Practice/Warm-ups

Thank you Dayton, Aaden, Matthew, and Kendal

Gianni O.Pagan

                      
Interval Studies Symphonic and March Style
a. Warm-Ups

               
12 b.

 
             
20 c.

                
28 d.

    
        
36

        

Whole Tone Scale
Pattern 1 (P1)

                         
(P1) (P2)

         
        
Attack Pattern

   

             
12

               
23
         
2

     
       
Scales
C Major / A Minor

 
34

                     
  
38

     
      
      
F Major / D Minor

        
             
  
6

    
     
            
Bb Major / G Minor

                        
 
6

    
      


   
Eb Major / C Minor

   
You don't have to do 2 Octaves, Do your Best

 

           
             
 
6

     
          
 
Ab Major / F Minor

      

             
              
6
     
      
3

     
   
Db Major / Bb Minor

  

       
                  
 
6

     
           
   
F# Major / D# Minor

  

        
                  
6

     
   
              
B Major / G# Minor

                         

6

     
              
E Major / C# Minor
2 Octaves is Physically Impossible

             
           
6

   
    
     
  
A Major / F# Minor

  

            
            
6
    
    
4

 
        
D Major / B Minor

   

       
                  
6

     
        
   
G Major / E Minor

 
9


      
               


14

         
           
      
      
17 Chromatic Scale

     

         
     
      
21

    
     
           
Lip Slurs

 
26
1 2

     
      
          
 
34
3 4

     
             
     

42
5 6
                        
5
50
Articulations

3 3 3 3

                        
53

3 3 3 3

                        
56

3 3 3 3

                        
59

3 3 3 3

               
Dynamics

       

 
                              
   
Double and Triple Tounging

TKTK TKTK TKTK TKTK TKTK TKTK

              
                  
  
6

T T K T T K etc. 3 3 3 3 3 3 3 3
3 3
   
  
6

      
Jazz And Blues Style Warm Ups and Practice
Chorale Type
9
 = 80


           
     
     
Ballad (Misty)
18
 = 100 3

        
     
3

     
23

   
              

3 3

   
3

            
   
 = 176
Rock (Chameleon)

        
          
 
6

 = 110
             
    
       
Swing (St. James Infirmary)


Swing

    
                                
Blues Scales
C Blues Db Blues

 
5 Straight

                
                 
Eb Blues

 
11
D Blues

           

                  
F Blues


E Blues


17

           
                  
Gb Blues G Blues

 
23
                
       
7

      
Ab Blues
29 A Blues

                              
   
Bb Blues

 
35 B Blues

C Major / A Major Penta 

   Pentatonic Scales
      

               
  
F Major / D Minor Penta

  Bb Major / G Minor Penta    

     
         
        
5

Eb Major / C Minor Penta 


   
            
    
10 Ab Major / F Minor Penta

   
   
     
     
Db Major / Bb Minor Penta
14

 
          
      

    
18 F# Major / D# Minor Penta

B Major / G Minor Penta 


 
              
   
 
22 E Major / C# Minor Penta

  A Major / F# Minor Penta    

         
     

26

D Major / B Minor Penta 

  
       
                

30
      
          
 
8

  
34 G Major / E Minor Penta

 
                    
Bb Blues Warm-up

      
(Jack in the BOX)

  
   
            
8

         
            
     

15