Professional Documents
Culture Documents
Solo
Solo
A THESIS ON
BY:
ARCHITECTURAL DESIGN
ARC 412
1.0.0 Introduction
broadcasting.
2.3.0 The importance of the research and the benefit of another design proposal
3.0.0 METHODOLOGY
4.6.0 Zoning
4.7.0 Flowchart
4.16.0 Design drawings that include all the technical sheets to be done.
5.7.0 References
1.0.0 CHAPTER ONE: INTRODUCTION
The history of FM Radio/TV Station dates back to the 1990s, in this period digital radio
technology was being developed, but it was yet to be standardized. In 2001, the NRSC (National
Radio Systems Committee) proposed a standard for HD radio, which was based on the
technology developed by Ubiquity Digital Corporation, founded in the year 1997, the standard
was approved by the FCC in 2002, and it allowed for both analog and digital radio broadcasting.
The first HD radio station went on air in 2002, and by 2006, over 100 HD radio stations were in
operation. Likewise, the first high-definition (HD) TV stations began to appear in 1998, but they
were only available to a limited number of viewers. In 2004, the FCC established a deadline for
all TV stations to convert to digital broadcasting and this helped to increase the number of HD
TV stations began to emerge, which provided even higher resolution than HD TV (Tinker 1991).
Today, many of the most popular TV stations are available in HD or UHD, and viewers can
access them via cable, satellite, or streaming services.
According to David Egan (2007), architectural acoustics are often overlooked in the
design process, but they can quickly become a problem (and a high priority) once the space is put
to use. His words bring into focus the fact that architectural acoustics is a design aspect that
demands full attention in the designing of the ultra-modern radio FM / TV station. Sir Foster
Norman (2016) explains acoustics consideration is a vital aspect of modern broadcasting
facilities, with a critical role in both the comfort of the occupants and the quality of the sound
produced. In an ultra-modern FM Radio/TV Station facility, acoustics must be carefully
controlled, so that the sound produced is of the highest quality and clarity, free from unwanted
echoes and reverberations.
To create an ultra-modern FM radio/TV station that excels in both visual aesthetics and
sonic quality, the acoustics of the facility must be carefully considered, balancing the need for
optimal sound production and noise reduction through the use of various techniques, such as
sound-absorbing materials, soundproofing strategies and smart placement of sound-producing
equipment, all of which contribute to a more efficient and enjoyable working environment for
staff, as well as a superior listening and viewing experience for the station's audience.
Additionally, effective acoustics can contribute to a more professional and polished appearance
for the station, further enhancing its appeal and reputation.
In the course of this study, different questions about acoustics in an FM Radio/TV station
will be addressed, some questions like;
What are the effects of poor acoustics in an Ultra Modern FM Radio/TV Station?
Can efficient acoustics actually solve the problem of poor broadcasting in an Ultra-
Modern FM/Radio TV station?
In an ultra-modern FM radio TV station, the acoustics of the room can have a big impact
of the quality of the sound, efficient acoustics are crucial to achieving optimal sound quality,
reducing unwanted noise, and maintaining the comfort of occupants, which ultimately
contributes to the success and reputation of the facility. In the view of the foregoing, one may
reasonably summarize that right acoustics balance is essential for creating a high-quality audio or
video experience.
To determine design and construction methods, building materials, spatial forms and
building standards that are necessary for the production of good acoustical characteristics.
To generate an acoustically sound design for a multipurpose theatre that would allow for
non-conflicting and comfortable use.
This facility is meant to provide coverage for the eastern part of Nigeria, and it shall provide
to a satisfactory level, all facilities that are necessary in the optimum design of an Ultra-Modern
FM Radio/ TV Station. The spaces that would be provided are as follows:
1. PRODUCTION AND BROADCASTING AREA:
Production spaces (video and audio editing suites, graphic design and animation
studios).
Lounge and break areas (employee lounge, break rooms, kitchen and dining area).
Storage and archive spaces (equipment storage, supply storage, archive rooms)
Awka, the capital city of Anambra State in southeastern Nigeria, located at latitude
6.2122° N and longitude 7.0745° E (GeoNames, 2023), with a tropical savanna climate
characterized by high temperatures and humidity throughout the year (Kottek, 2006), and a
population of approximately 300,000 people (World Bank, 2020), presents a unique opportunity
for the design of an ultra-modern FM Radio/TV station that caters to the diverse needs of its
inhabitants. The city's rich cultural heritage and growing entertainment scene (Eze, 2018) make it
an ideal location for a broadcasting hub that showcases local talent and content. The design of
the station should consider the demographic characteristics of the population (Egan, 1988),
including age, language, and education level, to create programming that resonates with the local
audience. Moreover, the existing media landscape and cultural scene (Lerner, 1958; McQuail,
2010) should be taken into account to ensure the station's offerings are innovative and engaging.
Additionally, the infrastructure and utilities available (Oyebade, 2006), such as electricity and
water supply, will impact the station's operations and sustainability. The regulatory environment
and security concerns (NBC, 2020) must also be considered to ensure compliance with
broadcasting laws and safety standards. Finally, the importance of local content and community
engagement (Bourdieu, 1993) should be prioritized to foster a sense of ownership and inclusivity
among the Awka community.
1. Funding of the project research and project itself has been a surmountable task which
God has intervened in its management.
Bourdieu, P. (1993). The field of cultural production: Essays on art and literature. Columbia
University Press.
Egan, D. (1988). The importance of sound in building design. In The acoustic environment (pp.
25-45). London: Taylor & Francis.
Eze, C. (2018). Awka: The emerging entertainment hub of Anambra State. The Guardian
Nigeria.
Lerner, D. (1958). The passing of traditional society: Modernizing the Middle East. Free Press.
Tinker, S. (1991). The Media Environment: An Introduction. Massachusetts: Allyn and Bacon,
Inc.
World Bank (2020). Population of Awka, Nigeria. World Bank Open Data.