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CANADA AND INTERNATIONAL AFFAIRS
Series Editors
David Carment, NPSIA, Carleton University, Ottawa, ON, Canada
Philippe Lagassé, NPSIA, Carleton University, Ottawa, ON, Canada
Yiagadeesen Samy, NPSIA, Carleton University, Ottawa, ON, Canada
Palgrave’s Canada and International Affairs is a timely and rigorous series
for showcasing scholarship by Canadian scholars of international affairs
and foreign scholars who study Canada’s place in the world. The series
will be of interest to students and academics studying and teaching Cana-
dian foreign, security, development and economic policy. By focusing on
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pendent analysis. As the anchor, Canada Among Nations is the series’
most recognisable annual contribution. In addition, the series show-
cases work by scholars from Canadian universities featuring structured
analyses of Canadian foreign policy and international affairs. The series
also features work by international scholars and practitioners working in
key thematic areas that provides an international context against which
Canada’s performance can be compared and understood.
Taylor Robertson McDonald
Identity Discourses
and Canadian Foreign
Policy in the War
on Terror
Taylor Robertson McDonald
School of International Service
American University
Washington, DC, USA
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
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To Alexandria,
who has enriched my life beyond articulation
Acknowledgements
Reflecting on the years of work that have gone into creating this book
is a firm reminder of how far the project and its author have come. The
book is rooted in my dissertation research conducted during my years at
the University of Florida (UF) in Gainesville. At UF, I was privileged to
have learned from Ido Oren who opened my mind to so many insights
that informed the theoretical and epistemological basis of this book. I
thank Ido for his encouragement, guidance, and dedicated feedback over
many years. Likewise, this book would not have been possible without
Laura Sjoberg whose support and incisive commentary allowed me to
improve the project after each and every discussion. The same must be
said of M. Leann Brown, whose notes and encouragement helped me
steer the project out of the gate at its earliest embryonic stages. It was
not until I met Robert D’Amico that my interest in language games was
sparked and our many vibrant philosophical discussions have aided this
book immensely. During my years at UF, I was lucky to have many excel-
lent mentors who have all contributed to my sharpening of the project at
various stages of its development, including Dan O’Neill, Les Thiele, and
Zach Selden.
This project developed substantially during my time at The Jagiel-
lonian University (UJ) in Kraków, Poland. As a post-doctoral fellow, I
found an incredibly welcoming and vibrant community of scholars at the
Taube Centre for Advanced Studies in the Social Sciences. I am grateful to
the entire Taube Centre board, in particular Paweł Laidler and Zdzisław
vii
viii ACKNOWLEDGEMENTS
Mach who supported me and this book from our first meeting. The
opportunity to join such a historic and intellectually rich institution as
UJ has been a true honour and an incredibly rewarding experience. I
must give a special thanks to the Centre’s coordinator Sylwia Fiałkiewicz
who immensely aided my transition to life in beautiful Kraków. I am
forever indebted to my brilliant colleagues Ivan Kozachenko and Tore
Bernt Sorensen for their camaraderie and chats about all things identity,
but most importantly for their continued friendship across continents and
time zones. While scholarly research and writing can be an isolating expe-
rience (especially during a global pandemic), I am more grateful for moi
przyjaciele than they know.
Various parts of this book, in both early and later stages, benefitted
immensely from my participation in conferences and meetings, including
the 2019 Association for Canadian Studies in the United States (ACSUS),
2021 International Studies Association (ISA), and The Jagiellonian Inter-
disciplinary Security Conference meetings. In presenting what would
become the basic framework of this book, I received especially invaluable
feedback, encouragement, and enduring inspiration from the Interpretive
Methodologies and Methods Conference Group at the American Political
Science Association (APSA) conference in 2017.
I also acknowledge my colleagues at the School of International Service
at American University in Washington, DC, who warmly welcomed me
into their community during the latter stages of this project. This book
has also benefitted greatly from two anonymous reviewers who provided
excellent feedback for which I am extremely thankful. I would also like
to thank the Palgrave Macmillan editorial and production teams for their
assistance throughout this process.
I thank my parents, Charlotte and Mark, for being my greatest cheer-
leaders and for always keeping questions of what it really means to be
Canadian at the top of my mind. Last but certainly not least, I thank my
partner Alexandria, to whom this book is dedicated. Alexandria has been
an unwavering source of support and inspiration. She has been my top
interlocutor and confidant over all these years and this book reflects her
incredible patience and ceaseless confidence in me. Tackling life together,
with all its exciting twists, unexpected turns, and incredible triumphs has
been my greatest joy.
Contents
1 Introduction 1
2 Identity and Foreign Policy as Discursive Practices:
A Framework 43
3 Won’t You Be My Neighbour? Discourses of Canada’s
“Neighbourly Relations” and the War on Terror 73
4 Crusading Saviour and Condemning Onlooker:
Discourses of Canada the Protector and the War
on Terror 117
5 All for One, One for All: Discourses of Canadian
Multilateralism and the War on Terror 163
6 Re-imagining Canada? Foreign Policy Discourses
in the Age of Trump, Putin, and Pandemic Politics 193
7 Conclusion 233
Index 245
ix
About the Author
xi
Abbreviations
BQ Bloc Québécois
CA Canadian Alliance Party
CAF Canadian Armed Forces
CPC Conservative Party of Canada
FIAP Feminist International Assistance Policy
GWOT Global War on Terror
IR International Relations
LP Liberal Party of Canada
MNCH Maternal, Newborn, and Child Health
MP Member of Parliament
NAFTA North American Free Trade Agreement
NATO North Atlantic Treaty Organization
NDP New Democratic Party
NORAD North American Aerospace Defence Command
ODA Official Development Assistance
PC Progressive Conservative Party
xiii
List of Tables
xv
CHAPTER 1
Introduction
always done—work with the United States and its closest allies, continue
to defend the rights of the most persecuted, namely Afghan women and
girls, and support multilateral efforts to hold the Taliban accountable. In
other words, Canada would be who it has always been, and act accord-
ingly. One could easily mistake the words of the current Prime Minister
with those of a former Prime Minister uttered almost exactly twenty years
prior. In the first sitting of the Canadian Parliament following the 9/11
terrorist attacks in New York City in September 2001, Jean Chrétien
declared that Canada would “stand with the Americans as neighbours,
as friends as family. We will stand with our allies,” and reminded the
House that Canada “will continue to offer refuge to the persecuted”
while addressing the collective “threat terrorism poses to all civilized
peoples and the role that Canada must play in defeating it.”1 Twenty
years later, with Trudeau’s government playing the same old tunes, these
narratives appear to have outlived the very war they were first deployed
to legitimate.
This book is about how politicians talk about Canadian identity when
discussing Canadian foreign policy. It begins by asking a central ques-
tion: despite shifts in political leadership, geo-politics, and security threats,
how can we understand the Canadian government’s continued reliance
on these same parochial representations of Canada and Canadian foreign
policy? As times change, how are the same old tunes still at the top of the
charts? The main argument that unfolds is that a limited set of narra-
tives of Canadian identity dominate foreign policy discussions among
Canadian politicians in the House of Commons. So much so, that the
legitimacy of foreign policies relies on politicians’ ability to convey them
within the terms of these basic narratives, regardless of the actual partic-
ulars of the policy. Stated differently, the invocation of a set of familiar
narratives of Canadian identity is so indispensable in the process of Cana-
dian foreign policy becoming politically possible that politicians habitually
and inescapably filter their preferred policies through the prism of these
limited narratives. Key to this argument—standing contrary to domi-
nant approaches to the study of foreign policy in International Relations
(IR)—is that the pictures politicians paint of who Canada is are integral to
pursuing how Canada acts internationally. Political representations make
certain foreign policy possibilities more realizable than others. This is not
because politicians are attuned to a fundamental or “true” Canadian iden-
tity to guide Canada’s foreign policies. Nor is it because politicians are
merely “selling” feel-good stories to pacify the populace while pursuing
1 INTRODUCTION 3
speaker or how persuasive the audience finds the words,6 Canadian politi-
cians habitually invoke the same set of narratives even when debating
very different foreign engagements and arguing for opposing foreign poli-
cies. This is what they do, over and over again. Invoking these frequently
deployed words is so pervasive a habit that all sides of debate inescapably
articulate their preferred policies by invoking these same basic stories even
to represent opposing portraits of Canadian identity. Focusing specifically
on these repeated practices, the “doings ” themselves, attunes us to the
power of these habitual utterances in their own right, their stickiness and
ability to somehow stay relevant, rather than the usual focus of simply
being outcomes of the intentions of the performer.
Theorizing exactly how the role of repetition factors into discursive
articulations of identity and foreign policy has proved to be an illusive
goal in IR. Repeating representations of identities appears to be conse-
quential for how foreign policy decisions are ultimately developed, but
there remains an absence of theorizing how exactly repeated rhetorical
practices matter. To remedy this absence, I draw insights from a segment
of scholars in IR who have taken practices seriously as their conceptual
focal point, practice theorists. The key insight offered by theories of prac-
tice in the study of IR is that everyday behaviours matter beyond the
intentions or beliefs of those engaging in them. Practices engage a form
of power, “not only because habit engrains standard ways of doing things,
but the need to engage one another forces people to return to common
structures.”7 Falling back on common tropes, narratives and stories to
discuss novel events is simply “what one does.”
In light of these theoretical insights, grasping the interplay of discourse
and practice—what I refer to as discursive practices —is crucial to under-
stand how certain Canadian foreign policies are realized over others.
Deploying narratives of Canadian identity anchored by specific words and
containing attributes of often-repeated narratives is key to legitimizing
one foreign policy over another. Yet, because the habitual repetition of
the words is necessary to provide one’s preferred policy with legitimacy,
politicians on all sides of a debate channel their preferences through the
same limited set of narratives. The result being that Canadian foreign
policy debate is not only a battleground of differing policies but a
battle of differing conceptions of Canadian identity as discourses compete
to anchor their meanings to these familiar narratives. Because specific
elements of these narratives are constantly repeated and live on through
successive debates, even though the meanings attached to them differ over
6 T. R. MCDONALD
inroads to our understanding of two still salient questions, one from the
recent past and one for the future: first, how the Canadian government
could articulate Canada’s involvement in Afghanistan as necessary based
on these narratives yet only two years later deem it necessary to abstain
from coalition forces in Iraq while relying on the same narratives? Second,
how will these narratives impact the future of Canadian foreign policy
as Canada confronts an inflection point about its own identity in an
increasingly chaotic world?
The remainder of this chapter situates a discursive practice-based
approach to Canadian foreign policy analysis within the existing literature
of IR and Canadian foreign policy in particular. It discusses the absence
of such approaches in contemporary Canadian foreign policy analysis and
the importance of filling this gap before concluding with a summary of
the book’s chapters.
This ‘talking’ is central both to what they do and who they are—to
the dynamics of identity. States, like individuals, position themselves in
1 INTRODUCTION 13
relation to other states by adopting certain discourse and not others. More-
over, these discourses function as important principles of coherence for
statehood.45
Yet, discourses are not benign descriptions of subjects and objects in the
world, but systematically produce the subjects and objects they articu-
late. Power as productive draws our attention away from the common
notion of power as a coercive or repressive instrument that allows the
will of one to be imposed onto another and instead towards thinking
about power as a process based on relationships within dense networks of
meanings. Productive power does not preexist relationships but instead
emanates from them.46 The act of articulating Canada as a “brother”
to the United States or the Taliban as a threat to “the civilized world,”
constitutes the very terms in which foreign policies are enabled and
developed to respond. To articulate the Bosnian War as an unavoidable
product of ancient hatred is to simultaneously open avenues for particular
policies, like non-engagement, while working to exclude others, like an
intervention.
Such discourses are seen as not merely describing an event, but consti-
tuting the event. In foreign policy, these representations are mainly
articulated through Self and Others distinctions whereby the Self is
defined by its difference (whether subtle or radical) versus Others, and
not just as fixed binaries but complex and multidimensional identities
that may be activated differently in relation to different identities.47
As an example, Roxanne Doty’s Imperial Encounters 48 examines the
United States and Britain’s representations of the Philippines and Kenya,
respectively, that primarily cast these “Western” countries as “civilized,”
“mature,” and “nurturing” parents justified to intervene in the “global
South,” frequently represented as children in need of direction. Such
representations demonstrate the power of discourse at work, as Doty
argues they “enabled practices of domination, exploitation, and brutality,
practices that probably would have been considered unthinkable, repre-
hensible, and unjustifiable were an alternative ‘reality’ taken seriously.”49
Importantly, the personal motivations, interests, or intentions of
“speakers of discourse,” like presidents and ministers of trade, take a back-
seat to what the language actually does, the avenues that become available
and those that become cordoned off. Therefore, discursive approaches
are concerned not with which competing narrative is most “true,” but
how certain representations of actors and events are taken as “truth,”
14 T. R. MCDONALD
and what outcomes they make possible. This book adopts and seeks to
enhance these insights.
Notes
1. Chrétien, J. (Prime Minister, Lib). (2001, September 17). House of
Commons Debates (Hansard), 37th Parliament, 1st session, 1110h–1120h.
2. Hansen, L. (2006). Security as Practice: Discourse Analysis and the
Bosnian War. Routledge, i.
3. Rather than using the phrasing “state” identity or “national” identity,
throughout this book, I elect to refer specifically to Canadian or Amer-
ican “identity” or “identities of states.” This choice is made to emphasize
“identity” as referring to rhetorical articulations of “identity;” basic state-
ments of “who we are,” and “who they are,” that draw together ideas
both from domestic society and the international sphere, rather than
referencing more formal notions of “state” or “national” identity that
generally emphasize one arena over the other. See Ashizawa, K. (2008).
When Identity Matters: State Identity, Regional Institution-Building, and
Japanese Foreign Policy. International Studies Review 10, 574–576.
4. For a review of contemporary challenges facing Canada, see Carment,
D. & Nimijean, R. (Eds). (2021). Political Turmoil in a Tumultuous
World: Canada Among Nations 2020. Palgrave Macmillan.
5. Campbell, D. (1992). Writing Security: United States Foreign Policy and
the Politics of Identity. University of Minnesota Press; original Foucault,
M. (1984). The Order of Discourse. In Shapiro, M. (Ed). Language and
Politics. New York University Press.
6. There is a plethora of studies analyzing Canadian public opinion in rela-
tion to the Afghanistan War. For a sample, see Boucher, J.C. (2009).
Selling Afghanistan: A Discourse Analysis of Canada’s Military Inter-
vention (2001–2008). International Journal 64(3), 717–733; Nossal,
K.R. (2010). Rethinking the Security Imaginary: Canadian Security
and the Case of Afghanistan. In Charbonneau, B. & Cox, W. (Eds).
Locating Global Order: American Power and Canadian Security After
9/11. University of British Columbia Press.
7. Neumann, I.B. (2002). Returning Practice to the Linguistic Turn:
The Case of Diplomacy. Millennium: Journal of International Studies
31(3), 631; Swidler, A. (2000). What Anchors Cultural Practices. In K.
1 INTRODUCTION 29
19. Searle, J.R. (1995). The Construction of Social Reality. Free Press.
20. Onuf, N. (2018). Preface: The Dinosaur Speaks! In Bertucci et al. (Eds),
11.
21. Wendt, A. (1992). Anarchy Is What Staes Make of It: The Social
Construction of Power Politics. International Organizations 46(2), 398.
22. Wendt, A. (1992).
23. Wendt, A. (1995). Constructing International Politics. International
Security 20(1), 73.
24. For example, see Adler, E. (2013). Constructivism in International Rela-
tions: Sources, Contributions, and Debates. In Carlsnaes, W., Risse,
T., & Simmons, B.A. (Eds). Handbook of International relations (2nd
ed). SAGE; Barder, A. & Levine, D. (2012). “The World Is Too Much
for Us”: Reification and the Depoliticising of Via Media Construc-
tivist IR. Millennium 40(3); Berenskoetter, F. (2010). Identity in
International Relations. In The International Studies Encyclopedia. Wiley-
Blackwell; Bertucci et al. (2018); Checkel, J. (2004). Social Construc-
tivisms in Global and European Politics. Review of International Studies
30(2); Jepperson, R.L., Wendt, A., & Katzenstein, P.J. (1996). Norms,
Identity, and Culture in National Security. In Katzenstein, P. (Ed).
The Culture of National Security: Norms and Identity in World Poli-
tics. Columbia University Press; Vucetic, S. (2017). Identity and Foreign
Policy. In James, P. (Ed). Oxford Research Encyclopedia of Politics.
25. Vuectic, S. (2017), 2; Hansen, L. (2006), 19.
26. I speak of “constructivisms” so as to acknowledge the diversity among
constructivist approaches in IR. See Sjoberg, L. & Barkin, S.J. (2018).
If It Is Everything, It Is Nothing: An Argument for Specificity in
Constructivisms. In Bertucci et al. (2018).
27. Wendt, A. (1999). Social Theory of International Politics. Cambridge
University Press.
28. Vucetic, S. (2017), 5; original in Abdelal, R., Herrera, Y.M., Johnston,
A.I., & McDermott, R. (2009). Measuring Identity: A Guide for Social
Scientists. Cambridge University Press.
29. Hansen, L. (2006), 19.
30. Smith, S. (2000). ‘Wendt’s World’. Review of International Studies 26,
151.
31. Arfi, B. (2010). Fantasy in the Discourse of ‘Social Theory of Interna-
tional Politics’. Cooperation and Conflict 45(4); Doty, R. (2000). Desire
All the Way Down. Review of International Studies 26.
32. Wendt, A. (1999), 77; Smith, S. (2000), 154.
33. Solomon, T. (2015). The Politics of Subjectivity in American Foreign
Policy Discourses. University of Michigan Press, 12; original in Adler,
1 INTRODUCTION 31
Honor was late for tiffin, in fact it was getting on for afternoon
teatime when she arrived. She discovered the bungalow in a state of
unusual commotion. There was visible excitement on the servants’
faces, an air of extra importance (were that possible) in the bearer’s
barefooted strut—he now appeared to walk almost entirely on his
heels.
Mrs. Brande was seated at a writing-table, beginning and tearing
up dozens of notes; her cap was askew, her fair hair was ruffled, and
her face deeply flushed. What could have happened?
“Oh, Honor, my child, I thought you were never coming back, I
have been longing for you,” rushing at her. “But how white you look,
dearie; you have walked too far. Are you ill?”
“No, no, auntie. What is it? There is something in the air. What has
happened?”
For sole answer, Mrs. Brande cast her unexpected weight upon
her niece’s frail shoulder, and burst into loud hysterical tears.
“Only think, dear girl!”—convulsive sobs—“a coolie has just come
—and brought a letter from P.—They have made him a K.C.B.”—
boisterous sobs—“and your poor old auntie—is—a lady at last!”
CHAPTER XLIII.
“RAFFLE IT!”
“Major and Mrs. Granby Langrishe request the honour of Mr. and
Mrs. Blanks’s company at St. John’s church at two o’clock on the
afternoon of the 20th inst., to be present at the marriage of their
niece and Sir Gloster Sandilands.”
These invitation cards, richly embossed in silver, were to be seen
in almost every abode in Shirani. The wedding dress was on its way
from Madame Phelps, in Calcutta. The cake and champagne were
actually in the house. There were to be no bridesmaids, only two
little pages—“they were cheaper,” Mrs. Langrishe said to herself; “a
set of girls would be expecting jewellery and bouquets.” Happy Mrs.
Langrishe, who had been overwhelmed with letters and telegrams of
congratulations. She had indeed proved herself to be the clever
woman of the family. It was her triumph—more than Lalla’s—and she
was radiant with pride and satisfaction. Yea, her self-congratulations
were fervent. She was counting the days until her atrocious little
incubus went down the ghaut as Lady Sandilands. A little incubus,
securely fastened on another person’s shoulders—for life!
Lalla was entirely occupied with letters, trousseau, and
preparations. She was to have taken the principal part in a grand
burlesque, written specially for her, by Toby Joy. The burlesque had
been on hand for two months, and was to bring the Shirani season to
a fitting and appropriate close. The piece was called “Sinbad the
Sailor.” Lalla had been rehearsing her songs and dances most
industriously, until she had been called upon to play another part—
the part of Sir Gloster’s fiancée.
Sir Gloster did not care for burlesques; he had never seen Miss
Paske in her true element—never seen her dance. It was not
befitting her future position that she should appear on the boards.
No, no; he assured her that he was somewhat old-fashioned, his
mother would not like it. She must promise him to relinquish the idea,
and never to perform in public again. But Lalla was stubborn; she
would not yield altogether. Urged by Toby Joy, by the theatrical
troupe—who felt that they could not pull through without their own
bright particular star—she held out in a most unreasonable and
astonishing manner. At length she submitted so far as to declare that
“she would wear Turkish trousers, if he liked!” This she reluctantly
announced, as if making an enormous concession.
“He certainly did not wish her to wear Turkish trousers!” he
returned, greatly scandalized. “How could she make such a terrible
suggestion?” He was heavy and inert, but he could oppose a dead,
leaden weight of resistance to any scheme which he disliked. This
he called “manly determination;” but Lalla had another name for it
—“pig-headed obstinacy!” However, she coaxed, promised, flattered,
wept, and worked upon her infatuated lover so successfully, that he
reluctantly permitted her to take a very small part, so as not to have
her name removed from the bills; but this was to be positively “Her
last appearance,” and she might announce it on the placards, if she
so pleased. He himself was summoned to Allahabad on urgent
business—in fact, to arrange about settlements—and he would not
be present, he feared; but he would do his best to return by the end
of the week.
Miss Paske’s part, the dancing, singing peri, was given to a very
inferior performer—who was the stage manager’s despair, and a
most hopeless stick. Toby Joy, who was in woefully low spirits
respecting the certain failure of the burlesque, and—other matters—
came to Lalla on the night but one before the play.
“She has got influenza—so it’s all up,” making a feint of tearing his
hair, “and every place in the house sold for two nights, and—an
awful bill for dresses and properties. What is to become of me? Can’t
you take it? It was your own part—you do it splendidly—no
professional could beat you. Come, Lalla!”
“I promised I would not dance,” she answered with a solemn face.
“Time enough to tie yourself up with promises after you are
married! Take your fling now—you have only ten days—you’ll never
dance again.”
“No, never,” she groaned.
“He is away, too,” urged this wicked youth; “he is not coming up till
Saturday; he won’t know, till all is over, and then he will be as proud
as a peacock. You have your dresses, you had everything ready until
he came and spoilt the whole ‘box of tricks.’” And Toby looked
unutterable things. “Did he say anything to your aunt?” he asked.
“No—not a word. You don’t suppose that I allow her to mix herself
up in my affairs? It was merely between him and me——”
“Well, you can easily smooth him down—and if you don’t take your
own original part, I must send round a peon this afternoon, to say
that the burlesque has been put off, owing to the illness of the prima-
donna—the ‘incapability’ is the proper word. But you are a brick, and
you won’t let it come to that; you will never leave us in a hole.”
A little dancing devil in each eye eagerly assured him that she
would not fail them! Yes, the combined entreaties of her own set—
their compliments and flattery—her own hungry craving for what
Toby called “one last fling,” carried the point. He would not be back
until Saturday. The piece was for Wednesday, Thursday, and Friday,
and she could (as she believed) easily talk him over. Yes, she made
up her mind that she would play the peri; and she informed her aunt,
with her most off-hand air, “that she had been prevailed on to take
the principal part; that Miss Lane was ill (and any way would have
been a dead failure); that she could not be so shamefully selfish as
to disappoint every one; that the proceeds were for a charity (after
the bills were paid there would not be much margin)”, and Mrs.
Langrishe, in sublime ignorance of Lalla’s promise, acquiesced as
usual. She now subscribed to all her niece’s suggestions with
surprising amiability, assuring herself that the days of her
deliverance from “a girl in a thousand” were close at hand!
The burlesque of Sinbad was beautifully staged, capitally acted,
and a complete success. Miss Paske’s dancing and singing were
pronounced to be worthy of a London theatre—if not of a music-hall.
People discussed her wherever they met, and all the men hastened,
as it were in a body, to book places for the next performance.
The ladies were not altogether so enthusiastic; indeed, some of
them were heard to wonder how Sir Gloster would have liked it?
Sir Gloster, on the wings of love, was already half way through his
return journey. He had transacted his business with unexpected
promptitude, and was breakfasting at a certain dâk bungalow,
encompassed with many parcels and boxes. Here he was joined by
two subalterns, who were hurrying in the opposite direction—that is,
from Shirani to the plains. They were full of the last evening’s
entertainment, and could talk of nothing but the burlesque.
“It was quite A1,” they assured their fellow-traveller. “It could not
be beaten in London—no, not even at the Empire. Miss Paske was
simply ripping!”
“Yes,” returned Sir Gloster, complacently, “I believe there is a good
deal of nice feeling in her acting, but she had only a minor part.”
“Bless your simple, innocent heart!” exclaimed the other, “she was
the principal figure; she was the whole show; she filled the bill.”
“May I ask what you mean?” demanded the baronet, with solemn
white dignity.
“She was the peri—didn’t you know? She dances every bit as well
as Lottie Collins or Sylvia Grey, doesn’t she, Capel?” appealing
eagerly to his comrade.
“Yes; and I’d have gone to see her again to-night, only for this
beastly court-martial. I gave my ticket over to Manders, for he
couldn’t get a place. She draws like a chimney on fire; there is no
squeezing in at the door—even window-sills were at a premium. You
ought to go on, Sir Gloster; of course you will get a seat,” with a
significant laugh. “This is the last performance, and, upon my word,
you should not miss it.”
Sir Gloster remained mute. Was it possible that his little Lalla, who
wrote him such sweet, endearing notes, had deliberately broken her
word, and defied him?
At the very thought of such a crime his white flabby face grew
rigid. Seeing was believing. He would take this crack-brained young
man’s advice, and hurry on. He might manage to be in Shirani by
eight o’clock that evening—just in time to dress and get to the play.
His wrath was hot within him—and the anger of a quiet and
lethargic person, when once roused, is a very deadly thing. His
sturdy hill ponies bore the first brunt of his indignation; and Sir
Gloster, who was naturally a timid horseman, for once threw fear to
the winds, and galloped as recklessly as Toby Joy himself. He
arrived at the club just in time to swallow a few mouthfuls, change
his clothes, and set off to the theatre. He could not get a seat, but
“he might, if he liked, stand near the door, with his back to the wall,”
and for this handsome privilege he paid four rupees—the best-laid-
out money he ever invested, as he subsequently declared. The
curtain had already risen; the scene looked marvellously like
fairyland. Toby Joy had just concluded a capital topical song, when a
large egg was carefully rolled upon the stage. The egg-shell opened
without the application of a spoon, and hatched out a most exquisite
creature, the peri, whose appearance was the signal for a thunder of
hand-clapping. The peri—yes—was Lalla, in very short, fleecy
petticoats, with a twinkling star in her hair—his own present, as Sir
Gloster noted with an additional spasm of indignation.
Presently she began to dance.
Now, be it known, that her performance was perfectly decorous
and delightfully graceful. Lalla’s glancing feet scarcely touched the
ground, and she danced as if from pure happiness and lightness of
heart. (Toby Joy danced as if he had le diable au corps.) After
entrancing the spectators for ten thrilling minutes with several
entirely fresh variations, Lalla finished up with the tee-to-tum spin,
which is to the dancer what the high note, at the end of a song, is to
the singer!
The result of this effort was a hurricane of frantic applause, in
which Sir Gloster took no part; he was not a theatre-goer—he was
provincial. His mother and his surroundings were strictly evangelical;
and whilst his fiancée enchanted the whole station, he stood against
the wall glowering and pale. The only character present to his mind
was the daughter of Herodias! Frankly speaking, the performance
had filled him with horror. That the future Lady Sandilands should
offer herself thus to public contemplation; that any one who chose to
pay four rupees might see this indecorous exhibition—including
soldiers in uniform, at the low price of four annas!
He was actually beside himself with fury, and forced his way out,
with his head down, like a charging animal. Few noticed him or his
hasty exit; every one had eyes for Lalla, and Lalla only. She received
an ovation and a shower of bouquets as she was conducted before
the curtain by Toby Joy, modestly curtseying and kissing her hand.
Miss Paske subsequently remained to enjoy a merry and recherché
supper, chaperoned by the invaluable Mrs. Dashwood; and Mrs.
Langrishe, as was not an unusual occurrence, went home alone.
To that lady’s great amazement, she discovered Sir Gloster
awaiting her in the drawing-room, and she gathered from his strange
and agitated appearance that something terrible had occurred.
“I was thinking of writing to you, Mrs. Langrishe,” he began in a
curiously formal voice, “but I changed my mind, and came to see you
instead. All is over between your niece and myself.”
Mrs. Langrishe turned perfectly livid, and dropped into the nearest
chair.
“Pray, explain!” she faltered at last.
“Miss Paske will doubtless explain to you why she gave me a
solemn promise to renounce dancing on a public stage. I reluctantly
allowed her to appear for the last time in a very small part—that of
an old nurse. I return unexpectedly, and discover her in the character
of a ballet-girl, exhibiting herself—well, I must say it—half naked to
the whole of Shirani. Such a person is not fit to be my wife. She has
broken her word. She has a depraved taste; she has no modesty.”
That Ida Langrishe should live to hear such epithets applied to her
own flesh and blood!