o THREE WAYS TO TUNE THE GUITAR HOW TOTUNE YOUR GUITAR FROM THE PIANO} (2) Si:::s2SititctspS Set come, Me Ret crcomctatante DIAGRAM SHOWING THE LOCATION OF THE STRINGS ON THE PIANO FORTE IMPORTANT The strings of the guitar must bbetuned one octave below the (LL NOTESON THE. IGUITAR SOUND ONE | STAVE LOWER ‘THAN WRITTEN THEGUITAR IS ‘TUNED FROM THE BASSCLEF ‘THE OPEN STRINGS ARE WRITTEN IN THE TREBLE CLEF (3) HOWTO TUNE WITHGUTAID OF PIANO OR TUNER [TUNE THE E08 eTHSTRING 45 LOW AS LL PRODUCE A Go TONE. THENFLACE THE FINGER DIRECTLY BELIND THE ST TREY OF THE 1G AND TUNE THE OPEN BT STRING IN UNISON. THEN PLACE THE FINGER DIRECTLY BEMIND THE STH FACT OF THE STH STRING AND Une THE Oren crit STRING IN UNIGOM. THENELACE THE FINGER DIFECTCY Bering STH FRET OF THE ATH STRING aND TURE THE GPEN RD. ‘STRING IN UNISON. THEN PLACE THE FINGER DIRECTLY BEHIND THE 4T¥) FRET CF THE GRD STRING AND TUNE THE OPEN ZNDINUNISON. THEN PLAGE The FINGER DIRECTLY BEHIND TMESTH FRET OF THE 2ND STRING AND TUNE THE OPEN 1ST STRING IN UNISON. lat Za Bee dm Se Gweguitar strums Strum mop be noted for 2009 on guna tblours. Cherscariic ptr sys sch 9 the ben, th pura, tw ba rnd re snpe ofthe mchniques Icded io thew rus, ‘Tha goa to ero your on origi rms nd to woe dam wo song nan india manner Keep fh Rind tut ha noted wun i nly ow of may weys i which sy could be performed, Den ‘ructated by ying te pay particular Grpriogs, bas patent or chord promi YM wrt TABLATURE-The strum nym ae placed on gute ablanre. The sx los reprovet ht sera of the ‘ie, 1. Stender mane notation fer te ux seogs of ow guitar lccetd lofi. 2. Th octal ith (Sr cctme Lower than oe wet ot explanation of symbols represents technique standard musicnotation ‘Sem with bec of leaned mile fogs (Gov seroat a rng lo thigh ‘trum wit thumb down ares the seins (low ia high neat I z fer . . a2 SvanoLt cane lanatin of he rr nel oper on te fonig pay, Than eos [acre ht taney Sohne ha ln shor ts amanda ran. SDE Ws Sorardeent nowton dened np fe fp. insect otion Showed es ccter loos aon SCRATCH ey ‘swt he (to he de re do a seg | fate xara, only the te four Fog ‘Szum wih he thy prof nd ne the Inc Deond dees Da tend standard music notation 2A4FINGER pak ‘ig tof hgh hae packs Tat Erg ‘nd FINGER, ‘Pll Mid foge of omcight hand plcks We 2nd (8) sng. ‘ae FuiIGER locke standard music notation Bruan ih “Thum of the rit hand plaka the ed (8) song. Baa) ing admit Cpe of ipthand plik he 18 (E) {ed ced (Bl regs roc Sdety dampen ion, cel toe enero ‘0 theheal of te head. Une one continuous motion.folk strums Although a vaaty of rethods exist, strumming o plucking tm guitar feito two general categories: ‘pica and, 2. ingar sy. Bath wb applicable 20 to many syle of mesic. In tho plek sl, ho gulte is soumimed witha Mrtpickiptecwum) that i ald benwaen the thumb ad inde Singrof he hand. Ung down stroke, up sroka, or a combinsion af the two, avarity of strum ae posba. nth Fog aye, the git strom em pectrmod withthe thumb and Cit then gas of th ight and This Iscone with or wid he abe offing pict. The hoger yl method x wily cred san accompa for tell oes. NOTE: For the belane, ing picks are nat rcomminded, Shape the au of th ht han to the contour ‘ofthe leah part af he finger, Themis should ot extend further than 1/15 iach beyond tha ingrs. “hac ea yes of ng ele str. ftkstrums brute, ened ao ro pincer pulls nd wpepgian ten, 2. finger pucks locks. brush strums Bath (etuen) down scrom she string ow 10 tie with he ecke of th inex td mie {ings (eal of he right hand while boeing ‘Garcord ith deft hand. fig count 2 3 & thumb brush 41-bit seum Every chord it but upon foundation or root ‘sca; thus D chord has aD ast foot [nthe ‘bumb/bvush struc, tha thom pluck the rt of ‘he chord followed ny te finger ex aed mii) rushing top tour strings ow to hah). (Gn third ent atthe rome te ars ey situa to the fifth 0] ofthe chord (optional fiz. ‘MOTE: Stars ara supe foreach of tha song ofthis beaks Alas practice the eed st with a pla ‘ros strum at you ttm he sald ad chords ol theseng Hanog anna he sang ed eens pratie the Sunes strum unl is “qroered” Now, pti together. thumb sweep in 3/4 “The tub plik the root} ofthe chord and ‘han continues weep the ert of th ebing ia the ‘ord flow 80g). For exampl Ino E cord, the thn pucks the 6a) sting (Rand han sere ow scrote ih Sd wd Dad ane Tt ss In toe A chord, the thumbs pucks the Sth ting (Alan tert swueps down aeons the Ath, 3d, 2nd ed Tet eon sweep scratch ‘The SWEEP SCRATCH soem uns two right ‘and techigar: (1) Sweep «he Baan ere ‘down sero all hang In th chord (2) Scout the Incas Hinge ere mn Up done pattem. fig. syncopated strum “Toe SYNCOPATED STRUM uae 40 ght hed chines - hu brah and he vera (ph. Tein the ryt oft strum tate es syncopated rythm i hat best receiving te gusts ‘open ts nuprtart. The fet etch (op) flayed on she upbeat (2 an] and shoud be be ecanted or soem th 6. RHYTHM — Syncopation is the shitting of ‘eaphatis trom hat a erdinardy Ube strong ban (dowel) to emetinis on the wa beat (op Dat, THs ip often done By tog eats togetber. ma + ‘count ta 20 219finger plucks apts oy lancet playin nb pute) eid etic} Slneton) "enting anc) d position suai nah w= sak bred fg owe a of be ge on hand i (8) “i gr on thet eg aggio - 3/4 ‘spessio i» bechan chord stu; that, the {Teng nd cea ome. {pla en root fof be con a ‘ey Buck the segs idly. 69,7 eggio -4/4 hum pucks the rooti} ofthe chord. "be Rand alzad. Ue a fnger motion breed t count Tan 14.7 pension 6 to tom fet i count 1 an 2m dn oe fig Bapepeio 416 thumb pluck 3/4 fae THUMB PLUCK strum, tha tum Saree ot ha er howe ain ner pd a thumb pluck 4/4 thumb pluck /variation in4/4 thumb pluck/variation in 3/4 fg. 12thub pluck hition in 244,finger - picking strums transposition “Ther act many voea! ctilzations, The choke of key for she guiteist is determined by hit of her vent ene: that nthe tance bateaen thence net You an ig andthe hie be You may ceaion aly fed t tampons ang to amore lable lay in ort Cora oF lw 8 ag, capo ‘capo is cmp device ut when paca on gui nak sorter he oa Wnt an aa shape Tron hr apse nto the uta, You se continu tse ery apn ing chars ‘Sole aie focountryene sty we rting Sw vocal rang of feng 17 ane i basic thumb pattern Peru picking (thre finger picking] i most ‘often uid for secompacimact. tx us 7a of Singer picking oa we wil dine en, ‘sin by “rooring"th basic ba pattern, nite holding the D chord afturnat oe Sours Dbetentn the root (Ro tha chord and tbe Se WILL SOUND CHORDS in thew EYS whan the CAPO wplaead a follning FRETS: suing. fg 12. cont 12 3 @ fig. 18a patrn po boas wie | cl! ol o ope [ee te fe iti “Eb TE F |e hand position Pete lars spe [apa or ti. 17 tei ring ana tinue. aia esp eye “The bar placamant ight itera thn ‘that'd in he foregoing Finger sume. 16. . 9.18, transposing FINGERS «Pie he ington he sings tation: 1 inden gan te 2 sng (8) Z mie finger on tha Tet tng (ED (cater th Bm wl pluck th itd rng “Th chart ble wl you in determining the chords ofthe ca Koy. For example, you tape trom he Koy ofA to Sy hey ot Dall ofthe cords mutt be aod wfourdh. The | chord [heae) bacon ht D {ABCO), The 1V chord (lb dominat) bxeamer a G [DEF], and the ‘Vchord (dominsot event becomes at AT FEFGAY ti. 2 ahd fg. 9 Practice to basi bes pata unit can be pertormed without undus sonacton atlre With {ha ight hand Unger ine proper placement, luck with dine finger on the tacond pant zen. ta 18. cunt t 2m 3 A fin 15-38 tiger= Finger picking strum: Thumb plucks the root (R) ‘of the chord on the fist and third beats of the ‘measure: on the second and fourth beats, allernate to-the thid sting. 1 2 m a a Finger-picking strum: thomb alternates between the reat (Rb and the fifth (5) on the first and thied beats of the measure, + + Finger-picking pattern: alternate the thumb between, ‘the root (R) and the 3rd string. Cam 1 2 am Ban Fingerpicking pater: alternate the thumb in the following paternroot(R}, Sr sting, 1th (3) of the chord, ded string * Count; Tom 2 om 3 mf Aspeggio pattem: thumb plucks the root (R) of the chord, nm 2 aw 3 m 4 am i arpeggio: the thumb plucks the root (R) of | lowest tone in the chord: fingers pluck the first, second and third strings. Em, x toa 2 m3 om 4 an ‘Plucking arpeggio: thumb phicks the root (R) of the chord, Com: 1 da 2 da 3 dk ae Plucking arpeggo strum: thumb plucks the root (R) of the chord. Cot: 1 oan 2 an an ‘Arpeqao pattern: thumb placks the root (R) ofthe econ tei ma siete 422 —F a 2 mm 3 om 4 an Plucking ar a thumb plucks of uckingarpeyo patter: thumb plucks the root (R) of3 sucks the root (R) of the first, second and Cou 1 an 2 am 3th an aly 1 on de2 an da 3 onda 4 mn caS onde 6m de ‘Aspeasio pattern: give emphasis to the Ist and 4th best of the measure, Counts1 an 2 mm 3m ‘Picking apoyo: lemme the thumb Derveen the root (R) and te fh (3) of the chore. zy + ¥ 1 Plucking arpeggio: thumb plocks the root (R) of the chord. + counts 128 ‘Thumb/plock: alternate the thumb between the oot (R) and fifth (5) of the chord. Fingers luck the fst, 3nd and 3ed strings Count: 9 2 3 m tim Simple brush with Finger pattern. T ‘hea nane bs Count: 4 Eingerpicki alternate the tween Plucking strum: thamb plucks the root (R) of Beto SSB ike ed sologs he me ‘The chord, 23 MENT 4 t a a °a Rock strum: mute (dampen) the strings on the 2nd and ‘4th beat of the measure. Count: Fon 2 Rock pattern: thumb pluck the root (R) twice followed bya dowmap serateh with the index finger eoyo2. 8 4 strum: index and middle finger strum across the stings. ets 2 om 8 ‘variation: give emphasis to | and 3. wo 3 om 4 ‘kock strom: sratel pattern with the index inger or plecworn, ms ae Com: Van 2 oan 4 on Rock strum: Mute the strings on the second and fourth, beats of the measure, md 2 Count: 1 da 2 da 3 dah de Couns 1 oan 2 8m "yan nea il ger mum: eh onege chien vee ‘germina eck tum: sp hone pe Sticks: hie ‘and 3 an; brush the complete chord, pn 2and 4 fils Counts 1 om 2 3 m 4 strum: dampen or snute the 2nd and 4th ‘Triplet rock patter: give emphasis to the down-beats 123 4. tthe measure. Rock scratch strum: give emphasis (o the Ist and 3rd beat of the measure,Gum 1 2 “Thumb finger variation: thumb pluck the root (R) ofthe hor: " G / Pull/sweep: the fingers pluck the first three ing ae tha pk te oat or lowest string ia the chord: now. e strings with the thumb. oee Cou: 1 0-2 3 an [Scratch strum variation: index fingee strum down across the strings, = I Count: 1 an da 2am ‘Thumb finger strom: rotate the thumb between the 001 (RY) and fitth (5) ofthe chord: index finger scratches down and up across the strings. | Com: +8 mn da een de Scratch strum: index finger sttums downup pattersgive emphasis te I and 3. nee nea Bossa Nova strum: the second steum layed onthe upbeat ofthe second t. 3) Sr rrr7 Gnu: 1 anda 2 ean 3 am dade de “Thumb finger serateh: thumb plucks the root (R) of the chord. Count: an ‘Sweep seratch strum: thumb sweeps the strings in the chord rom tow to hight index Finger seratches arvup-down-up pattern qeEES Van 2 an 3 ma an tat the chord; ge emphast roet rds givea {oie lc ana 3rd beets ofthe tne Gms 12 an Bam, an ‘Thumb scratch sirum: thumb plucks the rout (R) of Thun se Plucks the rout {R) of 1 2 m-3 m 4 Pcking argo stm: hth ofthe stam fl [the rhythm of the song. owe ome ae ‘Blues finger strum: snte or dampen the sting or Iodand inbeatrofte mete, neers2m 3m 4a so Com 1 2m 3 om hn a tenstram: dheraate the humb between sive emphasis tothe Ist and 3rd “Thumb finger stu: thumb plcks the rot (Ror ‘Reapeantasrnatema eae shitagie | Beevers Count: 1 2 30 an “an Couns V2 o Count: Voda 2 da 3 da a a Brush scratch pattern: index and middle fingers “ 2 Scratch strum: mute or dampen the strings on 2 and 4, ‘eush downward across the strings followed by ‘Thumb finger strum: give emphasis to the thumb as 2 down-up-dowa scratch, tepate between the root(R) and ith (5) of Blues finger strum: mute (dampen) on the {ltes finger strum: mute (Gampen) on the 2nd and 4th Cun: 1 2 om Bom & , pe Scratch strum: index finger strums down and yp acros. . uch strum tpt strums down and up acs ‘Toambseratch suum: alternate the thom between Renn ge crops to the festa thd ot . the root (R) and the fifth (3) ofthe chord, 226ar cn wc ee) reer Pe ae anyTT Ty $9 0h Bre a I Tf +4 ae Ebmaiz + T Te Fe + 7 Eben3 o cayogn 1877 ty al posuctone37 sus4 OO © copyrgnt 1977 by Perenmst Productions4 CAN THE CIRCLE BE UNBROKEN? E 1) | was standing by the window A E On one cold and cloudy day; And | saw the hearse come roiling 87 For to carry my mother away. Chorus E , can the circle be unbroken? A Es Bye and bye, Lord, bye and bye, * There's a better home a-waiting B7 E In the sky, Lord, in the sky. 2) Lord, { told the undertaker, “Undertaker, please drive slow; For this body you are hauling, Lord, 1 hate to see her go.”* 3) | followed close bebind her, Tried to hold up and be brave But 1 could not hide my sorrow When they laid her in the grave. 4} Went beck, home. Lord, my home was lonesome Since my mother she.was gone; All my’ brothers isters crying, What a home so sad and fone. COME AND GO WITH ME ” Come and go with me to that land, Come and go ith me to that fand: Go with me to that land where I’m bound. Come and go with mre to that tend, A E Come and go with me to that land, B7 E Go with me to that land where i'm bound. 2) There ain’t no moanin’ in that land, etc. 3) There ain't no bowin' in that land, ete. 4) There ain't no kneelin’ in that land, te, 5) There ain't no Jim Crow in that land, etc. A SOALIN' F&mcém7 F#m Hey‘ho, nobody hom : fin7 Fi m7 'm Meat nor drink nor monty have | none, Fam ‘Yet shall we be merry. (2 X) CF m7 F#m Hev-ho, nobody home, Hey-ho, nobody home. CHORUS: Fam c#m? F#m Soal, a Soal, a sqal-cake cim7_ Fem Please, good missus, a soal cake, Fm cé#m7cim c#m7 An apple, a pear, a plum, a cherry, Fem c&m7 Fam cim7 Any good thing to make us all merry, Fa m7 cd med m One Tor peter, two for Paul, cim7 F&m ‘Three for Him who made us ail. # 7FF 11° E23 tess the SGA of fis nouse, “eee in, Fm And the mistress also, fFm7 Fm And all thefts children m7 Fm That ‘round your table grow, ctm7 Fim ‘The cattle in your stable, cim7 Fem The dog by your front door ctm7 F ‘And ail that Gels within your gates 7 Fem We wish yourten times more. (Chorus) cf in7 F ai EPown ing year ond see cém? Fm what ‘You can find. ct m7 m If the barrels are not emety, chm cfm We hope you chill be kind C#m? Fim We hope you will be kind_ CA? Fem ‘With your apple and strawoer’ C4m7 FEm_ For we'll gpmene mores ‘sballin’ m7 Firm . his Gime next year, (Chorus)c G ‘The night is nearty gone, Em And so you turn away from me Am D7 And tears begin to come, CHORUS: Am D7 And it’s goodbye again, G Em I'm sorry to be Feaving you, Am D7 Goodbye again, G Em ‘Cause if you didn’t know, Am D7 It's goodbye again, e Em And Twish you could tell me, . Am D7 Why do we always fight when I have to go? 2. It seems a shame to leave you now, ‘The days are soft and warm, Hong to lay ms down again ‘And hold you in my arms. Hong to kiss the tears away And give you back your smile, But other voices beckon me And for a little while (Chorus) Bm c 3. I have to go and see soma friends of mine, S Em Some that | don’t know, Am D7 G * And some who aren’t familiar with my name. 26 inside me of me, G Em Not hard to understand, Am b7 It's anyone who'll listen to me sing. And if your hours are empty now, Who am | to blame, You think if | were always here Our tove would be the same? As is the time we have ts worth the time alone, And lying by your side, ‘The greatest peace I’ve ever known. {Chorus} x SY. anaes SONG 1 Dsus4. G ABm |G D You fill up my senses like a night in a forest, 4 D GC FR&m Em Like the mountains in spring time, G ay Like a walk in the rain, : G ABm Like a storm in the desert c D Likea sleepy blua ocean, G F¥mEm Ay > You fill up my senses, come fill me again. G ABm Come let me love you, SG D Let me give my life to you, G F#m Em Let me drown in your laughter, G AT Let me die in your arms, G A Bm Let me down besice you, D G Let me always be with you, D | om mi Cum: 1 2 m8 Fingerpicking pattern alternate the thumb ia the fonbingpaterveot hed sigh (3) ot the chord Std string. LADY OF SPAIN c G7 Lagy of Spain, adore you, S7 G7+5 C Gmé Right from the night ! first saw you, AZ Om7 My heart has been yearning for you; D9 Bm DS Bm D8 Fms G7 What else could any heart do? c G7 Ledy of Spain, I'm sppeating, G7 G7+5 ¢ Why should my lips be concealing Az Dm All that my eyes are revealing? D9 Bm DI G7 Am Fm6 G7 Lady of Spain, { love you. {Repeat) Gm6{_ SCARBOROUGH FAIRALL J HAVE TO DO IS DREAM caro ura. cHoRUS: a cam oF G Dream dream, dream, dream, cam oF G (Dream—_dream, dream, dream Car When I want you in miy arms “GC Am F G ‘When | want you, and all your charms c Am Fe G Whenever I want you all (have to dois 07 cc AmF OG ‘When | feel blue in the night ¢ ‘Am F « And | need you to hold me tight Cc Am oF 6 cre cr ‘Wiienever t want you all | have to do is__dre_am, {To Verse 3) f Em 4am make you mine, taste Your lips of wine G corr Em APwine, night or day, Only troubles, Dm? G Goe Whiz! I'm dreaming my life away {To Ath Vere) c Amr @ Ineed you so, that 1 could die co Am F ry {love you so, and that is why c An OF GS ‘Whenever I want you all | have to do is__(Chorue) ACTNATURALLY (THE BEATLES) c c ‘They're gonna put me in the movies 6 > “They‘re gonna make a big ster out of me s We'tl make a film about a man, “oe that's sad and lonely D a . Andall | gotta do is act naturally. ‘Well | Bet you I'm gonna be s big star Might win en Oscar, you can never fell ‘The movies gonna make mea big star Cause’ could play the part 0 well ‘Well | ope you'll come and see me inthe moves, s . ‘Then | know you will plainly see “The biggest foo! that ever hit the bg time Angall I gotta do is act naturally We'll make the scene about a man, ‘that's sad and lonely And begin’ down upon his bended ies S c rll play the part and | won't need rehearsin’ D 6 All have to do isact naturally. teeth, ALOVER’S CONCERTO Em How Gentle isthe rin, r F © Am “That falls softy on the e meadow Dm? G7 : Birds High up onthe toes, ‘Am Den? seh the foe i their melodies, c &F, se there beyond the Ell, & a7 c Am “The bright colours of the rainbow Dm? G7 c Am c Some mage from above made this dy fr c G7 Just to fal in fove, c Em Now I belong to you, FG? Am From this day until forever; Dm? G7 ¢ Just love me tenderly, ‘Am G7 ¢ Am Dm? ‘And 1'll give to you every part of me. a7 c Em ‘Oh, don't ever make me cry, FG? cam Thru long, lonely nights without love; Dm7 G7 c Be. Be always ‘true to me, Dm? G7 ¢ G7 Koop this day in your heartetemaly. c Em Some gay wa shall return, c Am To ths ploce Upon the meadow Dm7 G7 Wel il walle out inthe rain G7 CG Am_ Om? Hane the birds above singing once agai. G7 ¢ Em On. You notd mein your arms, F a7 And say once again vou love met m7 67 . A your ove tre, Dm? G7 Everything wil be just ssworderhl 33LET IT a5 ME s: Bm Em bless the ay | found you~ c ‘want to Ad around you c 076 Aes Bg you let it be me Em Don't take thy haven from one c If you must cing to someone @oic G D7 Now and forever, let it be me. Em {Ean time we meet fove Find complete love c S Without your sweet love . Am What would life be, s Bm So never leave me lonely Em Bm Tell me you love me only c G And that you'll always c 6 Lot it be me, (Repeat *) LOVE ME WITH ALL YOUR HEART s Em Love me with all your heart Bm ‘That's all | want, [ove € D Cove me with ali of your heart sg, 97 Or not at ail Sust promise me this : 8 Or when you're near me G Em That you'll give me all your kisses am c Every winter every summer D7 Every fall G Em When we are far apart c ; D Love me with all your heart G G7 D> As I love you co D7 Don’t give me your love 6 Em For a moment or an hour Bm c Love me always as you loved me D7 From the start G_ emco7 With every beat of your heart, LONELY BOY (MEY THERE) REFRAIN: Cmaj7 arn Hey there lonely boy, totaly boy Am? mai? tet me make your broken heart like new cmaj7 Gh, my lonely boy, lonely boy, Amy + GeG Don’t you know this lonely girl loves you? Bm Ever sinoe she broke your heart, c Dp. ‘You seem so lost, each time you pass my way. - am c Oh, how I long to take your hand, and say don't cry > Til kiss your tears away. (Refrain) You think that only her two tips can kiss your lips “and make your haart stand still; Bm But once you're in my arms you'll see c > No one can kiss your lips the way I will. ¢Fefraint ENDING: 17 Bm Oh, my 1onely boy, lonely boy Amy s Don't you know this lonely git loves you? MAY EACH DAY! (ANDY WILLIAMS) c 7 Am C7 May Each Day in the week bea seo day May the ts always warch over you" FATS om And may ai of your hopes ‘turn to wishes Om? G7 And may ai of your ves come true Am C7 Hay ean ay inte moth be 2 a May. you tke friends with each one you meet AT Dm ‘And may ai of your daydrears Be mortried F © ‘And may ail of your mem’res be sweet, oF c ‘The-weeks turn to months and the months into years” > Ga Fm ce There'll be sadness and joy, There'll be laughter and ter F Fé But one thing | pray to heaven above _ ce Am FE o7 May each of your days be @ day full of-love,.Em A She asked me to stay and she told me to sit anywhere Em . Gtme So | looked around and | noticed there wasn't 3 chair E 5 € V sat on a rug, biding my time, drinking her win D sé ‘We talked until two and then she said: “It's time for bed.”” Em A She told me she worked in'the morning and started to laugh Em Fim 8 | told her | didn't and crawled oft to sleep in the bath e E And when F awoke | was alone, this bird had flown E° . E So | lita fire, isn’t it good Norwegian wood? ” NOBODY'S CHILD Pana ssowly passing an orphan’ s home one doy And Sonnet ere for a moment just to watch the criteren play ¢ Alone a boy was standing and when tasked hirn why G c “oF s He turned with eyes that could not see and he began to cry cronus: Vm nobody's ei 1d, I'm nobody's che o7 S 'm like 9 flower just growing wild c No mommy's kisses and no caddy’ smile 07 Nobody yidnts me, I'm nobody's child, ce People come for children‘snd take them for ther own az 6 ar 7 oc op cg , But they all tem to pas me by and {am let alone Scarlet ribbons for her Go c | knw they'd lke to take me but wien they see tm blind 1 1 He 10.66 two hundred s ¢é 7 6 & D_ Em D ‘They always take some other child and | am left behind, | will never know from where G Am 0 6 G c came those lovely scarlet ribbons No mother’s arms to hold me or soothe me when loy oc oo ¢ G 6 Ar Scarlet ribbons for her hair. Sometimes it gets so lonely | wish thet JT could die (Ss 6 I'd walk the strets of heaven where all the blind can see SEALED WITH A Kiss 6 c 97 s And just like, all the other kids there'd be a home for me, * GS Gm Dr ween “Tho we gotta say goodbye for the Summer ‘SCARLET RIBBONS Gmc F Darling 1 promise you this Am DG ° sm p Beeped in fo sty goodnight “Il send you all my iove c 6 7 A? om Sm And than | heard my child in pray’r everyday in a letter Am Ds “7 o “And for me some scarlet ribbons © es witha kiss ae ¢ » c 6 s Dm Scarlet ribbons for my hair” Guess it's gonna & a ee fonely Summer SG Am > os All the stores were closed! and shuttered But a fill the emotes ¢ ° c 6 All the streets were dark end bare mn send I-you all my teams . G Am Do Gc c7 Ay om Gm | o In our town on scarlet ribbons everyday in a letter . c D c GS a? Dm,Gm,0m Not one ribbon for her hair Sealed with a kiss. s D> SG c 6 . Dm Thru ther fight my hear was aching I'll see you in the sunlight AnD fo G _ Om Just before the oon was breaking IH hear your voice everywhere Samp Held s Om Peeped in on ‘her bed TI Nl run to tenderly hold you ce cos 7 ‘A? In gay profusion tying there But Darling you won't be there G Am o S G Gm om Lovely Ribbons, scarlet ribbons ~ | don't wanna say goodbye for the SummerGm c F Knowing ‘the love wil miss cc. _DmGm Oh, e us make a pledge to meet in September Dm,Gm,A7,m ‘And Seal it with a Kiss SILENCE IS GOLDEN £ F Oh, don’t it hurt deep a7 oc 7c ‘To see someone do something to her c F c oF Oh. don't it pain to see someone cry, oo Sh, espec'liy when sorncone is her. cnomus: Em Dm7 orc Silence is golden, Gut my eyes Still see, Em Am Dm? 7 og Silenee is Golden, golden, but my eyes still see. FE c e Talking is cheap, people follow like sheep, oc 7 co Even tho’ there is nowhere to go. c F © F How could she tel! he deceive her so welt, c7 G7 c Pity she'll be the last one to know (Chorus) c F c FE How many times will she tai! tor this line? G7 oc or c G7 Should | tell her or should | keep cool, c FE S Ra And if | tried | know she'd say I lied. @ oc 7 © Mind your business, don't hurt her you fool tchorus) SOFTLY ASI LEAVE YOU c 6 ce Softly. I will leave you softly FO c for my heart would break & . If you should wake c ‘and see me go FG Eb So | leave you softly 8b E> Long before you miss me Ab Bb Eb Long before your arms eb ‘can beg me iy for one more hour OF one more dsy 6 c Alter all the years e 6 ce 1 can't bear the tears to Am Ab fall so softly cs c As | leave you there FOG c as | leave you these. SOMETHIN’ STUPID (THE BEATLES} FE J know | stand in line until you think you 7 have the time to spend evening with me And if we go some place to dance | know that there’s a chance you won't be F with me Then afterwards we drop in to a quiet little place and have a drink or two 7 And then I go and spoil it all By saying somethin’ stupid . OF Like "I love you."” cHorus: 7 | can see it in your eyes Bb ‘That you despise the same old lines you heard bet c7 And though it's just a line to you co For me it's true and never seemed so right before Fo | practice everyday i To find some clever lines to say + To make the meaning come through Tf But then | think I'll wait until the evening gets lat And I'm alone with you ‘The time is right your perfume fills my head the « get red And oh the, night is blue ‘And then | go and spoil it all be sayin’ somethin’ like "I love You.” SPANISH HARLEM c S ‘There is a rose in Spanish Harlem oF oc A rare rose up in Spanish Harlem F itis a special oneEm? = Dm? Cmej? Em? Om? = Cmal. In the treehouse here we lay above the blue sea spray Conaj7 “The tide rolls in and on the wind guitars begin to play. cma? ‘And the waves come high, high, as we sway and dance, G F Cmai7 And the way | feel makes me want to take a chance. (Chorus) fe Be cm Ay ‘The green leaves of summer are callin’ 7 om Bb Twas 80 good to be young than tn the season of plenty Gm cms 07 gh, When the catfish are jumpin’ as High as the Sy Gm a7 Gm 7 A time just for planting; A time just for plowin’ Bb om AT 7 A time to be courting a girl of your own. 67 cm Twas so good to be young then; To be clove to the earth: ‘ong Eb? o7 _ THE GREEN LEAVES OF SUMMER Gm pb? Gm 7 A time to be reapin’ A time to be sowin’ oy me home ° VU taste your strawberries Em ar "Il drink your sweet wine Dor Em aT Armillion tomorrows shall all pass away Dam Em Ar oD Ere | forget all the joy that is mine, today: 3 Bm Em ay tl bea dandy, and I Hl be araver Em You'll mt 1am by the song that Vag Em ar 1 feast ot your table, 1 sleep in your clover S aT D Who cares what hat tomorrow shall al bring. > Ay Van’ bcos with vestorday' 'sglory’. Em AT Vean'e tive on npr from winter to spring, aT Totay ry ra soy ery vi taweh, then rite ry, and rust sing. ‘TRY TO REMEMBER, ‘And to Stand by Your wife a the moment of birth, ooh, ooh, TH t0 remember the Kid af Seprember Gm D7 Gm A time to be reaping A tine be i ‘ A tite just for Bin’; A Bite for to'de o7 cm FY Bb ‘Twas 20 good fo be young then: To be close to the earth; 67 oy cmé Now the orden leaves of surnter are coliy me home, Fy On x TODAY D Bm Today while the blossoms Em ar Still cling to the vine 46 wen 1% was sow and Sh, so metiow. S Am D7. Try to remember the kind of September s Am oT ‘when grass was green and grain was yellow, Bm? Em? Am? Try to remember the kind September Gmal? Cray? 3 when you were a tender and callow fellow G Am o7 ‘Tey to remember and if you remember Ss Coei7 then follow Follow, follow, follow, follow, ‘¢ Dfsued) ‘follow, follow, follow, follow, G Am o7, G ‘Try to remember when life was so tender that no one Am oF were except the willow S An? 7 s ‘Try to remember when life was so tender that dreams Am 7 were kept beside: vou Pillow Bm? Em7. Genaj7 Try to remember when iss der ta on ws Cmajy an embat about to bilow s An oy G ‘Try to remember and if you remember than follow Coey7 Disusa) Follow, follow, follow, follow, follow, follow, follow, follow, S An o7 og ‘Try to remember its nice to remember altho’ you know Am o7 the show will follow 6 ben in December it's nit remBnbor with Sut a hurt An O7 the heart is hollow Sm? Em? Am? D7 Deep in Decent to remember tof ‘saptetnber that made us mellow s ‘Am o7 s Deep in December our hearts should remember and folfow Comey Disus4) Follow, follow, follow. fallow, follow, follow follow, 6 +++ follow, follow, UNCHAINED MELODY c 2D c B Lonely rivers flow to the soe to the sea ° s To the open arms of the ses.c D c 8 Lonely rivers sigh wait for me wait for me LOVE HOW YOU LOVE ME € > 6 taoesy vinTon? Il be coming home wait for me. Gem Grai?, 7 F on my tove ® my daring I've hungered Tove how your eyesclose D 07 o7 om Fe your Seno ney tine. Whenever you kiss me S 5 Gn? THT Cmaj7 G ‘Time goes by s0 slowly ar time can do so much Em Bm O Are you stil! mine, o7G D6 Em? Gmal7 "need your fove | need your love D7 G Em Cmaj? Am? G God speed your love to me, wiNoy FE eb Bb F ‘Who's peekin’ out from under a stairway. & Bb c Calling a name that's lighter than air? F Eb eb & ‘Who's bendin’ down to give me a rainbow? & Bo F Everyone knows its Windy, FE Eb Bb Fe Who's trippin’ down the streets of the city. E> Bb c ‘Smilin’ at everybody she sees? F E> Bb FE Who's reaching out to capture a moment rH fF Ger Everyone knows its Windy. And Windy hh stormy eye indy has stormy eyes 4 Pi Tat ‘That flash at the sound of lies fH / Gm C7 F ‘And Windy has wings t0 fy up above clouds, Gm? ¢ Up above clouds, up above clouds, up above clouds And when I'm away from you C7 Tove how you miss me FE Dm Hove the way you always treat me tenderly, Ge? 08 Gmr But, darling, most of ati a & ove how you love me ‘ FE love how your heart beats Om ‘Whenever | hold you: Gm7 Hove how you think of me Without being 100 to; Hove the way your touch is alveys heavenly, But, Daring, most of at Dn L love you how youve me + r=] TI me, please me F love how you gine, Hove how you sqtze me, eae Love, how you Tove re Love how you love me. ROVE IS BLUE S at, blue my word is Blue, Em tlue is my world now I'm without yeu mm A 0 G Grey grey my lite is grey Em, cB? En Em Cold is my heart since you went away. at Red red my eyes are red } Crying for you alone in my bed y Green green my jealous heart An {doubted you and now we're apart, 5 CHORUS: su —£ AE | When we met TY A E Fe How the bright sun shone G Then love ded A 87 Now the rainbow is gone. h Black black the nights I've known Br ‘Longing for you so lost and alone ‘Gone gone the life we knew alt ___ Blue is my world now I'm without you. TICKET TO RIDE Sihink fm gonna be sad | think it's to-day yeh! AT Bm E7 “The girl that's driving me mad Is going away’ Fan orm ok +She's got a ticket to ride She's gota ticket to ride. . i Fey e A ‘She's cota ticket to ride but she don’t care | said that living with me Is bringing her down yeh ‘She would never be free When | wes around (Repeat « { don't knowwhy she's riding so high gla She ought to think ight tien She ought todo right by me f Before she gets to saving goodbye @ ‘She ought to think right She ought to do right by me 47ALMOST PERSUADED G orc Last night, all alone in a bar-room 6 7 ‘Met a girl with a drink in her hand, G G7 c She na ruby red lips ad coal black hair G D7 And eyes that would teript any man. @ G7 ‘Then she came and sat down et my table S 07 ‘And as she placed her soft hands in mine, SG o7 c found myself wanting to kiss her s D7, G o7 For temptation was flowing like wine. cHORUS: D7 ‘And | was almost persuaded To strip myself of my pride, Ga oc o7 G o7 Almost persuaded to on my conscience aside. Jv ‘Then we darted. and she whispered, "I ned you"" G “"Tako me away from here end be my men." 6 co? c Then | looked into her eyes and I saw it: s o7 607 The reflection of my wedding band. cHonus: D7 And | was almost persuaded . sac To let strange lips lead me on, Almost persuaded G 07 cg But your sweet love made me stop and go home. ALMOST THERE Gn Bb BOF? ‘Almost there, We're almost there 8b ‘ How wonderful, | DF? wonderful our Ife will B for you, for me BOF We're almost there 8 Gm Bb Gm Where we will share a warm caress F 7 by tenderness, a dream come true for me, for you, Ey Love has walted such afong time natve'ee kiss apart . 1 Caina this isthe ‘ign time to fet the kisses start For you's aimast mine 8b and soon we'll Gm, F paradise s0 rare. Close your eyes for we! AS TEARS GO BY G Aa c 07 it is the evening of the day G A c o7 I sit and watch the children play ¢ 07 6 Em Srila faces | can see, but not for me 7 Toit ond wotch otoara go by. A ¢ o7 ay riches san 't buy everythit s c D7 t I want to near the chiéron sing D7 i a Em fe sound of rain falling on the gfcund ¢ 07 sit and watch as tears go by. 6 A c 07 It is the evening of the day 6 A cor {sit and watch the children play c 07 s Doing things | used to-do, they think a o7 (itand watch as tears go by. ASUMMER PLACE 8b Bells will be ringing F7 And bieds will be singing = Fy Bb If you and your lover 7 Should ever discover that REFRAIN: BF? Bb ‘There's a Summer Place F7 Bh Gm Where it may rain or storm F & Gm Yet I'm safe and warm F Bb Fab For within that Summer Place 7 Bb Eb ‘Your arms reach out to me F Bb fb And my heart is free °7 Bb ‘from all care, f7 Bb OF? For it knows there are Bb Om no gloomy skies Bb Eb Bb When seen through the eyesXv ‘THE BLUE BELLS OF SCOTLAND c oF cr c G7 1, O.where, tell-me where is your Highland laddie gone? (2 x) , (2x) ' Am He'sgone with reaming be banners, Where noble dedésare dSte, CF cl oF ¢ And it’s oh, in my heart how | wi 2. O where, tell me where did your Highland laddle dwell? (2X) He dwelled in Bonnie Scotland, Where blooms the sweet Bluebell, And it's oh, in my heart how | love my laddie well. 3. O what, tell me what if your Highland lad be siain? (2 X) ©, no, true will be his guard and bring him safe again, For it’s oh, my heart would break if my Highland lad were slain, J R G a 1. From this valley they say you are going, D; ‘We will miss vou bright eyesand sweet smile, For they Syyou are {aking the sunshine, IVER VALLEY G That as beh igs ‘our pathway a while. 2. Come and sit by my side #f you love me, D7 De not hasten to bid me adieu, G But romember the Red River Valley, D7 And the heart that’have loved you so true. Gy oc him safe at home. IT'S A LONG WAY To TIPPERARY A It’s long way to Tipperary, A It’sa long way to go, It’s long way to Tipperary, 8 To the sweetest girl | know, a D . a Goodbye Picadilly, Farewe!! Leicester Square, ’sa long way to Tipperary, eA ut my heart's eight there. YOU ARE MY SUNSHINE 1. Youre ey Sri, my only sunshine, You make me heppy ‘when skiesare rey: You'il never iro dear baw much | ie wo. Oh plese don't take my sunshine awsy. 2. The other night doar as lay sleeping, | rear he held you in my ans, When | awéke dear I was mistaken. c Gy c And I hung my head and cried. (Repeat verse 1) OLD MacDONALD HAD A FARM. c Foc * Old MacDonald had a farm E~|: F Gc And on this farm he had some chicks, E-I-E—I-O, c With a chick, chick, here; and a chick, chick, there, WALTZING MATILDA, co Gy c F 1. Ones a jolly swag-man camped by a bilabong c Under the shade of a coolibah tree, And he s 6 Cc [F ‘As he watched and waited till his billy boiled c. Gy S7 You'll come a-waltzing Matilda with me, cHonus: wing Marie watsrg Matilda, & yout come ong Matilde with ne And he ova ashe wazhed and waited til is. boiled, c 6 c You'll come a.waltzing Matilda with re. PO KARE KARE Feb F Bb Fo Eb Po kere kare gore Nge wl © ro-to ru~a ‘m Eb Whi-ti tu kO—e-hi-ne—Ma-fiene Bb F BbEb Bb hoki maira—___ Eb cm F Eb F Bb Ka-ma-te~aau____, te aroha e. E-ni-ne e. THREE BLIND MICE @ by G D7 ¢ ‘Thtee blind mice, three blind mice, Soy GG Oy G Sea how they runt Site how they runt G Dy Ss They ail run affer the farmer's wife, 6 oy G ‘She cut off their tails with a carving knit D: Here a chick, there.« chick, Ev'rywhere@ chick, chick, Did yeu ever hear such a tale in your lif 4 {Chorus} 7G About three blind mice.kun, groen valley or a rotky road, veankee 1 GS 's there I'm gonna make my bed, c a ~ CONDOR PASA Em G 1, 1d rather bea sparrow than a snail S Em, Yes | would, if | could, | surely would, SG I'd rather be a hammer than a rail, Em, Yes | would, if | could, | surely would, c * Away, I'd rather sail away, G Like a swan that's here and gone. c >” Aman gots tied up to the ground, 6G He gives the world its saddest sound, Em hi's saddest sound. + 2, Vd rather bea forest than a street Yes | would, if | could, | surely would. I'd rather feel the earth beneath my feet, Yés, | would, if | could. | surety would. —m . wee er . a 8 jet Bt LEAVING OF LIVERPOOL.’ Gore c 1. Farewell to yoU my own true love _ fm Dm Gy Jam going far away. cog FS tam bound for Califor G7 c And | know that I'llretufa someday. CHORUS: Gy F c So faré thee well my own true love Em ay Pm S7 And when | return united we will be c 7 Foc {t's not the leaving of Liverpool that grieves me G7 c But my darling when | think of thee. c C7 F c 2. Oh, the sin is OA the harbour, love. a ‘Dm G: And t wish | SSuid remain. Cc C7 FC But I know it will be some long time sr Before | see you again. (Chorus) c LOVE |S KIND, LOVE IS WINE ie ke Sm * Love is kind, love is wine, G7 c So much laughter in your eyes, F And you know that | will love you an te 8 S Till the last flower dies, Co om Do you hear music far avaay, 4 . c ‘There's so much I'd like to S8y: Got a festing, oh s0 new, Han Bi © So I'm singing just for you. ‘Am F You are ever ywhere | tind, ¢ Am In my het and on my mind, oe S Time is all | have, time for you. Music... see ¢ oy You are all that | will be.” Se c You're a sunt io on the seai £7 Am You're the love I cafnot hide, Om7, G7. c You're a miaic carpet ride, Am e You are everywhere | ind, c Am, In my heart and on my mind, F SG: ‘Time is all | have, time for you. (Repeat *) HOMEWARD BOUND ¢ 1. I'm sitting in the railway station Em G6 Gota ticket for my destination A Dm Mim_ot"s tour of one night stands a My SB rcase and guitar in hand; c . And every stop is nearly planned cy c For a post and one man bard.ce : CHORUS: Cn ‘Rain rain go away o7 s Come again some other day 7 Ar Rain rain go away G Bring my love'a sunny day.* sc 7 G7. ¢ We grew up together 6 ‘And as the years went by oy G7 c+ Everybody knew that aT o7 We were sweethearts, you and |» Em Through many April showers : Em ' vei your hand in mine s Between the raindrops co G We sang time after time, {Repeat from * 10 *) G p7 G7 ¢ Went away to college : . You said you'd wait for me o7 G7 ¢ Then | got your letter ar 97 asking you to set me free 27 Em Tomerrow, you'll be married Em thee’ 's nothing | can do 6 But wish you sunshine c 07 6 row and your whole life through. Rain rain g away o” ‘Fommortow is her wedding day 7 A? Rain rain go away v7 6 Bring my love a Sunny day. RAMBLIN ROSE ston to the shythmn ofthe falling rain, B67 Tela me just what a fool I've been: t th shat it would go and fot me ry in vain Fm? @b7 Ed Eb? And Ct me be alone again Ab * "Tho only gil | eave about, has gone away, Eb Bb? Lookin’ for a brand new start; fb But litle does she know that when she left that day eb Fm? Bb7 Eb BbT Bb? ED? Bin, Along with her she took my heart. Ab Gm Rain, please tell me, now does that seem (air Ab eb T For her to steal my heart away when she don't care Fm? 7 cm | can’t love another, when my heart’s somewhere far ¢ (Repeat *) Ab Gm Ra in, won't you tell her that | love her so Eb Please tell the sun to set her hesrt agiow cm Fm? Bb? et Rain in her heart and let the love we knew start to arc > Ab a Listen to the rhythmn of the falling rain pts an eu? Tellin’ me just what a foot I've been; fo Ab | wish that it would go and let me cry in vain, | Fm fm?_Bb7 Eb E67 Bben? Eb7 ‘And fet me be alone again, 8h, tisten 10 the fang rain. Repeat until fade out‘And | guess the sound of the: outward bound 7 Mode me a slave to the wanderin’ win bn the wayward wind is a restiess wind G7 Arestiss wind that yearns to wander c ‘And { was born the ‘next of kin, the next of kin o7 to the wayward wind. c Oh | met a girl in a border town I vowed we'd never part ‘Though | tried my best to settle down G7 Ses now alone with a broken heart Am? fa ‘the wayward wind is a reslos wind ‘restless wind that yearns to warder ‘And | was born the next of kin ‘The next'of kin 0 the wayward wind, ‘THE WEDDING: {LA NOVIA) kevoag c F c. ‘You by my side, that's how | see us, F c { close my eyes, md can S00 ws, G7 We're on our way t0 say “I do!” am D7 Dm G7 (My secret dreams have all come true, ec FE c 41800 the church, | s08 the people, “ 60 Fe c Your folks and mine, happy and smiling, Am G7 ¢ ‘And can hear sweet voices siting, “Rta or c ‘Oh, my love, my love, this can really be ( c That someday youll walk down sheislewith me, Em Letit bern crake at im the one for you, D Fea? Yd be votes, all yours, now and forever ¢ Tsee us now, your hand in my hang hand, F c ‘This is the hour, this is the moment, or c a7 oc ‘And # can hear sweet voices singing, “Ave Maria! Am G7. Am Dm? G7C G7 ‘Ave Marla, Ave maria Ave Maria!” Bhan ‘THERE GOES MY HEART Bb Bbmaj? BG Gm ‘There goes my heart there goes the one I love Cm? fF? Bb ‘There goes the girl I wasn't worthy of Fm 67 Gin G7 ‘There goes my happiness it couldn't be om Gm? G7 om? F7 ‘There goes somebody ele in pace of me, Bbmei7. Bb |G Gm Goodbye romanes it couldnt lat zomehow cm? FT Bb Ebme had my chance but it’s all over now 2 Fm: oF Dm7 G7 cm {never thought that she could pass me by Ebms ‘There goes my tart and here a. (Repeat) eee ‘THIS GUY'S IN LOVE WiTH YoU E> AbT ov? vou see this: a, This guy's in tove with you G G7 cm Fear Vin oe Who looks atyou the way 1 40? When you smile, I can tell we know wach other very well Gm om Em Bk How can Lshow you I'm glad | got to know you Eb, ‘aby De? ‘couse "v0 heard some talk. They say you think {'m fine G7 GG? Gm ‘THis: quys's in fove ad wnat | do to make you mine Bm Eb. Eb? Tell me now, is itso? ae Abn Gn Don’t let me be the last to know, My hands are shaking Fm ab eb Ab? Don’t et my heart keep breaking “cause I need yur ove > Ab E Dm cm Twant your ee Say ‘you're in love, ab AY ob An " oe with his guy, oe x + L a eo 5] q ifhot (just die, ‘THIS IS MY PRAYER (NON HOL’ ETAPER AMARTI) Key casa c oF ‘fists my prover, my only prayer when the night comes, o7 c And all is still, On my pillow, This is my prayer Foc G7 F Dm ‘That she will care, Really will care, When | need her 7 o ‘She will be there. Though it be cloudy or fair. q7ca7 ¢ ¢ GC Om G Oh let her love me, When we kiss let a fire start, & And let her went me the way that | want her with all me S heart,2. Or you can kiseme on a Wednesdey.a Thursday, A Friday and Saturday jsbest. But never, never on a Sunday, 2 Sunday, A Sunday ‘cause that's my day of ret, 1 Come st dS ad you'll be my gu, Anse 9 BY, 0S my aay ofr. : > dust namie the day that you like the BE, Gm? c7 F Only stay away on’ my day of rest. SMOKE GETS IN YOUR EYES Eb Eb G+ Ab They asked me how | ed my true love was true. cdim Eb Fry Bbz “of course replied, something here inside cannot be Eb Bb7 feat. Bb; EbG+Ab Rey said someday you’ sinfind all who tave are blind. Cdim Eb When your heart’s on fire. Foy Bb; Eb You must realise, Smoke gets in your eyes. B 50 I chatfed them and I gaily laughed to think A. Cdime 7 ~¥ They could dover my fxd. Abm ‘Yet today my love has flown‘away, Bb; Eb Bb 1 ‘dn without my love. b Bb, EbGt Ab Now laughing friends deridé, tears | cannat hide, Eb Fri SES nite ana say. "When a ovely flame die, Bb7 Eb’, Smoke gets in your eyes.” 64 G + 2, Hove him, | love him,'| tove him, ‘THE GREAT PRETENDER c bm G7 C C7 . Oh, yes, I'm the great pretender, FE c C7 Pretending that I'm doing well; F c F IMy ned is sich, | pretsnd too much, Dm7c. DmGy CFC ten Tenely, but no ong can tel. i Gc Gf, yes, 'm the great sratsrdens” E c C7 Adtit wawordof my ors G7 c {py the gfe, but to my real share, Dm ,C G7 c You'vé left me to dream all alone, cr c + Too real is this feeling of make believe, F c 6 ‘Too real when | feel what my heart can’t concesl; c DmGzc Oh, yes, I’m the great pretenders F C cr Just laughing and gay like a clown, FOG GF 1 seem to Be what I'm not you see. Dm7c Dm E i’'m Wearing my heart like a crown, gc D7D G. Pretending that youre Ml arSind>? > 97 1 WILL FOLLOW HIM D. & Em 1. | will follow him, follow him wherever he may go. Em D ‘There isn’t an ocean too deep, c D G A mous go high it can keep me away. T must follow him, Em D Ever since he touched ey hand, knew -D That.near him | always must be, c G ‘And nothing can keep him from &e, he is my destiny. Em ‘There isn’t an ovean too deep, Em And where he goes I'l foliow, 111 follow, ‘I follow, G He'll always be my true love, my true fove, Em My true love, from now until forever, forever, forever. Em D 3. Twill follow him, follow him wherever he may go. A p8omain wo high it can Kop, G oD Keep me away, away from my Ive, FRAULEINE Mw & across the deep blue water Lives an of German's deughtér, By the bik ofthe old River Ri Whetg | loved Fer and left her, But can’t forget her, G c ‘She is my pretty Frauleine. E . in Yook up to the poaven, Each night when the stars start to shine, 2, Fravleine, Frau c - By the same stars above you, FE | swear that | will love you, G ‘You are my protty Frauloine. c ‘3. When my memory wanders, F ‘Away over yonder, G c The sweatheart that Ive left behind. In the moment of glory,ON‘T CRY JONI Y : D Az *Jimmy please say you'll wait for me D I grow up someday you'll see D7 G Saving all my kisses just for you az D Signed with love forever rue D Joni was the gidl who lived next door Boy: I've known her I guess, ten years D or more D7 OG Joni wrote mea note one day, AT D ‘And this is what she had to say (Repeat 1st verse *) D ar Boy: Slowly I read her note once more Then | went over to the house next D door py) 6G Her tear drops fell like rain that day AT D When I told Joni what I had to say D 7 joni, Joni please don’t cry Boys: D You'll forget me by and by 07 6 You're just fifteen, I'm twenty-two az D And Joni | just can’t wait for you D A? Boy: Soon I left our little home-town D Got mea job and try to settle down 2. D7 But these words kept haunting my G memory AZ D ‘The words that Joni said to me (Repeat 1st verse *) D packed my clothes and |. AT caught a plane 6, Boy: D Uhad to see Joni t had to explain, o7 G How my heart, was filled with her memories Ay D ‘And ask my Joni if she'd marry me. D AT 7. Boy: Iran all the way to the house next door D But things weren’t like they were before S My tear drops fl ike stn that av AT When I heard what Joni had to: ey D a7 8. Girl: Jimmy, Jimmy please don’t cry o You'll forget me by and by D7 S| It’s been five years since you've been gone AT “Jimmy | married your bestfriend Jahn, UWALK THE LINE AT | keep a close watch on this heart of mine Az D I keep my eyes wide open all the time, A7D7G Ukeep the ends out of the tie that. bie A? Because you're mine, | walk the line. AT D | find it very very easy to be true AT D | find myself alone when each day is through, ATD7G D Yes, I'll admit that I'm a fool for you AT D Because you're mine, f walk the line. ar D As sure as night is dark and day is light D a7 | keep you on my mind both day and A7D7G D And happiness I've knawn proves I’m right a7 D Because you're mine | walk the line. Az D You gota way to keep me on your sige ay ‘You give me cause for loving Lean’t Inde F D7 G For you I know I would even try to turn the we D Because you're mine 4 walk the line, mm Count: 1 Thumb phiAMIAIVEDERC! ROMA G cmo7 G server Roma. a7 oy ce7 GoodSye, goodbye to Rome, Am o7 . Am? D7 City of a million moonlit places, ‘Am? 07 City of a million warm embraces, Am? D? Where | found the one of all'the faces cm, D7 Gb? Am7 Far from home. 7 G cm, 07 G Arrivederci, Roma, G87 67% C EF It's time for us 10 pert. Am 37 Am? D7 Sava the wedding bells for my returning, Am? 07 Keep my lover's arm outstretch and yearning. Am? 07 Please be sure the flame of love keeps burning Foe got 10 Sy Em? 38 On? Gao cl ‘ve got to stay true, Just as tong es he needs me (2x) Ams? 07 6 In her heart. Gam Oo AS LONG AS HE NEEDS ME + (FROM “OLIVER") Cmaj7 C&dim Dm? or Te doesn't act as tho’ he cares, bm? Fm. G?_C Cmai? CB But deep inside | know he cares, c m7 F 09. - Om? Fm6 G7 ‘And this is why, I'm tied right by his side, CHORUS: GT__Cmaj? C6 Crmaj? C8 ‘As longas he needs me, raj? Haim Dm? G7 Ht 1 now ‘where | must be. Om. Bb G7 * Fm6 G7 Cmaj7 C6 1 Ging on steadtastiy as tong as he needs me, Geel? 08 Cal? C dimOm7.G7 BORN FREE As haa 3 ite is fonge il fove ima right or wrongr Dm Bb G7 and oT BS sim, : Bom Free, {stn tho wih ws Fm6 G7 Cmej? 08 ‘As long as he needs me. Ab reese gio FoF Dm? G7 Cai? Born fren to fallow your heart if you are lonely then you will know Am? D7 Dm7 G7 etree: Sunds: When somedne needs you, you love them so, Live free and beauty surrounds you F em Graf? ¢ dim Om? Fhe world stil Fruon't betty his wast THO! people wy | must, ‘The world still astounds you Dm? o7 Each time you look at the stars Om a: oC Ending: Pe needs me Gnas Ge Stay free, where no walls divide you 7 ‘Om ATIMEFORUS = _/ TIS] Youre tree as. rotting tide Am toon b So thers no need to hide: A time for us, someday there'll be c Om ae © eet nd life i c. ‘When chains are torn by courage born Born free and life is worth living F Em Of a love that’s free. But only worth living Em F Fe c ‘A time when dreams so long denied Cause you're born free, Dm Em Am Em_ Am Can flourish as we unveil the love we now must hide. DIAMONDS ARE FOREVER CHORUS: (SHIRLEY BASSE) (CG Dm Am am Atimefor usar Bstto ‘82 De onds are Forever, Em : Em? . {Alife worthwhile for you and me. “They aren need to please me, F AT And with our love ‘rout tears and tors ‘They can stimulate and tease me, Am en? We will oulue as we pas Surely thr’ every orm They won't ave inthe ag, Dm Em raj? ok ‘atime for Us someday there'll be, anew world I've no fear that they might desert me Em, Am Bm ‘A.world of shining hope for you and me. Diamonds are forever,onus: 7 6 Abdin Omi? D7 ithe sheep in the valley come home my way Ab dim mai? il thes ‘Stars fall around me and find me alone 6 G6 Fim? Bm? Bb? AT ‘hen the sun comes a singing, Ill still be waiting > Pim ar De Asim an, Jean, the roses are red 7 Bm Em? A7 II the leaves have gone green 08 07 nd the hills are ablaze 6 Dem? ith the moon's yellow haze aly D ame into my arms, Bonnie Jean, (Repeat Chorus) A’ "VE IS A MANY SPLENDOURED THING cm Gm ve isa many splendoured thing ‘7 Eb9 AbABG — Abmaj7Fm8 cm sthe April rose that only grows in the early spring; 6 Cm Fm? Cm? Fe ve is nature's way of giving a reason to be living. 9 Gm ‘Cm? D7 AM7D7 G Bb7 e golden crown that makes a man a king, om Gm ce on a high and windy hill, m7 Eb7 Ab Ab maj? Ab Gm7 ‘the morning mist two lovers kissed and the world co stood still, 707 Fm Fm Fm6 G47 cH ven your fingers touched my sient heart and taught 37 F7 Aum6 it how to sing, Eb s, true nl Fm? 87-9 Eb Fm? Bb7 (Eb) #e's 8 mony splendoured thing (Repest Love isa. Loveme renoen 6 ar Love me tender, Love me sweet 7 6 Never let me go. Ar You have made my life complete o7 6 And I love you so, ‘cHORUS: 6 87 Em G7 Love me tender, iove me true ccm a All my dreams fulfil Dm £7 Az For my darling | love you DG And 1'Bivays wil, 6 “7 {Love ma tender, Love me tong 07 Take me to your ren. For it's there sal if belong o7 Ad well never pat. » RAINDROPS KEEP FALLING ON MY: HEAD. F F maj? Raindrops keep falling on my head 7 And just tike the guy Bb Am? Whose feet are too big for his bed a) Am? Nothing seems to fit 07 Gm? ‘Those raindrops are falling on my head C7 ws They keep falling, c oF Fai? So | just did me some talking to the sun FT a> AmT. And I said | didn’t like the way he got things done D7 09 Am? Sleeping on the job Frmajy D7 Gm? ‘Those raindrops are falling on my head C7 sur ‘They keep falting Honus: CF emal7 But there's one thing | know eb “The blues they send to meet me 7 Am Won't defeat me be It won't be long till happiness Gm7_— Gm9 Gmo7 ¢ sus C7 su C Steps Up to greet me, F maiz Pabhope keep falling on my head But wat doesn't mean my eyes . Am? Will s60n be turning 68 07 D9, Am? Crying’s not for me D7 Gm7_? C7 su Cause I'm ever gonna stop the rain by complaining © FF maj? Gm7 Because I'm re F Nothing's worrying me,am fith the sound of music Dm Gm oor ly heart wants to sing ev'ry song it hears, Bb 7 FE ly heart wants to beat like the wings of the birds Bbc? F that rise frozi the fake to the trees Bb cr F ly heart wants to sigh like the chime that flies from a or co church on a breeze ab cr F 2 Jaugh like a brook when it tips and falls eb ocr F ver stones on its way Om ‘am osing through the night om c7 cer ke a lark who is learning to pray F Am 30 to the hills, when my heart is lonely Dm ‘Bb C7 ‘now I will hear, what I've heard before F y heart will be blessed, f7 Bb ith the sound of music coo” F nd I'll sing once more, 4E SOUND OF SILENCE © Hello darkness my old friend, om I've come to talk with you again, OF Because a vision softly creeping, . Bo F Loft its seeds white I was sleeping, Bo F And the vision that was planted in my-brain Dm ¢ om Still remains within the sound of silence, * 90 2) 3) 4) 5} Dm c In restless dreams 1 walked alone Dm Narrow streets of cobbled stones Om Bb F ‘Neath the halo of a street lamp Bb F | turned my collar to the cold and damp eb : ‘When my eyes were stabbed by the flash of a neon F tight Dm c Dm ‘That split the night and touched the sound of silence ‘And in the naked light | saw ten thousand people maybe more People talking without speaking People hearing without list’ning People writing songs that voices never share No one dare disturb the sound of silence. “Fools!” said # "You do not know Silence like a cancer grows Hear my words that | might teach you.” ‘Take my arms that | might reach you But my words like silent raindrops fell And echoed in the wells of silence, And the people bowed and prayed To the neon god they made ‘And the sign flashed out its warning In the words that it was forming * And the signs said “The words of the prophets ‘Ase written on the subway walls and tenement halls ‘And whispered in the sound of silence, ‘THE YOUNG ONES. F ‘The young ones Dm Darling we're the young ones F ‘And young ones Den Shouldn't be afraid Ec? To live, love F 8b ‘While the flame is strong r for we won't be c7 For ‘the young ones very long. F Tomorrow, Dm Why wait till tomorrow F Tomorrow Dm sometimes never comes Fc? : So love me F Bb There's a song to be sung F ‘And the best time 7 Is tosing it Fer while we're young. ab ‘Once in every lifetime F Comes a love like t G7 | need you and you need me :Y 7 ‘Oh my darling can’t you see F om ‘Young dreams should be dreamed together FE Dm ‘Young hearts should’at be afraid Fe oc7 ‘And some day, F 8 ‘When the years have flown F Darling this 7 We'll teach the young ones F of our own, . ‘TONIGHT Ss. Aa Tonight, tonight,won’t be just any night Em? - Fam Fo Tonight thee will ben ‘no morning ser. Bb “Tonight, tonight = = my love tonight cm? Do7 ana for ts stars wil stop where they 2. cme. cm + Today the minutes seem ike owes ‘Btn . ‘The hours go s0 slowly AAT ETS Ase stil thesis light. D7 G 0 moon gow Bright i Em? And make'thisendlessday Bm Am? GEm7 Am? 07 Endless night tonight (Repest) 67 Em7 C7 G7 WANDERING STAR {LEE MARVIN) Eb 607 Eb eo7, Eb Twas born under a wandeyin’ star. Cm Ab 867 1 was born under a wanderin’ star. Ab Wheels are made for rollin’, Eb Mulesare made eto pack, I never seen im’ Cm? F? Em? Bb7 AA sight that didnt took better lookin’ back, Eb Bb7 Eb Bb? E> “Iwas born under a wand'rin’ star, Gm Mud can make you pris‘ner Dm And the plains can make you dry. Gm Snow can burn your eyes Om But only people make you cry. Fm Home is made for coming from, cm Fm For dreams of going to, which Fm? eb? With any iuck will never come true. Eb ab? Eb Bb7 "Eb ‘Twas born under a wand'rin’ star. Sm, Ab Bb7 was born under a wand’rin’ star Ab Do | know where Koll is? Holl is in hallo. Ee Gm Edim= Cm? FT Heaven is "Good-bye forever: It's time for me to Frm? Bb? go" os Eb Bb? Eb Fim Gm T'was born under a wand’rin’ star, ‘Abm Eb | Ab Bb7, Eb Db7 Eb6 Fm7 Awand'tin', wand’ rin’ star. (Repest 2nd Verse *) Ab hen get to heaven, tie me toa tree, Gm Edim om? FT Or Vit begin to ram, And soon you know where Fm? Bb? ibe. Eb Bb? Eb Thane borh under 9 wand'in’ star, Abm Eb Ab Bb? Eb Db7 Eb6 Fm? Eb6 ‘Awand'rin', wand'rin’ star. YOU ONLY LIVE TWICE (FRANK SINATRA] cm Bbm You ou oly live twice or so it seems. C7 Sbm7. c oe one life for yourselt and one for your dreams, ‘You drift through the years, Bbm F foal te seers tame, C7 Bbm F ~ one dream appears and iove is its name Bom? e Bom c fra love isa stranger who'll beckon you on. Bom bm? C7” Bont ‘t think of the cae or the stranger is gone “This dream is for you, Bem OF So pay the price, Ben? or Make one dream come true, Bom | F CIT FCI ‘You only live twice, (Repeat First Verse) ateBARET Do D AZ What good is sitting alone in your rodm?. D Dmajz7 Come hear the music Ca . Life is a Cabaret, otc’ chum, m7 Ar D come to the Caoare, AD o AZ on down the knitting, ‘the book and the brogm; D Dmajz 07 Tie for holiday?” G#dimDmrai7_ Ses isa eta la chen, m7 Some to the oar. Gm D Some taste the wine, come hear ine band, Bm BD Ey Zome blow the horn, start celebrating, AT Tight this way, your table's waiting. B A? D Ay fo use permitting some prophet of doom, D 7 “owipeev'ry smile a 8 GidimDmaj7 By sis baz a chum, img ihe tothe Cobar, WERE A RICH MAN were a rich man, Dai-die, deedle, dai-dle, quh, fegun, daedle,detdle, dum, ‘ by ong t's Say, bid dy bum. rere wealthy ian ‘idn’t have to work hard, Dai-dle, deedle, dai-dle, guh, dig guh, deedle, dei-die, dum, were Addy, biddy rich, B7 ED A Dig-guh, sigaun. debdle, daide man. G7 {bull a BI tlt house with Sins by the dozen, Ay FEY in the eve of the «An Dm =, A Alin tin root with re wooden floors below, ay Dm &) There could be ore long staircase fist going up, Ca ‘And Sr den longer coming down; Dm | Diem E, And one mare leading nowhere just for the shew. Ar Do FE? . V'd fill my yards with chicks and turkeys and geese A Fe: Ard! dicks for the town to see and hear? jing just as ezisi A Squawsing just as ndisily as they can, A; Dm ‘And gach loud quack and cluck and s0bbIe and honk Coa Ay Will land like a trumpet on the eat; Dm Ditdin Ey As if to say here lives a wealthy mah. (Sigh) Ey Am You decreed | sheUld be whet I am; Ey Am. Would it spoil some vast eternal plan 7 —7 A if | were a wealthy man. SAYONARA D Em Sayorara, Jeponese goodbve, Whisper Sayonara, But you must not cry. Em No more we stop to see pretty cherry blossoms, D No more we pen the wes looking at the sky, Em Sayonara, Seynare, Coe ‘Sayonara, if it must be so, Whisper Sayonara, Smiling as you go. MORE GS Em am? Dy More than the greatest love the world has known, S Em ‘Am7_ D7 Dg Ti is the ove I'll give to yous J atone, Em ere ‘than the simple words | iy to sy ay) Gs Em Amz? F#m, By pony live to love you more each day, More than you'll ever know Em Em6 Myer ng old you eo ‘Amz My ite Gi be it’your Keoping. Amz Dz DS Am7 Dg id seeping, laughing, ieee, D7 Lae ‘than ar isa io, long ie, Sat far bee for ever Wn be min” 87 Em Em? (know |! never lived before Ems, E And my heart is very Surg Dg G6 Am? DS No one else could love you more. SOMERHERE My tove SSreutere my love thee willbe songs to sing, G c Airougn the sndw covers the hope of Sexi @; SSinewneea hill blossoms i in green and obi, Gy c Abd ‘there are dreams all that vour Fert can Rol. & Sey, We'll meat again, my 1Ste, Soineday snhonever th pir leks ntkgn, Cc 7 F You'll come to me out of the long ago, F &; ¢ Maem acto wid, tas the kis of om, m ‘then my sweet, thitk: of me now yt then, Gy 654 speed my ise ti you are mine again,A Will 1be 1 tell them tenderly: vy, handsome} , will I be rich?” THE LONGEST DAY c G7 Many men came here as as soldiers, c ‘Many men will pass this way, Dm Many men will count the hours, G7 c ‘As they they live the longest day. ~ Chorus: A Cc G ¢ The longest day. the longest day, Am € G7 C ‘This will be the longest day, Am c G7 c Filled with hopes and filled with fears, Am G7 : Filled with blood and sweat and tears. Many men, the mighty thousands, Many men to victory, Marching on right into battle, In the longest day in his-to-ry. TELL LAURA | LOVE HER A D Laura and Tommy were lovers. A D He wanted to give her everything: Dbm p E Af Fiewers, presents and most of ail. a wedding ring. A D - He saw a sign for a stock car race, A D A thousand dollars prize it read. Dbm D He couldn't get Laura on the phone; E So to her mother, Tommy said: A Bm “Tell Laura | love her, tell Laura | need her, A Bm E Tell Laura | may be late, I've something to do, A ‘That cannot wait.” He drove his car to the racing grounds, He was the youngest driver there; The crowd roared as they tlarted the race, started “Round the track they drove at a deadly pace! ‘No one knows what happened that day, How his overturned in flames, But as they pulled himm from the twisted wreck, With his dying breath, they heard him say: ©“Yell Laura { Jove her, tell Laura | need her, Tell Laura not to cry. my love for her will never die!” Now in the chapel Laura prays For her Tommy who passed away, {twas just for Laura he lived and died, Alone in the chapel she can hear him cry: LIVE AND LET DIE c 07 07 uen wo were Sura and your heart was an open book Eu used to S37 live and tet ive p11 (You know you did) 3x Bm ar But inthis over changing world in which we fve in D7 Am 07 Makes you give in and ery BbID. (Live and let die) 2x 7 What's it matter to you 7 D7 ‘When you got a job to do you gotta do it well En F You gotta give it all you ever have, ‘You used to say tive and live But in this ever changing world in which we live in ‘Makes you give in and cry (Live and let die) 3xHE-MORNING AFTER ‘ MAUREEN McGOVERN} _ A Ay here's got to be a morning after Five can hold on through the nigh 7 A Ay Bm Tetrave the chance to find the Sunshine c A t's keep on looking for the light, “h, can’t you see the morning after? -‘swaiting right outside the storm, hy don't we eross the bridge together, .nd find a place that's safe and warm. G ‘snot too fate, we should be giving Frm G only with 10ve Gan we clin, ’ Bbm i “oot too lee, RO while wl ving. ‘Ab Bb? ‘B's put our hands out in time, b Bb7 here's got to Bea morning after. mn Abmaiz 1eté moving closer to the shore 7 8b G7_Cm Enow we'll be there by tomorrow b Db 8b .Ad we'll escape the darkness Bb Eb. Ye won't be searching anymore, “HREE COINS IN THE FOUNTAIN: A c Vhich one witl the fountain: bles? A 7B: VAR one witl the fountain bless) °7 Fit: -Feee coins in the fOUNtaIR? iter E Zach one seeking happiness, 94 ‘Thrown by tise hope frastrre? ARIE, one will the feUhtain blssf #787 Three hearts in the fountain, Each heart longing for its home, . There they lie in the fountain, ‘Somewhere in the heart of Rome, Which one will the fountain bless? Which one will the fountain bess? Tiree coins in the fountain, Through the ripples how they shine. Just one wish will be granted, One heart will wear a Vatentine. Wake it ne! Nake ite! Make i ine! J A ; Lost and alone on some for yotten highway,. ‘SWEET SURRENDER Travelled by many, remernbered by few. Lookin’ for something that | can believe in, Lookin’ for something that I’ lke to db with my life There's nothing behind me and nothin’ that ties me To something that might have been true yesterday. Tomorrow is open, right now seems to be more than enough, just be here today, and hp-don't know whet the future is holdin’ ia store, rt ‘ E7. ‘m not sure where I’m goin’, I'm not sure where I’ve been. ‘There's a spir! at guides me, a light that shines for me, my life is worth the living, | don't need to see the 6d. * ‘Swed, Sweet Surfnder, 18, ive withden care, Like a isin the water tke a BY in the db. (2) WHATEVER WILL BE, WILL BE ww c Cc; C6 1. When,| was just a little (girl, boy) ¢. Citi | Dm 7 tasked my mother, “What will | be? Will 'be (pretty, handsome}, will | be rich?” Daz oc Here's what she said to me: CHORU: F c Que Sera Sera, whatever will be, will be, c The future's not 627s to see, Que Sera Sea, my G7 DmyG7 C7, What wit be, will be.” 2, Wien | was just a child in school, lasked my teacher, “What should | try? ‘Should | paint pictures, should | sing songs?” This was her wise reply: ‘3. When | grew up and fell in love, lasked my (lover, sweetheart}. "What lies ahead. ‘Will we have rainbows day after day?” Here's what my (lover, sweetheart) said: 4, Now I'have children of my own, They ask their (mother, father), “What will | be?ONG KAKA asa D7 S ng Kaka Tua, Menchok di-jendela, 07 ¢ 2k sudah tua, Gigi-nya tinggal dua. c um, letrum, letrum, Oo lata “6 am, letrum, letrum, Oo lata c 7 am, let, letcum, 00 laa! 69 Koka Tus, CAMP CAMP TRAMP, TRAM, TRAM) Am c > camp cams the place for earsing > cap ci the efor fn we wether wet or ite at ne a jolly time cd e try when our carning days are dbne Co YENTINE yw ce - .avern, in a canyon, : 7 ‘ating for a mine, c :a miner, forty-niner, a7 c. sis-daughter, Clementine. cHonUs: Oh my carling, ‘oh my darling, Oh my darting, Clementine, Thou art lost and gore férever Dreadful sorrow, Clementine. : Light she was and like a fairy, And her shoes were number nine, Herring boxes without topses, Sandals were for Clementine, (Chores) Drove her ducklings to the water Ev'ry morning just at nine, Hurt her foot against a splinter Fell into the foaming brine, (chore Ruby lips above the water Blowing bubbles soft and fine ‘But alas, | was no swimmer, So, | lost my Clementine, {chorus} COMING ROUND THE MOUNTAIN cs 1) She'll be coming round the mountain om 6 When she comes, when stie comes G ‘She’! be coming round the mountain oy When she cames, when she comes 6 G7 ‘She'll be coming round the mountain © She'll be coming found the mountain ~ tw Giim og ob ‘She'll be coming round the mountain G7 gS When she comes, when she comes cHonus: oc cm G ‘Yippee ya ya, vippee yippee ya, yippee ya o7 ‘Yippee ya ya, yippee yippee fag vippee ya 6 a ‘Yippee ya ya, yippee yippee ie va 6 07 o ‘Yippee yippee yas, yippee yippee ya, yippee ya 2) She'll be riding six white horses... . 3) She'll be eating kachang puteh . 4) She'll be eating see hum chow fun... 2... ete. CRADLE SONG EN LU o G oo Lullaby and good-night, with roses be dight, AT ° With lilies bedecked is baby's wee bed; ¢ an) s o Lay thee down now and rest, May thy slumber be blest, ¢ o G DA? D Lay thee down now and rest, May thy slumber be blest. OOWN IN THE VALLEY F 7 Oown in the valley, the valley so low, ic 7 FE Hang your head over and hear the wind blow.SG 9 joyously, it calls to me © 07 G o7 G ‘ome join my happy song G . h, may.1 go.a-wandering, D7 itil the day I die : S h, may | always laugh and sing c 07 G D7 G eneath God's clear blue sky. INKY DINKY PARLEE VOO EV F 6/8 F o wo German soldiers crossed the Rhine, Parlee-voo F wo German soldiers crossed the Rhine, Par-lee-voo Fe 7 Fo wo German soldiers crossed the Rhine, to kiss the 7 Foo? F ‘omen ano drink the wine, Hinky Dinky Par-lee-voo! F cr hy, farmer have you a daughter fair, Par-lee-voo, F h, farmer have you a daughter fair, Par-lee-voo, F 7 F h, farmer have you a doughter fair, who can wash eo F c7 soldier's underwear Hinky Dmaky Par-lee-voo. OME ON THE RANGE Fe 8b, Oh, give me a home, where the but-fa-id:roam, F or 7 Where the deer and the antelope play, 102 F 2 Bb. bm Pe Where seldom is heard a discouraging word, F 7 F And the skies are not cloudy all day. HORUS: c7 F Home, home on the range; Fim) G7 cr Where the deer and the antelope play: F Bb Bm Where seldom is heard a discouraging word, F a oF ‘And the skies are not cloudy all day. 2) Oh, give a land where the bright diamond sand, Flows leisurely down the strea Where the graceful white swan, goes gliding along, .¢ a maid ina heavenly dream. (Chorus) 3} Where the air is $0 pure anid the zephyrs so free, ‘And the breezes so baimy and bright, That 1 would not exchange my Home on the range, For alt of the cities so bright, (Chorus) 4) How often at night when the heavens are bright, With the light of the glittering stars, Have | stood there amazed and asked as ! gazed, If their glory exceeds that of ours. (Chorus! IF YOU'RE HAPPY... 5-2 KevG . S 7 ‘16 you're happy and you know it clap your hands (XX) s If you're happy and you know it clap your hands, (XX) o ¢ ff you're happy and you know it s ‘Then you really.ought to show it 07 GS * If you're happy and you know it clap your hands (XX) S D7 If you're happy and you know it snap your fingers etc. seve, Slap your thighs... feeeeee Stamp your feet... eee. see Say Amen +++ Doall five, ISLAND IN THE SUN D os This is my istand in the sun . ar ‘Where many peopie have toiled Em 1 may sail on many a sea D o aT ‘The shore will always be home to me CHORUS: D Em Oh island in the sun a7 > ‘Willed to me by my father’s hand am Em All my days | will sing in praise ° Ar Of the forest waters, your shining sun, 2 s ‘As morning breaks the heaven on high LAT D. | tift my heavy head 10 the sky Em ‘She comes down with a burning gtow *F cr Hear the wind blow, dear, hear the wind blow: cr 5 Hang your head over and hear the wind blow. If you don’t love me, then love whom you please, Throw your arms ‘round me, and give my heart ease, Give my heart ease, dear, give my heart ease; Throw your arms ‘round me, and give my heart ease. Roses love sunshine and violets love dew, ‘Angels in heaven know that | love you. Know | fove you, dear, know 1 love you: Angels in heaven know that | love you. Write me a fetter containing these lines, ‘Answer my question, “Will you be mine?” Will you,be mine, love, will you be mine?” Answer the question will you be mine? DRINK TO ME ONLY WITH THINE EVES D ° Em Drink to me only with thine eyes, o ar D And | will pledge with mine D a7 0 Em Or leave a kiss within the cup, ° arb And Mil not ask fur te. ‘The thirst’ that trom the soul" doth rise, GoD Ar Doth ask a drink divine. But mo lof Ar D Em s D Lbve's fectar sip, I would not change for thine, FOR HE'S A JOLLY GOOD FELLOW! kev cs ¢ Gor S For he's a jolly good fellow, For he's 3 oly good fellow, Gr c For hee. a jolly y ee fellow, Which nobody can deny! Whig obody can deny! 8 © G6. oo ‘We won't go home until morning, We won't go home 6 until morning, s. ec o7 s ‘We won't go home until moming, Till daylight doth appear. sit aeStan on oc® Till daylight doth appear. GING GANG GOOLI 6 Ging gang gooli gooli gooli gooli watcha, 6 07 Ging gang goo. ging geng goo, (Repeat! © s Hevta Oh heyla sheyla, G G7 On nevla shovla sheyia 000 (Repeat) ‘Shaliwalli shaliwalli shatiwalli ‘Shafiwalti oompah, oompah . . GOODNIGHT MY SOMEONE ¢ Em7 Ebdim G Ctdim G7 GSodnigit my someane goodnight fi love, . Fe oc eric Sleep tight my someore sleep tight, my love, F ebe 09 Our star is shining its brightest fight D9. G9 Dm7 G7 Om? For goodnight my love for goodnight sc Em Ebdim C C#edim G7 Sweet dreams be yours dear if dreams there be, FoG6¢ Fo ‘Sweet dreams (0 cary you close tome, Fataim | wish they may and | wish they might Diam oc o7 Now Seong my someone goodnight. (Reset * Goodnight goodnight goodnight. HAPPY WANDERER KEYG s | love to go a-wondering, o7 Along the mountain track: s And a8 | go, | love to sing c 07 G 07 G My knapsack on my back. CHORUS: 7 GoD Valderee valdera valdera 6 Valde-ha-ha-ha-ha-ha-he o7 G Valderee valdera c of G oF G ‘My knapsack on my back G | love to wander by the stream . o7 ‘That dances in the sun 101