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vi PREFACE
it: Did X do such and such? If so, was the action bad? If bad, how bad?
(Finding an issue or stasis — a position where one stands — by asking
questions is discussed in Chapter 6.)
In keeping with our emphasis on writing as well as reading, we raise
issues not only of what can roughly be called the “content” of the essays but
also of what can (equally roughly) be called the “style” — that is, the ways
in which the arguments are set forth. Content and style, of course, can-
not finally be kept apart. As Cardinal Newman said, “Thought and meaning
are inseparable from each other. . . . Style is thinking out into language.” In our
Topics for Critical Thinking and Writing we sometimes ask the student
• To evaluate the effectiveness of an essay’s opening paragraph,
• To explain a shift in tone from one paragraph to the next, or
• To characterize the persona of the author as revealed in the whole
essay.
In short, the book is not designed as an introduction to some power-
ful ideas (though in fact it is that, too); it is designed as an aid to writing
thoughtful, effective arguments on important political, social, scientific,
ethical, legal, and religious issues.
The essays reprinted in this book also illustrate different styles of
argument that arise, at least in part, from the different disciplinary back-
grounds of the various authors. Essays by journalists, lawyers, judges,
social scientists, policy analysts, philosophers, critics, activists, and other
writers — including first-year undergraduates — will be found in these
pages. The authors develop and present their views in arguments that
have distinctive features reflecting their special training and concerns.
The differences in argumentative styles found in these essays foreshadow
the differences students will encounter in the readings assigned in many
of their other courses.
Parts One and Two, then, offer a preliminary (but we hope substan-
tial) discussion of such topics as
• Identifying assumptions;
• Getting ideas by means of invention strategies;
• Finding, evaluating, and citing printed and electronic sources;
• Interpreting visual sources;
• Evaluating kinds of evidence; and
• Organizing material
as well as an introduction to some ways of thinking.
The Anthology
Part Four Current Issues: Occasions for Debate (Chapters 14–18)
begins with some comments on binary, or pro-con, thinking. It then
gives a Checklist for Analyzing a Debate and reprints five pairs of
arguments — on student loan debt (should it be forgiven?), using inte-
grated instead of handheld devices while driving (is it safer?), the local
food movement (is it a better way to eat?), the death penalty, and
Part Six Enduring Questions: Essays, a Story, Poems, and a Play (Chap-
ters 26–28) extends the arguments to three topics: Chapter 26, What
Is the Ideal Society? (the nine voices here range from Thomas More,
Thomas Jefferson, and Martin Luther King Jr. to literary figures W. H.
Auden, Langston Hughes, and Ursula K. Le Guin); Chapter 27, How
Free Is the Will of the Individual within Society? (among the authors
are Plato, Susan Glaspell, and George Orwell); and Chapter 28, What Is
Happiness? (among the nine selections in this chapter are writings by
Epictetus, C. S. Lewis, and the Dalai Lama).
More help for research. This edition includes a new MLA research
paper on corporate social responsibility and additional material about
working with sources, including a heavily revised section on summary,
paraphrase, and patchwriting (the practice of copying and pasting mate-
rial from sources without appropriate integration or attribution).
More help with writing strategies. Three new Idea Prompts, or
templates, offer strategies for establishing ethos, varying tone, and con-
structing Toulmin arguments. Three new checklists break down strategies
for considering audience and conducting sound rhetorical analysis.
e-Pages for Current Issues and Enduring Questions take advan-
tage of what the Web can do with coverage of ethical and legal
arguments as well as additional multimodal readings, from speeches to
documentary film trailers. For example, students can watch a speech
by President Obama on the death of Osama bin Laden and then answer
questions about how such a speech seeks to connect with both Ameri-
cans and a broader world audience. For a complete list of e-Pages, see the
book’s table of contents. Instructors can also use the free tools accom-
panying the e-Pages to upload a syllabus, readings, and assignments to
share with the class.
You and your students can access the e-Pages at bedfordstmartins
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access, register as an instructor at this site.
ACKNOWLEDGMENTS
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tion of open writing resources on the Web, Re:Writing 3.0 gives you and
your students even more ways to think, watch, practice, and learn
about writing concepts. Listen to Nancy Sommers on using a teacher’s
comments to revise. Try a logic puzzle. Consult our resources for writing
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i-claim: visualizing argument 2.0. (available online) shows students
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Instructor Resources
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Preface iii
xii
Preface iii
1 Critical Thinking 3
xiv
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EXERCISE 150
EXERCISES: THINKING ABOUT IMAGES 153
Reading Advertisements 153
A CHECKLIST FOR ANALYZING IMAGES (ESPECIALLY
ADVERTISEMENTS) 157
Writing about a Political Cartoon 158
A CHECKLIST FOR EVALUATING AN ANALYSIS OF POLITICAL
CARTOONS 159
IDEA PROMPT: ANALYSIS OF A POLITICAL CARTOON 160
JACKSON SMITH (STUDENT ESSAY), Pledging Nothing? 161
Visuals as Aids to Clarity: Maps, Graphs, Tables,
and Pie Charts 163
A CHECKLIST FOR CHARTS AND GRAPHS 163
A Note on Using Visuals in Your Own Paper 163
A Note on Formatting Your Paper: Document Design 165
Additional Images for Analysis 167
NORA EPHRON, The Boston Photographs 170
Arguing against the widespread view that newspapers ought not to print
pictures of dead bodies, Ephron suggests that, since “death happens to be one of
life’s main events,” it is “irresponsible” for newspapers to fail to show it.
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Fallacies 368
Fallacies of Ambiguity 369 Ambiguity, 369 Division, 369
Composition, 369 Equivocation, 370 Fallacies of Presumption 371
Distorting the Facts, 371 Post Hoc, Ergo Propter Hoc, 371, Many
Questions, 372 Hasty Generalization, 372 The Slippery Slope, 372
False Analogy, 373 Straw Man, 374 Special Pleading, 374
Begging the Question, 374 False Dichotomy, 375 Oversimplification, 375
Red Herring, 376 Fallacies of Relevance 376 Tu Quoque, 376
The Genetic Fallacy, 376 Poisoning the Well, 377 Appeal to
Ignorance, 377 Ad Hominem, 378 Appeal to Authority, 378
Appeal to Fear, 379 Death by a Thousand Qualifications, 379
Protecting the Hypothesis, 380
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And he adds, that the stage, growing refined, will draw its finished
heroines from her, who was herself known to be ‘skill’d in the labours
of the deathless muse.’ In short, Parnassus was made to echo with
eulogies of or epigrams upon this royal lady. George I., for years
together, never addressed a word to the Prince of Wales, but the
princess would compel him, as Count Broglie, the French
ambassador writes, to answer the remarks which she addressed to
him when she encountered him ‘in public.’ ‘But even then,’ says the
count, ‘he only speaks to her on these occasions for the sake of
decorum.’ She-devil was the appellation commonly employed by the
amiable King to designate his high-spirited daughter-in-law.
The Prince and Princess of Wales, on withdrawing from St.
James’s, established their court in ‘Leicester Fields.’ Of this court,
Walpole draws a pleasant picture. It must have been a far livelier
locality than that of the King, whose ministers were the older Whig
politicians. ‘The most promising,’ says Walpole, ‘of the young lords
and gentlemen of that party, and the prettiest and liveliest of the
young ladies, formed the new court of the Prince and Princess of
Wales. The apartment of the bedchamber-women in waiting became
the fashionable evening rendezvous of the most distinguished wits
and beauties: Lord Chesterfield, Lord Stanhope, Lord Scarborough,
Carr (Lord Hervey), elder brother of the more known John Lord
Hervey, and reckoned to have superior parts; General (at that time
only Colonel) Charles Churchill, and others, not necessary to
mention, were constant attendants; Miss Lepell, afterwards Lady
Hervey, my mother, Lady Walpole, Mrs. Selwyn, mother of the
famous George, and herself of much vivacity, and pretty; Mrs.
Howard, and, above all, for universal admiration, Miss Bellenden,
one of the maids of honour. Her face and person were charming;
lively she was almost to étourderie; and so agreeable she was, that I
never heard her mentioned afterwards by one of her contemporaries
who did not prefer her as the most perfect creature they ever knew.’
To this pleasant party in this pleasant resort, the Prince of Wales
often came—his chief attraction being, not the wit or worth of the
party, but the mere beauty of one of the party forming it. This was
Miss Bellenden, who, on the other hand, saw nothing in the fair-
haired and little prince that could attract her admiration. The prince
was never famous for much delicacy either of expression or
sentiment, but he could exhibit a species of wit in its way. He had
probably been contemplating the engraving of the visit of Jupiter to
the nymph Danae in a shower of gold, when he took to pouring the
guineas from his purse in Miss Bellenden’s presence. He seemed to
her, if we may judge by the comment she made upon his conduct,
much more like a villainous little bashaw offering to purchase a
Circassian slave; and on one occasion, as he went on counting the
glittering coin, she exclaimed, ‘Sir, I cannot bear it; if you count your
money any more I will go out of the room.’ She did even better, by
marrying the man of her heart, Colonel John Campbell—a step at
which the prince, when it came to his knowledge, affected to be
extremely indignant; and never forgave her for an offence, which
indeed was no offence and required no forgiveness. The prince, like
that young Duke of Orleans who thought he would suffer in
reputation if he had not a ‘favourite’ in his train, let his regard stop at
Mrs. Howard, another of his wife’s bedchamber-women, who was
but too happy to receive such regard, and to return it with all required
attachment and service.
The Princess of Wales, during the reign of her father-in-law,
maintained a brilliant court, and presided over a gay round of
pleasures. In this career she gained that which she sought after—
popularity. What she did from policy, her husband the prince did from
taste; and the encouragement and promotion of pleasure were
followed by the one as a means to an end, by the other for the sake
of the pleasure itself. Every morning there was a drawing-room at
the princess’s, and twice a week the same splendid reunion in her
apartments, at night. This gave the fashion to a very wide circle;
crowded assemblies, balls, masquerades, and ridottos became the
‘rage;’ and from the fatigues incident thereto, the votaries of fashion
found relaxation in plays and operas.
Quiet people were struck by the change which had come over
court circles since the days of ‘Queen Anne, who had always been
decent, chaste, and formal.’ The change indeed was great, but
diverse of aspect. Thus the court of pleasure at which Caroline
reigned supreme was a court where decency was respected;
respected, at least, as much as it well could be at a time when no
superabundance of respect for decency was exhibited in any quarter.
Still, there was not the intolerable grossness in the house of the
prince which was to be met with in the very presence of his sire. Lord
Chesterfield said of that sire that ‘he had nothing bad in him as a
man,’ and yet he records of him that he had no respect for women—
but some liking, it may be added, for those who had little principle
and much fat. ‘He brought over with him,’ says Chesterfield, ‘two
considerable samples of his bad taste and good stomach—the
Duchess of Kendal and the Countess of Darlington; leaving at
Hanover, because she happened to be a Papist, the Countess von
Platen, whose weight and circumference was little inferior to theirs.
These standards of his Majesty’s tastes made all those ladies who
aspired to his favour, and who were near the statutable size, strain
and swell themselves, like the frogs in the fable, to rival the bulk and
dignity of the ox. Some succeeded and others burst.’ If the house of
the son was not the abode of all the virtues, it at least was not the
stye wherein wallowed his father. Upon the change of fashion,
Chesterfield writes to Bubb Dodington, in 1716, the year when
Caroline began to be looked up to as the arbitress of fashion:—‘As
for the gay part of the town, you would find it much more flourishing
than when you left it. Balls, assemblies, and masquerades have
taken the place of dull, formal, visiting days, and the women are
much more agreeable trifles than they were designed. Puns are
extremely in vogue, and the license very great. The variation of three
or four letters in a word breaks no squares, insomuch that an
indifferent punster may make a very good figure in the best
companies.’ The gaiety at the town residence of the prince and
princess did not, however, accompany them to Richmond Lodge.
There Caroline enjoyed the quiet beauties of her pretty retreat, which
was, however, shared with her husband’s favourite, ‘Mrs. Howard.’
‘Leicester Fields’ was, nevertheless, not always such a bower of
bliss as Walpole has described it, from hearsay. If the prince and
ladies were on very pleasant terms, the princess and the ladies were
sometimes at loggerheads, with as little regard for bienséance as if
they had been very vulgar people; indeed, they often were
exceedingly vulgar people themselves.
It was with Lord Chesterfield that Caroline Wilhelmina Dorothea
was most frequently at very disgraceful issue. Lord Chesterfield was
one of the prince’s court, and he was possessed of an uncontrollable
inclination to turn the princess into ridicule. Of course she was made
acquainted with this propensity of the refined Chesterfield by some
amiable friend, who had the regard which friends, with less judgment
than what they call amiability, generally have for one’s failings.
Caroline, perhaps half afraid of the peer, whom she held to be a
more annoying joker than a genuine wit, took a middle course by
way of correcting Chesterfield. It was not the course which a woman
of dignity and refinement would have adopted; but it must be
remembered that, at the period in question, the princess was
anxious to keep as many friends around her husband as she could
muster. She consequently told Lord Chesterfield, half in jest and half
in earnest, that he had better not provoke her, for though he had a
wittier, he had not so bitter a tongue as she had, and any outlay of