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Ethics Of Belonging Education Religion And Politics In Manado Indonesia Erica M Larson full chapter pdf docx
Ethics Of Belonging Education Religion And Politics In Manado Indonesia Erica M Larson full chapter pdf docx
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Ethics of Belonging
New Southeast Asia
Politics, Meaning, and Memory
Series Editors
Ethics of Belonging
Education, Religion, and Politics
in Manado, Indonesia
Erica M. Larson
Cover photo: Students at Lokon School raise the Indonesian flag during the
Flag Ceremony (Upacara Bendera)
University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines
for permanence and durability of the Council on Library Resources.
contents
Acknowledgments vii
Note on Language ix
Figures xi
Abbreviations xiii
Notes 213
Works Cited 217
Index 231
acknowledgments
This research project and the resulting book would not have been possible
without the students, teachers, administrators, and friends in Manado and
Tomohon who let me into their schools and into their lives. A special thanks
is in order for Ibu Mary and Pak Ronald, and all of the teachers, staff, and
students at Lokon St. Nikolaus Catholic School, which became my home for
the duration of my fieldwork. I am also very appreciative of the teachers
and students at MAN Model Manado and SMANSA Manado. In addition,
I am grateful for the university students who were my coparticipants in the
Pertukaran Mahasiswa Lintas Agama at the STF-SP and who were willing
to openly share their experience with me during the program.
I am also sincerely indebted to the many scholars, activists, budayawan,
religious leaders, and friends in North Sulawesi who have supported my
research in various ways. My research was made possible through the spon-
sorship and support of my local research counterpart, Professor Sjamsi
Pasandaran, and the Civic Education department at Universitas Negeri
Manado. Fellow scholars at other area universities, including IAIN, UKIT,
and UNSRAT, have also been important conversation partners. The Mawale
Movement and its enthusiastic members have also given me semangat for
understanding the cultural dynamism of Minahasa. While I am not able to
name all of these colleagues and friends here, I would like to briefly mention
Muhammad Iqbal Suma, Denni Pinontoan, Rahman Mantu, Almunauwar
Bin Rusli, Nono Sumampouw, Rinto Taroreh, Ruth Wangkai, Fredy
Wowor, and Sofyan Jimmy Yosadi.
Terima kasih banyak to my Indonesian-language teachers at SEASSI,
especially Ibu Amelia Liwe, who piqued my interest in Manado and intro-
duced me to contacts there. Grace Nelwan and Maria Walukow have been
such important guides and friends as well. Also, I am very appreciative of
John Soucy and Mary Heather White for providing quiet places for me to
write and think, but most of all, for sharing their friendship.
This project began during my time at Boston University, and I am hon-
ored and grateful to have had Bob Hefner as my advisor and mentor
throughout the process. I also appreciate the mentorship and comments
vii
viii : Acknowledgments
from Nancy Smith-Hefner, Kimberly Arkin, and Merav Shohet. This project
has continued and evolved during my time at the Asia Research Institute,
National University of Singapore. Here I have benefitted from the feedback
of Kenneth Dean and my colleagues in the Religion and Globalisation
Cluster on portions of the manuscript. Funding for my research was secured
from multiple sources: a Wenner-Gren Foundation Dissertation Fieldwork
Grant, a Boston University Graduate Research Abroad Fellowship, a
Global Religion Research Initiative Fellowship, and a USINDO Society
Travel Grant.
I am grateful to my series editors at the University of Hawai‘i Press,
Justin McDaniel and Nancy J. Smith-Hefner, and to executive editor
Masako Ikeda for their guidance throughout the publication process. In
addition, comments provided by the reviewers at the peer-review stage
proved extremely useful in improving the manuscript. It goes without say-
ing, however, that any and all faults that remain are my own.
I am extremely thankful that my family and friends have continued to
provide motivation and moral support. Finally, I could never have completed
this book without the unwavering support of my partner and colleague
Michel Chambon, who has seen the project evolve over time and has been
an ongoing source of inspiration and encouragement.
note on language
ix
figures
xi
abbreviations
xiii
xiv : Abbreviations
1
2 : Chapter 1
Figure 1.1 Map of North Sulawesi (excluding Sangihe and Talaud islands).
Credit: Edhylius Sean.
Introduction : 5
of the archipelago. The group praise God for maintaining peace while simul-
taneously admitting that the work is not done, and that the people of North
Sulawesi must continue to “search for a socio-cultural mechanism with a
religious foundation that is strongly rooted in the society of North Sulawesi,
able to ward off violent conflicts and uphold harmony and peace” (Boroma
and Alkartiri 2003).
In contemporary North Sulawesi, there remains a strong sense of pride
in the province’s reputation for religious harmony. While there is agreement
on the importance of maintaining religious coexistence, just as for the stu-
dents in the madrasah from the story above, the answer for how to do so
remains more elusive. Beyond the strong efforts toward interreligious dia-
logue and the presence of regional organizations to facilitate dialogue and
cooperation, there is little agreement about what enabled the area to avoid
violent conflict and how to continue to do that in the future.
As religious belonging has come to the foreground in Indonesia more
generally, there has been a strong effort to maintain a Christian-inflected
public sphere in North Sulawesi through demonstrations of religiosity and
political influence. Fears about the religious future of the province and
about the influence of Islam, which is perceived as encroaching, shape public
discussions about religious tolerance, as there is a tension between efforts to
promote religious harmony and efforts to leverage the majority-Christian
population to secure a strong Christian environment and influence.4 Fur-
thermore, many Minahasans assume causal linkages between the primarily
Christian population and the history of religious harmony in the region,
evoking an understanding of toleration dependent upon the goodwill of the
majority, rather than the cultivation of a basis for plural belonging.
In the midst of this broad political and religious dynamic, my focus on
educational institutions is intentional in its potential to demonstrate a medi-
ation between multiple levels of analysis and societal spheres. The curriculum
is developed on a national level, reflecting national concerns and normative
political understandings—yet it is delivered in Manado, put into context by
local teachers, and its potential resonance with students depends on their
own experiences and perspectives. Furthermore, as described in chapter 2,
education has the tendency to become an arena for debate about the religion-
state relationship and the role of religion in public life. As various frameworks
for coexistence circulate through national and local debates, they also impact
the possibilities for and actual processes of ethical socialization in schools.
Observing a lack of consensus in public debates about how to respect
and value difference, I began to investigate how these negotiations and
Introduction : 7
deliberations extend into schools and impact the way that youth may learn
about and form understandings of difference. I use this approach to demon-
strate the transformative potential of these deliberations in the context of
education, as schools not only disseminate and reproduce existing under-
standings but “scale-up” (R. W. Hefner 2021, 12) normative understandings
of diversity and pluralism. This book recenters educational institutions as
important and dynamic sites for understanding the relationship between
interpersonal ethical deliberation and the emergence of public ethical
culture.
The discussion of plural society and the possibilities for plural coexis-
tence throughout this book focuses on the varied and divergent ethical
streams in the public sphere and their ramifications for visions of nation in
contemporary, democratic Indonesia. Historically, the extraordinary diver-
sity of the Malay-Indonesian world has long attracted the attention of cul-
tural and political observers. British civil servant and scholar J. S. Furnivall
wrote of the Netherlands East Indies during the late colonial period as a
prime example of a plural society, where “lack of a common will” among
diverse social groups forebode instability and potential conflict (Furnivall
2010 [1939], 447). Of course, many of the social divisions noted by Furnivall
materialized as a direct consequence of colonial intervention, and were
subsequently leveraged to the advantage of colonial rule. Through the cre-
ation of a national project, the Indonesian archipelago has largely been able
to overcome difference to maintain unity. Yet, even with a strong founda-
tion for civic pluralism, a number of factors have posed challenges for
national cohesion and religious coexistence, including more recent concerns
over a climate of increasing Islamic conservatism (Van Bruinessen 2013),
state repression, and democratic regression (Menchik 2019; Warburton and
Aspinall 2019).
Indonesia, the world’s most populous Muslim-majority country, is a
multiconfessional state that recognizes six official religions.5 Following more
than three decades of authoritarian rule under President Suharto, Indonesia
has since 1998 undergone a successful democratic transition and consolida-
tion to become the third-largest democracy in the world (Künkler and Ste-
pan 2013). Muslim intellectuals and organizations made major contributions
to a public ethical culture able to support democracy, undergirded by a “civil
8 : Chapter 1
pluralist Islam” (R. W. Hefner 2000, 12). In addition, Christian leaders have
continually played important roles in supporting a nationalist project
defined by a multireligious citizenship based on the national ideology of
Pancasila (R. W. Hefner 2017, 99).6 Despite the extraordinary ethnic and
religious diversity across the archipelago, Indonesia managed to maintain
national unity during the transition, which also entailed a massive project
of decentralization to give increasing autonomy to regions outside the island
of Java.
However, as mentioned above, outbreaks of sectarian and ethno-reli-
gious violence in various regions across Indonesia during the late 1990s and
early 2000s have placed issues of national cohesion and management of
diversity at the center of public debate, highlighting communal tensions and
challenges for plural coexistence. Some analyses of these ethno-religious
conflicts in Indonesia have tended to treat them as economic-resource and/or
political-power grabs veiled in religious sentiments (Li 2007). Yet, others
have importantly articulated that for many who experienced the violence,
religion was central in how they understood and participated in or responded
to the conflict (Duncan 2013, 3), and that anxieties about religious represen-
tation and threats to their religious identities impacted the evolution of
violence over this period (Sidel 2006, 16). North Maluku (directly east of
North Sulawesi) had previously articulated a collective identity around
Christian-Muslim religious harmony, yet descended into communal vio-
lence that devastated the region (Wilson 2008). The memory of the conflict
continues to organize and divide social, political, and economic life across
religious lines today.
The way religion was mobilized and experienced in the communal
conflicts in Indonesia indicates its important ramifications for identity,
piety, and citizenship beyond the localized regions where they took place.
Although the frequency and severity of large-scale conflicts have decreased,
intolerance is shifting from the “radical fringe into the mainstream” (Jones
2013, 125), posing challenges for Indonesian democracy and cohesion. This
book intervenes in the conversation, working to understand the ethical
deliberation about religious coexistence taking place on a daily basis in a
province that valorizes it as an ideal, yet simultaneously struggles to negoti-
ate its relationship to its Christian-majority identity. In everyday practices at
schools, which are viewed as important institutions in a multicentered pro-
cess of socialization, how are ethical frames of religious difference circulated,
deliberated, and enacted? Before turning more specifically to the theoretical
concerns of the book regarding the question of education, I discuss the
Introduction : 9
The case of Manado and Indonesia provide important insights for the
question of how to maintain cohesion and shape belonging, which is an
ongoing concern for many contemporary plural societies. In this book, I have
14 : Chapter 1
have often been viewed as arms of the secular state, they have been portrayed
as relatively separate and isolated institutions with regards to the surround-
ing community. Yet, studies of Islamic education in particular (Eickelman
1985; Berkey 1992) can provide renewed attention to the social relationships
sustaining the transmission of knowledge and the social and political con-
text of educational institutions, recognizing that education is always socially
embedded.
Ethnographies of contemporary Islamic education also address the
question of how religious and political institutions work to sustain a trans-
mission of knowledge without assuming that their goals necessarily coincide
with or serve a singular interest. Islamic education has been impacted by
both the spread of mass education and religious reform movements through-
out the Islamic world, and has continued to negotiate its position in relation
to modern mass education throughout the process (R. W. Hefner 2007, 12).
Because Islamic schools are now often in competition with secular state
schools and under the purview of the state, their contextualized position is
often addressed in relation to the educational field. Although modern mass
education tends to “functionalize” religion to serve nationalist goals (Starrett
1998, 18–19), religious education still defies being contained to a formal
subject throughout the school day. Fida Adely’s account of education at an
all-girls secondary school in contemporary Jordan (2012) demonstrates how
religious education takes place while students chat between classes, teachers
couch curricular subjects in Islamic discourse, and students encounter reli-
gious lessons at home and in their communities. Recognizing that educa-
tion, even including schools in their modern and standardized forms, is
fundamentally multicentered is an important reminder for the study of
schooling and education more broadly.
Furthermore, all forms of education, whether classified as religious or
secular, seek to shape subjects according to a set of moral values. Amy Stam-
bach, writing on Christianity and education in East Africa, argues that edu-
cation cannot be studied merely as a tool of the nation-state or as the
activities that make up schooling, because it also necessarily encodes “moral
disposition” (2010, 12). Adely and Seale-Collazo stress the insights that can
be gleaned from studies of religious education: “Ethnographic analyses of
religious education and its pedagogical methods . . . also sheds light on the
moral projects that undergird all educational efforts” (2013, 342, emphasis in
original). This particular lens outlines the importance of schools as sites of
ethical deliberation and subject formation, the result of which can never be
predetermined or assumed but must be examined as a process.
Introduction : 19
2016, 27) individuals draw on as they engage in deliberation, and how they
voice their justifications as through “public reasoning” (Bowen 2010, 6).
Employing the lens of deliberation underscores the complicated, messy,
and dynamic coconstruction of education as opposed to a unidirectional
internalization. Focusing on individuals as “deliberating subjects” in this
sense emphasizes the fact that deliberation is in part a rational endeavor but
is also highly intertwined with moral and affective registers. It also encour-
ages us to consider the consequences particular moral frameworks can have
on a broader scale as they are engaged by a deliberating public. Finally, this
perspective draws in the entanglements at the level of the school, family,
region, and nation, and the discourses that are driven by a complex set of
institutional, political, and economic circumstances before entering into an
individual’s lifeworld.
Methodology
attempts toward a public ethic, asking how formal education links up with
and contributes to these processes.
Outline of Chapters
It is the next morning when I come down to breakfast that I meet the
doctor's daughter, who is a very lovely little number of about twenty,
and I see that my stay is going to be a very pleasant one indeed.
She says, "Dad has been telling me all about you, Mr. McRae, and
I'm going to see to it that you really see the New York of Twenty-Five
O Seven. He wants to drag you to a lot of stuffy old lectures and
scientific conventions, and exhibits you like a freak, but I'm taking
charge today."
I remark that that will be fine.
Well, we start right out, and it is amazing what has been done in my
absence. Ann—that is the little number's name—tells me about the
change in one thing and another; they are now taking vacations on
Venus and Mars, and it is merely a matter of a couple of hours to get
to San Francisco or London. Of course this is all very interesting, but
I am interested in what they are doing in the musical line. I tell Ann
this.
"We are in luck," she says, "for there is a concert tonight up in
Albany and you will be able to hear all the finest music there."
"I do not wish to hear the long hairs play," I tell her. "Let us go down
along Fifty-Second Street and listen to a little barrelhouse. That is
my racket."
"There is no musical organization on Fifty-Second Street," Ann says.
"We do all our listening and looking at concerts like this one in
Albany, and it is the only sort of music we have."
By this time we are home, so I ask Ann if she would like to hear how
we played it back in the Twentieth Century. She replies that she
would, but not to let her father, the doc, know about it because he is
something of a bug on the modern music and considers the old style
quite degenerate.
I laugh at this. "What he means by the old style is probably
something I have never heard," I say. "You must remember that I am
almost six hundred years old, so my style is practically antique. Why,
your father did not even know that my horn was a musical instrument
until I told him my story, and it is indeed a shame that there are not a
few old Beiderbecke platters around so you all could hear what
you've been missing."
Well, I have not played the old slush pump since I escaped from the
fourth dimension, so I am careful when I pick it up, but after I have
tried a few runs I say I am all set. Ann is very curious, and she
makes me tell her how it works, as it seems they use instruments
altogether different in these concerts we are going to. I explain how
the wind goes around and all, and then I move into I'm Getting
Sentimental Over You. I am very mellow, and T. Dorsey couldn't
have sounded any better in the little concert I give. Ann is very
overcome.
"It is beautiful," she says when I have finished. "Are there words to
it?"
I tell her there are, but that I do not know them, so she hums softly
as I take another chorus. She has a lovely voice, and I say that
tomorrow I will write down the words to some other numbers and let
her practice them with me.
When the doctor hears we are going to the concert that evening, he
says that he wishes to come along. We get to Albany in about five
minutes, so fast that I see nothing in the journey once we have left
the New York airport where the doc keeps his plane, and we enter
the auditorium in perfect time. As we go in, I am very surprised to
see everyone staring at me, since I have borrowed one of the
doctor's suits for the occasion and look just like anyone else. And
then everyone stands and begins cheering me until I am very
embarrassed indeed. I look at Ann and the doctor. They are both
smiling.
"You know now that you have become a celebrity," whispers Ann.
"We didn't want to let you know right away, but the papers have been
full of your story."
So I smile and bow to the crowd, which keeps on clapping. It is very
pleasing.
Finally, however, the noise stops and the curtain raises. There on the
stage are about thirty or forty musicians, and behind them is a large
screen like in a moving picture house. Also there are a lot of electric
cords in sight, and I cannot figure what they are for until I notice that
each instrument is wired like an electric guitar.
When the conductor comes on, everybody claps a little more, and
then he turns to the orchestra. What I hear after that is something I
never expect to hear in my life. All those electric instruments begin to
vibrate, and on the screen behind them all sorts of shapes and
colors begin to flash and then disappear. This keeps up as long as
the number lasts.
"You are now seeing music as well as hearing it," the doctor tells me.
"I never saw any like that before," I say. "All the music I've ever seen
has been the regular dot variety; do the men play from those
flashes?"
"Why no," the doc smiles. "Those symbols that you see are the result
of the electric impulse as the musicians strike certain notes on their
instruments. They are never the same, and to me they are vastly
intriguing. Strictly, it was lousy."
"Oh," I say.
The following day Ann informs me that we are going on a picnic and
asks me will I please bring my trombone along and teach her a few
songs.
About eleven o'clock we get in Ann's plane, and in no time we are
down in Virginia in a nice little spot by a small stream.
"I often come down here," Ann says. "It is one of the best places I
know."
There is something that seems awfully strange to me, and I finally
realize that it is the green grass of the meadow and the trees, after
the icky purple I have been used to for the past few months. I tell
Ann about this and about how beautiful the green looks, but I add
that it is still not as lovely as she is.
She says that is very nice, and then as I stand up from spreading the
picnic cloth, she is standing beside me, so I put my arms around her
and then I am kissing her and she is kissing me and it is very
pleasant indeed. I see that this is much better than any fourth
dimension.
Finally we get around to eating the lunch Ann has brought, and I
keep saying how lovely she is, which I also mean. And she is saying
I am pretty fine too, and we pass some little time like this.
But after a while Ann says, "Mac, will you play for me now? I love to
hear you."
So I say I will if she will sing and I give her the words to The St. Louis
Blues, which I have written out. I hit it soft and easy for one chorus to
give her the melody, and then she takes the beat. Well, I have not
realized it before, but her voice is plenty schmalz and it is a shame
she is not living in my time, for she would be a cinch to panic them
anywhere.
After that she does The Memphis Blues also, and she has me riding
beautifully to keep her up there. She is wonderful.
"You are the one who is wonderful," she says. "I have never heard
music like you can get out of that trombone. Play something else,
darling, won't you?" I slip into If I Could Shimmy Like My Sister Kate,
and as I play, Ann moves over beside me.
"Lovely," she whispers.
With that I am really carried away and I hear her humming softly as I
modulate into Tea for Two. I am giving it a real ride, and then I feel it
coming over me again. I am in a panic. I try to stop playing, but I
can't, and my body is vibrating something terrible.
I dimly hear Ann crying, "Mac, Mac, ..." as I sink off.
That is the last I can remember....
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