
children, and black ones at that, can be. Four little ebony legs kicked
up in the air, and the sound of merry shouts reached Charlotte’s ear.
“You’ll fly dem laigs to sum purpose yit, fur I lay I’ll git Marse Jim to
giv you a breakdown dat’ll make dem laigs tired,” she said to herself.
“You jist lay dar,” she muttered, as she descended the steps. “You
needn’t waste your time (it’s a awful short one) lookin’ for aigs dat de
ole Dominiker ain’t never laid yit.”
The deep window of the library was wide open, the sash thrown up
and an easy lounging chair drawn to the veranda, on which reposed
the towering form of the planter, lazily smoking a cigar, and looking
off upon the broad, swift river at a passing steamboat, floating so
high on its swelling waves that its deck was almost on a line with the
top of the grass-covered levee. Its passengers, thronging the
“guards” in the fragrance of a fine morning, seemed almost near
enough to the spectator on shore to respond to a friendly nod of the
head. The delicate lady of the mansion sat silently within, also
watching the passing boat.
“I see some one waving a paper from the Belle Creole. I believe
that’s Green. Yes, he has tied a handkerchief to his crutch, and is
waving that.”
The planter rose as he spoke and stood for a moment for a better
view. “Here, give me something, quick, to wave back at him.”
At this critical moment Charlotte appeared on the scene. “This will
do,” he exclaimed, catching the velvet wreck from the astonished
woman’s grasp and tossing it aloft, holding it by the long strings.
“Lord! jist see Marse Jim wid dat bonnet I dun foun’, dat you lost
’fore grinding time, Miss Liza, and whar you spec it was? Right onder
Ma’y Ann’s bed.”
“My bonnet! for pity’s sake, only look at it. Look!”
“It don’t look much like a bonnet. It’s more like a red rag to make
the turkeys gobble,” replied the master, disdainfully, throwing it to
Charlotte.
“My bonnet I paid Olympe twenty dollars for, and never wore it but
once; see the satin strings! And just look at the cape at the back!
And the feather poppies!”
Charlotte straightened herself up, holding the crumpled bonnet
and turning it around to show its proportions. It was of the
“skyscraper” shape, made on stiff millinette, that is more easily
broken than bent. Mashed sideways, it showed in its flattened state
as much of the satin lining as of velvet cover.