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From the Ashes of History
From the Ashes of History
Collective Trauma and the Making of International
Politics
ADAM B. LERNER
Oxford University Press is a department of the University of Oxford. It furthers the
University’s objective of excellence in research, scholarship, and education by publishing
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© Oxford University Press 2022
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You must not circulate this work in any other form and you must impose this same
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Library of Congress Control Number: 2022930623
ISBN 978–0–19–762359–6 (pbk.)
ISBN 978–0–19–762358–9 (hbk.)
ISBN 978–0–19–762361–9 (epub.)
DOI: 10.1093/oso/9780197623589.001.0001
Contents
Acknowledgments
References
Index
Acknowledgments
Introduction
The varied origin stories that international relations (IR) scholars
have proposed for their discipline all share one thing in common.
Whether they refer back to the Peace of Westphalia following the
Thirty Years’ War, the first “great debate” following World War I, or
even Thucydides’s early classical realist account of the
Peloponnesian War, they all envision the international political arena
as forged in the wake of mass violence. Even alternative, critical
accounts that locate IR’s roots in long-standing imperial hierarchies,
the international slave trade, or the twentieth century’s wave of
decolonization similarly implicate the structural violence of empire
and racism, as well as the often violent expulsion of foreign rulers.1
These mythologized origins allude to the pervasiveness of mass
violence in IR, with a role that extends well beyond inquiries into the
discipline’s roots. Many of the institutions that scholars of
international politics study—including the borders that define states,
the norms that delineate appropriate behavior, the organizations that
manage interstate relations, and even the ideational lines between
“us” and “them”—similarly emerged due to tremendous bloodshed
and oppression. Just as medicine tends to pay disproportionate
attention to diseases of the body, IR tends to focus on diseases of
world politics.
Yet despite the disproportionate attention mass violence receives,
IR scholarship has a problematic tendency to accept its
consequences at face value. Typically, scholars follow an implicit
“event” model of mass violence, based on linear, sequential timing2
and mechanistic notions of cause and effect. This model understands
violent episodes as having defined durations, beginning with
identifiable dawns and culminating in conclusive dusks. According to
such thinking, once a cataclysm finishes, its destructive
consequences become readily apparent and, potentially, quantifiable.
Interest is piqued as media report damages, often in the form of
casualty counts, eyewitness testimonies, or visuals of destroyed
property. Shortly after, experts estimate the costs of material
damages, as well as a timeline and budget for repairs. Politicians—
including international statesmen and stateswomen—craft plans for
reconstruction and rehabilitation. Citizens on the ground soldier on,
finding ways to overcome difficulties and rebuild their lives. Over
time, as infrastructure is repaired and victims’ physical wounds heal,
politicians move on to new, more pressing issues. Mass violence thus
fades from attention and is relegated to the past. Time stubbornly
marches on.
Though perhaps intuitively appealing, pivotal global trends
continually attest to the inadequacy of this simplified linear event
model of mass violence. The year 2020 alone (in which the bulk of
this manuscript was written), with its compounding global tragedies,
featured numerous shocks and shifts explicable only with reference
to festering wounds of history that defy the event model’s
assumptions. The Covid-19 pandemic, for example, certainly caused
new waves of death and destruction, but it also preyed on lingering
structural injustices in social and political systems, stemming from
legacies of mass violence that hibernate politically during periods of
prosperity.3 State-led responses to the pandemic, including public
finger-pointing and immigration restrictions, similarly reflected deep-
rooted global hierarchies and rivalries, developed due to mass
violence and subsequent, ongoing suspicion and tension.4 In the
midst of shutdowns and simmering frustration, the May 2020 death
of George Floyd at the hands of Minneapolis police officers ignited
outrage and protests across the globe. This transnational movement
focused not only on the specific heartbreak of Floyd’s death but also
on larger questions of how the legacy of past violent oppression
such as slavery, imperialism, and Jim Crow lives on in present-day
institutions and practices.5 Meanwhile, nationalist politics in Israel,
Hungary, India, China, the United States, and elsewhere have
capitalized on pandemic-related frustrations to promote narratives of
past suffering and future glory. In the summer of 2020, the German
government even shut down one quarter of its most elite special
forces unit after discovering far-right members parroting Nazi-era
conspiracy theories about internal enemies backstabbing the nation.6
As the Pulitzer Prize–winning author Viet Thanh Nguyen titled his
book on Vietnam’s memory of war, “Nothing Ever Dies.”7 But if that’s
the case, why do some memories lie dormant for generations only to
arise anew?
In this book, I advocate a new approach to understanding how
histories of mass violence reverberate in the present that
complicates the event model and its logics. This approach recognizes
how the legacy of mass violence can persist over time, radiating out
through networks and power structures, reshaping international
political actors and their logics of action. To fully account for these
enduring impacts, I argue for understanding the sociopolitical
processing of mass violence via the lens of collective trauma.
Drawing on the interdisciplinary insights of trauma studies
scholarship, I develop this lens to understand not only how
individuals respond to mass violence but also how the aftermath of
mass violence becomes politically embedded over time, liable not
only to shape dominant modes of thinking but also to resurge in
importance during pivotal moments and motivate action. While
rationalist approaches may envision idealized actors disregarding the
“sunk costs” of past suffering and focusing solely on future risks and
choices, I argue that collective trauma can shape how actors
interpret this future, its logics, and its lingering injustices. In the
aftermath of mass violence, collective trauma can constitute
understandings of self and other that frame notions of reconciliation,
rehabilitation, and recovery. Only by developing a theoretical lens
attuned to collective trauma’s varied, context-specific permutations
can the IR discipline fully grasp the world that mass violence has
helped create.
Take as a concrete example the 1945 charter of the United
Nations (UN), the preeminent international organization of the
twentieth century. Mainstream rationalist IR theory has traditionally
understood the organization either via the realist paradigm’s logic, as
a forum for self-interested great powers to exert influence, or via the
liberal paradigm’s logic, as a cooperative institution that helps states
negotiate mutually advantageous outcomes. Yet in addition to these
explanations, the UN also has deep roots in collective trauma,
articulated explicitly in its founding documents. The UN’s first
mission, the charter states, is “to save succeeding generations from
the scourge of war, which twice in our lifetime has brought untold
sorrow to mankind.”8 Though the goal of preventing war’s future
costs can certainly be understood rationally, divorced from history,
this statement is explicitly retrospective—informing the institution’s
understanding of this “scourge” were the failures of both previous
generations of leaders and, implicitly, its institutional predecessor,
the League of Nations. In the new body’s first session, alongside
administrative matters and pressing international issues such as the
refugees stranded across the globe, the General Assembly passed a
resolution condemning the crime of genocide, inspired, no doubt, by
the mass violence perpetrated by Nazi Germany. Rather than
employing stale bureaucratic language, the text resonated deeply
with prevailing psychoanalytic conceptions of trauma from the
period, stating that genocide “shocks the conscience of mankind”
and is “contrary to moral law and to the spirit and aims of the United
Nations.”9
The tension inherent in processing a diverse array of others’ pain,
including that of millions who perished in prior conflicts and
genocides, and articulating it as a motivation for collective action
alludes to the complexity inherent in collective trauma as an
international political phenomenon. These diplomats’ actions, I
argue, cannot be understood solely as a rationalized effort to
prevent the costly recurrence of violence. Such an explanation lacks
specificity for why they framed problems in this historically informed
way. A complete explanation must also account for the context of
the UN’s founding, informed by a recent history of mass violence on
a horrific scale. It must recognize that beyond strategic material
goals, the founders were also motivated by a desire to bear witness
to the collective trauma that had resulted from previous diplomatic
failures. Despite the difficulties in articulating the legacy of mass
violence, collective trauma informed not only how they understood
the potential consequences of global conflict but also how they
envisioned potential future solutions.
Before proceeding, it’s worth acknowledging that the example of
the UN is a deliberately provocative one. Indeed, the term “collective
trauma,” which I employ throughout the book, can seem misplaced
when used to describe the stodgy work of elite diplomats, gathered
in cosmopolitan Western cities, passing resolutions that impact most
people’s lived experience only indirectly. Most of those who
negotiated the UN’s charter had not fought on the battlefields of
World War II, nor had they stared down the Nazi gas chambers.
Though many worked on international political issues during the war
effort, they often learned of mass violence solely through
government and media reports, witness testimony, or even simply
public discourse. This distance is suggestive of the broader
observation that often those elite actors best equipped to avoid the
most acute violence of international politics are also those who both
often order it and exert outsize control in shaping domestic and
international responses. In presenting work on collective trauma at
conferences and workshops, I’ve similarly encountered resistance to
extending the term “trauma” to collectives, beyond specific
psychiatric diagnostic criteria applied in clinical settings. Doing so,
some contend, may dilute the necessary attention paid to the very
real pain of those suffering from post-traumatic stress disorder
(PTSD). This disorder, which I discuss at length throughout the
book, is especially prevalent among survivors of combat, wartime
sexual violence, and natural disasters—all central concerns for IR
scholarship. Victims of these forms of violence are often poorly
represented in international politics, and their experiences rightly
deserve scholarly attention. Some may fear that broadening the
term “trauma” to collectives undermines this book’s primary goal of
orienting scholarly attention to unseen aspects of the aftermath of
mass violence.
Yet despite the worthiness of focusing attention on individuals’
struggles with psychic trauma, this medicalized interpretation is a
limited one, representing only a single vantage point on the larger
issues implicated in mass violence’s multivalent social, psychological,
and political processing. Though elites often avoid direct experiences
of mass violence, they are deeply implicated in the international
political systems that both inflict this violence and are subsequently
tasked with interpreting and responding to it. Individuals may be the
primary nodes for experiencing mass violence, but its effects seep
out, shaping political cultures and the institutions that govern them.
Similarly, mass violence experienced and interpreted by larger
communities and their institutions can reverberate back on
individuals and frame their thinking, making trauma particularly
difficult to isolate in individuals’ psyches.10 Indeed, this
macropolitical regulation of individual interpretations is often poorly
captured by the norms of medical diagnoses.
For this reason, I employ throughout this book the alternative
term “collective trauma,” reflecting an approach in tune with what I
see as a more comprehensive reading of the term’s long-term,
multivalent evolution into the twenty-first century. Originally
stemming from the Greek for “wound,” the concept of “trauma” has
developed substantially over time, from the physical to the
neurological and later the psychological and social. Indeed, the
contemporary PTSD diagnosis itself reflects a compromise forged in
the late 1970s to meet specific demands within American
psychiatry.11 Unsurprisingly, it exhibits numerous shortcomings and
biases that have led to ample critical re-evaluations.12 Scholars have
argued that PTSD is both over-applied and under-theorized13 and
that it neglects mass violence’s multifaceted impacts beyond isolated
individuals’ brains. By the final decades of the twentieth century,
scholars in the humanities and social theory thus began
conceptualizing trauma in new ways to better capture those
interpretive qualities often overlooked by the medical
establishment.14 Traumatic shocks impact how individuals grapple
with their own experiences not only psychologically but also
spiritually, socially, and politically. Trauma thus plays a complex role
in shaping individuals’ representations of such experiences, as well
as interpretations by others (including political leaders) who may not
have experienced violence firsthand. Literary theorist Cathy Caruth,
a leading voice in the interdisciplinary field of trauma studies, has
thus defined trauma more broadly as a delayed response to an
“overwhelming experience of sudden or catastrophic events.” This
delay, she posits, problematizes “referential” models of history based
on linear timing—including, I would argue, the “event” model that
dominates IR—raising questions of how to represent violence not yet
fully processed by its victims or their communities.15 As chapter 2,
which theorizes collective trauma more fully, will outline, it is
precisely here, in the tension inherent in individuals narrating
traumatic experiences, that I build my conceptualization of collective
trauma as the multilevel crisis in representation inherent in the
sociopolitical processing of mass violence. As large numbers of
individuals undergo related psychic shocks and bear witness to their
experiences of mass violence, the crisis in representation facing
them reverberates outward, shaping politics at multiple levels of
aggregation. Eventually, narratives of mass violence’s legacy can
collectivize trauma, making it relevant to groups and the institutions
that represent them. Despite the tension inherent in transforming
individuals’ experiences into collective trauma narratives, I argue
that they are a vital force both in the constitution of political actors
and in framing their logics of action.
Framed in this general way, the role of collective trauma in
international politics may seem obvious and uncontroversial. But
recognizing the complexities inherent in the legacy of mass violence
is hardly the norm in IR scholarship. By atomizing mass violence into
discrete episodes concluded in linear time, much of IR sanitizes
collective trauma from analysis, focusing instead on the concrete
changes that violent “events” produce in the balance of power,
international political economy, or security calculations. This remains
the case even in scholarship investigating the longer-term impacts of
mass violence—such work tends to focus less on sociopolitical
imaginaries and more on tangible, quantifiable changes in
outcomes.16 The rationalist approaches that dominate IR’s
mainstream often take for granted status quo arrangements forged
in fire, assuming self-interested actors will remain equally rational
wealth- and security-driven egoists in the wake of devastation. The
classic neorealist analogy of the international system as a billiards
table with states as the balls omits the complex evolution of subjects
following collision, accounting only for the ricocheting of similar,
preexisting, structurally sound objects. More recent neopositivist
iterations of this mainstream have, in many ways, intensified this
sanitization by distilling the complexities of mass violence’s legacy
into impersonal statistics that fail to capture the subtleties of psychic
experience or its social and political interpretation. Collective trauma,
I will demonstrate, poses a dilemma for mainstream positivist
scholarship, which cannot easily accommodate such a nuanced,
latent, subjective, historically contingent, and non-systematic
phenomenon.17
Outside the disciplinary mainstream, in recent decades, several
noteworthy critical contributions have begun incorporating the
concept of trauma into IR’s theoretical toolkit and exploring its
potential entanglements with concepts such as memory, ontological
security, and transitional justice.18 From this literature, two
exemplary monographs stand out. First, Jenny Edkins’s 2003 Trauma
and the Memory of Politics draws on a psychoanalytic understanding
of trauma to examine how states can co-opt the aftermath of
violence to reassert their power—a form of what she terms “political
abuse.” Through careful interpretive analysis, Edkins elucidates how
even modern liberal democratic states’ legitimacy often depends on
erasure of trauma—for example, medicalizing soldiers’ traumatic
responses to war in order to return them to active duty or
pathologize their natural aversion to the gruesome reality of state
power. Yet despite its clear insight, the book’s argument rests on a
problematic assumption that the “dominant views” of the state will
necessarily suppress or instrumentalize trauma. It thus raises
questions about the degree to which, in certain circumstances,
trauma can meaningfully challenge state identities and inform policy
agendas.19
Second and more recently, Emma Hutchison’s Affective
Communities has theorized how in the wake of traumatic events,
shared emotions can link together local, national, and even
transnational “affective communities.” Hutchison’s work pays keen
attention to the representation of trauma. Through a diverse array of
cases, Hutchison demonstrates how linguistic and visual
representations—primarily spread through mass media or
government propaganda—create shared meanings that consolidate
bonds in national and transnational space.20 However, despite her
success in linking trauma to macroscale identities, her work leaves
open questions about how trauma interacts with power—how
trauma can not only foster transnational solidarities but also infuse
and constitute political institutions to reshape policy debates.
Further, as I have argued previously, Hutchison’s lack of engagement
with the economic dimensions of trauma can lead to problematically
narrow analysis of subalterns’ experiences of mass violence.21
In this book, I build on these recent contributions to theorize
collective trauma’s foundational role in the international system—an
echo of the mass violence that permeates world politics. Trauma
does not simply foster temporary shocks or emotional outpourings
for preexisting actors or groups. Rather, this book’s central argument
is that collective trauma can shape the enduring understandings of
self and other that delineate the international arena’s primary actors,
as well as the logics informing these actors’ interactions. For this
reason, I conceptualize collective trauma as a multilevel crisis in
representation—the result of initial violent disjunctures reverberating
through complex political systems. This unique approach has
multiple advantages. First and foremost, it helps expand analysis
beyond the aftermath of acute violent events to longer-term
structural violence, oppression, and injustice embedded in the
international system. This initial expansion serves a second, related
goal of extending the study of trauma beyond the Western contexts
in which trauma studies has traditionally been developed and taught
to better account for the legacy of diverse forms of suffering,
depredation, and oppression that have disproportionately impacted
those in the non-West. Third, it allows scholarship to combat the
problematic relativism of certain existing approaches, differentiating
the traumas of actors with the resources to “work through”
(materially, psychically, and socially) from actors without those
resources.22 Taken together, these additions prove vital to helping
the IR discipline more fully grapple with the traumatic legacy of
varied forms of structural mass violence—including colonialism,
genocide, and ethnic cleansing—that have helped maintain the
international system’s enduring hierarchies.
In many ways, this theoretical goal of crafting a flexible lens
suitable to investigating collective trauma’s permutations across time
and space might seem lofty. By attuning IR scholarship to the
interdisciplinary insight of trauma studies, I seek not only to enrich
the discipline’s understanding of how histories of violence
reverberate into the present but also, as later chapters will
demonstrate more clearly, to destabilize some of IR’s most taken-for-
granted concepts. In this sense, this book is fundamentally a work of
international political theory in the mold of what Ian Shapiro calls
“problematizing redescription.”23 It flips common understandings of
violence’s aftermath in IR on their head, providing a new approach
to their interpretation. Because collective trauma is implicated in the
formation of so many institutions vital to international politics, I
argue that it must be understood as an ontological condition of
international life.
Yet in other regards, my ambitions in this book are more modest.
I do not seek to identify a falsely parsimonious explanation of
collective trauma as an isolatable causal mechanism with specific,
consistent effects, nor do I predict how it will develop into the
future. Collective trauma’s impacts are deeply contextual,
comprehensible solely in relation to the political dynamics that shape
trauma’s narration and interpretation. Further, given my goal of
applying trauma studies insight outside the context of its original
development, I exercise caution in my empirical analysis so that my
lens is not overly prescriptive. While I demonstrate how scholars can
draw on my theoretical framework as an ideal-typical heuristic to
trace collective trauma’s impacts over time, analysis must also
remain sensitive to the unique conditions from which collective
trauma emerges and in which it is interpreted, as well as the
alternative forces and identities with which it interacts. For this
reason, in this book’s second, empirical part, I deploy this lens in
three detailed historical investigations into the legacy of colonialism
in Indian state-building and development planning, Israel’s long-term
reckoning with the genocide of European Jewry, and the specific
discursive impact of PTSD in twenty-first-century American foreign
policy imaginaries. These three cases demonstrate not only the
varied roles collective trauma can play across time and space but
also how scholarship can employ this book’s lens without forcing
complex historical developments into a Procrustean bed of theory.
Taken together, they reflect back on my theorization’s strengths and
limitations, alluding to its transportability across time and space. In
so doing, they reaffirm my “problematizing redescription” of mass
violence’s legacy as collective trauma, encouraging further potential
reflection on collective trauma’s wide impacts, as well as what
precisely falls under the disciplinary gaze of IR.
The interdisciplinary study of trauma has already reshaped
multiple other disciplines in recent decades and deserves far deeper
engagement in IR, especially considering the discipline’s long-
standing interests in war, colonialism, genocide, and other forms of
politically motivated mass violence. As Caruth writes, consideration
of trauma’s disruption of linear timing and problematization of
memory involves a rethinking of how scholarship engages in
historical analysis. She even suggests that such a vision necessitates
a paradigmatic shift—that one can view “history [as] precisely the
way we are implicated in each other’s traumas.”24 Though perhaps,
when applied to IR, such a shift will need to be more qualified, I
provocatively ask if the same thinking might extend to the
international system. To what extent do international politics reflect
how we are implicated in one another’s collective traumas?
1 Benjamin de Carvalho, Halvard Leira, and John M. Hobson, “The Big Bangs of
IR: The Myths That Your Teachers Still Tell You about 1648 and 1919,” Millennium:
Journal of International Studies 39, no. 3 (May 2011): 735–58.
2
For more on the politics of timing in IR, see Andrew R. Hom, “Timing Is
Everything: Toward a Better Understanding of Time and International Politics,”
International Studies Quarterly 62, no. 1 (March 1, 2018): 69–79; Andrew R. Hom,
International Relations and the Problem of Time (New York: Oxford University
Press, 2020).
3 Richard A. Oppel Jr. et al., “The Fullest Look Yet at the Racial Inequity of
George Floyd. Each Day Is a New Trauma,” Los Angeles Times, June 23, 2020,
https://www.latimes.com/opinion/story/2020-06-23/social-media-trauma-black-
killings.
6
Katrin Bennhold, “Germany Disbands Special Forces Group Tainted by Far-
Right Extremists,” New York Times, July 1, 2020,
https://www.nytimes.com/2020/07/01/world/europe/german-special-forces-far-
right.html.
7 Viet Thanh Nguyen, Nothing Ever Dies: Vietnam and the Memory of War
twentieth anniversary ed. (Baltimore: Johns Hopkins University Press, 2016), 11.
16
Ghobarah, Huth, and Russett, for example, have demonstrated robustly how
civil wars harm life expectancy and other public health outcomes years after
violence ends, though they do not investigate the latent sociopolitical legacy of
these impacts. See Hazem Adam Ghobarah, Paul Huth, and Bruce Russett, “Civil
Wars Kill and Maim People—Long after the Shooting Stops,” American Political
Science Review 97, no. 2 (2003): 189–202.
17 Michelle Balaev, “Trauma Studies,” in A Companion to Literary Theory, ed.
Kalberg (New York: Oxford University Press, 2011); Max Weber, “Politics as
Vocation,” in Weber’s Rationalism and Modern Society: New Translations on
Politics, Bureaucracy, and Social Stratification, ed. Tony Waters and Dagmar
Waters (New York: Palgrave Macmillan, 2015), 129–98.
29
For Weber’s articulation of the “ideal type” and its application to empirical
research, see Max Weber, “The ‘Objectivity’ of Knowledge in Social Science and
Social Policy,” in Max Weber: Collected Methodological Writings, ed. Hans Henrik
Bruun and Sam Whimster, trans. Hans Henrik Bruun (London: Routledge, 2012),
100–38. For an understanding of how this model can guide work in IR, see Patrick
Thaddeus Jackson, The Conduct of Inquiry in International Relations: Philosophy
of Science and Its Implications for the Study of World Politics (London: Routledge,
2011), 112–55.
30 Weber, “The ‘Objectivity’ of Knowledge.”
31 On philosophical wagers, see Jackson, The Conduct of Inquiry.
32
Jackson, The Conduct of Inquiry, 144–46.
33 See W. B. Gallie, “Essentially Contested Concepts,” Proceedings of the
Aristotelian Society 56, no. 1 (June 1, 1956): 167–98.
34
Herbert Blumer, “What Is Wrong with Social Theory?,” American Sociological
Review 19, no. 1 (1954): 3–10.
35 Emilian Kavalski, “The Fifth Debate and the Emergence of Complex
and forth between individual texts and larger social meanings, see Vincent Pouliot,
“‘Sobjectivism’: Toward a Constructivist Methodology,” International Studies
Quarterly 51, no. 2 (June 2007): 359–84. See also Jennifer Milliken, “The Study of
Discourse in International Relations: A Critique of Research and Methods,”
European Journal of International Relations 5, no. 2 (June 1999): 225–54.
40
Milliken, “The Study of Discourse.” See also George Lakoff and Mark Johnson,
Metaphors We Live By: With a New Afterword (Chicago: University of Chicago
Press, 2011).
41 See Andrew Bennett and Colin Elman, “Case Study Methods in the
Introduction
On June 28, 1989, Serbian president Slobodan Milošević delivered
his now infamous Gazimestan speech to approximately 1 million
transfixed Serbs gathered on Kosovo Field. Only a few years earlier,
when Milošević was a relatively unknown Communist functionary in
Belgrade, such a reception would have been unthinkable. But his
star had risen quickly, propelled by popular depictions of him as a
Serbian nationalist hero. A turning point came in 1987, when Serbia’s
then-leader sent Milošević to the hamlet of Kosovo Polje to pacify
protesting Serbs. Instead of urging calm, however, Milošević incited
further outrage. Serbian media reports subsequently lionized him for
allegedly proclaiming, “No one will ever beat this people again!”1 By
1989, when he delivered the speech commemorating the six-
hundredth anniversary of the Battle of Kosovo, Milošević had
become Serbia’s president, and the idea of restoring his people’s
honor after generations of collective trauma had become a leitmotif
of his career. His remarks at the memorial crystallized these ideas, as
he referred to an “evil fate” following Serbs since the fourteenth
century, subtly connecting disparate historical experiences of mass
violence and oppression—defeats by the Ottoman Empire, the
“agony” of ethnic cleansing by the Nazi-aligned Croatian Ustaša and,
in the post–World War II era, Serbs’ relative disempowerment in
federated Yugoslavia.2 This narrative proved emotionally resonant
for many ethnic Serbs across Yugoslavia’s republics. Over the next
decade, these ideas would help mobilize thousands to commit
horrific acts of violence and eventually result in Milošević’s
prosecution for war crimes.3
What explains the resonance of Milošević’s narrative and his
ability to mobilize Serbian grievances against their neighbors?
Though rationalist political science often accounts for ethnic violence
with instrumental explanations about competition for scarce
resources4 or the breakdown of federalism, the resonance of this
particular aggressive narrative, rooted in a six-century-old mythic
battle, provides a puzzle in need of a more nuanced explanation.
Why would so many Serbs gather in an empty field, chanting in
support of a former bureaucrat agonizing over their ancestors’
losses? Former US ambassador to Yugoslavia Warren Zimmermann
wrote that “Serbia’s tragic flaw is an obsession with its own history.”
As a diplomat in Belgrade from before Milošević’s rise, Zimmermann
recalled “patiently [sitting] through interminable recitations by Serbs
of all walks of life about the boundless ways in which they have
been victimized through the centuries.”5 Andrew A. G. Ross,
alternatively, refers to the production of “an economy of
interconnected emotional circulations” among Serbs following
longtime Yugoslav president Josip Broz Tito’s death in 1980. This
economy raised “thresholds of tolerance for violence within Yugoslav
society” and allowed Milošević to serve as “a conduit for collective
anxieties, fears, and frustrations”—a focal point for an incipient
emotionally motivated political mobilization.6 But how did history
inform and sustain these sentiments, and why would they reach a
boiling point under Milošević’s leadership in the late 1980s, fueling a
rise in bellicosity after decades of tense but peaceful cohabitation?
In this chapter, I begin to address these questions by theorizing
collective trauma as a unique manifestation of the larger, complex
phenomenon of trauma. When individuals communicate their
experiences of mass violence, I argue, they can ripple out through
communities, fomenting collective trauma that shapes political
imaginaries. The theoretical framework I develop helps in
understanding the roots and composition of narratives like
Milošević’s, as well as their ebb and flow in resonance over time in
relation to other political factors. Further, it helps to contextualize
the complex relationship between underlying psychic trauma—
present undeniably in some survivors of political violence among the
Gazimestan crowd—and the larger phenomenon of collective trauma
that Milošević stoked and exploited. Though linked, the two
phenomena are distinct, existing in theoretical and practical tension.
Only by first theorizing this complex relationship can subsequent
empirical scholarship address collective trauma’s impact across time
and space and subsequent normative scholarship question when
such narratives can be a force for good or a motivation for horrific
violence. Collective trauma is a potent political phenomenon, but
addressing its uses and abuses requires first understanding how
extreme experiences of violence extend beyond individuals to the
social world and vice versa.
To this end, I begin my theorization of collective trauma in section
2.2 and 2.3, with a brief genealogy of trauma as it has evolved in
the Western academy, tracing how the concept has developed from
individualistic physical and mental interpretations to social and
cultural ones in recent decades. This genealogy helps demonstrate
trauma’s multivalence, as well as how, in recent years, trauma has
transformed into “one of the dominant modes of representing our
relationship with the past”7—an interpretive lens employed across
both academic disciplines and popular media to describe the
experiences of individuals and, increasingly in recent years,
collectives. Trauma, I demonstrate, has always been a deeply social
and political phenomenon; understanding the role of political power
in shaping collective trauma therefore helps uncover how it adapts
across time and space. This insight helps combat Western bias in
existing trauma studies scholarship and facilitate a truly global
conceptualization of collective trauma, suitable for international
political theory.
In section 2.4.1, I draw out a few threads from this genealogy
that have characterized trauma as it has developed in medicine,
psychology, and, eventually, social and political theory, making it a
coherent though often confounding phenomenon. Crucially, though,
I argue that this history reveals a fundamental paradox inherent in
translating trauma from individuals to collectives and vice versa;
while underlying individual psychic trauma can repress memory and
break down social ties, collective trauma is typically identified as a
potent social and political force that can mobilize groups and
motivate action. Existing literature on collective trauma tends to
avoid this paradox by emphasizing either collective trauma’s roots in
individuals or its social manifestations. By contrast, I embrace this
paradox as central to understanding how the phenomenon shapes
international politics. In section 2.4.2, I demonstrate how this
foundational paradox inherent in the legacy of mass violence ripples
out into broader tensions, shaping trauma’s impacts at multiple
levels of aggregation. Thus, I define collective trauma via the
multilevel crisis in representation inherent in trauma’s socialization
and demonstrate how as trauma spreads, it interacts with existing
political and economic factors. Though narrative is vital to this crisis’
politicization, I complicate straightforward narrative analysis of
collective trauma with insight from literary theory and historiography.
Collective trauma narratives exist in problematic relation to
underlying psychic trauma, creating a narrative fallacy that fuels
political contestation over time. By attuning narrative analysis to this
contestation’s unique representative dynamics, I provide a lens to
help scholars read collective trauma, embracing its indeterminacy of
meaning without succumbing to complete relativism.
The outer appearance of the old mill in which we lived and grew
up I have touched upon; and now I take up my pen to paint in black
and white the old, moldering interior of the shell.
The building stood upon a triple arch of red brick that spanned the
stream, and extended from shore to shore, where, on each side, a
house of later date stood cheek to jowl with it. It looked but an
indifferent affair as viewed from the little bridge aforesaid, which was
dedicated to St. Swithun of watery memory, but in reality extended
further backward than one might have suspected. Moreover, to the
east side a longish wing, with a ridged roof of tiles, ran off at right
angles and added considerably to the general dimensions. To the
west stood a covered yard, where once the mill wagons were packed
or unloaded; but this, in all my memory of it, yawned only a dusty
spave, given over to the echoes and a couple of ancient cart wheels
whose rusty tires and worm-pierced hubs were mute evidence of an
inglorious decay.
These were for all to see—but behind the walls!
Was the old mill uncanny from the first, or is it only the ghosts with
which our generation of passions has peopled it that have made it
so? This I can say: That I never remember a time when Jason or I,
or even Zyp, dared to be in the room of silence alone—and in
company never for more than a few minutes. Modred had not the
same awe of it, but Modred’s imagination was a swaddled infant. For
my father I will not speak. Maybe he was too accustomed to specters
to dread them.
This room was one on the floor above the water, and the fact that
it harbored the mill wheel, whose booming, when in motion, shook
the stagnant air with discordant sounds, may have served as some
explanation of its eeriness. It stood against the east wing and away
from the yard, and was a dismal, dull place, like a loft, with black
beams above going off into darkness. Its only light came from a
square little window in front that was bleared with dust and stopped
outside with a lacework of wire. Against its western wall was reared
a huge box or cage of wood, which was made to contain the upper
half of the wheel, with its ratchet and shaft that went up to the great
stones on the floor above; for the mill race thundered below, and
when the great paddles were revolving the water slapped and rent at
the woodwork.
Now it behooves me to mention a strange fancy of my father’s—
which was this, that though no grain or husk in our day ever
crumbled between the stones, the wheel was forever kept in motion,
as if our fortunes lay in grinding against impalpable time. The custom
was in itself ghostly, and its regularity was interrupted only at odd
moments, and those generally in the night, when, lying abed
upstairs, we boys would become conscious of a temporary cessation
of the humming, vibrating noise that was so habitual to the place. To
this fancy was added a strange solicitude on the part of my father for
the well-being of the wheel itself. He would disappear into the room
of silence twice or thrice a day to oil and examine it, and if rarely any
tinkering was called for we knew it by the sound of the closing of the
sluice and of the water rush swerving round by another channel.
Now, for the time I have said enough, and with a sigh return to that
May afternoon and little Zyp, the changeling.
She followed me into the mill so quietly that I hardly heard her step
behind me. When I looked back her eyes were full of a strange
speculation and her hands crossed on her breast, as if she prayed.
She motioned me forward and I obeyed, marveling at my own
submission. I had no slightest idea what I was to say to my father or
what propose. We found him seated by the table in the living room
upstairs, a bottle and glass before him. The weekly demon was
beginning to work, but had not yet obtained the mastery. He stared
at us as we entered, but said nothing.
Then, to my wonder, Zyp walked straight up to the old man, pulled
his arms down, sat upon his knee and kissed his rutted cheek. I gave
a gasp that was echoed by Jason, who had followed and was
leaning against the lintel of the open door. Still my father said nothing
and I trembled at the ominous silence. At last in desperation I
stammered, and all the time Zyp was caressing the passive face.
“Dad, the girl fell into the water and I pulled her out, and here she
is.”
Then at length my father said in a harsh, deep voice:
“You pulled her out? What was Jason there doing?”
“Waiting for her to drown,” my brother answered for himself,
defiantly forestalling conviction.
My father put the girl from him, strode furiously across the room,
seized Jason by one arm and gave him several cruel, heavy blows
across his shoulders and the back of his head. The boy was half
stunned, but uttered no cry, and at every stroke Zyp laughed and
clapped her hands. Then, flinging his victim to the floor, from which
he immediately rose again and resumed his former posture by the
door, pale but unsubdued, my father returned to his seat and held
the girl at arm’s length before him.
“Who are you?” he said.
She answered, “A changeling,” in a voice soft as flowers.
“What’s your name?”
“Zyp.”
“Your other name?”
“Never mind; Zyp’s enough.”
“Is it? Where do you come from? What brings you here?”
“Renny brought me here because I love him.”
“Love him? Have you ever met before?”
“No; but he pulled me out of the water.”
“Come—this won’t do. I must know more about you.”
She laughed and put out her hand coaxingly.
“Shall I tell you? A little, perhaps. I am from a big forest out west
there, where wheels drone like hornets among the trees and black
men rise out of the ground. I have no father or mother, for I come of
the fairies. Those who stood for them married late and had a baby
and they delayed to christen it. One day the baby was gone and I
was there. They knew me for a changeling from the first and didn’t
love me. But I lived with them for all that and they got to hate me
more and more. Not a cow died or a gammer was wryed wi’ the
rheumatics but I had done it. Bit by bit the old man lost all his trade
and loved me none the more, I can tell you. He was a Beast Leech,
and where was the use of the forest folk sending for him to mend
their sick kine when he kept a changeling to undo it all? At last they
could stand no more of it and the woman brought me away and lost
me.”
“Lost you?” echoed my father.
“Oh,” said Zyp, with a little cluck, “I knew all along how the tramp
was to end. There was an old one, a woman, lived in the forest, and
she told me a deal of things. She knew me better than them all, and I
loved her because she was evil, so they said. She told me some
rhymes and plenty of other things.”
“Well?” said my father.
“We walked east by the sun for days and days. Then we came to
the top of a big, soft hill, where little beetles were hopping among the
grass, and below us was a great town like stones in a green old
quarry, and the woman said: ‘Run down and ask the name of it while
I rest here.’ And I ran with the wind in my face and was joyful, for I
knew that she would escape when I was gone, and I should never
see her again.”
“And then you tumbled into the water?” said my father.
Zyp nodded.
“And now,” she said, “I belong to nobody, and will you have me?”
My father shook his head, and in a moment sobs most piteous
were shaking the girl’s throat. So forlorn and pretty a sight I have
never seen before or since.
“Well,” he said, “if nobody comes to claim you, you may stop.”
And stop Zyp did. Surely was never an odder coming, yet from
that day she was one of us.
What was truthful and what imaginative in her story I have never
known, for from first to last this was the most we heard of it.
One thing was certain. Zyp was by nature a child of the open air
and the sun. Flowers that were wild she loved—not those that were
cultivated, however beautiful, of which she was indifferent—and she
had an unspeakable imagination in reading their fanciful histories
and a strange faculty for fondling them, as it were, into sentient
beings. I can hardly claim belief when I say that I have seen a rough
nettle fade when she scolded it for stinging her finger, or a little
yellow rock rose turn from the sun to her when she talked to it.
Zyp never plucked a flower, or allowed us to do so if she could
prevent it. I well remember the first walk I took with her after her
establishment in the mill, when I was attracted by a rare little
blossom, the water chickweed, which sprouted from a grassy trench,
and pulled it for her behoof. She beat me savagely with her soft
hands, then fell to kissing and weeping over the torn little weed,
which actually appeared to revive a moment under her caresses. I
had to promise with humility never to gather another wild flower so
long as I lived, and I have been faithful to my trust.
The afternoon of her coming old Peg rigged her up some
description of sleeping accommodation in a little room in the attic,
and this became her sanctuary whenever she wished to escape us
and be alone. To my father she was uniformly sweet and coaxing,
and he for his part took a strange fancy to her, and abated somewhat
of his demoniacal moodiness from the date of her arrival.
Yet it must not be imagined, from this description of her softer side,
that Zyp was all tender pliability. On the contrary, in her general
relations with us and others as impure human beings, she was the
veritable soul of impishness, and played a thousand pranks to prove
her title to her parentage.
At first she made a feint of distributing her smiles willfully, by turn,
between Modred and me, so that neither of us might claim
precedence. But Jason was admitted to no pretense of rivalry;
though, to do him justice, he at once took the upper hand by meeting
scorn with indifference. In my heart, however, I claimed her as my
especial property; a demand justified, I felt no doubt, by her manner
toward me, which was marked by a peculiar rebellious tenderness
she showed to no other.
The day after her arrival she asked me to take her over the mill
and show her everything. I complied when the place was empty of all
save us. We explored room by room, with a single exception, the
ancient building.
Of course Zyp said: “There’s a room you haven’t shown me,
Renny.”
“Yes,” said I; “the room of silence.”
“Why didn’t we go there?”
“Never mind. There’s something wicked in it.”
“What? Do tell me! Oh, I should love to see!”
“There’s nothing to see. Let it alone, can’t you?”
“You’re a coward. I’ll get the sleepy boy to show me.”
“Come along then,” I said, and, seizing her hand, dragged her
roughly indoors.
We crossed a dark passage, and, pushing back a heavy door of
ancient timber, stood on the threshold of the room of silence. It was
not in nature’s meaning that the name was bestowed, for, entering,
the full voice of the wheel broke upon one with a grinding fury that
shook the moldering boards of the floor.
“Well,” I whispered, “have you seen enough?”
“I see nothing,” she cried, with a shrill, defiant laugh; “I am going
in”—and before I could stop her, she had run into the middle of the
room and was standing still in the bar of sunlight, with her arms
outspread like wings, and her face, the lips apart, lifted with an
expression on it of eager inquiry.
What happened? I can find an image only in the poison bottle of
the entomologist. As some shining, flower-stained butterfly, slipped
into this glass coffin, quivers, droops its wings and fades, as it were,
in a moment before its capturer’s eyes, so Zyp faded before mine.
Her arms dropped to her sides, her figure seemed as if its whole
buoyancy were gone at a touch, her face fell to a waxen color and
“Oh, take me away!” she wailed in a thin, strangled voice.
I conquered my terror, rushed to her, and, dragging her stumbling
and tripping from the room, banged to the door behind us and made
for the little platform once more and the open air.
She revived in a wonderfully short space of time, and, lifting up her
head, looked into my eyes with her own wide with dismay.
“It was hideous,” she whispered; “why didn’t you stop me?”
Zyp, it will be seen, was not all elf. She had something in common
with her sex.
“I warned you,” I said, “and I know what you felt.”
“It was as if a question was being asked of me,” she said, in a low
voice. “And yet no one spoke and there was no question. I don’t
know what it wanted or what were the words, for there were none;
but I feel as if I shall have to go on thinking of the answer and
struggling to find it forever and ever.”
“Yes,” I whispered, in the same tone; “that is what everybody
says.”
She begged me not to follow her, and crept away quite humbled
and subdued, and we none of us saw more of her that day. But just
as she left me she turned and whispered in awe-stricken tone,
“Answer what speaks to thee,” and I could not remember when and
where I had heard these words before.
CHAPTER IV.
ZYP BEWITCHES.
Zyp had been with us a month, and surely never did changeling
happen into a more congenial household.
Jason she still held at arm’s length, which, despite my admiration
of my brother, I secretly congratulated my heart on, for—let me get
over it at the outset—from first to last, I have never wavered in my
passion of love for this wild, beautiful creature. The unexpectedness
of her coming alone was a romance, the delight of which has never
palled upon me with the deadening years. Therefore it was that I
early made acquaintance with the demon of jealousy, than whom
none, in truth, is more irresistible in his unclean strength and
hideousness.
Zyp and I were one day wandering under the shadow of the
mighty old cathedral of Winton.
“I don’t like it, Renny,” she said, pressing up close to me. “It’s awful
and it’s grand, but there are always faces at the windows when I look
up at them.”
“Whose?” I said, with a laugh.
“I don’t know,” she said; “but think of the thousands of old monks
and things whose home it was once and whose ghosts are shut up
among the stones. There!” she cried, pointing.
I looked at the old leaded window she indicated, but could see
nothing.
“His face is like stone and he’s beckoning,” she whispered. “Oh,
come along, Renny”—and she dragged me out of the grassy yard
and never stopped hurrying me on till we reached the meadows.
Here her gayety returned to her, and she felt at home among the
flowers at once.
Presently we wandered into a grassy covert against a hedge on
the further side of which a road ran, and threw ourselves among the
“sauce alone” and wild parsley that grew there. Zyp was in one of
her softest moods and my young heart fluttered within me. She
leaned over me as I sat and talked to me in a low voice, with her fair
young brow gone into wrinkles of thoughtfulness.
“Renny, what’s love that they talk about?”
I laughed and no doubt blushed.
“I mean,” she said, “is it blue eyes and golden hair or brown eyes
and brown hair? Don’t be silly, little boy, till you know what I mean.”
“Well, what do you mean, Zyp?”
“I want to know, that’s all. Renny, do you remember my asking to
kiss and be friends that day we first met, and your refusing?”
“Yes, Zyp,” I stammered.
“You may kiss me now, if you like,” and she let herself drop into my
arms, as I sat there, and turned up her pretty cheek to my mouth.
My blood surged in my ears. I was half-frightened, but all with a
delicious guilt upon me. I bent hastily and touched the soft pink curve
with my trembling lips.
She lay quite still a moment, then sat up and gently drew away
from me.
“No,” she said, “that isn’t it. Shall I ever know, I wonder?”
“Know what, Zyp?”
“Never mind, for I shan’t tell you. There, I didn’t mean to be rude,”
and she stroked the sleeve of my jacket caressingly.
By and by she said: “I wonder if you will suffer, Renny, poor boy? I
would save you all if I could, for you’re the best of them, I believe.”
Her very words were so inexplicable to me that I could only sit and
stare at her. I have construed them since, with a knife through my
heart for every letter.
As we were sitting silent a little space, steps sounded down the
road and voices with them. They were of two men, who stopped
suddenly, as they came over against us, hidden behind the hedge,
as if to clinch some argument, but we had already recognized the
contrary tones of my father and Dr. Crackenthorpe.
“Now, harkee!” the doctor was saying; “that’s well and good, but
I’m not to be baffled forever and a day, Mr. Ralph Trender. What
does it all amount to? You’ve got something hidden up your sleeve
and I want to know what it is.”
“Is that all?” My father spoke in a set, deep manner.
“That’s all, and enough.”
“Then, look up my sleeve, Dr. Crackenthorpe—if you can.”
“I don’t propose to look. I suggest that you just shake it, when no
doubt the you-know-whats will come tumbling out.”
“And if I refuse?”
“There are laws, my friend, laws—iniquitous, if you like; but, for
what they are, they don’t recognize the purse on the highway as the
property of him that picks it up.”
“And how are you going to set these laws in motion?”
“We’ll insert the end of the wedge first—say in some public print,
now. How would this look? We have it on good authority that Mr.
Trender, our esteemed fellow-townsman, is the lucky discoverer of
——”
“Be silent, you!” My father spoke fiercely; then added in a low tone:
“D’ye wish all the world to know?”
“Not by any means,” said the other, quietly, “and they shan’t if you
fall in with my mood.”
“If I only once had your head in the mill wheel,” groaned my father,
with a curse. “Now, harken! I don’t put much value on your threat; but
this I’ll allow that I court no interference with my manner of life. Take
the concession for what it is worth. Come to me by and by and you
shall have another.”
“A couple,” said the doctor.
“Very well—no more, though I rot for it—and take my blessing with
them.”
“When shall I come?” said the doctor, ignoring the very equivocal
benediction.
“Come to-night—no, to-morrow,” said my father, and turning on his
heel strode heavily off toward the town.
I heard the doctor chuckling softly with a malignant triumph in his
note.
I clenched my teeth and fists and would have risen had not Zyp
noiselessly prevented me. It was wormwood to me; the revelation
that, for some secret cause, my father, the strong, irresistible and
independent, was under the thumb of an alien. But the doctor walked
off and I fell silent.
On our homeward way we came across Jason lying on his back
under a tree, but he took no notice of us nor answered my call, and
Zyp stamped her foot when I offered to delay and speak to him.
Nevertheless I noticed that more than once she looked back, as long
as he was in view, to see if he was moved to any curiosity as to our
movements, which he never appeared to be in the least.
Great clouds had been gathering all the afternoon, and now the
first swollen drops of an advancing thunderstorm spattered in the
dust outside the yard. Inside it was as dark as pitch, and I had
almost to grope my way along the familiar passages. Zyp ran away
to her own den.
Suddenly, with a leap of the blood, I saw that some faintly pallid
object stood against the door of the room of silence as I neared it. It
was only with an effort I could proceed, and then the thing detached
itself and was resolved into the white face of my brother Modred.
“Is that you, Renny?” he said, in a loud, tremulous voice.
“Yes,” I answered, very shakily myself. “What in the name of
mystery are you doing there?”
“I feel queer,” he said. “Let’s get to the light somewhere.”
We made our way to the back, opened the door leading on to the
little platform and stood looking at the stringed rain. Modred’s face
was ghastly and his eyes were awakened to an expression that I had
never thought them capable of.
“You’ve been in there?” I said.
“Yes,” he whispered.
“More fool you. If you like to tempt the devil you should have the
brass to outface him. Why, you’ve got it!” I cried, for he suddenly let
fall from his trembling hand a little round glittering object, whose
nature I could not determine in the stormy twilight.
He had it in his clutch again in a moment, though I pounced for it,
and then he backed through the open doorway.
“It’s naught that concerns you,” he said; “keep off, you beast!”
“What is it?” I cried.
“Water-parings,” said he, and clapped to the door in my face as I
rushed at him, and I heard him scuttle upstairs. The latch caught me
in the chest and knocked my breath out for a bit, so that I was unable
to follow, and probably he ran and bolted himself into his bedroom. In
any case, I had no mind for pursuit, my heart being busy with other
affairs; and there I remained and thought them out. Presently, being
well braced to the ordeal, I went indoors and upstairs to the living
room, where I was persuaded I should find my father. And there he
sat, pretty hot with drink and with a comfortless, glowering devil in
his eyes.
“Well!” he thundered, “what do you want?”
I managed to get out, with some firmness, “A word with you, dad,”
though his eyes disquieted me.
“Make it one, then, and a quick one!”
“Zyp and I were sitting behind a hedge this afternoon when you
and Dr. Crackenthorpe were at words on the other side.”
His eyes shriveled me, but the motion of his lips seemed to signify
to me that I was to go on.
“Dad, if he has any hold over you, let me share the bother and
help if I can.”
He had sat with his right hand on the neck of the bottle from which
he had been drinking, and he now flung the latter at me, with a snarl
like that of a mad dog. Fortunately for me, in the very act some flash
of impulse unnerved him, so that the bottle spun up to the ceiling and
crashed down again to the floor, from which the scattered liquor sent
up a pungent, sickening odor. Then he leaped to his feet and yelled
at me. I could make nothing of his words, save that they clashed into
one another in a torrent of furious invective. But in the midst his
voice stopped, with a vibrating snap; he put his hand to his forehead,
which, I saw with horror, was suddenly streaked with purple, and
down he sunk to the floor in a heap.
I was terribly frightened, and, running to him, endeavored in a
frantic manner to pull him into a sitting posture. I had half succeeded,
when, lying propped up against the leg of the table, he gave a groan
and bade me in a weak voice to let him be; and presently to my joy I
saw the natural color come back to his face by slow degrees. By and
by he was able to slide into the chair he had left, where he lay
panting and exhausted, but recovering.
“Renalt, my lad,” he said, in a dragging voice, “what was that you
said just now? Let’s have it again.”
I hesitated, but he smiled at me and bade me not to fear. Thus
encouraged, I repeated my statement.
“Ah,” he said; “and the girl—did she hear?”
“She couldn’t help it, dad. But she can’t have noticed much, for
she never even referred to it afterward.”
“Which looks bad, and so much for your profound knowledge of
the sex.”
He looked at me keenly for some moments from under his matted
eyebrows; then muttered as if to himself:
“Here’s a growing lad, and loyal, I believe. What if I took him a
yard into my confidence?”
“Oh, yes, dad,” I said, eagerly. “You can trust me, indeed you can.
I only want to be of some use.”
He slightly shook his head, then seemed to wake up all of a
sudden.
“There,” he said; “be off, like a good boy, and don’t worry me a
second time. You meant well, and I’m not offended.”
“Yes, dad,” I said a little sadly, and was turning to go, when he
spoke to me again:
“And if the girl should mention this matter—you know what—to
you, say what I tell you now—that Dr. Crackenthorpe thinks your
father can tell him where more coins are to be found like the one I
gave him that night; but that your father can’t and is under no
obligation to Dr. Crackenthorpe—none whatever.”
So I left him, puzzled, a little depressed, but proud to be the
recipient of even this crumb of confidence on the part of so reserved
and terrible a man.
Still I could not but feel that there was something inconsistent in
his words to me and those I had heard him address to the doctor.
Without a doubt his utterances on the road had pointed to a certain
recognition of the necessity of bribing the other to silence.