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(Download PDF) The Vintage Dress Shop in Primrose Hill Annie Darling Full Chapter PDF
(Download PDF) The Vintage Dress Shop in Primrose Hill Annie Darling Full Chapter PDF
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About the Author
www.hodder.co.uk
First published in Great Britain in 2023 by Hodder & Stoughton
An Hachette UK company
A CIP catalogue record for this title is available from the British
Library
www.hodder.co.uk
Dedicated to anyone who’s ever known the transformative power of
a really, really good dress.
‘Vain trifles as they seem, clothes have, they say, more important
offices than to merely keep us warm. They change our view of the
world and the world’s view of us.’
Virginia Woolf, Orlando
Contents
PART ONE
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
PART TWO
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
PART THREE
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
PART FOUR
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Epilogue
Acknowledgements
PART ONE
Chapter One
Sophy took a deep breath, pulled back her shoulders and opened
the door with a bright smile on her face. ‘Good morning, everyone!’
‘Everyone’ was Anita, who mumbled something that might have
been ‘Good morning’ back, and Phoebe, who was sitting behind the
ocean-liner desk, like she was sitting on a throne, and not bothering
to dial down her furious expression.
‘What on earth do you think you’re doing?’ she demanded.
‘I’m here to work, just like you,’ Sophy said evenly, though she felt
pretty bloody far from even. ‘Do you have a problem with that?’
‘Do I have a problem?’ Phoebe echoed incredulously. She rose
gracefully to her feet, so she could stand there with her hands on
her hips. ‘Yes, I have a problem. Can’t you read?’
As accusations went that was pretty out there. Of course Sophy
could read. Then she realised that Phoebe was pointing at a sign
with one perfectly manicured red nail.
Food and drink are forbidden on these premises by express order
of The Management.
‘What? I can’t even have a cup of tea every couple of hours?
There is a thing called workers’ rights, Phoe—’
‘No food or drink anywhere near the dresses,’ Phoebe clarified
sharply. ‘If you must eat or drink, then you’ll have to do it in the
back.’
Sophy scurried past Phoebe to get to the office at the back of the
shop. She couldn’t remember the last time she’d been made to feel
no bigger or better than a … a … a dung beetle. It was probably the
time when she’d been hauled in front of her headmistress, aged
twelve, after she’d been caught red-handed sticking a wad of
discarded chewing gum under her desk in a biology lesson.
She wasn’t twelve now, she was a grown woman; but Phoebe had
a way of looking at Sophy like she wasn’t fit to share the same air.
Beatrice was in the back office. She was a slightly less
intimidating version of Chloe and Anita. She had the same uniform
of a little black dress and heels, but at least she knew how to smile
and whisper, ‘Don’t worry about Phoebe. She’s just very protective of
the dresses. We have a little table and chairs outside; do you want
to have your coffee there?’
Through a set of French doors there was a tiny little terrace with
a wrought-iron table and chairs that overlooked the Regent’s Canal
with its brightly painted moored barges. It must be lovely to sit out
there when it was sunny. It was still lovely, though somewhat cold,
to sit out there on a grey March morning and wolf down her
croissant and gulp the coffee, even if they tasted like ashes and
dishwater now.
As days went, it wasn’t as bad as her first day had been. There
was no more sorting through the clothes of the recently deceased.
Sophy spent most of the day in the back office with Beatrice, who
explained their inventory system, which felt like slightly familiar
territory.
When Beatrice took an early lunch Sophy did try to venture out
onto the shop floor, just so she could start familiarising herself with
the stock. Everything was arranged by colour; but where did sizing
come into it? What were the price points? How was she meant to
know which decade a dress was from?
As if she’d surreptitiously put a tracking device on her, as soon as
Sophy approached the rails of blue dresses, Anita watching warily
from the wings, Phoebe was suddenly beetling down the spiral
staircase. Sophy didn’t know how anyone could negotiate a spiral
staircase so quickly and in such high heels.
‘It all right,’ Sophy assured her. ‘I washed my hands. Twice!’
‘Have you really?’ Phoebe’s voice fairly dripped with scepticism
and, though she was a proper grown-up, Sophy found herself
holding out her hands for the other woman’s inspection. Then she
realised what she was doing and snatched them back.
‘I appreciate that whole world of vintage fashion might be new to
me but I do have many years of retail experience,’ Sophy said hotly.
It was her turn to stand there with her hands on her hips, to the
consternation of two women who had suddenly entered the shop.
Sophy turned to them with a smile that was very slightly manic.
‘Hello! Welcome to The Vintage Dress Shop. Do have a look around,
and give me a yell if you need any assistance.’
Sophy wasn’t sure but she thought she heard Phoebe growl with
irritation at her jaunty greeting; though the growl could also have
come from Coco Chanel, who’d come lumbering down the stairs to
see what all the fuss was about. Even the shop dog had some
serious attitude.
‘As you said, you have absolutely no experience of vintage
fashion.’ Phoebe sucked in an angry breath. ‘I even heard you say to
Beatrice that you thought people might have died in our dresses…’
The two women who’d entered swiftly exited at that.
‘It was a joke,’ Sophy said, but she was determined not to get
sidetracked from what she wanted to say. Or rather to give Phoebe
The Terrible some home truths. ‘Anyway, I worked at Belle Girl for
the last ten years and for the last five I was a senior sales associate
at the Oxford Street store.’
‘Senior just means that you’d been there longer than anyone else,’
Phoebe pointed out, like that was nothing to be impressed about. It
was also perilously close to the truth.
‘It was a very big store. It was the flagship store!’
‘Hasn’t Belle Girl just gone into administration?’ Phoebe arched
one already perfectly arched eyebrow, as if she suspected that
Sophy was personally responsible for the entire chain of two
hundred shops going bust.
‘It’s a very challenging retail landscape and we were taken over
by a venture capitalist who was more interested in stripping back our
costs than investing in—’
‘And it was a fast fashion chain. T-shirts for a fiver, dresses for ten
pounds made by workers in the developing world who toiled away in
appalling conditions and barely earned enough money to feed their
families. Plus, I’m sure a large percentage of your stock probably
ended up as landfill,’ Phoebe continued, and she had a good point.
Several very good points that Sophy herself had agonised over,
especially after seeing a documentary on BBC2 shortly after they’d
had to dump an entire range because the design department had
plagiarised the work of an up-and-coming designer who’d put them
on blast on social media.
‘We were in discussions about doing a range of sustainable
clothing,’ she said weakly because none of the bad things about high
street fashion were in Sophy’s control. So it wasn’t really her fault
that she’d been part of the problem rather than part of the situation,
whereas…
‘Vintage fashion is the ultimate sustainable clothing,’ Anita piped
up from behind the desk, where she’d been all but cowering until
now. ‘A lot of our stock is over seventy, eighty years old and still
wearable. It blows my mind sometimes. Although, you have to be
careful when you wear some vintage pieces because modern
antiperspirants can rot the armholes like nobody’s business.’
‘We are getting way off-track here,’ Sophy gritted. ‘I’m here to
work, not to tread on anyone’s toes, so let me work. Give me a crash
course in vintage fashion. At least let me have a look at the stock.’
She moved towards the stairs, because she loved a pretty dress
as much as the next person and she was dying to have a good
rummage through all the wedding dresses and posh, posh frocks
upstairs. Alas, she didn’t even make it up the first step, because
suddenly both Phoebe and Coco Chanel were physically blocking her
from heading up to the atelier.
‘I’m sorry,’ Phoebe said in a tone that suggested that she wasn’t
even a little bit sorry, ‘but there are hundreds of thousands of
pounds of stock in the atelier and we don’t have any appointments
booked, so there’s no need for you to be up there. If you want to be
helpful, you can make some coffee – as long as you don’t bring it
out on the shop floor.’
Sophy retired to the tiny kitchen and tried to ignore the pinprick
tingle of her eyes. She wasn’t going to let Phoebe reduce her to
tears. God, two months ago she wouldn’t even have let the Belle Girl
area manager, who was a terrific bully, talk to her like that. But it
had been an awful two months and she was off her game, out of her
depth and now making coffee like she was the Saturday girl.
For the rest of the day, Sophy kept out of Phoebe’s way. Anita let
her pack away some costume jewellery, but even that simple task
was explained to her like she was incapable of independent thought.
‘So, one more time, once you’ve wrapped the piece in tissue
paper, then you put it in a seal-top bag, then write a description of it
on a sticker, put the sticker on the bag and then if it’s a brooch you
put it in the drawer marked brooches and if it’s—’
‘If it’s a bracelet, then I put it in the drawer marked bracelets.
Yes, thanks Anita, if I’m not sure about anything, I’ll ask you,’ Sophy
said. It was just as well that she had all those years of retail
experience because it meant that she was an expert at hiding her
frustration, anger and sheer, teeth-grinding irritation behind a perky
smile.
Actually, it was quite nice to sit at the ocean-liner desk and get to
handle some merchandise. Especially such pretty, sparkly
merchandise. Sophy even tried on some of the big, gaudy cocktail
rings, after first checking that no one was about to rush over and tell
her off.
It was also quite fascinating to watch Phoebe and Chloe with the
customers. Only one rail-thin, expensively dressed woman with a
Chanel bag slung nonchalantly over her shoulder was granted
admittance to the atelier; everyone else was happy to look through
the second-tier downstairs dresses.
Sophy would have asked them, if she’d been allowed to even
make eye contact, if they were shopping with a special occasion in
mind or if they had some idea of what they were looking for, but
Anita and Phoebe didn’t do any of that.
Anita was keen to impart fashion facts about any frocks the
women (and they were all women) lingered over. ‘Forties rayon with
a kick-pleat,’ she’d announce. Or, ‘Sixties minidress heavily influenced
by Paco Rabanne.’
Whereas Phoebe might know a lot about vintage fashion but she
knew sweet FA about making the customer feel like a queen. ‘Oh,
that’s a very petite cut,’ she cooed doubtfully when a young woman
took a gorgeous emerald green sheath off the rail. She might just as
well have said, ‘It’s never going to fit you, fatso.’
‘Hmmm, that’s really more of a sitting-down sort of dress. You
want to wear it to a wedding? And there’ll be a lot of dancing? Well,
it’s your decision, but that dress is eighty years old and I always
think that when people buy a vintage dress it’s more that they
become the caretaker of it rather than the owner,’ Phoebe mused,
and another woman, cheeks aflame, hurriedly put the pretty pink
fifties wiggle dress she’d been sighing over back on the rail.
Then her cheeks got even redder when Phoebe gently tutted and
put the dress where it had been originally, between a sherbet pink
and a candyfloss pink frock, not at the more shocking pink end of
the rail.
‘I’m so sorry,’ the woman trilled nervously.
‘It’s all right, no harm done,’ Phoebe said with a smile that
reminded Sophy of a shark wearing lipstick.
Did the shop even make a profit? Sophy wondered, and then she
asked herself again how the hell Johnno’s Junk had transitioned into
this fancy, fussy vintage emporium that was even more intimidating
than the time Sophy had gone into the Louis Vuitton shop on Bond
Street to buy Caroline something really special for her fiftieth
Another random document with
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conceipt of Cynthia, (Phœbe and Cynthia being both names of
Diana.) So in the person of Prince Arthure I sette forth magnificence
in particular, which vertue for that (according to Aristotle and the rest)
it is the perfection of all the rest, and conteineth in it them all,
therefore in the whole course I mention the deedes of Arthure
applyable to that vertue, which I write of in that booke. But of the xii.
other vertues, I make xii. other knights the patrones, for the more
variety of the history: Of which these three bookes contayn three,
The first of the knight of the Redcrosse, in whome I expresse
Holynes: The seconde of Sir Guyon, in whome I sette forth
Temperaunce; The third of Britomartis a Lady knight, in whome I
picture Chastity. But because the beginning of the whole worke
seemeth abrupte and as depending vpon other antecedents, it needs
that ye know the occasion of these three knights seuerall
aduentures. For the Methode of a Poet historical is not such, as of
an Historiographer. For an Historiographer discourseth of offayres
orderly as they were donne, accounting as well the times as the
actions, but a Poet thrusteth into the middest, euen where it most
concerneth him, and there recoursing to the thinges forepaste, and
diuining of thinges to come, maketh a pleasing Analysis of all. The
beginning therefore of my history, if it were to be told by an
Historiographer should be the twelfth booke, which is the last, where
I deuise that the Faery Queene kept her Annuall feaste xii. dayes,
vppon which xii. seuerall dayes, the occasions of the xii. seuerall
aduentures hapned, which being vndertaken by xii. seuerall knights,
are in these xii books seuerally handled and discoursed. The first
was this. In the beginning of the feast, there presented him selfe a
tall clownishe younge man, who falling before the Queen of Faries
desired a boone (as the manner then was) which during that feast
she might not refuse: which was that hee might haue the
atchieuement of any adventure, which during that feaste should
happen, that being graunted, he rested him on the floore, vnfitte
through[638] his rusticity for a better place. Soone after entred a faire
Ladye in mourning weedes, riding on a white Asse, with a dwarfe
behind her leading a warlike steed, that bore the Armes of a knight,
and his speare in the dwarfes hand. Shee falling before the Queene
of Faeries, complayned that her father and mother an ancient King
and Queene, had bene by an huge dragon many years shut up in a
brasen Castle, who thence suffred them not to yssew: and therefore
besought the Faery Queene to assygne her some one of her knights
to take on him that exployt. Presently that clownish person
vpstarting, desired that aduenture: whereat the Queene much
wondering, and the Lady much gainesaying, yet he earnestly
importuned his desire. In the end the Lady told him that vnlesse that
armour which she brought, would serue him (that is the armour of a
Christian man specified by Saint Paul v. Ephes.) that he could not
succeed in that enterprise, which being forthwith put vpon him with
dewe furnitures thereunto, he seemed the goodliest man in al that
company, and was well liked of the Lady. And eftesoones taking on
him knighthood, and mounting on that straunge Courser, he went
forth with her on that aduenture: where beginneth the first booke, vz.
The second day ther came in a Palmer bearing an Infant with bloody
hands, whose Parents he complained to haue bene slayn by an
Enchaunteresse called Acrasia: and therfore craued of the Faery
Queene, to appoint him some knight, to performe that aduenture,
which being assigned to Sir Guyon, he presently went forth with that
same Palmer: which is the beginning of the second booke and the
whole subiect thereof. The third day there came in, a Groome who
complained before the Faery Queene, that a vile Enchaunter called
Busirane had in hand a most faire Lady called Amoretta, whom he
kept in most grieuous torment, because she would not yield him the
pleasure of her body. Whereupon Sir Scudamour the louer of that
Lady presently tooke on him that aduenture. But being vnable to
performe it by reason of the hard Enchauntments, after long sorrow,
in the end met with Britomartis, who succoured him, and reskewed
his loue.
But by occasion hereof, many other aduentures are intermedled, but
rather as Accidents, then intendments. As the loue of Britomart, the
ouerthrow of Marinell, the misery of Florimell, the vertuousnes of
Belphœbe, the lasciuiousnes of Hellenora, and many the like.
Thus much Sir, I haue briefly ouerronne to direct your understanding
to the wel-head of the History, that from thence gathering the whole
intention of the conceit, ye may as in a handfull gripe al the
discourse, which otherwise may happily seeme tedious and
confused. So humbly crauing the continuaunce of your honorable
fauour towards me, and th’ eternall establishment of your happines, I
humbly take leaue.
23. Ianuary. 1589.
Yours most humbly affectionate.
Ed. Spenser.
FOOTNOTES:
[635] A Letter, &c.] Om. 1596 Bodl.
[636] l. 16 by accidents 1590
[637] l. 16 ezpresse 1590
[638] l. 43 through 1590
COMMENDATORY VERSES
¶ A Vision vpon this conceipt of the Faery
Queene.
Me thought I saw the graue, where Laura lay,
Within that Temple, where the vestall flame
Was wont to burne, and passing by that way,
To see that buried dust of liuing fame,
Whose tombe faire loue, and fairer vertue kept,
All suddenly I saw the Faery Queene:
At whose approch the soule of Petrarke wept,
And from thenceforth those graces were not seene.
For they this Queene attended, in whose steed
Obliuion laid him downe on Lauras herse:
Hereat the hardest stones were seene to bleed,
And grones of buried ghostes the heauens did perse.
Where Homers spright did tremble all for griefe,
And curst th’accesse of that celestiall theife.
W. R.
Hobynoll.
R. S.
W. L.
Ignoto.
FOOTNOTES:
[639] Fayre Thamis. &c.] This poem and those that follow are
omitted in 1596 Bodl.
[640] l. 17 dew. 1590
[641] l. 30 this 1590
DEDICATORY SONNETS
To the right honourable Sir Christopher Hatton,
Lord high Chauncelor of England. &c.
Those prudent heads, that with theire counsels wise
Whylom the Pillours of th’earth did sustaine,
And taught ambitious Rome to tyrannise,
And in the neck of all the world to rayne,
Oft from those graue affaires were wont abstaine,
With the sweet Lady Muses for to play:
So Ennius the elder Africane,
So Maro oft did Cæsars cares allay.
So you great Lord, that with your counsell sway
The burdeine of this kingdom mightily,
With like delightes sometimes may eke delay,
The[642] rugged brow of carefull Policy:
And to these ydle rymes lend litle space,
Which for their titles sake may find more grace.
E. S.
E. S.
E. S.
To the most renowmed and valiant Lord, the Lord
Grey of Wilton, knight of the Noble order of the
Garter, &c.
Most Noble Lord the pillor of my life,
And Patrone of my Muses pupillage,
Through whose large bountie poured on me rife,
In the first season of my feeble age,
I now doe liue, bound yours by vassalage:
Sith nothing euer may redeeme, nor reaue
Out of your endlesse debt so sure a gage,
Vouchsafe in worth this small guift to receaue,
Which in your noble hands for pledge I leaue,
Of all the rest, that I am tyde t’account:
Rude rymes, the which a rustick Muse did weaue
In sauadge soyle, far from Parnasso mount,
And roughly wrought in an vnlearned Loome:
The which vouchsafe dear Lord your fauorable doome.
E. S.
E. S.
E. S.
E. S.
E. S.
To all the gratious and beautifull Ladies in the
Court.
The Chian Peincter, when he was requirde
To pourtraict Venus in her perfect hew,
To make his worke more absolute, desird
Of all the fairest Maides to haue the vew.
Much more me needs to draw the semblant trew,
Of beauties Queene, the worlds sole wonderment,
To sharpe my sence with sundry beauties vew,
And steale from each some part of ornament.
If all the world to seeke I ouerwent,
A fairer crew yet no where could I see,
Then that braue court doth to mine eie present,
That the worlds pride seemes gathered there to bee.
Of each a part I stole by cunning thefte:
Forgiue it me faire Dames, sith lesse ye haue not lefte.
E. S.
FOOTNOTES:
[642] l. 12 The] he 1590
[643] l. 33 furtheraunce, 1590
[644] l. 5 Emperesse, 1590
[645] l. 8 Souerain 1590
FINIS.