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CrimeandPunishment_10011725 (2)
CrimeandPunishment_10011725 (2)
S H E L F O F F IC T IO N
SE L E CTE D BY CH A RLES W E LIOT LL D
CR I M E AND P UN I SH M E N T
BY
F YODO R DO ST OEV S K Y
T R A N S L A TED BY C O N ST A N C E GA RN ETT
E D I TED W I T H N O TES A N D I N T R O D U C T I O N S
B Y IV I L L I A M A L L A N N E I L S O N P D H
P F CO L L IE R 8: S ON CO M PAN Y
N EW YO R K
P u b l is h e d u n d e r s pe cial a r ra n g e m e n t w ith
T h e M a cm il l a n C o m p a n y
i h
C o pyr g t 1 9 1 7
,
By P F C o m m a
. . SON
M ANU FACTURED IN U . S . A.
C ON TE N T S
C RIM E A N D PU N I S H M E N T
PA GE
B I RA P H I CA L N T
OG O E
C R I TI CI S M S AN D I N T RPR TATI N S
E E O
I
. B YEM IL M L C HI R V I C M T
E E O ,
O E V o c iié
BY K A z I M I E Rz WA L I S Z E W S K I
”
III . FR O M TH E L ON D ON “
TI M S
E
IV . B Y M AU R I C E BA R I N G
LI ST OF C HA RACT E RS
PART I
PART II
PART III
1 8 1 69 66
II CO N T E N T S
PART IV
PA GE
PA RT V
CHA P T E R I
C HA P T E R II
C HA P T E R III
C H A P T E R IV
C HA P T E R V
CH A P T E R V I
C HA P T E R V II
C HA P T E R VIII
EP I L OG U E
B I OG RA PH I CA L N OTE
Y O D O R M IK H A IL O V IT C H D O S T O EV S KY w a s
bo rn at M o scow o n O ctobe r 3 0 1 8 2 1 the s o n o f a , ,
the pol ice we re a rou sed and he with hi s brother and thirty ,
“
where h e wrote hi s story A Little H ero O n D ecem b e r
,
.
i mp r is o n m en t foll o w ed by th ree ye ar s o f c o mp u ls o r y
w as
m ilitary s e rv ice du ri ng th e l ast o f w hich h e b e came an
,
“
n o w r esumed hi s l ite rary c are er publi shing T he I n j ured ,
“ “
ar e Th e Idio t The Po ss es sed The
“ ”
Adul t a nd Th e B rothe rs K ar amaz o v
H e m arri ed a s h i s s econd w i fe hi s stenograph e r Ann a ,
‘
,
“
He i s su ed p erio di cally An Autho r s N ote B ook to whi ch ’
-
F eb ru ary ,
1 88 1 b rought fo rth an exp re ssi o n o f publ ic
,
“
C r ime and Puni shment i s h is acknowledged masterpiece ,
W A N . . .
C RI T I C ISM S AN D IN TE RP RETAT I ON S
BY E M I L E M E L C H I O R V I C O M TE
, DE VO GUE
“ ’
An i ntel ligent man w h o had that O l d woman s money
could accomp lish anything he liked ; i t i s only necessary to
”
get r id o f th e u seles s h ate ful old hag ,
.
’
Th e m agi strate Po rphyre has gue s s ed the student s secret ;
h e plays with hi m lik e a ti ge r w ith it s pr ey su re o f hi s ,
and r ec o nci le him t o the exp iation o f his cri me Rasko lnikov .
C R IT IC I S M S AND I N T E RPR E TAT ION S ix
a dull despai r .
solution o f al l di fficulti es .
J L Ed m a n d s
. .
BY K A Z I M I E R Z W A L IS Z EW S K I
A S K O L N IK O V , th e s t udent w h o cl aim s t h e right to
mu rde r and ste al by v irtu e O f hi s i ll appl ied sci entific -
’
A ram th e E ngli sh nov el i st s h er o i s a cr imi nal O f a v e ry
, ,
“
Th e T av ern ( o s o a y D vo r ) th e p easant Akime
'
, ,
po liti cal c rimi nal di sgui sed a fter the same fashion as
,
“
D o sto ev sky h ims el f may h ave b een in hi s M emories o f
”
,
nov eli st owe s noth ing t o anybody ; and his powers in thi s
di recti o n s u fli c e to compensat e fo r such imper fections as
I shall hav e to indicate i n hi s wo rk
”
.
“
The fi rst cau s e i n t hi s book psychologically speaking , ,
- z
cou rage and f rankne s s fai l him ; h e cannot run a strai ght
cou r s e and a fte r wande rin g round and rou nd the pol ice
, ,
that ce rtai n mo ral like ce rtai n physi cal conditi ons nece ssarily
, ,
in g feel ing and the imp res sions wh i ch p r o duce it are v ery
, ,
H E n o vel s of
D o stoevsky may seem to di scover a
v ery strange world t o us in which people talk ,
truth .
cerned w ith su cces s o r fai lure The hero has some definite
.
i nstance fall s i n love and the plot forms round this love
,
“
D o sto ev sky s books such a s The B rothers K aramazov o r
’
,
x iv C R IT IC IS M S AND I N T E RP R E TA TI ON S
with th e s ev e ri ty o f hi s s el f j udgment s -
H is books are .
fai ntly and conve nti onally re memb e red We t est ev ery .
bo dy by so m e k in d o f su cce ss i n t hi s l i f e ev en i f i t b e ,
“
hi m ar e i mpati e nt wi t h him and ca l l h i m t h e i diot ,
p eti t i o n o r
de fence ; but th at i s the r e as o n why no w and then it s u r
p r i se s eve ry o n e by its p ro fundity Fo r he u nde rstand s .
, ,
“ “ ’
D ea r P ri nce som e o n e says t o him i t s no t e asy t o
, ,
Bu t Mys hk in s h ea rt i s
’
t han i t s eem s t o you r go o d h e art .
IV
BY M A U RI CE B A RI N C
N 1 8 66
cam e C rime and Punishment which brou ght ,
” “
D o sto evsky fame T hi s book D o stoev sky s M ac b eth
.
,
’
,
h e had gone too nea r mach inery i n motion had been caught ,
“
tute and s ays to he r : It i s not be fore you I am kneeling ,
,
” T
but b e fo r e al l th e su ffering o f mankind hat i s what .
— F rom
”
An O utli ne o f Russi an Li t erature
LIST O F C HA RA CTE RS
ROD I O N RO M A N O V I T C H RA S K OL N I K V O , a t
s u den t .
PU L C H ER IA AL E! AN D R OV NA h is m o th e r , .
A V D OT YA RO M A N OV N A ( D O UN IA ) h is s i s t e r , .
D M IT R I P RO K O F I T C H RA Z U M I H I N h is fri e n d ,
.
P RA S K OV YA PA VL OV NA h i s l a n d l a d y , .
N A S TA S YA PE T R O V NA h e r m a i d s e rv a n t
,
—
.
A L Y O N A IVAN O V NA a n o l d w o m a n a p a w n b r o k e r
, , .
L I ZA V ETA h e r h a lf s is t e r
,
-
.
H e r t h re e l i t t l e c hi l d r e n .
S O NIA S E M Y O N OV N A M a r m el a d o v s d a u g h t e r
’
.
,
A M A L IA IVAN OV NA L I P PEV E C H S EL h is l a n d l a d y , .
A N D R E Y S E M Y O N OV I T C H L EBE Z IA T N I K O V a n a dv an c e d , yo u ng m a n
P Y OT R PE T R O V I TC H L U Z H I N s u i to r fo r D o u n i a,
.
A R KA D Y IV AN OV ITC H S V I DRI C A I L OV a l a n d o w n e r ,
.
MA R FA PE T R OV NA h is w i fe
, .
N I K OD I M F O M I T C H s u p e r i n t e n d e n t o f th e d i s tri c t
, ,
ZA M ET OV h e a d c l e r k
, ,
ILY A PE T R OV I TC H a s s i s t a n t c l e r k
, ,
P ORF I R Y PE T R O V ITC H d e t e c t i ve
"
, ,
Z O S S I M OV a y o u n g p h ys i c ia n
,
.
C R IM E A N D PUN ISH M EN T
A NOV EL IN SI! PARTS AND
AN EPIL O GUE
PA RT I
C HAPT E R I
w ards K b ridge. .
The landl ady who prov ided hi m with garret dinners and
, , ,
‘
had b ecome s o comp letely a b so rbed i n himsel f and i sol ated ,
I
2 F Y OD O R D O S T O EV S K Y
“
I want to attempt a thing l ik e tha t and am f rightened by
thes e t r ifl e s ” h e thought w it h an o dd sm il e “
Hm .
, ,
’
ye s al l i s i n a m an s hands and h e l ets i t all sl ip from coward
,
“
I knew it he muttered in con fu sion
,
I thought s o ! ,
noti ceab l e .
With my rags I ought to wear a cap any ,
al ways ru in everything ”
H e h ad no t far t o go h e knew indeed how many steps i t ,
, ,
“ ”
reh ear s al o f hi s p roj ect and at ev ery step hi s excitement
,
g r ew mo re and mo r e v i ol ent .
o n th e othe r into the str eet Thi s hou s e was l et out i n tiny
.
“
I f I am s o s ca red n o w what w o ul d it b e i f it som ehow
,
and gro aned at ev ery instant The young man must hav e .
“
Raskol niko v a student I came her e a month ago the
, , ,
“
I remem b e r my good s ir I remembe r qu ite well you r
”
, ,
“
And h er e I am again on the same errand Ra sk o l n i ,
woman s mi stru st
’
Perhaps she i s always l ike that thou gh ,
”
.
s etting s u n
”
.
h ! 1t
S o th e su n wil l shin e l ike thi s t e n too flashed a s
G
’
wer e by ch ance th rough Ra sk o l n iko v s mind and w i th 21 ,
6 F Y OD O R D O S T OE VS KY
“ ’
L iz a v e ta s wo rk t h o u ght th e yo u ng m an The re w as no t
, .
“
I t s i n th e h o u s es o f sp ite ful o l d w idows th at on e fi nds
’
”
su ch cleanl ines s Rasko lnikov thought again and he stol e a
, ,
t o lo ok h im straight i n th e face .
“ ’
I v e b r o u gh t s o mething to p awn h ere and h e d r ew ou t ,
“
B ut th e tim e i s up f o r you r l ast pl edge Th e month w as .
u p the d ay b e fo r e ye sterday ” .
“
I wil l b ring y ou the i ntere st fo r an o the r m o nth ; wai t a
l ittle .
”
B ut that s fo r m e t o d o as I p l eas e m y g oo d s ir t o w ai t
’
, ,
“
How much will y o u giv e m e fo r the watch A l yo n a I v a ,
? ”
n o vn a
“
You c o m e w ith su ch t r ifl e s my g oo d s ir it s s carcely , ,
’
r oubl e and a h al f
” .
“
Giv e m e fou r roubl es fo r it I shal l r ed eem it i t was my
”
, ,
fa th e r s I shall b e getting so m e mo n ey s oo n
’
. .
8 F Y ODO R D O S T OEV S KY
“
th e str eet h e cried out O h God how loath some it al l is ! , , ,
”
, .
, ,
Th e feel ing o f int ens e r epu l sion whi ch had b egu n t o opp re s s ,
two d runken men cam e o u t at the doo r and abu sing and ,
“
All that s nonsens e h e s aid hop e fu lly and th er e i s noth
’
, ,
I— R
C R IM E AND P UN IS H MENT 9
qu i et and rather empty The p ersons still in the tav ern were
.
such lines as th es e :
“
H is w i fe a ye a r h e fo n d ly l o v e d
H is w ife a —a
ye a r li e— fo n d ly l o v e d .
apart now and then sipping from his pot and looking round
,
10
C RIM E AND P UN IS H MEN T 11
,
, ,
whi ch keen r eddi sh eyes gl eamed like little chi nks But there
, .
and hopel es sly ragged black dres s coat with all its b uttons ,
front cov ere d with spots and stai ns protruded from hi s can
, ,
“
A student then o r fo rm e r ly a student cried the clerk
, ,
.
e xp er ience s ir
,
and he tapp ed h is forehead w ith his fingers
,
12 FYO D O R D O S T OEVS KY
’
i n s el f approv al
-
Y o u ve b ee n a student o r hav e a tt ended
.
d ru nk but spoke flu ently and bol dly o nly o ccasio nally lo s ing
, ,
“
Ho n o u re d s ir he b egan almost w ith solemnity pove rty
, ,
’
i s not a vice that s a t ru e s ayi ng Yet I know to o that
, .
’
drunkenne s s i s not a vi rtu e and that that s ev en true r B ut , .
t icu l a r ly we re fi lthy ,
T hey we r e fat a nd r ed with bl ack
.
,
nai l s .
The i nnke epe r cam e down f rom the upp er r oom appa rently
”
,
“
o n pu rpo se to l i sten to the funny fel low and s a t down at
a l ittl e distance yawning lazily but w ith dignity E vi dently
, , .
“
F unny fellow ! p ronounced the inn ke eper “
And w h y .
’ ’
don t yo u wo rk why aren t you at your duty i f you ar e in
”
, ,
the s ervi ce ?
“
Why am I not at my duty honoured s ir M a rm e l a do v
, ,
H op ele ssly i n the full est sense when you know b e fore ,
”
,
“
Why do you go ? put i n Raskolnikov .
o n hu rri edly and w ith appar ent composu re when b oth the
“
Well the o rato r b egan agai n stolidly and w ith eve n in
,
“
S uch i s my fate ! D o yo u know s ir do yo u k now I have , , ,
d eath with thr ee chi ldren i n a w ild and r emot e di stri ct whe r e
I happ ened to b e at th e ti me ; and s h e was le ft i n such hop e
l es s pov erty th at although I h av e s ee n many up s and downs
,
, .
bear the sight o f s uch su ffer ing Y o u can j udge the extrem .
. .
,
’
z ia t n ik o v Lewes Physio lo gy— do you know it — and even
,
and revi ling he r o n the pretext that the shi rt coll ar s were
,
not made l ike the p attern and were put i n askew And there .
,
‘ ’
liv e with u s says s h e yo u eat and drink and are kept warm
, ,
’
and you do nothing to help And much she gets to eat and .
had two o r thr ee time s tried to get at her through the land
l ady ‘And w hy not ? said K aterina Ivanovna w ith a j ee r
’
‘
,
.
,
’
up and th en t hey both fe l l a sl eep i n each o ther s arm s
”
,
h i s th ro at .
“
S i nce then s ir he w ent o n a fte r a b ri e f p au s e
, , S ince
then owing t o an un fo rtunate o ccu rr ence and through in
,
’
t roubl e b etween hi m and K ater in a Ivanovna w a s o n S oni a s
accou nt At fi rst he wa s fo r m aking up to S oni a h imsel f
‘
.
’
and then al l o f a sudden h e sto od o n hi s dignity : how said
‘
,
’
not let i t p as s sh e sto od up fo r he r
,
and s o that s how
it happened And S oni a come s to u s n o w mo stly a fte r
. ,
d ark ; s h e com fort s K ater ina Iv anovn a and giv e s her all she
c an . S he h as a ro o m at th e K a p e r n au m o v s the tailo r s , ,
noise The tavern keeper and the b oys were b usy with the
.
-
“
That wa s fiv e weeks ago s ir Yes As soon a s ,
. .
’
See . D o you he ar do you h ear ? I lay down for a nap ,
’
D o y o u h ear do you r hear ? T o b e su r e says he S emyon
‘
, , ,
’
Z a h a r o v it c h r ememb ering you r past s erv i ces s ays h e and
, , ,
‘
, , , ,
’
I r ely no w o n you r wo rd as a gentlem an And all that let .
,
‘
,
’
she ,
my little popp et And w hen w e wer e by o u rs elve s . ,
said s h e .
i n the hay barge and the pot o f spirits and yet thi s poignant
, ,
“
Honou red s ir honou r ed s ir cried M a rm e l a do v recover
, ,
“
ing himsel f — O h s ir p erhap s all this seems a laughing
, ,
all the chi ldren and h o w I should give her r est and how I
, ,
,
’
home and they are lo oking fo r me there and it s the end o f
,
a p ick —me up ! H e he he - -
22 F YO D O R DO S T OEV S KY
”
Yo u d o n t sa y sh e gav e i t t o you ? c ri ed o n e o f th e new
’
“
Thi s v ery quart w a s b ought with her m o ney M a rm el a ,
al l s h e h ad a s I s a w
,
S h e sai d n o thing s h e only l o oked
. . .
m e si r o r no t ? Tell me s ir a re yo u s o r ry o r not ? H e h e h e
, , , ,
- -
The po t w a s empty
”
.
“
What are yo u t o b e piti ed fo r ? sh outed th e tave rn
k eepe r who w a s again n ear them
,
.
“
To b e piti ed ! Why am I to b e piti ed ? M a rm e l a d o v
suddenly d ecl ai med standi ng up w ith his arm out str etched
, ,
“ ’
Why am I to b e piti ed yo u s a y ? Yes ! The re s n o th ing
,
”
.
,
—
I v an o vna time I did .
“
I t s not K ate rina I v anovna I am a fraid o f n o w h e mu t
’
,
“
t e r e d i n agitation and th at s h e w ill b egi n pu lling my h ai r
-
.
of ye s h e r e ye s , th e r ed o n h e r cheeks to o , ,
’
w ithout i t It s b etter s o
. Let he r strike m e i t r e .
,
’
lie v e s he r he ar t it s b ette r s o Ther e is th e hou se .
w el l to do Lead th e way !
- -
.
o f th e stai r s .
L ipp ev e c h s e l s flat was div ided stood hal f open and there ,
w ith the last fl icker ing light o f the candle end playing upon -
B eside him sto od a girl o f nine years old tall and thin wear , ,
whi spe ring something to him and doing all s h e could to keep ,
“ ”
Ah ! s h e cri ed out in a f renzy he has c o me b ack ! Th e ,
’
cri mi nal the mo nst er And whe r e i s the money ? VV h a t s
i n you r po cket show me And y o u r clothe s ar e all d i ffe rent !
”
,
N o t a farth ing w a s th er e
”
.
“
Whe r e i s th e money ? s h e c ri ed M ercy o n u s can h e ,
shaki ng like a l ea f .
“
H e s drunk i t ! h e s d runk i t all
’
’
t h e po or woman ,
“
s creamed i n de spai r — and hi s clothe s a r e gone ! And they
ar e hungry hungry —and w ringing h er hand s s h e po inted
,
“
to th e child ren O h accu r sed l i f e ! And you ar e you not
”
.
, ,
“
a sh amed —sh e pounced all at o nce upo n Rasko lnikov — from
th e tav e rn ! H av e yo u b een d ri nking w ith hi m ? Y o u hav e
b een d rinking w ith hi m to o ! Go aw ay ! ”
,
“ ’
What a stupid thing I v e done he thou g ht to himsel f
”
, ,
”
pomatum too h e s aid a s he w alked along th e street and
, , ,
“
he l aughed malignantly— such smartness costs money .
’
Ye s they ar e making the m o st o f it ! They ve wept over
,
th e s cound rel
H e sank i nto thought .
“
And wh at i f I am wrong he cri ed suddenly after a mo
,
m ent s thought
’
What i f man i s not really a scound rel man
.
,
—
i n general I mean th e whole race o f mankind then all the
, ,
w as,
w ithout u ndr ess ing w itho ut she ets w rapped i n h i s
, ,
’
o l d student s ov e rcoat with hi s h ead o n o ne l ittl e p illow
, ,
th e so fa .
w a s p o siti vely agr e eab le H e had got compl etely away f rom
.
28
C R IME AND P UN IS H MENT 99
“ ”
Get up why are you asleep ! sh e call ed to him : “
It s ’
,
pa st nine I have b rought you some tea ; will you have a cup ?
,
tasya
”
.
“
F rom the l andlad y eh ? he asked slowly and with a si ckly , ,
“
F rom the landlady indeed ! ,
“
H ere N a s t a sya take it pl ease
,
he said fumb ling in hi s
, , ,
’
r athe r have some cabbage soup instead o f sau sage ? It s
capital sou p yesterday s I saved i t fo r you yesterday b ut ’
”
,
.
,
’
you c ame i n lat e It s fi ne soup . .
When the s oup had b een b rought and he had b e gun upon ,
talkati ve o n e .
“
P r a s k o v y a Pavlovna means to complai n to the pol ice
”
a b out yo u s h e sai d ,
.
H e s cowled
”
.
“ ?
To th e pol ice ? What doe s she want
’
You do n t p ay he r money and you won t turn out o f the
’
”
room That s what s h e wants to b e sure
.
’
,
.
“
The devi l that s the l ast straw he muttered grinding hi s
’
, ,
“
te eth no that woul d not suit me j ust now She i s a
”
.
”
, ,
“
fool he added al oud
,
I ll go and talk to her to day .
’ -
.
F ool s h e i s a
“
n d no m istake j u st as I am But why i f ,
. ,
?”
teach children But why i s it you do nothing now .
“
I am doing Raskolnikov b egan sullenly and re
l u c t a n t ly .
80 F Y O D O R D O S T O EV S K Y
Wha t a re y ou doing ” ?
Wo rk
”
.
What s o r t o f wo rk ?
”
I a m th inking he an swe red se r i o u sly a f t e r a p au s e
, .
i naudibly qui ver ing and shaki ng al l o ver til l she felt i ll
, .
“
And have yo u m ade mu ch mo ney by you r thi nking ?
s h e m anaged t o arti culate at last .
“
O n e can t go o u t t o giv e l es s o ns w ith o u t b o o t s
’
And .
’
I m si ck o f it .
“ ’
D on t qu ar rel with y ou r b read and bu t te r .
’
They p ay s o l ittle fo r l es so ns What s th e u s e o f a f ew .
h i s o w n thou ght .
“
And you w a nt t o ge t a f o rt u ne all a t o nce ?
x
H e looked at he r strangely
”
.
“
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we r e o u t
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I can t s a y I gav e th re e cop e cks o f my o w n to t he p o s t
’
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he art.
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, ,
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y o u r thre e cop e cks but fo r g o odnes s s ake m ake haste and
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go
The l e tt e r w as qu ive ring i n hi s h and ; h e did not w an t to
o p en i t i n he r p resence ; h e w anted t o b e le ft a l o n e with thi s
lette r. Whe n Na s ta sya h ad g o ne o u t he l i fted it qui ckly t o ,
32 F Y ODO R D O S T OEV S K Y
sa v i n g s b u t t h a t w a s n o t s o a n d n o w I t e ll y o u a ll a b o u t it b e cau s e
, , , ,
t h a n k G o d t hi n g s h a v e s u d d e n l y c h a n g e d f o r t h e b e tt e r a n d t h a t yo u
, ,
m ay k n o w h o w D o u n i a l o ve s y o u a n d w h a t a h e a r t s h e h a s At .
fi r s t i n d e e d M r S v i d r ig a i l o v t r e a t e d h e r v e r y r u d e l y a n d u s e d t o
.
m a k e h e r d i s r e s p e c t fu l a n d j e e r i n g r e m a r k s a t t a b l e Bu t .
I d o n t w a n t t o g o i n t o a l l t h o s e p a i n fu l d e t a i l s s o a s n o t t o w o r r y
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yo u f o r n o t hi n g w h e n it i s n o w a l l o v e r In s h o r t i n s p i t e o f t h e
.
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ki n d a n d g e n e r o u s b e h a v i o u r o f M a rf a Pe t r o v n a M r S v id r ig a i l o v s , .
’
w i fe ,
a n d a l l t h e r e s t o f th e h o u s e h o l d D o u n i a h a d a v e ry h a r d
,
tim e ,
e s p e c i a ll y w h e n M r S v i d r ig a i l o v r e l a p s i n g i n t o h i s o l d r e g i
.
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m e n t a l h a bi t s w a s u n d e r t h e i n fl u e n c e o f B a c c h u s
, A nd how do .
y o u t hi n k i t w a s a l l e p l a i n e d l a t e r xo n
?
W o u l d yo u b e l i e v e t h a t t h e
c r a z y f e ll o w h a d c o n c e i v e d a p a s s i o n f o r D o u n i a f r o m t h e b e g i n n i n g ,
b u t h a d c o n ce a l e d i t u n d e r a s h o w o f ru d e n e s s a n d c o n t e m p t Po s .
s i b l y h e w a s a s h a m e d a n d h o rr ifi e d hi m s e lf a t h i s o w n fi ig h t y h o es
p ,
c o n s i d e r i n g h is y e a r s a n d h is b e i n g t h e f a t h e r o f a f a m i ly ; a n d t h a t
m a d e h im a n g r y w i t h D o u n i a A n d p o s s ib l y t o o h e h o p e d b y h is
.
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ru de and s n e e ri n g b e h av i o u r t o hi d e t h e tr u t h f r o m o t h e rs Bu t .
a t la s t h e l o s t a l l c o n tr o l a n d h a d t h e fa ce t o m a k e D o u n i a a n o p e n
a n d s h a m e f u l p r o p os a l p ro m i s i n g h e r a l l s o rt s o f i n d u c e m e n t s a n d
,
o ffe r i n g b e s i d e s t o t h ro w u p e v e ryt h i n g a n d t a k e h e r t o a n o t h e r
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Y o u c a n i m ag i n e a l l s h e w e n t th ro u gh !
.
T o l e a v e h e r s i t u a t i o n a t o n c e w a s i m p o s s ib l e n o t o n l y o n a cco u n t
of t h e m o n e y d e b t b u t a l s o t o s p a r e t h e fe e l i n g s o f M a r fa P e t ro v n a
, ,
w h o s e s u s p i c i o n s w o u l d h a ve b e e n a r o u s e d : a n d t h e n D o u n i a w o u l d
h a ve b e e n t h e c a u s e o f a ru p tu r e in t h e f a m i l y A n d i t w o u l d h a ve .
m e a n t a t e r r ib l e s c a n d a l f o r D o u n i a t o o ; t h a t w o u l d h a v e b e e n
in e v i ta bl e T h e re w e r e v a r io u s o t h e r r e a s o n s o w i n g t o w hi c h D o u n i a
.
cou ld n o t ho pe t o e s c a p e f r o m t h a t a w fu l h o u s e f o r a n o t h e r s ix
w e e ks . Y o u k n o w D o u n ia o f c o u r s e ; y o u k n o w h o w c l e v e r s h e i s
,
a n d w h a t a s t r o n g w i ll s h e h a s D o u n i a c a n e n d u re a g r e a t d e a l a n d
.
e v e n i n t h e m o s t d i ffi c u lt c a s e s s h e h a s t h e f o r t i tu d e t o m a i n t a i n h e r
fi rm n e s s S h e d id n o t e ve n w r i t e t o m e a b o u t e ve ryt hi n g f o r f e a r
.
o f u p s e tt i n g m e a lt h o u g h w e w e r e c o n s t a n t l y i n c o m m u n i c a t i o n
,
It .
a l l e n d e d v e ry u n e x p e c t e d ly M a r fa P e tro vn a a cc i d e n t a lly o ve r h e a r d
.
h e r h u s b a n d i m p l o r i n g D o u n i a in t h e g a r d e n a n d p u tt i n g q u i t e a , ,
w r o n g i n t e r p re t a t i o n o n t h e p o s i t io n t h r ew th e bl a m e u p o n h e r
, ,
be l i e v i n g h e r t o b e t h e c a u s e o f i t a l l A n a w fu l s c e n e t o o k p l a ce .
b e t w e e n t h e m o n t h e s p o t in t h e g a rd e n ; M a r f a P e t r o v n a w e n t s o
f a r a s t o s t r ik e D o u n i a r e fu s e d t o h e a r a n yt hi n g a n d w a s s h o u t i n g
,
a t h e r f o r a w h o l e h o u r a n d t h e n g av e o r d e r s t h a t D o u n i a s h o u l d
b e p a c k e d o ff a t o n c e t o m e i n a p l a i n p e a s a n t s c a r t i n to w hi c h t h e y
’
,
fl u n g a ll h e r t hi n g s h e r l in e n a n d h e r c l o t h e s a l l p e ll m e ll w i t h o u t
, ,
-
,
f o l d i n g i t u p a n d p a c ki n g it A n d a h e avy s h o w e r o f r a i n c a m e o n
.
,
to o ,
a n d Dou n i a i n s u lte d a n d p u t t o s h a m e h a d t o d r i ve w i t h a
, ,
p e a s a n t i n a n o p e n c a r t a l l t h e s e ve n t e e n v e r s t s i n t o t o w n O n ly .
t hi n k n o w w h a t a n s w e r c o u l d I h av e s e n t t o t h e l e tt e r I r e c e i v e d
f ro m y o u t w o m o n t h s a g o a n d w h a t c o u l d I h a v e w r i t t e n ? I w a s i n
d e s p a i r ; I d a r e d n o t w r i te t o y o u t h e t r u t h b e c a u s e y o u w o u l d h a v e
b e e n v e ry u n h a pp y m o rtifi ed an d ind ig n a n t a n d ye t w h a t co u l d y o u
, ,
C R IM E AND P UN IS H MEN T 33
do ? Yo u co u ld on ly p e rh aps ru n i b es i d e s D o u n i a
yo u r s e lf , an d, ,
w o u l d n o t a ll o w i t ; a n d fi l l u p m y l t t r ifl e s w h e n m y h e a r t
et e r w t i h
w a s s o fu ll o f s o r r o w I cou ld n o t , Fo r a w h o l e m o n th th e to w n.
w a s f u ll o f s o rr o w a b o u t t hi s s c a n d a l a n d i t c a m e t o s u c h a p a s s t h a t ,
D o u n i a a n d I d a r e d n o t ev e n g o t o c h u r c h o n a c c o u n t o f t h e c o n
t e m p t u o u s l o o k s w hi s p e r s a n d ev e n re m a r k s m a d e a l o u d a b o u t u s
, , .
A l l o u r a c q u a i n t a n c e s a v o i d e d u s n o b o d y ev e n b o w e d t o u s i n t h e ,
s tr e e t a n d I l e a r n t t h a t s o m e s h o p m e n a n d c l e r k s w e r e i n t e n d i n g t o
,
i n s u lt u s in a s h a m e fu l w a y s m e a r i n g t h e g a te s o f o u r h o u s e W i th ,
p i t c h s o t h a t t h e l a n d l o rd b e g a n t o t e l l u s w e m u s t l e a v e
,
A l l t hi s .
w a s s e t g o i n g b y M a r f a P e t r o v n a w h o m a n a ge d t o s l a n d e r D o u n i a ,
a n d t h ro w d i r t a t h e r in ev e r y f a m i ly S h e k n o w s ev e ry o n e i n t h e .
n e i g hb o u r h o o d and ,
t h a t m o n t h s h e w a s c o n ti n u a ll y c o m i n g i n t o
t h e t o w n a n d a s s h e i s r a t h er t a l k a t i v e a n d f o n d o f g o s s i p i n g a b o u t
,
h e r fa m i ly a ffa i r s a n d p a r t i c u l a r l y o f c o m p l a i n i n g t o a l l a n d e a c h
o f h er h u sba n d w hi c h i s n o t a t a ll r i g h t— s o i n a s h o r t t i m e s h e
—
h ad s p r e a d h e r s to r y n o t o n l y in t h e t o w n b u t o v e r th e w h o l e s u r ,
r o u n d i n g d i s t r i ct It m a d e m e il l b u t D o u n i a b o r e i t b e t t e r t h a n I
.
,
d i d a n d if o n l y y o u c o u l d h a v e s e e n h o w s h e e n d u e d i t a l l a n d t r i e d
,
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t o c o m fo r t m e a n d c h e e r m e u p ! S h e i s a n a n g e l ! Bu t b y G o d s
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m e r cy o u r s u ffe r i n g s w e r e cu t s h o r t : M r S v id r ig a l o v r e tu r n e d t o
,
. i
h i s s e n s e s a n d r e p e n t e d a n d p ro b a bl y f e e l i n g s o ry f o r D o u n i a h e ,
r ,
l a i d b e f o r e M a r fa Pe t r o v n a a c o m p l e t e a n d u n m i s t a k a b l e p o o f o f r
D o u n i a s i n n o c e n ce i n t h e f o r m o f a l e tte r D o u n i a h a d b e e n fo r c e d
’
t o w r i t e a n d g i v e t o h i m b e f o r e M a r f a P e t ro v n a c a m e u p o n t h e m i n
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T hi s l e tt e r w hi c h r e m a i n e d in M r S v i d r ig a i l o v s h a n d s
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th e ga rd e n .
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a ft e r h e r d e p a r t u r e s h e h a d w r i t t e n t o r e fu s e p e r s o n a l e p l a n a t i o n s
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a n d s e c r e t i n t e r v i e w s f o r w hi c h h e w a s e n t r e a t i g h e r I t h a t l e tt e r n . n
,
s h e r e p r o a c h e d h im w i t h g r e a t h e a t a n d i n d i g n a t i o n f o r t h e b
aseness
o f hi s b e h a v i o u r i n r e g a r d t o M a r f a P e t r o v n a r e m i n d i n g h im t h at ,
h e w a s t h e f a t h e r a n d h e a d o f a f a m i l y a n d t e ll i n g h im h o w i n fa m o u s
i t w a s o f h i m t o t o r m e n t a n d m a k e u n h a pp y a d e f e n c e l e s s g i r l u n ,
h a p py e n o u g h a l re a d y In d e e d d e a r Ro d ya t h e l e tte r w a s s o n o b l y
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hi l i h t bb h i t h s d ay
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a n d to u c n g y w r tte n t a I s o e d w e n I r e a d a n d t o t i
t i t i t h t M v t h v i d e n c e o f th e s e r
I c an n o r e a d w o u t e a rs o r e o e r e . e ,
v a n t s t o o c l e a r e d D o u n i a s r e p u ta t i o n ; th e y h a d s e e n a n d k n o w n
, ,
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d — as
a g re a t d e a l m o re th a n M r hi lf p p
S v id r i g a o v i l h a
.
d m s e s u o s e
i n d e e d i s a l w a y s t h e c a s e w i t h s e rv a n t s M a r f a P e t o v n a w a s c o m r
‘
.
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,
n c r u s h e d a s s h e s a i d h e r s e lf t o u s
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v i d f D i i o c e n c e T h e v e ry
’
bu t s h e w a s c o m p l e te l v c o n n c e o o u n a s n n .
n ex t d ay b i
e ng Su n d ay s h e w e n t s t r a i g h t t o t h e Ca t h e d a l k ne
lt r ,
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om
b e a r t hi s n ew tr i a l a n d t o d o h e r d u t y T h e n s h e c a m e s
tr h fr
.
a g t i
C h l l h h l t r w e t bi t t e rl y a d f ll y n u
the a t ed r a t o u s t o d u s t ,
e w o e s o y p ,
,
i t t b D i d b h t h e r t o f o rg v e h e r T he i
s he em r a ced ou n a a n e s o u g
.
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w t o u t any d e y s e w e n r o u n
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m
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fl a t e r n g t e rm s D o u n a s n n o c e n c e a
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i ’
n d t h e n o bi l i t y o f h e r f e e l n gs i
nd rea d o e v e ry
and h er
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e a v i ou r W a w as
h t .
m o r e s h e s h o w e d a
, tl v a n d
t r D i h d i
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t i t o Mr S V i d ri g a o i
o n e the l e te in ou n a s o w n a n w r n g .
34 F Y O D O R D O S TO E V S K Y
e ve n al l o w e d t h em to ta k e copi es o I m u s t s a y I t h in k
f it ~ -w h ic h
w a s s u p e rfl u o u s In t h i s w a y s h e w a s b u s y f o r s e v e ra l d a ys i n d r i v i n g
.
a b o u t t h e w h o l e t o w n , b e c a u s e s o m e p e o p l e h a d t a k e n o ffe n c e t h r o u g h
p re c e d e n c e h a v i n g b e e n g i v e n t o o t h e rs A n d t h e re f o r e t h e y h a d t o
.
t a k e t u rn s , s o t h a t in e v e r y h o u s e s h e w a s e xp e c t e d b e fo r e s h e a rr ive d ,
a n d e v e ry o n e k n e w t h a t o n s u c h a n d s u c h a d a y M a r f a P e t ro vn a
w o u l d b e re a d i n g th e l e t t e r i n s u c h a n d s u c h a p l a c e a n d p e o p l e
a s s em b l e d fo r e v e ry r e a d i n g o f i t , e v e n m a n y w h o h a d h e a r d i t
s e v e r a l t i m e s a l r e a d y b o t h in t h e i r o w n h o u s e s a n d i n o t h e r p e o p l e s
’
.
In my o p i n i o n a g re a t d e a l , a v e r y g r e a t d e a l o f a l l t hi s w a s u n n e c e s
s a ry ; bu t t h a t s M a rf a P e t ro v n a s c h a r a c t e r A n yw a y s h e s u c c e e d e d
’ ’
.
in c o m p l e t e l y r e e s t a b l i s h i n g D o u n ia s r e p u t a t i o n a n d t h e w h o l e
’
~
i g n o m i n y o f t h i s a ff a ir r e s t e d a s a n i n d e l ib l e d i s g r a c e u p o n h e r h u s
b a n d a s th e o n l y p e r s o n t o b l a m e , s o t h a t I re a ll y b e g a n t o f e e l s o rry
,
f o r h im ; it w a s r e a ll y tr e a t i n g t h e c ra z y f e ll o w t o o h a r s h l y Dou ni a
“
.
w a s a t o n c e a s k e d t o g i v e l e s s o n s in s e v e r a l f a m i l i e s , b u t s h e r e fu s e d .
All o f a s u d d e n e v e ry o n e b e g an to t r e a t h e r w i t h m a r k e d r e s p e c t a n d
a l l t h i s d id m u c h t o b r in g ab o u t t h e e v e n t b y w h i c h , o n e m a y s a y , o u r
w h o l e f o rtu n e s a r e h o w t r a n s f o r m e d Y o u m u s t k n o w , d e a r Ro d ya ,
.
t h a t D o u n i a h a s a s u i t o r a n d t h a t s h e h a s a l r e a d y c o n s e n t e d t o m a r ry
’
h im . I h a s t e n t o te ll yo u a l l a b o u t t h e m a tt e r, a n d t h o u g h i t h a s b e e n
a rr a n g e d w i t h o u t a s ki n g y o u r c o u n s e l , I t hi n k y o u w i ll n o t b e a g
g r i e v e d w i t h m e o r w it h y o u r s i s t e r o n t h a t a c c o u n t , f o r y o u w ill s e e
t h a t w e c o u l d n o t w a it a n d p u t o ff o u r d e c i s i o n t i ll w e h e a r d f r o m
yo u . j
A n d y ou c o u l d n o t h a v e u d g e d a l l th e f a c t s w i t h o u t b e i n g o n
th e s p o t T hi s w a s h o w i t h a p p e n e d
. H e is a l r e a d y o f t h e r a n k o f a
.
c ou n s e ll o r , Py o t r P e t r o vit c h L u z hi n a n d i s d i s t a n t l y r e l a t e d t o M a r fa
,
Pe tr o vn a , w h o h a s be en v e ry a c t i ve in b rin g i n g t h e m a t c h ab o u t It .
b e g a n w i t h his e x p r e s s i n g t h r o u g h h e r h is d e s ir e t o m a k e o u r a c qu ain t
an c e . He w a s p r o p e rly re c e i v e d , d r a n k co ff e e w i t h u s a n d t h e v e ry
n e xt d a y h e s e n t u s a l e tt e r i n w h i c h h e v e r y c o u r t e o u s l y m a d e a n
o ff e r a n d b e gg e d f o r a s p e e d y a n d d e c i d e d a n s w e r H e i s a v e ry b u s y .
m a n a n d i s i n a g r e a t h u r ry t o g e t t o P e t e r s b u r g s o t h a t e v e ry ,
m o m e n t i s p r e c i o u s t o h im At fi rs t , o f co u r s e w e w er e g r e a tly su r
. ,
s
p ri s e d , a s i t h a d a l l h a p p e n e d s o q u i c k l y a n d u n exp e c t e d l y We .
t h o u g h t a n d t a l k e d i t o v e r th e w h o l e d a y He i s a w e ll —to —d o m a n , .
t o b e d ep e n d e d u p o n , h e h a s t w o p o s t s i n t h e g o v e r n m e n t a n d h a s
a lr e a d y m a d e h i s f o r t u n e It is t ru e t h a t h e is f o r ty—fi v e y e a r s o l d ,
.
b u t h e i s o f a f a i r l y p r e p o s s e s s i n g a pp e a r a n c e , a n d m i g h t s till b e
t h o u g h t a tt r a c t i ve b y w o m e n , a n d h e i s a l t o g e t h e r a v e ry r e s p e c tab l e
a n d p re s e n t a b l e m a n , o n l y h e s e e m s a l i t t l e m o r o s e a n d s o m e w h a t
c o n c e it e d Bu t p o s s ib l y t h a t m a y o n l y b e t h e i m p r e s s i o n h e m a e s
. k
a t fi rs t s i g h t A n d b e w a r e , d e a r Ro d y a , w h e n h e c o m e s t o P e t e r s b u r g ,
.
a s h e s h o r tl y w i ll d o b e w a r e o f , j
u d g i n g h i m t o o h a s t i l y a n d s e v e r e l y,
a s y o u r w a y i s , i f t h e re i s a n yt hi n g y o u d o n o t l ik e i n h i m at fi r s t
s ight I g i v e y o u t hi s w a r n i n g , a lt h o u g h I f e e l s u r e t h a t h e w i ll m a k e
.
a fav o u r a b l e i m p r e s s i o n u p o n yo u M o r e o v e r , in o r d e r t o u n d e r s t a n d
.
a n y m a n o n e m u s t b e d e l ib e r a t e a n d c a r e fu l t o a v o i d f o r m i n g p r e j u
d i c e s a n d m i s t a k e n i d e a s , w hi c h a re v e r y d i ffi cu l t t o c o r r e c t a n d g e t
o v er a ft erw a r d s . j
A n d Pyo tr P e t ro v itc h , u d g i n g b y m a ny i n d ic a ti o n s ,
C R IM E AND P UN IS H ME NT 35
is a h r
t o ou g l y h tim abl e m a n At h is fi rs t vi s i t in d e e d h e to l d u s
es .
, ,
t h a t h e w a s a p r a c ti c a l m a n b u t s t i ll h e s h a r e s a s h e e xp r e s s e d i t
m a n y of t h e co v i c t i o s
n n
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o f o u r m o s t r i s i n g g en e rati o n a n d h e is a n
,
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,
o p p o n e n t o f a l l p re j u d i c e s He s a i d a g o o d d e a l m o r e fo r h e s e e m s
.
,
a l i ttl e c o n c e ite d a n d l ik e s t o b e l i s t e n e d t o b u t t hi s i s s c a r c e l y a v i ce , .
I o f c o u rs e u nd e rs t o o d v e r y l i t t l e o f i t b u t D o u n i a e x p l a i n e d t o m e
, , ,
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s e e m s t o b e g o o d n a tu r e d Y o u k n o w y o u r s i s t e r s c h a r a c t e r Ro d y a
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. .
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, , ,
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, O f c o u r s e t h e r e i s n o g re a t .
,
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,
h u s b a n d h a p p y w h o o n hi s s i d e w i ll m a k e h e r h ap p i n e s s h is c a re .
O f t h a t w e h av e n o g o o d r e a s o n f o r d o u b t t h o u g h i t m u s t b e a d m it t e d ,
t h e m a t t e r h as b e e n a r r a n g e d i n g r e a t h a s t e B e s i d e s h e is a m an o f .
g r e a t p r u d e n c e a n d h e w i ll s e e t o b e s u r e o f hi m s e lf t h a t h i s o w n , , ,
h app i n e s s w ill b e th e m o r e s e cu r e t he h a pp i e r D o u n i a i s w i t h h im ,
.
A n d a s fo r s o m e d e f e ct s o f c h a r a c t e r f o r s o m e h abi ts a n d e v e n ,
c e r ta i n d i ffe r e n c e s o f o p in i o n s — w h i c h i n d e e d a r e i n e v i t a b l e e v e n i n
t h e h a p p i e s t m a r r i a g e s— D o u n i a h a s s a i d t h a t a s re g a rd s a l l t h a t s h e , ,
r el i e s o n h e r s e lf t h a t t h e re is n o t hi n g t o b e u n e a s y a b o u t a n d t h a t
, ,
s h e i s re a d y t o p u t u p w i t h a g re a t d e a l if o n l y t h e i r fu t u r e r e l a t i o n ,
s h ip c a n b e an h o n o u r a b l e a n d s t r a i g h tf o r w a r d o n e H e s t ru c k m e . ,
fo r i n s t a n c e a t fi rs t a s r a t h e r a b ru p t b u t t h a t m a y w e ll c o m e fro m
, , ,
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Fo r .
in s ta n c e a t h i s s e c o n d v i s i t aft e r he h a d r e c e i ve d D o u n i a s c o n s e n t
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i n t h e c o u r s e o f c o n v e r s a tio n h e d e c l a re d t h a t b e f o r e m a k i n g D o u n i a s
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a c q u a in t a n c e h e h a d m a d e u p h i s m i n d t o m a r ry a g i r l o f g o o d r e p u
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t at io n w it h o u t d o w ry a n d a b o v e a l l o n e w h o h a d e x p e r i e n c e d p o v
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h is w i fe b u t t h a t i t is b e tt e r fo r a w if e t o l o o k u p o n h e r h u sb a n d a s
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h er b e n e f a c t o r I m u s t a d d t h a t h e e x p r e s s ed i t m o r e n i c e l y a n d
.
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a ft e r w a r d s t o c o r r e c t h im s e lf a n d s m o o t h i t o v e r b u t a l l t h e s a m e ,
it d id s trik e m e a s s o m e w h a t ru d e a n d I s a i d s o ‘ a ft e r w a r d s
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l l i h t b f h m d h e r m i n d a n d t hi n ki n g t h a t I w a s
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n i g h t ; a t l a s t s h e k n e lt d o w n b e f o r e t h e ik o n a n d p r a y e d l o n g a d
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f e r v e n t l y a n d in t h e m o r n i n g s h e t o l d m e t h a t s h e h a d d e c i d e d .
h v
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a y t h a t P y o t r P e tr o v i t c h i s j u s t s e tt i n g o ff
f o r P e te r s bu r g w h e r e h e h a s a g re a t d e a l o f b u s i n e s s a n d h e w a n t s
,
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to c -pen a l-e ga l b u re a u H e .h a s b e e n o c cu p i e d f o r m a n y ye a r s i n
c o n d u ct i n g c i vi l a n d co m m e r c i a l l i ti ga t i o n a n d o n l y t h e o th e r d ay ,
i t t H h b i P t r b u g be c a u s e h e
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h a s a n m p o rt a n c a e t s b e f o r e t h e S e n a t e S o R o d y a d ea r h e m ay .
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36 F Y OD O R D OS TO E V S K Y
I h a ve r
ag e ed th a t fro m t hi s v e ry d a y y o u c o u l d d e fi n i t e l y e n t e r u p o n
yo u r c a r e e r a n d m i g h t c o n s i d e r t h a t y o u r fu tu r e i s m a r k e d o u t a n d
a s s u r e d fo r y o u O h i f o n l y t hi s c o m e s t o p a s s !
.
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s u c h a b e n e fi t t h a t w e c o u l d o n l y l o o k u p o n i t a s a p ro v i d e n t i a l b l e s s
in g . D o u n i a i s d r e a m i n g o f n o t hi n g e l s e W e h a v e e ve n v e n tu r e d
.
a l re a d y t o d r o p a f e w w o rd s o n t h e s u bj e c t t o Pyo t r P e t r o v i t c h .
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, , ,
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,
s a l a ry t o a r e l a t i o n t h a n t o a s t r a n g e r if o n l y t h e f o r m e r w e r e fi t t e d
,
fo r t h e d u t i e s ( a s t h o u g h t h e r e c o u l d b e d o u b t o f y o u r b e i n g fi tt e d ! )
b u t t h e n h e exp r e s s e d d o u b t s w h e t h e r y o u r s tu d i e s a t t h e u n i v e rs i ty
w o u l d l e a v e y o u t i m e f o r w o r k a t h i s o ffi c e T h e m a tt e r d r o p p e d f o r
.
t h e t i m e b u t D o u n i a i s t hi n ki n g o f n o t hi n g e l s e n o w
, She h a s be en .
in a s o r t o f f e v e r f o r t h e l a s t f e w d a y s a n d h a s a l r e a d y m a d e a ,
r e gu l a r p l a n f o r y o u r b e c o m i n g i n t h e e n d a n a s s o c i a t e a n d e v e n a
p a r t n e r in Py o t r P e tr o v i t c h s l e g a l b u s i n e s s w h i c h m i g h t w e ll b e
’
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.
w i t h h e r Ro d y a a n d s h a r e a l l h e r p l a n s a n d h o p e s a n d t hi n k t h e r e
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v i tc h s e va s i v e n e s s
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v e ry n a tu ra l a t p r e s e n t ( s i n c e h e d o e s n o t k n o w
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g o o d i n fl u e n c e o v e r h e r f u tu r e h u s b a n d ; t hi s s h e i s r e c k o n i n g u p o n .
O f c o u r s e w e a r e c a r e f u l n o t t o t a l k o f a n y o f t h e s e m o r e r e m o te
p l a n s t o Py o t r P e t r o v i t c h e s p e c i a ll y o f y o u r b e c o m i n g h i s p a r t n e r
,
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H e i s a p r a c t i c a l m a n a n d m i g h t t a k e t hi s v e ry c o l d ly i t m i g h t a l l ,
s e em t o h i m s i m p l y a d a y—d r e a m N o r h a s e i th e r D o u n i a o r I
.
b r e a t h e d a w o r d t o h i m o f t h e g r e a t h o p e s w e h av e o f h i s h e l p i n g u s
t o p a y fo r y o u r u n i v e r s i t y s t u d i e s ; w e h av e n o t s p o k e n o f i t i n t h e
fi r s t p l a c e b e c a u s e i t w i l l c o m e t o p a s s o f i t s e lf l a t e r o n a n d h e w i l l
, , ,
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h e c o u l d r e fu s e D o u n i a t h a t ) t h e m o r e r e a d i ly s i n c e y o u m a y b y y o u r
o w n e ffo r t s b e c o m e h is r i g h t h a n d i n t h e o ffi c e a n d r e c e i v e t hi s a s
s i s t a n c e n o t a s a c h a r i ty b u t a s a s a l a ry e a r n e d b y y o u r o w n w o r k
,
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D o u n i a w a n t s t o a r ra n g e i t a l l l ik e t hi s a n d I q u i t e a gr e e w i t h h e r .
A n d w e h ave n o t s p o k e n o f o u r p l a n s f o r a n o th e r r e a s o n t h a t i s , ,
b e c a u s e I p a r ti cu l a r l y w a n te d yo u t o f e e l o n a n e qu a l f o o t i ng w h e n
yo u fi r s t m e e t h im W h e n D o u n i a s p o k e t o h im w i t h e n t u s i a s m
. h
a b o u t yo u h e a n s w e re d t h a t o n e c o u l d n e v e r j u d g e o f a m a n w i t h o u t
,
s e e i n g hi m c l o s e f o r o n e s e lf a n d t h a t h e l o o k e d f o r w a r d t o f o r m i n g
, ,
h is o w n O p i n i o n w h e n h e m a k e s yo u r a c q u a i n t a n c e D o yo u k n o w .
,
m y p re c i o u s Ro d y a I t hi n k t h a t p e r h a p s f o r s o m e r e a s o n s ( n o t hi n g
,
t o d o w i t h Py o t r P e t r o v i t c h t h o u g h s i m p ly fo r m y o w n p e rs o n al
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m y s e lf a p a r t t h a n w i t h t h e m a ft e r t h e w e d d i n g
, , , I a m c o nvi n c e d .
t h a t h e w i ll b e g e n e ro u s a n d d e l i c a t e e n o u g h t o i n v i t e m e a n d t o
u r g e m e t o r e m a i n w i t h m y d a u g h t e r f o r t h e fu t u r e a n d if h e h a s ,
i t is s i m p ly b e c a u s e i t h a s b e e n t a k e n
.
s a i d n o t hi n g a b o u t i t hi t h e r t o ,
f o r g r a n t e d ; b u t I s h a ll r e fu s e I h a ve n o t i c e d m o r e t h a n o n c e i n
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m y l i f e t h a t h u s b a n d s d o n t q u i t e g e t o n w i t h t h e r m o t h e r s in l a w
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C R IME AND P UN I S H MENT 37
ow n sa ke , to o , w ou ld ra th e r
b e q u i t e i n d e p e n d e n t s o l o n g a s I h av e
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a c r u s t o f b r e a d o f m y o w n , a n d s u c h c hi l d r e n a s
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If p o s s ib l e , I w o u l d s e ttl e s o m e w h e r e n e a r yo u , f o r t h e m o s t o y f u l
p i e c e o f n e w s , d e a r Ro d y a , I h a v e k
e p t f o r t h e e n d o f m y l e tt e r :
k n o w t h e n , m y d e a r b o y , t h a t w e m ay p e r h a p s b e a l l t o g e t h e r i n a
v e ry s h o r t t i m e a n d m a y e m b ra c e o n e a n o th e r a g a i n a fte r a s e p a r a t i o n
o f a l m o s t t h r e e ye a r s ! It i s s e t tl e d fo r c e r t a i n t h a t D o u n i a a n d I
a r e t o s e t o ff f o r P e t e r s b u rg , e x a c tl y w h e n I d o n t k
n o w , b u t v e ry,
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ve ry s o o n p o s s ib ly in a w e e
, k
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.
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P e t e r s bu rg T o s u i t hi s o w n a r r a n g e m e n t s h e is a nxi o u s t o h ave t h e
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a ft e r. O h , w i t h w h a t h a p p in e s s I s h a ll p r e s s y o u to m y h e a r t ! D o u n i a
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.
a n d h a s o n l y t o l d m e t o w r i t e t h a t s h e h a s s o m u c h , s o m u c h t o t e ll
y o u t h a t s h e i s n o t g o i n g t o t a k e u p h e r p e n n o w , fo r a f e w l i n e s
w o u l d t e ll yo u n o t hi n g , a n d it w o u l d o n l y m e a n u p s e tt i n g h e r s e lf ;
s h e bi d s m e s e n d y o u h e r l o v e a n d i n n u m e r a b l e k
i s s e s Bu t a l t h ou g h
.
w e s h a l l b e m e e t i n g s o s o o n , p e r h a p s I s h a ll s e n d y o u a s m u c h m o n e y
a s I c a n in a d a y o r t w o .N o w t h a t e v e ry o n e h a s h e a r d t h a t D o u n i a
i s t o m a r r y Py o tr P e t ro v i t c h , m y c r e d i t h a s s u d d e n l y i m p ro v e d a n d
I k n o w t h a t Af a n a s y Iv a n o v i t c h w i ll t ru s t m e n o w e v e n t o s ev e n ty
fi v e r o u b l e s o n t h e s e cu r i ty o f m y p e n s i o n , s o t h a t p e r h a p s I s h a l l
b e a b l e t o s e n d y o u tw e n t y fi v e o r ev e n t hi r ty r o u b l e s
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y o u m o r e , b u t I a m u n e a sy a b o u t o u r t r a v e ll i n g e x p e n s e s ; f o r t h o u g h
Py o t r Pe tr o vi t c h h a s b e e n s o ki n d a s t o u n d e rt a e p a r t o f t h e e x k
j k
p e n s e s o f t h e o u r n e y , t h a t i s t o s a y, h e h a s t a e n u p o n hi m s e lf t h e
c o n v e y a n c e o f o u r b a g s a n d b ig t ru n k ( w hi c h w i ll b e c o n v e ye d t h r o u g h
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s o m e a c qu a i n t a n c e s o f h i s ) , w e m u s t re c o n u p o n s o m e e x p e n s e o n
o u r a r r i v a l i n P e t e r s b u r g , w h e r e w e c a n t b e l e ft w i t h o u t a h a lfp e n n y,
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a t l e a s t fo r t h e fi r s t f e w d a y s Bu t w e h a v e c a l c u l a t e d i t a l l , D o u n i a
.
a n d I, t o t h e l a s t p e n n y , a n d w e s e e t h a t t h e j
o u rn e y w i ll n o t c o s t
v e ry m u c h It is o n l y n i n e ty ve rs ts f ro m u s t o t h e r a i l w a y a n d w e
.
h a v e c o m e t o a n a g re e m e n t w i t h a d r i v e r w e k n o w s o a s t o be in ,
r e a d i n e s s ; a n d f r o m t h e r e D o u n i a a n d I c a n t ra v e l q u i t e c o m f o r ta b l y
t hi r d c l a s s k
S o t h a t I m a y v e r y l i e l y b e a b l e t o s e n d t o yo u n o t
.
t w e n ty fi v e , b u t t hi r t y r o u b l e s
- Bu t e n o u g h ; I h a v e c o v e r e d t w o
.
s h e e t s a l r e a d y a n d t h e r e i s n o s p a c e l e ft f o r m o r e ; o u r w h o l e hi s t o ry ,
b u t s o m a n y e v e n t s h a v e h a p p e n e d ! A n d n o w , m y p r e c i o u s Ro d ya ,
I e m b ra ce yo u a n d s e n d y o u a m o t h e r s b l e s s i n g t i ll w e m e e t
’
L o ve .
D o u n i a y o u r s i s t e r , K o d y a ; l o v e h e r a s s h e l o v e s yo u a n d u n d e r s t a n d
t h a t s h e l o ve s y o u b e yo n d e v e ryt hi n g , m o re t h a n h e rs e lf S h e is .
a n a n g e l a n d y o u , Ro d y a , y o u a e r e v ry hi g
e t n t o u s — o u r o ne
ho pe ,
o u r o n e c o n s o l a t i o n If. o n l y y o u a r e h a p p y w e s h a ll b e h a p py
,
D o .
yo u S t i ll s ay y o u r p r a y e r s R o d,
a
y , a n d b e l i e v e i n t h e m e r cy o f o u r
Cr e a to r a n d o u r Re d e e m e r ? I a m a fra i d in m y h e a rt t h a t yo u m ay
h a ve b e e n v i s i t e d b y t h e n e w s p i r i t o f i n fi d e l i ty t h a t is a b r o a d t o d ay ! -
38 F Y ODO R D O S T O EV S KY
I f it i s s o, Re m e m b e r, d e a r b o y, h o w i n yo ur c h il d ~
I p r a y fo r yo u .
h oo d, w h e n y o u r f a t h e r w a s l iv i n g yo u u s e d t o l i s p yo u r p ra ye r s a t
,
m y k n e e , a n d h o w h a p p y w e a l l w e r e in t h o s e d a ys G o o d b ye , t i l l
.
-
w e m e e t t h e n — I e m b r a c e yo u w a rm l y , w a r m l y w it h m a n y k is s e s
, .
“
Yo u r s t i ll d e a t h
“
L
PU C H E I A RA K O N I K OV R S L .
face wa s pale and di sto rted and a bitte r w r ath ful and malig ,
thr eadb are di rty p illow and p o nde red p onde red a long tim e , .
the m t o o k h i m t o b e d runk .
40 F YOD O R DO S T OE V S K Y
fi c in g he r daughte r to he r s o n ?
‘
You are ou r o ne com fo rt ,
yo u a re everything to u s O h mothe r l ” ’
.
,
“
Hm
’
yes that s tru e h e conti nu ed pur sui ng th e
, , ,
o nly ninety v ersts and then they can travel r y com fort
i
, .
’
O n e must cut one s coat acco rding to one s cloth but what
’
tobacco The busi nes s man has got the b etter o f them too
.
,
.
’
m arriage it s a foretaste o f it And mothe r too w h y should
, .
,
knits wooll en shawls and emb roiders cu ffs ru ining her old —
,
’
eye s And all he r shaw ls do n t add mo r e than twenty
.
’
S o s h e i s bui ldi ng all her hope s all the tim e o n M r Lu z h in s
‘
.
and although they have an i nkl ing o f the other side o f the
p i ctur e yet they won t face the truth till they are forced to ;
,
’
’
that D ou ni a c a n put up with a great deal I know that .
the l ast two and a hal f years I have b een thinking a b out i t ,
3
— R
42 FY OD O R D OS TO EV S KY
‘
thinki ng o f j u st that that D ouni a pu t u p w ith a grea t c an
,
’
de al I f s h e co uld put up w ith M r S v id riga i l o v and all t h e
. .
’ ’
i s sh e co ns enti ng then ? What s the p o i nt o f it ? What s
th e answe r ? It s cl ea r en o ugh : fo r her s el f fo r h e r c o m
’
,
’
m o ral feeli ng i f necessary fre edom p eace c o ns ci ence e ven , , , .
is o ne s d uty fo r a go o d o bj ect
’ ’
Tha t s j us t l ike u s i t s a s .
,
’
CRIM E A ND P UN IS H ME NT 43
’
c l ea r as dayl ight It s clea r that Rodion Ro m a n o v itch Ras
.
gret i t ? The bi tte rness the mi sery the curses the tears , , ,
tro vna And how will you r mothe r f eel then ? E ven now
.
it shall n o t ! I wo n t accept it ! ’
“
I t shal l not b e ? B ut what are you going to do to pre
vent it ? You l l fo rbid i t ? And what right have you ?
’
p res ent angu i sh had its fi rst b eginni ngs ; i t had w axe d an d
gathe red strength it had m atu red and co ncentr ated u ntil
, ,
o r el se
”
.
“
O r throw up l i f e altogethe r ! h e cri ed suddenly in a ,
“
frenzy accept o ne s lot humb ly as it is o nce fo r all and
’
l i fe and l ove !
“
D o you u nderstand s i r do you u nderstand what it
”
, ,
b ef o r e h a n d
that i t must come b ack he w a s expecting it ;
, ,
had happ ened to him many times going home not to notice
the ro ad by whi ch h e was go ing and he w a s accustomed ,
she l et he r head sink o n the b ack o f the seat and closed her
eyes app arently i n extreme exhaustion
,
Looking at her .
was a str ange and sho cking s ight H e could hardly b eli eve .
46 F Y ODO R D O S T OEV S K Y
’
vard w as nev e r mu ch f requ ente d ; and now at two o cl o ck , ,
“
H ey ! Y o u S v id r iga i l o v ! What do you w ant he re ?
h e shouted cl enching hi s fi sts and l aughing splutte ri ng with
, ,
r age
”
.
’
Get away that s what I m ean , .
H o w dare yo u y o u l ow fellow ! ,
b etwe en th em .
”
, , , ,
?
pl ace What do yo u w ant Wh o ar e you ? he aske d Ras
.
addre ss !
”
M i s s y m i ssy ! th e pol icem an b egan agai n t aking the
, ,
“ ’
m on ey .I l l fetch you a c a b and tak e you hom e mys el f .
”
,
“
Go a w a v ! They wo n t l et m e alo ne th e gi rl mutte red ’
, ,
’
Ach ach how sho cking ! It s sham eful mi s sy it s a ’
”
, , , ,
and i ndignant .
“ ’
It s a di fficul t j ob th e pol i cem an s aid t o Raskolniko v, ,
“
Ah th e shame ful things th at a r e d o ne i n th e wo rld
,
“
P erhap s h e h a d daughte r s grow ing up l ik e that lo oking
”
,
“
The chi e f th ing i s Rask o lnikov pe rsi sted to keep h e r , ,
“
K e ep h er out o f hi s hands w e can s aid th e c o nstabl e ,
“
t hought fully i f o nly she d t el l u s wh e re to tak e h e r but
,
’
,
C R IM E AND P UN IS H MEN T 49
as it IS .
M issy hey ”
mi ssy ! he bent ov er he r once
, ,
’
D o n t b e anxiou s I won t l et him hav e her the pol ice
,
’
“
Ah th e v ice o n e s ee s nowadays ! he repeated aloud
, ,
sighing .
“
H e y he re I h e shouted afte r th e pol iceman
, .
“
Let them b e ! What i s it to do with you ? Let he r g o !
Let him amuse hims el f H e pointed at the dandy What “
”
.
,
i s it to do with yo u ?
”
.
“
Well ! ej acul ated the pol iceman w ith a gestu re o f con ,
“ ”
H e h as car ri ed o ff my twenty copecks Raskolniko v ,
be g i n l i f e anew
”
.
F ra n t s o v n as wi ll get wi nd o f it and th e gi rl w il l s o o n b e ,
and th e th e .
, .
wh at i f D ou ni a w er e o n e o f th e p ercen t age ! O f an o th e r
o n e i f no t that o n e ?
“
B ut whe re am I go ing ? ”h e th o ught suddenl y S tr ange . .
Ra z u m ih in n o w I rememb e r
’
That s what it w as
. .
student s gath eri ngs amu sem ents o r conv ers ati ons
’
, He .
lodge anywh ere and b ear the extremes o f cold and hun g e r
,
.
and even cro ssed to the othe r side that h e might not b e
ob serv ed And though Ra z u m ih in noticed him he p assed
. ,
F
’
c o u rs e
I v e b een m eaning l ately to g o to
,
f o r m e to go to Ra z u m ihin
Th e qu estio n w hy h e w a s n o w go ing t o Ra z u m ih in
agitated hi m ev en mor e than h e w as hims el f aw are ; h e k ept
u neas ily s eeking fo r som e s in i ster s igni fic ance i n thi s
a pp ar ently o rdinary acti o n .
go to Ra z u m ihin s o f cou rs e bu t ’
not now I shal l , .
“
A fte r It h e shout ed j ump ing up f rom th e s ea t bu t
, , ,
that hol e i n that aw ful l ittl e cupb o ard o f hi s all this had
, ,
on to the Les ser N eva cro ssed the b ridge and tu rned ,
fi rst r est ful to hi s weary eyes after the dust o f the town
and th e huge hou ses that hemmed him in and wei g hed
upon him H e re there wer e no t averns no stifling close
.
,
n ess no stench
,
B ut soon thes e new pl easant sensations
.
“
hi s money ; he found h e had thi rty copecks Twenty to .
”
yesterday h e thought r eckoning it up fo r some unknown
, ,
hungry .
Go ing into th e tav ern h e drank a gl ass o f
vodka and ate a p i e o f som e so rt H e finished eatin g it .
grav eyard sto od a ston e chu rch with a green cupol a wher e
h e u sed to go to m as s two o r th ree tim es a yea r w ith h i s
f athe r and m o the r wh en a s e rvi c e was h eld i n m emory
,
s u ch a cart ?
“
And thi s m ar e i s tw enty i f sh e i s a day m ates ! ,
, ,
i ng fi rst into the cart seiz ing th e rein s and standi ng st r aight ,
”
.
,
with r el i sh to fl og th e l ittl e m ar e
”
.
“ “
Get i n ! C om e along ! Th e cr o w d l aughed D yo n .
’
h ea r sh e l l gallop !
’
,
“
Gall o p i ndeed ! S h e has n o t h ad a gall o p i n h e r fo r the
l ast ten years !
”
“
S h e ll j o g along !
’ ”
D on t y o u m ind h er m a t e s b ring a whip each o f y o u
’
”
, , ,
get r eady !
Al l right ! Giv e i t to h e r !
Th ey all cl amb er ed i nto M ik o l k a s cart l au ghing and ’
,
“
Let m e get i n t o o m ates shouted a y o ung m an in t h e
, , ,
“
Get in al l get in c ri ed M ik o l k a sh e will dr aw y ou
, , ,
C RIM E AND P UN IS H MENT 57
’
all I ll b eat he r to death !
— ” And he thrashed and th rashed
at the m are b eside himsel f with fu ry
”
.
, .
“ “
F ather f ather h e cri ed f ather what ar e they do ing ?
, , , ,
”
, ,
”
, , .
I l l do fo r her !
’
“
D id any o n e ever s e e th e l ike ? A wretched nag l ike t h at
”
pull ing su ch a cartload s aid anothe r
”
.
,
“ ’
You ll ki ll her shouted the third , .
,
’
.
go at a gallop !
All at once l aughter b rok e into a roar and covered every
thing : the m ar e rou sed by the shower o f b lows b egan fee b ly
, ,
“
H it her in th e face in the eyes in the eyes cri ed , , ,
M ik o lk a .
“
Giv e u s a s o ng mates shouted some o n e i n the cart and
, ,
the m en gav e him a cut w ith the whip acros s the face he ,
“ ’
H e ll cru sh her w a s shouted r o u nd him H e ll k ill
’
.
,
her ! ”
“
I t s my p r o pe r t y shou ted M ik o lk a and b r o u ght the sha ft
’
,
thu d
”
.
“
Thrash he r t hrash h er ! Why h av e yo u st o pp ed ?
,
n o t ki l l he r at o n e bl ow
”
.
“ ’
S he s a tough o n e wa s shout ed in t h e c ro wd
, .
”
, ,
”
,
“
F etch an axe t o her ! F i ni sh h er o ff shout ed a thi rd , .
“ ”
I ll show y o u ! S tand o ff M ik o l k a sc reamed fr anti cal ly
’
“
N o m istak e abou t it you are not a C hri stian , many ,
r i ed hi m o u t o f th e cro w d .
“
C o me along come ! L et u s go home he said to hi m
”
.
, ,
“
They a r e drunk They ar e b rutal it s n o t ou r ’
”
.
“
Thank God that was only a dream h e said s itting down
, , ,
“
under a tree and d rawing deep b reaths But what i s it ?
”
.
h ead o n hi s hands
”
.
“
Goo d God ! h e cr i ed c a n it b e can it be that I shall
, , ,
“ ? ”
B ut w hy am I go ing o n like this h e continu ed sittin g ,
“
u p again a s it were i n pro found amazement
,
I knew that .
l oathsom e vil e v il e
, , the v e ry th o ught o f it made me
feel s ick and fi l l ed m e w ith ho r ro r .
“
N o I cou ldn t do it I couldn t do it ! Granted gr ant ed
’ ’
, , ,
m eti c
. M y God ! Anyway I cou ldn t b ring mys el f t o ’
I stil l
H e ro s e to hi s feet lo oked rou nd i n wonder as though su r
,
”
, ,
ket At the tab les and the barrows at the b ooths and the
.
,
made her wo rk day and night and even b eat her She w a s ,
.
“
You could mak e u p you r mind fo r you rsel f L iz a v e t a ,
”
Iv anovna the hu ckste r was saying al oud C ome round .
“
,
To m o rr o w
-
said L iz av e t a slowly and th o u gh t ful ly a s ,
“
U po n my w o rd what a fright you ar e in o f A l yo n a I van
,
‘ ’“
o vna gab b l ed th e hu ckst e r s w i fe a l iv ely l ittl e wo man
,
I , .
,
“
hu sband int er rupted ; th at s my advi ce but com e round t o ’
“
Am I to come ?
’
Ab ou t s ev en o clo ck t o mo rr o w And t hey wi ll b e h er e
-
”
. .
“
And we ll hav e a cup o f t ea added hi s wi fe
’
, .
‘
All right I l l com e s aid L iz a v e t a sti l l p o nde ring a n d
,
’
, , ,
, ,
al o n e
.
64 F Y ODO R D O S T OEV S K Y
not shak e o ff a v ery ext rao rdinary imp r ess ion and her e some ,
“ “
Sh e i s fi rst r ate he s aid ,
You can always get money
.
w ith h er B u t s h e i s an aw fu l o l d h arpy
.
”
,
“
The re s a ph enomenon fo r you cr ied th e student and
’
he l au ghed .
and the o f fi cer li stene d with g reat interest and asked him to
s end Liz a v e t a to do some mending fo r him Rasko lniko v did .
“
B ut you s ay she i s hideou s ? o b s erved th e o fficer .
good natu red face and eye s Strikin g ly so And the p roo f o f it
-
. .
“
You seem to find he r attractive you rsel f l aughed the ,
offi cer .
“
F rom her qu eernes s N o I ll tell you wh at I cou ld kill ’
. .
,
“
Li sten I want to ask you a s eriou s qu estion the stu
, ,
”
stand ? You understand ?
“
Yes ye s I unde rstand answered the o ffice r watch ing
, , , ,
“
O f cou r se s h e do es not des erve to l iv e r emarked t he
”
,
“
o ffice r but ther e it is it s natu r e
, ,
’
.
“
O h well b rother but w e h ave to c o r rect and di r ect natur e
, , ,
Li sten !
“
N 0 you stay I l l a sk y o u a q u estio n
’
Li sten ! ”
”
.
, ,
Wel l !
You ar e talking and sp eechi fying away bu t t el l m e w o ul d
”
, ,
?
yo u kill the o l d w o man yo u rs el f
“
O f cou rs e not ! I w as o nly argu ing the j u s t ice o f i t .
’
It s nothing t o do w ith m e .
“ ’
But I th ink i f you w o u ld not d o i t your s el f t her e s n o
,
him .
and bread The tea was again the sec o nd b rew and again
.
i n her o w n t eapot
”
.
“
M y go o dnes s how h e sleep s ! sh e cr ied i ndignantly
”
.
,
“ “
G o ing t o s leep again cri ed N a sta s ya Are you i ll eh
, .
,
H e made no r eply
”
.
“
D o you want some tea ?
”
A fterwards he said w ith an e ff o r t clo sing hi s eye s again
, ,
“
Perhap s h e really i s i ll sh e s aid tu rned and went o u t , ,
.
“
Why ar e yo u lying like a log ? s shouted looking at ,
stared at the fl oo r
”
.
“
Ar e y o u i l l o r n o t ? asked N a sta sya and a g ain received
”
no answer “
Yo u d better go o u t and get a breath o f ai r
.
’
,
“ ?
s h e said a fter a pau se Wi ll y o u eat it o r n o t
” ”
.
“ “
Afte rwards h e said we akly ,
You can go . .
cou ld not sl eep ; h e lay w itho ut sti r r ing w ith hi s f ace i n the ,
parti co l ou red sto ne s and ov e r the clean sand which gli stened
-
them ve ry fi rmly cro ssing and r ecro s sing the thread round
,
added to giv e w eight s o that the woman mi ght not gues s the
”
,
“
It struck s ix long ago
”
.
Long ago ! M y Go d !
H e ru shed to th e doo r li ste n ed caught u p hi s hat and
, ,
.
,
“
What m ade m e thi nk h e r eflected as h e went u nde r th e , ,
“
gateway What m ad e m e think that she wou ld be su re n o t
.
a s sume th i s s o certainly ?
H e w a s cru sh ed and ev en humili ated H e co uld h av e .
b o i led w ithin h im .
H e app ro ach ed the room o n tipto e w ent down two steps i nto ,
“
it and i n a faint vo i ce called th e po rte r Ye s no t at hom e ! .
,
“
hi s hat G o o d heav ens ! I had the money the day b e fo re
”
.
”
.
think o f nothing at al l !
“
S o prob ably men le d to execution clutch mentally at eve ry
”
obj ect that meets them o n the way flashed through hi s mind , ,
— R
4
74 F Y OD O R DO S TOE V S KY
b e fast !
Lucki ly f o r him ev ery t hing w ent wel l again at the gates
, .
‘
w as cl o se by j u st o n the r ight o f th e gat eway H e w a s
, .
al re ady o n th e stai rs .
D raw ing a b reath p res s ing hi s hand agai nst h i s th robb ing
,
’
b ette r i f they had n ot b een her e b u t it s tw o sto reys ,
abov e them .
’
w o man s wa s appar ently empty al so ; th e v i s iting card n ailed
o n the d o o r had b een t o rn o ff— they had gone away ! He
w a s o ut o f b reath F o r on e in stant th e though t flo ated
”
.
“
t h rough hi s mind S hall I go back ? Bu t h e mad e n o an sw e r
’
and began li stening at the o l d w o man s d o o r a de ad si lence ,
.
“
Go o d ev ening A l yo n a Ivanovna ,
h e b egan tryin g to , ,
And l eav ing h e r h e pas sed str aight into th e room uni n
,
“
Good h eaven s ! Wh at i s it ? Who i s it ? What do yo u
want ? ”
“
Why A l yo n a I vanov na you kn o w me
, Raskolnikov
,
76
C R IM E AND P UN IS H ME NT 77
’
he r v i sitor s r esolute tone ev idently restored h e r confidence .
“
B ut w h y my go od s ir all o f a minute
, What i s it
, .
“
The si lv er cigarette case ; I spoke o f it last time you
”
,
know .
“
B ut how p al e you are to b e su re and you r hands
”
,
, ,
“
What i s it ? s h e a sked o nce mo re s canning Raskolnikov ,
“
A thi ng cigarette case S i lve r Look at it
. . .
w rapped it up !
T ry ing to unti e the string and turn ng to the window to i ,
axe from the noo se but did not yet take it out altogether
,
,
the axe slip and fall A sudden giddines s came over him .
”
.
“
But wh at has h e ti ed it up like thi s for ? the o l d woman
cri ed w ith v exation and mov ed towards him .
“
h eld th e pl edge Then h e dealt her anothe r and an o the r
.
t o rt e d co nvu ls ively .
o ut o f the b edroom .
face ; she l i fted h er h and opened he r mouth but stil l did not , ,
co rne r star ing i ntently p e rsi stently at him but still u tte red
, , ,
, ,
been s o tho rou ghly cru shed and scared that sh e did not even
r ai se a hand to gua rd h er face though that was the mo st ,
ou the skull and spl it at o ne blow al l the top o f her head She .
en t ry
.
they w ere cl ean he took out the axe washed the blade and
, ,
where there we re spot s o f blo od rub b ing them with soap Then .
hi m su ch a s he had n ev e r known b e f o r e .
“
B ut no the w rong thi ng agai n ! I must get aw ay get
, ,
away
H e u n fastened the l atch op ened the do o r a nd b egan l i ste n ,
“ ’ ’
You do n t say the re s no one at home the new come r ,
-
”
.
,
“
F rom hi s voi ce h e mu st b e qu ite you ng thought Ras ,
kol miko v .
“ ’
Who the devi l c a n tell ? I ve almo st b r o ken the lo ck
”
,
“
Why ! The day be fo re yeste rday I b eat you thr ee t ime s
ru n n in g at b i lli ards at Gamb r inu s
“
Oh !
”
’ ’
S o they ar e not at hom e That s queer ? It s aw ful ly ?
’
I ve com e o n bu sine ss .
“
Ye s ; and I have bu sines s w ith he r to o , .
And I w a s hop ing to get som e money ! cri ed the young man .
“
We mu st giv e it u p o f cou rs e b ut what did she fi x thi s , ,
’
got to I can t make o u t S he sit s he re fr om ye ar s end to
,
.
’
’
year s end the ol d hag ; he r l egs ar e b ad a nd yet he re al l o f
”
,
a su dde n sh e i s ou t fo r a w alk !
“
H ad n t we b ett er a sk the porte r ?
’ ”
What ?
’ ’
Whe r e she s gone and when she ll b e b ack .
“
D amn it al l The re s nothing t o b e don e we mu st go ! ’
”
.
,
“
S tay ! cri ed the y o ung m an su ddenly D o you s e e h o w
”
.
doo r ”
.
“ ”
Well ! And so they mu st b e ! cr ied K o ch astonished
”
, .
“
Stay ! cri ed the young man again D o n t pul l at it ! .
’
w ake them up
”
.
“
Al l right .
“
S t a y Y o u stop he re whil e I run down fo r the p o rte r .
”
.
What fo r ?
’
Well you d b ette r
”
.
,
All r ight .
“ ’
I m s tudyi ng the l aw you see ! It s evident e vi dent
’
- -
”
,
“
W hat the devi l ? h e cri ed suddenly and i n impa t i ence
de serting hi s sent ry duty he t o o went down hu rrying and , , , ,
away
”
.
“
Goo d heav ens ! What am I to do ?
downstai rs .
“
H ey the re ! C atch the b rute !
S omeb o dy dashe d out o f a fl at b elow sh o u t ing and rathe r , ,
“
r i nging vo i ce o f th e young m an They ! .
powe r o f r efle ctio n that he w alked str aight to the doo r and
“
ope ned it I f the po rte r had asked him Wh at do you want
.
? ”
h e would pe rhap s hav e s imply hande d h im th e axe But .
the axe b ack u nde r the bench a n d even covering it w ith the
chunk o f wood as b e fo re H e m et no o n e not a soul a fter
.
, ,
’
w a rds o n th e way t o hi s room ; th e l andl ady s doo r w a s shut .
cat ch at o n e h e c o u l d no t r e st o n o ne i n sp ite o f al l hi s
,
~
e ff o r t s
P A RT II
C HAPT E R I
“
Ah ! th e d runken men ar e coming o u t o f th e taverns he
”
,
“ ’ ’
thought it s past two o clo ck and at once he leaped up as
,
-
, ,
“
What ! P ast t w o o clo ck ! ’
d read fu l chil l came ove r h im ; but th e chil l was from the fever
that had begun long b e fo r e i n hi s sleep N o w he w a s su d .
h i s p illow .
“
I f any on e h ad come in what would h e have though t ? ,
That I m drunk b u t
’
thing ov er to the l ast th re ads and r ags and m istru sting him ,
b e noth ing mo r e .
“ ’
the things in to th e hol e u nde r th e p ap e r : They re i n ! All
o u t o f s ight
”
and th e pu rs e to o ! he thought gl ee ful ly get
, ,
“ “ ’
ro r ; M y God ! h e whi sp e red i n despai r ; what s the matte r
? ? ”
w ith me I s that hidden ? I s that the way to hid e things
H e h ad no t r eckoned o n h av ing tr inkets to h ide H e h ad .
pl ace
”
.
“
But no w now what am I gl ad o f h e thou gh t
, ,
? I s tha t .
cloth es again .
92 F Y ODO R DO S T OEV S K Y
“
I n th e stov e ? B u t they would r ansack the stov e fi r st o f
all B u rn th em ? B ut what c a n I bu rn th em w ith ? Ther e
.
H e was tho rou g hly wak ed up at l ast by a v iol ent kno cking
at h is doo r .
“
O pen do ar e y o u dead o r al iv e ? H e k eep s sl eeping
”
, ,
”
.
,
H a ! that s th e po rte r s v o i ce
’
What do es h e want ’
? .
“ ”
T hen w h o can h av e l atched th e do o r ? reto rted N a sta sya .
standing he re .
w ith a defi ant and d esp erat e ai r at the po rter who w ithout a ,
th e p ap e r
”
.
“
F ro m what o ffice .
?
which o ffi ce .
“
To th e pol ice ? What fo r ?
’
How c a n I tell ? You re s ent fo r s o you go , .
“
H e s downr ight i ll ! obs erved N a st a sya not taking h er
’
“
H e s b een in a fev er s ince yesterday s h e added
’
, .
“ ’
D on t you get up then N a s ta sya went on compassion ,
“
Y ou re ill and so don t go ; ther e s no such hurry
’ ’ ’
What
”
, .
“ ’
You d b etter hav e s ome tea ! Yes ? I l l b ring it there s
’ ’
som e l eft
‘
.
o n hi s feet
”
.
“
Why you l l nev er get downstai rs ! ’
”
,
Yes I ll g o ,
’
.
As you pl eas e .
S h e follow ed th e p o r t e r o u t .
94 F YODO R D O ST OEV S K Y
rags .
“
thought in agoni s ing b ewilderment Good God only get it
”
.
,
o ve r soo n !
H e w a s fl inging h i msel f o n h i s knee s to p r ay but ,
him sel f .
’
H e b egan hu rri edly d r es sing i f I m l ost I am l ost I
,
”
, , ,
’
do n t car e ! Shall I pu t th e so ck o n ? h e suddenly wonder ed
”
,
B ut no s o one r h ad he pu t it o n th an h e pu ll ed i t o ff agai n
i n lo athing and ho r r o r H e pul l ed it o ff b u t r efle cting tha t
.
,
“
That s al l conventi onal th at s al l r el ativ e merely a w a y
’
,
’
,
”
o f looking at it h e thou ght in a fl ash but only o n th e t o p
, ,
“
su r face o f h i s mind whil e h e w as shudd ering all ov e r ther e
”
, , ,
“
N o it s to o mu ch fo r m e
,
’
h e thought H is l egs .
“ ’
ach ed with fev e r I t s a tri ck ! They w ant t o decoy m e
”
.
l ight h eaded
- I m ay blu rt o u t s om ething stup id
.
se t H e went u p to o n e o f them
”
. .
What i s it ?
“
You a re a student ? the m an asked glancing at th e n o ti ce
”
.
,
“
There wou ld b e no getti ng anything o u t o f him b ecau s e
”
,
“
clerk Th e l atte r glanced at it sai d : Wait a m i nu t e and
.
, ,
“
S om e fool i shness som e t r ifli ng carel essnes s and I may
”
, ,
fas h io nably dre sse d and foppi sh w ith h is hai r p arted i n the ,
C R IM E A N D P UN IS H ME NT 97
c o rr ectly .
“
Lui se I vanovna you can sit down he said casually to
, ,
the gaily dre s sed purp l e faced lady who was still standing
-
,
-
,
a s though not ventur ing to sit down though there was a chai r ,
b e side he r .
“
Ic h danke said the latter and so ftly with a ru stl e o f silk
, , ,
The lady i n mou rni ng had done at l ast and got up All ,
.
the o ffice r took not the smallest notice o f he r and she did ,
a ffronted
”
.
“
What do you want ? h e shouted apparently astoni shed ,
”
paper s Her e ! and h e flung Rask o lnik o v a do c u men t and
”
.
“
poi nted o u t t he place Re ad that !
”
.
“
M oney ? What m o ney ? though t Rask o l nik o v but
”
,
’
the n i t s ce rtainly not tha t .
“
And pr ay what time we r e you di rected to appe ar s ir ?
, ,
’
com e a t ni ne and now it s twel ve !
,
“
The n o ti ce w a s o nly b r ought m e a quarter o f an h o u r
ag o Raskol nikov answer ed loudly ove r hi s shoulde r To
, .
he re il l with feve r
”
.
“
K indly re frai n f r o m shouting !
“ ’
I m n o t shouting I m speaking ve ry q ui etly it s you w h o
’
,
’
,
’
ar e shouting at m e I m a stude nt and allow no o ne to shout
”
.
,
at m e .
Up f rom hi s s eat .
”
.
impudent si r ! ,
“
Yo u r e i n a g o v ernment o ffice to o cri ed Raskolnikov
’
, , ,
”
,
“
That s not you r busine ss ! h e shouted at last w ith u n
’
’ ’
pl aint against you ! Yo u don t pay y o u r debt s ! Yo u r e a fine
bird ”.
stand .
“
Wha t i s thi s h e asked the head cl e r k .
1 00 F Y ODO R DO S T OEV S K Y
.
ln
l o oked and the mo re sedu ctiv e the smi le s she lavi shed o n the
terr ibl e a s si stant S he mov ed u neasily a nd cu rt sie d in ce s
.
,
“
The re was no so rt o f no i se o r fi ghti ng i n my house M r
”
.
,
b egan pl aying the p i ano fo rte w ith one foot and that is n o t ,
dow i nt o the str eet ! Fie upon him ! And K arl pulled him
C R IM E AND P UN IS H ME N T 1 0]
‘
.
manly vi sito r and cau sed all the scandal I will show
‘
.
“
Then he w a s an author ?
,
and I tell it you fo r the last time the assi stant went on , .
“
If there i s a s candal i n you r honour abl e hous e once again I ,
’
you says h e And there w a s another o f them o n a steame r
, .
the other day They are l ike that authors literary men
.
, , ,
students t o wn cri e rs
,
P fo o !
-
You get along ! I shall
lo ok i n upo n you mysel f o ne day Then you had b ette r b e
”
.
whi sker s This was th e sup eri ntendent o f the di stri ct himsel f
.
,
stai rs !
“ ”
We ll what then ! I lya Pe t rovitch dr awl ed w ith gentl e
, ,
“
Write ! sai d th e head cl e rk t o Raskolnik o v .
”
Write wh at ? the l atte r aske d g ru ffly
”
.
not that h e unde rstood but he felt cl ear ly w ith all the
,
“ ’
B ut you can t w r ite you c a n hardly hol d the p en , ,
“
Yes I am giddy G o o n !
, .
’
That s all S ign it . .
o thers .
“
h e got up from hi s s eat to car ry i t out H adn t I b ette r
’
”
.
“
think a m i nute ? fl ashed through his mind N o bette r
”
.
,
ing e agerly with I lya P etr o vitch and the wo rds re ached ,
him :
“ ’
It s imposs ibl e they l l both b e rele as ed To begin with
,
’
.
,
the whol e sto ry co ntradi cts itsel f Why s hou ld they have .
“
B ut excuse m e h o w do you explain thi s contradi ction ?
,
They state thems elves that they knocked and the doo r wa s
lo cked ; yet thre e m inutes late r when they went u p w ith t h e
”
porter it turned o ut the doo r w a s u nfastened
,
.
1 06 F Y OD O R D O S TO EV S KY
’
bo lted himsel f in ; and th ey d hav e cau ght h im fo r a ce rtai n ty
i f K o ch h ad not b ee n an as s and g o ne to l ook fo r th e
p o rte r too H e m u st hav e s eize d the i nte r val to get d o wn
.
”
.
—
hav e a thanksgiv i ng s erv ic e h a h a !
”
,
“
And n o o ne s aw the m u rdere r ?
“
They m ight w ell n o t s e e him ; t he h o us e is a r e gu l a r
N o ah s A rk
’
s ai d t he head cle rk who w a s l isteni ng
, , .
“
N ik o dim F o m it ch r epea t ed
’
It s cl ear q uit e cle ar , ,
w armly .
“
N o i t i s anything bu t cl ear
, Ilya P etr o vitch m ai n t ained , .
i ng b e for e h i m l oo ki ng inten t ly at h im H e go t u p fr om
, .
the chai r
”
.
“
What s this ? Ar e y ou il l ? N ikodim F o m it ch asked
’
,
r athe r sharply .
“
H e coul d hardly h o l d hi s p en whe n h e wa s s igni ng s ai d ,
wo rk agai n
”
.
“
H av e you b ee n il l l o ng ? cr ied I lya P etrov itch fr om hi s
place w her e he t oo wa s looking through p ap e rs H e h ad
, , , .
,
“
S i nce yesterday m utte re d Rask o lnik o v in r eply
”
.
,
D i d y o u g o o ut yesterday ?
Ye s
”
.
T hough yo u w er e i ll ?
Ye s ” .
At wh at ti me ?
”
About s ev en
‘ ”
.
And wher e di d yo u go m ay I a sk ?
”
,
Al o n g the str ee t .
C HAPT E R I I
the ho le ?
H e ru shed to the co rn er sl ippe d hi s hand under the p ape r
, ,
pul led th e thi ngs out and fi lled hi s po ckets w ith them The re .
Where wa s h e t o g o ?
Th at had long b een s ettl ed : F ling t h em i nto th e canal ,
1 08
C R IM E AND P UN IS H ME N T 1 09
ing clothe s on them o r boats wer e moo red there and peopl e
, ,
b e my fancy ? he thought .
wal l o f a fou r sto ri ed hou s e str etched far into the court ; o n
-
w a s need o f ha ste .
wer e f o u nd w h o w o u ld think o f me ? I t i s al l o ve r ! N o
”
,
h im .
su rpr i se
”
.
“
Is i t you ? he cri ed H e lo o ked h i s comr ade up and .
“
down ; then a fter a b ri e f p au se h e whi stl ed As hard u p .
”
,
”
.
,
’
ti red I ll b e bound
, .
“
Why you ar e s eri ou sly i ll do you know that ? He began
, ,
“ “
N eve r mi nd h e s aid I h av e co me fo r thi s : I hav e no
, ,
’
l e ssons I wanted . bu t I do n t r e ally w ant l es
son s
”
. .
“
B ut I say ! Y o u are deli r iou s y o u kn o w ! Ra z u m ih in ,
’
stai r s to Ra z u m ih in s he had not r eali sed that he would b e ,
C R IME AND P UN IS H ME NT 1 13
”
.
“
Go o d bye h e s aid ab ruptly and walked to the do o r
-
”
, , .
hand .
“
Then w hy t h e devi l h av e you come ? Are yo u mad o r ,
”
,
go l ike th at .
“
Wel l then I ca m e t o you b ecau s e I know n o o n e but you
, ,
’ ’
no o ne s s erv i ce s no o ne s sympathy I am by .
’
mysel f al o ne C ome that s e nough Leave m e alone
.
, . .
“
S tay a minute yo u sweep ! Y o u are a per fect madman
, .
’
exchange hi m f o r five les son s H e s do ing publi shing o f a .
kind and i s suing n atu ral sci ence manu al s and what a circula
,
tio n they hav e ! The v ery t itle s ar e wo rth the money ! You
always m aintai ned that I was a foo l but by Jov e my boy , , ,
d al s out o f th e s ec o nd p ar t o f L e s Co nf es s io ns w e hav e
m ar k ed fo r t ransl atio n ; s o mebody ha s told H e r u v im o v t ha t ,
’
d o n t con t r adic t hi m hang h im ! Well would you like t o do
‘ ,
”
t h e s ec o nd s ignatu re o f Is w o m a n a hu m a n b eing ? I f yo u
,
’
don t t h ink I am doing you a servi ce ; quite the contrary a s ,
”
,
u tte ri ng a w o rd
”
.
“
Ar e y ou r av ing o r wh at ? Ra z u m ihin sho u ted ro u sed
, ,
“ ’
to fu ry at l ast Wh at f ar ce i s thi s ? You l l d riv e m e
.
c razy t o o wh at di d yo u c o m e t o s e e m e f o r dam n
”
,
y ou ?
“
I don t w an t ’
t ransl a t i o n mutte red Ras k o lnik o v ,
fr o m t h e stai r s
”
.
“
Then what th e d evil d o yo u w an t ? sh o u t ed Ra z u m ihin
f ro m ab o ve Rasko lniko v c o nti nu ed descending t h e stai r
.
“
H ey th er e ! Wher e a r e y ou l iv ing ?
,
N o answe r
”
.
“
Wel l co n f o und y ou then !
,
theo ri es and p i ctu res that had i nte rested him s o short
obl iv io n .
n ev e r h eard .
”
,
ab out th at ab o ut yesterday G o od Go d ! He .
ten mi nutes b egan gradu ally t o sub side The l andl ady wa s
,
.
to o,
still w eeping and mo aning and then he r doo r
sl ammed N o w th e crowd wa s going f rom th e stai rs
.
that h e was not asl eep s h e set th e candl e on the tabl e and ,
a spoon .
1 18 F Y ODO R D OST OE VS K Y
’
Y o u v e e at e n nothing s ince yest e r d ay I w a rr ant , .
”
Q ,
w ith f ev e r .
“
N a st a sya wha t w e r e t hey b ea t ing t h e l andl ady
f or ? ”
S h e l o o ked in t en t ly a t h i m
”
.
“
Wh o b eat th e l andl ady ?
a t h e r searching eyes
”
.
“
N a s t a sya w h y do n t yo u sp eak ? h e sai d t imidly a t l as t
’
,
i n a w eak v o i ce
‘
.
It s th e bl o od sh e answ e r ed a t l as t s o f t ly as t h o ugh
’
, ,
sp eaking t o h er sel f
”
.
“ ?
B l oo d ? What bl oo d h e m u tt e r ed g ro wing wh i t e and ,
“
N ob ody has b een b eating th e l andlady s h e de cl a r ed at ,
l ast i n a fi rm r es o l ute vo i ce
,
.
“
I heard i t mys el f I was n o t asl eep
. I w as
“
s itting u p h e sai d still m o r e timidly
,
I l i stened a l ong .
“ ’
N o o n e h a s b een h e re Th at s th e bl oo d crying i n y o u r
.
”
.
,
w atch ing h im .
“
Giv e m e s o m ething to d rink N a s t a sya .
”
.
,
“
Who ar e you ? he went o n addres sing the man , .
“
H e has j u st com e to s ai d N a s t a s ya
”
.
,
you ?
“
I am the m es senger from o u r o ffice from the m erchant
”
,
’
S h e l o p aev and I v e come o n bu si ne s s
”
.
,
“
Ple as e s it dow n Ra z u m ihin seated hims el f o n the o the r
.
“ ’ ’
s ide o f the table I t s a go od thing you v e come t o b rothe r
.
,
“
h e went o n t o Raskolniko v F o r the l ast fou r days yo u .
”
.
’
a nam e C om e I won t keep you he s aid addre ssing the
.
, , ,
“
m an agai n Will yo u explai n what yo u want ? You must
.
“
That w a s th e d ay b e fo r e ye ste rday I v en t u re t o s ay i f , ,
C R IM E AND P UN IS H MEN T 1 21
in ou r o ffice t o o ,
”
.
“
H e was more i ntell igent than you don t yo u think s o
’
?
”
,
Qu ite s o ; go o n .
’
At you r mamma s request through A fanasy I vanovi tch ,
dreamily .
“
You hear h e knows V a h r u s h in cri ed Ra z u m ih in He
‘ , , .
o f wi sdom .
“ ’ ’
That hoping fo r bette r to com e i s the b est thi ng you v e
‘
s aid though you r m amma i s not b ad e ithe r C om e then ’
”
,
.
,
? ”
He c a n s crawl his name H ave you got the book
”
.
’
Yes here s the book
, .
‘
. .
, , .
“ ’
I don t want i t s ai d Raskolniko v pushing away the , ,
N o t want it
” ?
’
I won t si gn it .
, ,
’
’
h i s tr avel s again B ut that s p retty comm o n wi th him at all
.
h e wi l l s ign i t H e re . .
N o no
, Why sho uld w e t roub l e yo u ? Y o u are a m an o f
.
hand i n e arnest .
“
S to p I l l do i t al o ne s aid th e l a t te r t aking the pen and
,
’
, ,
s i g ning hi s nam e .
“
B ravo ! And n o w b rothe r ar e you hungry ?
”
, ,
standing ther e
”
.
“
With potatoes and r ice i n i t ?
Ye s .
V e ry w ell .
“
t o keep qu i et and s e e what w oul d h app en I b eli ev e I am .
’
n o t w andering I b el i ev e i t s r eal ity he thought
.
, .
the s oup she b rought two spoons two pl ates s alt p eppe r , , , ,
“
It woul d not b e ami ss N a s t a sya i f P ra sk o v ya Pavlovna , ,
e mpty them
‘
.
“
Pashenka mu st giv e u s s o me r aspb erry j am to day to —
”
mak e him some r aspbe rry tea s aid Ra z u m ih in go ing b ack , ,
“
A nd wher e i s s h e to get r aspb err ie s fo r you ? asked
N a s t a sya b al ancing a sauce r o n he r fi v e ou tspre ad finge r s
,
“
S he l l get it at th e shop my d ear You s e e Ro dya all
’
.
, , ,
“
M y n am e !
I should think s o ; and yet a Gener al K ob el ev t hey coul d
’
not fi nd wh ile I was there W ell it s a l ong sto ry B ut a s .
, .
a ffai rs— all all b roth er I kno w eve ryth ing ; N a s ta sya her e
, , ,
knows .
“
H e s go t round h e r N a st a sya mu rmu red smilin g shyly
’
.
, ,
N ik i fo r o v n a ?
“
Y o u ar e a o ner N as tasya cr ied suddenly g o ing o ff int o
,
C R IM E AND P UN I S H M EN T 1 25
“
’
I ll make a note o f i t Well b rothe r to mak e a long sto ry .
, ,
Rasko lnikov did not sp eak but he still kept hi s eye s fi xed ,
“ "
And all that could b e wi shed i ndeed i n ev ery respe ct , , ,
“
I t s a pity b roth er that y o u d id not s et to wo r k in th e
’
, ,
“ ’
S he i sn t i s s h e ? cri ed Ra z u m ihin delighted to get an
, ,
am sometime s qu ite at a lo ss I as su re yo u S he mu st b e ,
.
forty ; s h e says she i s thi rty six and o f cou rs e she has every -
,
ing that you ar e not a student now and hav e lo st you r l essons
’
and you r cloth es and th at th rou gh the young l ady s death sh e
,
m othe r woul d p ay .
“
It w a s bas e o f m e to s a y th at M y mo ther h er sel f is .
“
Ye s you di d v e ry sen sibly
, B u t the wo rst o f i t i s th a t .
An swe r : the r e . . .
,
t o rn it .
“
I s e e b r o ther h e s aid a momen t l ate r th a t I hav e b ee n
, , ,
”
.
h im .
“
Good Go d only tel l m e o n e thing : do they know o f i t yet
,
’
h av e only Wh at am I to do n o w ? Th at s what I v e fo r ’
“
B ah Z a m eto v ! The pol i ce o flfi c e ! And w hy am I s en t
,
I mu st I mu st e scap e ! Y e s
,
but wher e ? And wher e
ar e my cloth es ? I v e n o b oots They v e taken them away !
’
.
’
I 0 U
. . i t would b e o f u se the re
. What el se shall I .
”
,
thing .
“
Ah you ar e not asl eep ! Here I am ! N a s t a sya b ring in
”
, ,
“
th e parcel ! Ra z u m ih in shouted down th e stai rs Yo u shall .
”
Wh a t t i m e i s i t ? a sk ed Rask o lnik o v l ook ing rou nd
,
u n easily .
“ ’
Yes y o u h ad a fi ne sl eep b ro t he r i t s al m o st evening i t
, , , ,
’
w il l b e s ix o cl o ck di rec t ly Y o u h av e s lep t mo r e t han s ix
”
.
h ou rs
”
.
“
Go o d h eav ens ! H av e I ?
’
And w hy not ? It w i ll d o y ou go o d W hat s t h e hu r r y ? .
’ ’
A t ryst i s it ? We v e al l t im e b e fo r e u s I v e b e en w aiting
, .
’
fo r th e l as t thre e hou r s fo r y ou ; I v e b een u p t wi ce and
found you asl eep I v e called o n Z o s s im o v t w i ce : n o t a t
.
’
’ ’
I v e b een ou t o n my o w n bu si nes s too You know I v e b een , .
’
ing with m e now B ut that s n o m atte r t o b u sines s Giv e
.
, .
h e r e l ong ?
“ ’
I t ell yo u I v e b een w ai t ing f or t h e l as t t h r e e h ou r s
”
.
N 0 b e fo re
”
.
,
H o w do you mean ?
H o w lo ng h av e yo u b een c om ing h er e ?
”
’
Why I tol d y o u all abou t i t thi s m o rning D o n t yo u
”
.
,
r e m emb er ?
Rasko lnikov po ndered The mo rning s eemed l ik e a drea m .
a t Ra z u m ih in
”
.
“
H m ! s ai d t h e l a t te r h e h as f o rg o tten I fan ci ed t h en ,
.
h im .
“
B el i ev e m e b rothe r t hi s i s s om eth ing sp eci al ly near my
, ,
’
h ear t F o r w e mu st mak e a m an o f y o u Let s b egi n from
”
. .
m e try it o n .
“
P re s ently a f t e r wa r ds s ai d Rask o l nik o v w av ing i t o ff
, , ,
p e tt ishly .
13 2 F Y OD O R D O S T OEV S K Y
b argai n ?
‘ B ut p e rh ap s they won t fit O b serv ed N a s ta sya ’
”
.
,
’
getting one s clothes f rom S h a rm e r s ! A s fo r you r so cks ’
’ ’
l odgin g do n t yo u wo r ry
, I tel l you sh e ll tru st you fo r .
“
Let me b e ! I don t w ant to ! Rasko lnikov waved h im ’
o ff
. H e had l i stened with di sgu st t o Ra z u m ihin s e ffo rts t o ’
“ ’
C o me b roth e r don t tel l me I ve b een tru dging ar o und
’
”
, ,
”
.
, , ,
’
but help m e that s it
— and i n spite O f Ra s k o l n iko v s t e
’
,
that t o o
,
?
“
I rememb e r now said Raskolnikov a fte r a long sul le n
, ,
“
Z o s s im o v ! At l ast ! cri ed Ra z u m ihin del ighted
,
.
C HAPT E R I V
“
I v e b een t o you twi ce to day b r o the r y o u s e e he s c om e
’
-
’
”
, , ,
t o himsel f c ri ed Ra z u m ihin
”
.
,
“
I s ee I s e e ; and how do w e fe el now eh
,
? s ai d Z o s s im o v ,
could .
“
H e i s stil l dep res sed Ra z u m ih in went o n We v e j u s t ’
”
.
,
“
That s v e ry n atu ral ; you m ight h av e pu t i t o ff i f h e did
’
”
. .
aching eh ?
”
,
him i ntently .
“
V ery good G o ing o n al l righ t he s aid l azi ly H as
”
. .
,
“
H e m ay h av e anything soup tea m u sh r oom s ,
”
, ,
1 3 41
13 6 F Y OD O R D OS TO EVS KY
’
Wel l h e d o es ! and wh a t o f it ? I d o n t care i f h e do e s
”
,
“
tak e b r ib es Ra z u m ihin cr i ed with u nnatu ral i r r itab i l ity
,
I .
“ ’ ’
That s too l i t tl e ; I d giv e tw o f o r y o u .
h av e s o m ethin g in common s
“
I should lik e to know what .
’
Why it s al l ab ou t a hou s e p aint er
, We a r e getting -
.
steam
”
.
“
A p ainte r ?
Why h av en t I t o ld you abou t it ? I o nly tol d you th e
,
’
“
L iz a v e t a w as mu rde red to o N a s t a s ya blu rt ed o u t s u d
, , ,
to o .
o b stinately at th e flower .
“
But what about th e painte r ? Z o s s im o v inter rupted
N a s ta sya s ch atte r with marked di sp leasu re
’
S he sighed and .
w a s silent .
“
Why he w a s accu sed o f the mu rder Ra z u m ihin went on
, ,
hotly .
“
Was there ev idenc e against him then ? ”
E vidence i ndeed ! E v iden ce that was no evidence and
, ,
’
that s what we had to p rov e I t w a s j u st as they p itched o n .
’
stupidly it s al l done i t make s o n e sick though it s not , ,
’
’
one s bu siness ! P e s t rya k o v may b e coming to —night .
sti r
.
“
Bu t I s a y Ra z u m ih in I wonde r at you What a bu sy , .
”
,
The doo r was locked and when th ey cam e b ack w ith the ,
woman E h ? ?
“
Yes h e i s a swindl e r H e buys up b ad debts to o He
, .
,
.
6— R
13 8 F Y ODO R D O S TOEV S K Y
‘
d ay and th e h ou r i— a j ou rneym an hou se p ainte r N ikol ay
,
-
,
,
‘ ‘
. .
—
I gav e h i m a n o t e a r o ubl e that i s fo r I thou ght i f h e
-
’
c om e s fr om th e s am e v i llage to o A s s oon as he g o t t he , .
‘ ‘
.
’ ’
ar e u p to l Tak e m e h e s ays to su ch and su ch a p ol ice , ,
- -
’ ’
o ffi ce ; I ll con fes s ev erything Wel l they took hi m to th a t .
,
’
th ey asked h im thi s and th at how o l d h e i s twenty two -
‘
and s o on At th e qu estion When y o u w er e wo rking w ith
.
, , ,
such a time
,
an swe r :
‘
T o b e su r e folks may h av e g o n e
-
‘
.
,
’
hea r anything any no is e and so o n ? We h eard nothing
speci al .
‘ ,
, ,
‘
- -
’
fro m A fanasy P a v l o v itch th e d ay b e fo r e yeste rday And
‘
.
p av emen t ‘ ’
Why didn t y o u g o to w o rk w i t h D m itri th e ’
‘ ‘
.
’
o the r day ? B ecau s e I was dr inking And wh er e w e r e ’
‘ ‘
.
’ ’
y o u d rinking ? O h i n su ch and su ch a pl ace Why did
‘
.
,
frightened ‘ ‘
What we r e yo u frightened o f ? Tha t I should
’ ’
‘
.
th at ?
“ ’
Well anyw ay th er e s th e ev idence
, , .
and swo re at u s too ; and a gentl eman cam e into the entry
,
kno cked him down and began b eating him And D mitri too .
, ,
then D mitri escap ed and ran i nto the st reet and I ran a fte r ,
him ; b ut I did not catch him and w ent b ack to the flat alone ; ,
e ar rings
-
.
“
B ehind the doo r ? Lying b ehind th e doo r ? B ehind the
”
d oo r ? Raskolnikov cr i ed suddenly staring w ith a b lank ,
l eaning o n hi s hand
”
.
“
Ye s why ? What s the m atter ? What s wrong ? ’ ’
“
N othing Rasko lniko v answer ed faintly tu rning to the
, ,
“
He mu st h av e waked from a d ream Ra z u m ih in said at ,
shook hi s head .
“
Well go on s aid Z o s s im o v
, What next ?
, .
‘
.
’
h av en t a shado w o f doubt .
“ ’
That s non sense You ar e excited B ut wh a t ab o ut th e
. .
and hou r ear rings fro m the O l d wom an s box h av e come int o
-
’
a go od deal i n su ch a cas e
”
.
“ ’
Th e holy t r u th ! B ut didn t h e o wn hi m s el f that h e told
a l i e at fi rst ? ”
“
Li sten t o m e l isten atten t ively The p o rter and K o ch and
, .
f
’
o n al l s ides whil e th ey l ik e child ren ( the v e ry wo rds o th e
w itnesse s ) w er e fal ling ov e r o n e anothe r squ ealing fi gh t
, , ,
“
Hm ! S O the only evidence fo r the d e fence is th a t
they we r e b eating o ne another and l aughing Th at c o n .
b e sought i s clear and the j ewel cas e poi nts to it The r eal
,
-
.
’
e lu siv e p roo f that h e di d stand th e r e That s h o w I
”
.
expl ai n it .
“ ’
T O O cl eve r ! N o my b o y y o u r e t oo cl ev e r Tha t b eat s
, , .
ev erything
“
But w hy w hy ? ”
, ,
it s t oo m el o
’
Why b ecau s e eve ry t hing fi t s to o well
,
d ramati c
”
.
“
A ach ! Ra z u m ihin wa s excl ai ming b ut at th a t m o me n t
-
,
’
alarmed and almo st a ffronted h e scanned Ra sk o l n ik o v s low
”
,
“
and narr ow cabin With the s ame amazement he stared
.
a st u dent ?
Z o s s im o v made a sl ight m o v ement and w o uld hav e a n ,
«
t urned to Zo s s im o v again
”
.
“
Thi s i s Raskolnikov mumbled Zo s s im o v n o dd ng to
, ,
i
1 45
14 6 F Y ODO R D O S T OEV S KY
v o i ce arti cu late d :
“
Ye s I am Raskolni k o v ! What do you want ? ”
,
“
I s i t po ssibl e th at y o u c a n up t o the p r es ent h av e r ecei v ed
” asked Pyot r P etr o vi tch s om ewhat di s
no i n fo rmation ?
,
co ncerted .
Z o s s im o v and
’
l ook o f di smay came i nto Lu z hin s fac e .
“
I had p r esumed and cal cul ated h e f alter ed th at a l et t er
, ,
Pyotr P etrov itch had mad e eage r u se o f his few days in the
capital to get h imsel f up and r i g him sel f out i n expectation
o f hi s bet rothed — a p er fectly i nno cent and permi ssibl e p r o
c e e d in g indeed
, E ven h i s o w n p erhap s too complacent
.
, ,
E v en the styl i sh new round hat had the s ame s igni ficance .
glov e s r eal Louvai n told the s ame tal e i f only fro m the
, , ,
H e wo r e a charming summer
’
P yotr P e t r o v it c h s atti re .
s ame ,
new and fi ne l inen a cr av at O f the l ightest camb ri c ,
“
I feel the greatest r egret at fi nding you i n thi s s ituati on ,
“
he began again breaking th e s il ence w ith an e ffort
,
If I .
C R IM E AND P UN IS H MEN T 1 49
“
Wher e ? asked Raskolnikov weakly .
’
V ery near her e i n Ba k a l e ye v s house
”
.
,
”
,
b een the r e .
“
Yes ro om s
,
’
A di sgu sting pl ac e— fi l thy stinking and wh at s m ore o f , , ,
’
about a scandalou s busi ness It s cheap though .
,
“
I cou ld not O f cou r se find o u t so mu ch about i t fo r I am
”
, , ,
to o
“
L e b e z ia t n iko v sai d Rasko lnik o v slowly as i f r ecalling ,
something .
“
Yes Andrey S e m yo n o v it ch Leb e z ia tn ik o v a c l erk i n th e
”
, ,
“
Ye s no Rasko lniko v answered
, .
“
H o w do y o u mean ? a sked Ra z u m ihin .
15 0 F YOD OR D O S TO EV S K Y
“
v it c h r epli ed as though del ighted at th e q u estion
,
You s e e .
,
“
At what ?
Y o u r qu estio n i s a w ide o n e I may b e mi staken but I .
,
p ractical ity
“ ’
That s t ru e Z o s s im o v l e t d rop , .
“
him . P r acti cal ity is a di ffi cul t thing to fi nd ; it do e s not
d rop down fro m h eav en And fo r th e last two hundred .
well shod .
“ ’
I do n t agre e w ith yo u Py o t r Petr o v itch repl ied with , ,
“
ev ident enj oyment O f cou rs e p eopl e do get car ri ed away
.
,
’
I t s my p er so nal v i ew i f you care t o know that so mething , ,
n o u n c e d suddenly
”
.
“
What ? asked Pyotr P etro v itch not catching hi s wo rds ,
bu t h e r eceived no r eply
”
.
“
That s al l tru e Z o s s im o v h astened to i nterpo s e
’
,
.
15 2 F Y ODO R D O STO EV S KY
m i nute o r t w o .
“
I tru st o u r acq u ai ntance h e s aid addres sing Raskol , ,
“
miko v , may up o n you r r ecov ery and i n v i ew o f the ci r
,
“
N o t a d oub t o f i t repli ed Ra z u m ihin , Po r fi ry d o esn t .
’
“
E xamining them ? Rask o lnik o v asked al o ud
”
.
N oth ing
”
.
“
It mu st hav e b een a cunning and p racti s ed ru ffi a n ! The
! ”
b o ldnes s o f it ! The coolnes s
“ ’ ”
That s j u st what i t w asn t ! i nterp o sed Ra z u mih in
’ l
.
’
h av e b een inexper ienced and it s cl ear tha t i t was o nly a ,
“
Y es You v e heard o f it ? ’
.
the fact that cr ime has been greatly o n the increas e among
the l ower cl asse s dur ing the last fiv e year s not to speak o f ,
’
student s robb ing the mai l o n the high road ; i n another pl ace
p eople o f go od so ci al po sition forge f al s e banknotes ; i n
M oscow o f l ate a whole gang has b een captured who u sed to
fo rge lo ttery ti cket s and o n e o f the r ingleader s w a s a
,
“
H o w do you m ean ?
What answe r had you r lectu rer i n M o scow to mak e to the
questio n w hy h e was fo r g in g note s ? ‘
E v erybody i s getting
ri ch o n e w a y o r another so I want to make haste to get r ich
,
’
Then the great hou r s t r u ck and ev ery m an sh o wed himsel f
”
,
i n hi s tru e colou r s .
“
B ut mo r ality ? And s o to speak p ri nciple s
”
,
“
In acco rdance with my th eo ry ?
Why c ar ry o u t logi cally th e the o ry you we re advo cating
,
N o that s not s o
’
, put i n Z o s sim o v , .
“ ’
Ther e s a me asu r e i n all th ings Luzh i n w ent o n super ,
comp lete contro l ove r her and r ep ro ach h er w ith you r b eing
”
,
he r b ene fact o r ?
“
Upon my w o rd Lu zh in cri ed w rath fully and i rritabl y
, ,
“
crim so n w ith co n fu sio n to di sto rt my wo rd s i n thi s way ! ,
”
,
Th e e m n ip t i n 8 61 is m e a t — TRAN S LATO R S N O TE
’
a f th e s f s i n
c a o o er 1 n . .
15 6 F Y ODO R D OST OEV S K Y
“
Yes con found th e man ! h e m ay h av e upset the cas e alto
,
“ ” “
Ye s ye s Ra z u m ihin agre ed I noti ced that t oo He i s
, , , , .
“ ’
Tel l m e mo re about th at thi s ev ening and I ll t ell yo u
s omething a fterward s H e i nte rests m e v ery mu ch ! I n h al f
.
’
Th er e ll b e no in
’
a n hour I l l g o and s ee him again .
fl a m m a t io n though .
“ ’
Thanks ! And I l l wait with Pashenk a meanti me and wi ll
k e ep w atch o n h i m throu gh N a s t a s ya .
Later ! I am s leep y ! Le av e m e .
also all the coppe r change from the ten r oubles spent b y
Ra z u m ihin o n the clothe s Then he s o ftl v unlatched the .
’
him b lowing up th e l andlady s samovar S he he ard noth
,
.
’
I t i s nearly e ight o clock the s u n wa s setting It w as ,
.
15 7
15 8 F Y OD O R D O S T OEV S K Y
o ne w ay o r anothe r
h e r epeated with despe rat e and im
,
“
high note sh o uted sharply to th e o rgan grinder C om e o n
, ,
‘
and both mo ved o n to the next shop
”
.
“
D o yo u l ike str eet mu s ic ? s ai d Rask o lnikov addre ss ing ,
“
I lov e t o hear singing to a str e e t o rgan s aid Rask o lnik o v , ,
s i ckly faces o r b ette r sti ll when wet sno w i s f alling strai ght
,
“
I do n t kno w ’
E xcu se m e muttered the stran
.
’
ger fri ghtened by the qu estio n and Ra sk o l n iko v s strange
,
stre et .
“
Isn t ther e a man who keep s a bo o th w ith hi s w i fe a t t hi s
’
co rner ? ”
“
All sorts o f peopl e ke ep b o o th s here answered the ,
O h m y h a n ds o m e
, s o l di e r
D o n t b e a t m e fo r n o th in g ,
’
tr illed the thin v o ice o f the singer Rask o lni ko v felt a grea t .
“
S hall I go i n ? he thought They are l au ghing F ro m
”
. .
“ ’
Why sh e s p r etty
, h e s aid d rawi ng himsel f up and , ,
lo o ki ng at he r .
“ ’
Yo u r e v ery ni ce l o oking your s el f s h e s aid
”
.
,
’
I sn t h e thi n th o ugh ! o b se rv ed an o ther woman i n a deep
bas s . H av e yo u j u st come o u t o f a ho spital ? ”
’ ’
They re al l gene ral s d aughter s it s eems but they h av e all
”
,
m o v ed o n .
“
I s ay si r the gir l sh o uted a fte r hi m .
”
, ,
Wh at i s it ?
S he h esitated .
“ ’
I ll always b e pleased t o spend an hou r w ith y o u kind ,
“
Ah wh at a good natu r ed gentleman -
”
,
“
Wh at s you r n a m e ? ’
C R IM E A ND P U N I SH M E N T 61
Ask fo r Du c l id a .
’
Well that s to o much o n e o f the women ob serv ed shak
, , ,
“
i n g her head at D u c lid a
’
I don t know how you c a n ask .
“
n e s tl y . Wher e i s it thought Raskolnikov Where i s it
, .
’
I v e re ad that some o n e condemned to death s ays o r thinks ,
m o ment late r .
? ”
paper s he asked go ing into a v ery spaci ou s and po sitively
,
tea and i n a room furthe r away wer e s itting fou r men drink
,
“
o f them but he cou ld not b e sur e a t th at di stance What .
”
,
i f i t i s ! he thought
”
.
“
Will you hav e vodka ? a ske d the waiter .
“
Giv e me some tea and bri ng me the paper s the o l d o ne s
”
,
”
.
“
Y e s s ir here s t o day s N o vodka ?
’ ’
-
.
, ,
O h damn ,
the se ar e the items o f intelligence An .
“
Wh at y o u h er e
,
? h e be gan i n s urpr i se speaking a s ,
“
t h o ugh h e d known him al l hi s l i fe
’
Why Ra z u m ih in t old .
,
a ppare nt i n th at smi le
”
.
“ ’
I know yo u hav e h e answe red I v e h e ard it Yo u
,
. .
’
h i s heart to y o u ? He s ays you v e b een wi th hi m to Lui s e
Iv a n o v n a s you kn o w th e w oman you tr i ed to b e friend fo r
’
, ,
”
,
“
What a hot head h e i s !
”
The explo siv e o n e ?
“
N o you r fr iend Ra z u m ihin
,
.
”
t alk a b out pou ri ng i t i nto m e !
”
“
By w ay o f a fee ! You profi t by ev eryth in g ! Rask o l
“ ”
n ik o v laughed it s all r i ght m y de ar boy he add ed sl ap
,
’
, , ,
th e whil e
”
.
“
What i f you hav e b een re ading about it ? h e cr ie d at
“ ’
l ast perpl exed and impati ent
, That s no bu sine s s o f mine !
.
What o f it
“
The same o l d w oman Raskolnikov w ent o n i n the sam e
,
“ ’
whi spe r no t heeding Z a m e to v s explanation about whom
, ,
”
, ,
l augh !
“
Yo u ar e e ither mad o r b egan Z a m e to v and h e
, ,
“
Or ? O r what ? What ? C ome tell me !
”
,
“ ’
N othing s ai d Z a m e to v getti n g angry i t s al l non
”
, , ,
sense !
B oth w ere silent A fte r hi s sudden fi t o f laughte r Ras
.
’ ’
Why don t yo u dr ink your tea ? It s getting cold , said
Z am e t o v .
“
What ! Tea ? O h yes Raskolniko v sipped the
,
.
“
Ther e hav e b een a gr eat many o f thes e crimes l ately ,
tickets l
“
O h but i t w a s a long time ago ! I read about it a month
,
“
O f cou rs e th ey ar e cr iminals .
”
.
’
S ometime s one can t stand things
”
.
“ ’
C an t stand that ?
’
Why could you stand i t then ? N o I couldn t F o r th e
, , .
d o i t Would you ?
.
I am a fraid I
,
’
‘
would s ay a r elat i o n o f mine lo st t wenty fi v e r o ubl e s th e -
,
, _
’ ’
o ther d ay th rough a fal se note and t hen I d t ell th em th e
who l e sto ry And a fte r I began c o u nting the thi rd n o
‘ ,
‘
.
, ,
’
I d fi ni shed and had gon e o u t I d com e b ack
’
no , , ,
’ ’ ’
e xcu s e m e and ask f o r s om e expl ana t i o n That s how I d
”
.
,
do it
”
.
’
d eed s you d make a slip I b el iev e that even a p racti s ed .
,
’
not su cceed i n robb ing th e place h e couldn t stand i t That ,
.
“
C lear ? Why don t yo u c atch h i m then ? he cried
’
,
“
Well they wi ll c a t ch h im
,
.
1 68 F Y OD O R DOS T O EV S K Y
out .
“
And wh a t i f it was I w h o mu rdered the o l d wom an and
Liz a v e t a h e s aid suddenly and— reali sed what he h ad d o ne .
“
B ut is it pos sibl e ? he b rou ght o u t faintly Rask o lnik o v .
cr i ed hastily .
“ ’
I v e c aught my cock spar row ! S o you did b eli ev e it
be fo re i f now you b eliev e it les s than ev er ? ”
”
,
’ ’
l andlady I ll b e bound Well that s enough ! A s s e s
”
.
, ,
’
ca u s e ! T ill w e me et agai n !
H e w ent o u t t rembl ing al l ove r from a so rt o f W i ld 1i
,
r apidly Any sho ck any i rr itating sens ation stimul ated and
.
,
Za m eto v ,
l e ft alone sat fo r a long t ime i n the s ame pl ace
, ,
“
Ilya Petrov itch is a b lo ckhead h e decided , .
“
S o her e you are ! he shout e d at the t o p o f hi s vo ice
’
you r an away from you r bed ! And h ere I v e been looking
fo r you under the so fa ! We went up to the gar ret I .
Alone ? When you are not abl e to walk when you r face ,
“
Let you go ? Yo u dare tell me to let you go ? D o yo u
’
know what I ll do with yo u di rectly ? I ll pick you up ti e ’
,
you u p !
“
Li sten Ra z u m ihin
, Raskolnikov b e g an quietly appar
, ,
“
entl y calm — can t y o u s e e that I don t w ant you r b e n ev o
~
’ ’
m e b e l et m e b e
,
“
Wel l go to hell then h e s aid gently and thought f u lly
”
, , .
“
S t ay h e ro ar ed as R a sk o lniko v wa s about t o m o v e Li ste n
, , .
’
ar e made o f sp ermaceti o intment and you v e ly m ph i n yo u r
veins i nstead o f blood I don t beli ev e i n any o n e o f yo u ! .
’
’
ev ening I dare say they v e ar riv ed b y now but I le ft my
, ,
’
you w eren t a fo o l you d co me round to me thi s ev ening
’
c o me ?
“
No
”
.
R rubb i sh ! Ra z u m ihin
- shouted o u t o f p ati ence How ,
.
b alloo n ov e r b ack
”
.
“
A wo man d rowning ! A woman d rowning ! shouted
doz ens o f vo i ces ; p eopl e r an up b oth b ank s w er e th ronged ,
“
ful ly clo s e by M e rcy ! s av e her ! kind p eopl e pu l l her out
”
.
,
“
A bo at a b o at ! was shouted i n the crowd B ut the r e
,
.
h ead s a t u p and b egan sneez ing and cou gh ing stup idly w ip
, ,
’ ’
S h e s d ru nk her sel f o u t o f he r s ens es the same woman s ,
yonde r .
”
.
.
,
’
o ffi ce ? T h e police o ffice i s op en till ten o clo ck He .
“ ”
V ery well then ! he s aid resolut ely ; h e moved fro m the
b ridge and walked in th e di rection o f the p oli ce o ffi ce H is .
”
.
“
Well it s a way out o f it he thou g ht walkin g s lowly
,
’
, ,
“ ’
and li stlessly alon g th e canal bank Anyway I ll m ake an .
end fo r I w ant to
,
B ut i s it a w a y o u t ? What do es
.
”
.
’
What i dioti c i dea s come int o one s h ead .
fou rth sto rey Th e narrow steep stai rcase was v ery dark
.
, .
174 F Y OD O R D O S T O EV S K Y
”
. .
strange .
l i stened .
“
S he come s to m e i n th e mo rning s aid th e e lde r t o the
‘
,
“
you nge r v ery e arly al l d re ss ed up Why a re you p re en
‘
.
, ,
”
,
“
A fash i on b ook i s a l ot o f p ictu re s colou red and they , ,
’
w earing fu r co ats and as fo r th e l adies fl u ffl e s t hey r e ’
to them
”
.
“
What do you w ant ? asked one o f th e porter s .
I s i t op en ?
O f cou r se
”
”
.
thou gh t
“
H e s been to lo ok at th e fl at
’
s aid the elde r w o rkman , ,
coming fo rward
”
.
“
Whi ch fl at ?
’ ’
?
the blo od says h e There h as b een a mu rde r he re says
‘ ,
.
’ ’
h e and I v e come to t ake it And h e b egan r inging at the
‘
.
’
be ll all but b roke i t C o me to th e pol ice stati on s ays he
‘ ,
”
,
.
,
’ ’ ’
I l l tell you eve rythi ng the re H e wouldn t le av e u s . .
”
, , ,
“
Why hav e you b een t o th e fl at ?
To look at it ”
”
.
Wh at i s the r e to l o ok at ?
Take h i m straight to the po lic e stati on the man i n t he ,
”
,
h im mutte r ed th e w o rkman
, .
C R IM E AND P UN IS H M E N T 77
“
H o w funk it ? Why ar e you hanging about ?
”
H e s a ro gu e ! shouted the peasant woman
’
”
.
“
Get along ! H e i s a rogu e and no mi stake Get along ! .
“
B etter h av e nothing to do with him decided the bi g ,
“
porte r . A r egul ar ro gu e ! Ju st wh at h e w ants you may ,
’
b e su re but once take him up you wo n t get r id o f him
”
.
, ,
We know the so rt !
“
Shal l I go the re o r not ? ” thought Raskolnikov standing ,
”
.
“
What i s it ? R askolnikov tu rned to th e ri g ht and went u p
to th e crowd H e seemed to clutch at everyth ing and smil ed
.
kep t r ep eating :
,
What a mis fo rtun e ! Good L o rd wh a t a mi s fo rt u n e P ,
“
M e rci ful h e av en ! w ai led the co achman wha t m o r e ,
’
c o uld I do ? I f I d b een d riv ing fast o r h ad n ot sh o uted to
him bu t I was g o in g qu ietly no t i n a hu r r y E v e ry o n e
, , .
”
.
pened !
“ ’
Th a t s j u s t how i t was a v o ice in t h e cr o wd c o n
,
fi rmed .
“
H e sh o uted th a t s t r u e h e sh o uted t h r e e t ime s a n o th e r
’
, , ,
“
Thre e time s i t was w e all h e ard i t sh o uted a third
, , .
178
18 0 F Y ODO R DO S TO EV S KY
with a silent s er iou s face w ith h is l egs str etched out straight
, ,
.
, ,
“ ’
You woul dn t bel i ev e you can t imagine Polenka sh e ,
’
, ,
“
s aid walking ab o u t the ro om what a h appy luxu riou s l i fe
, ,
’
w e had in my p ap a s hou s e and how thi s drunkard ha s
b rou ght m e and w il l b ring you all to ru in ! Pap a was a
, ,
I v an M ih a il o v it ch as o u r gov e rn o r !
, Wh en I when ’
“
s h e coughed v i ol ently O h cu r sed l i fe s h e cri ed , , , ,
’
dance at th e b reaking up ( You mu st mend that te ar you
.
,
I s the wat er r eady ? Giv e me the shi rt and the sto ckings ! ,
” “
Lida s aid s h e to the youngest o n e you mu st manag e with
, ,
“
O n th e so fa ! Put him st raight o n th e so fa w ith h i s
”
,
b reath The children wer e ter rified Littl e Lida scr eamed
. .
,
K aterina I vanovna
”
.
“
F o r God s sake b e calm don t b e fright ened ! he s aid
’ ’
, ,
“
speaking qu i ckly h e w a s cross ing the ro ad and was ru n
,
“ ”
H e s done it thi s t ime ! K ater ina I vanovna cried despai r
’
’
lu ckl es s m an s head a pillow whi ch n o on e had thought o f ,
“
I v e s ent fo r a do cto r
’ ” h e k ept assu ring K at erina,
“ ’
I vanovn a d o n t b e u neasy I ll p ay H aven t you water ? ,
’
.
’
t h e b lo od o ff M a rm e l a do v s face ’
.
th e sh awl
”
.
“
Ru n you r fast est ! c ri ed the l ittl e boy o n t h e chai r sud
d e n l y a ft er whi ch h e r el ap sed i nto th e sam e dumb r igidity
, ,
ou t .
a l au g h and a cry o f ‘
they ar e at it again a s i n fact
’
( w
a u d ible at th e doo r ) s o I shal l always call you Amal ia
L u dw ig o v n a though I fai l to u nder stand w h y yo u d i sl ike
,
him .
M a rm e l a do v re cogni sed he r .
“ ”
A p ri est he articulated hu skily .
,
sil ence .
C R IM E AND P UN I S H MENT 185
’
They ve gone fo r him K ate rina Ivanovna sh outed to ,
“
A — ah he signed towards he r uneasily H e wanted to
, .
say something
”
.
“
B e silent K ateri na Ivano vna cri ed i r ritably you know
”
, ,
“
Thank God the do cto r exclaimed Raskolnikov rel i eved
, , ,
.
took hi s pul se car e fully felt h is head and w ith the help o f
,
and f ractu red seve ral r ibs o n the r ight s ide were b roken
,
.
“
It s wo nder ful that h e has reco ve re d consci o usnes s the
’
,
“
What do you think o f him ? he asked
”
.
“
I s ther e really no hop e ?
“
B etter bl eed him then .
u seless ” .
l i fted the boy f rom the chai r knelt down i n the corne r by the ,
w ith p reci sio n and b owed down tou ching the doo r w ith hi s ,
,
’
and m anaged to co ve r the gi rl s b ar e shoulders with a ker
chi e f whi ch s h e to ok fr o m the chest without r i s ing f rom h e r
,
m ad e h er kneel b e side he r .
w ith its r i di cu lou s l ong t rain and her imme nse cri noline that ,
fi lled u p the whol e doo rway and her light colou red shoes and ,
-
,
asl eep l ike a log and I should have b ee n sou sing and r insing
,
till dayb reak w ashing hi s rags and the children s and then
,
’
ni ght s ! ’
What s th e u s e o f talking o f forgivene s s ! I
hav e fo rgiv en a s it i s ! ”
A te r ribl e hollow cough i nterrupted he r words She put .
s ai d nothing .
h im
“
B e sil ent ! N o need ! I know what you want to s a y ! ”
And th e s i ck man w a s s i lent b ut at th e s am e i nstant hi s ,
“ ’ ’
Who s that ? Who s that ? he s ai d suddenly i n a thi ck
gaspi ng vo i ce i n agitation tu rning hi s eye s i n ho rro r toward s
, ,
s it u p
.
“
S oni a ! D aughter ! F orgiv e ! he cri ed and he t ri ed to ,
“
H e s go t what he wanted K ate rina Ivanovna cri ed see
’
, ,
“
i n g her hu sband s dead b ody
’
Well what s to b e done now ?
.
,
’
”
to eat ?
“ “
K aterina I v anovna he began l ast week you r hu sb and
, ,
Good bye !
-
They had not m et s ince the scene at the pol ice stati on b ut ,
“
Ah i s that you ? he asked him .
the pri est have b een all as it should have been D on t w o rry
, .
’
man I know
,
he added with a smile looking straigh t ,
i n hi s face .
“
B ut you ar e sp attered with b lood ob se rved N ikodim ,
“ ’
Ye s I m cove red with blood Raskolniko v said w ith ,
thi n but p retty l ittle face looking at him w ith a b ri ght child
,
w as evidently gl ad to gi ve
”
.
“
Tell m e what i s you r nam e ? and where do yo u l ive ?
,
b rightly .
“
I knew i t was s i ster S oni a s ent you .
”
.
, , , ,
“
D o you l ove si ste r S oni a ?
against him .
“
I am so rry f o r f a t he r s h e said a m o men t l ate r r ai sing ,
h e r t ear stai ned face and b ru shing away the tear s w ith he r
-
hands “
It s nothing but m i s for tune s now
’ ” s h e added s u d
.
,
”
.
“
D i d you r f ather l o ve you ?
1 99 F Y ODO R D O S TOEV S K Y
’
entry whe re two o f th e landl ady s se rvants were b u sy b ehind
,
“ ’ ’
D o vou kn o w what ? I ll s e e yo u home I f y o u s ay y o u re .
”
ju st p e ep ed o ut ?
C R IM E AND P UN IS H M EN T 1 93
He ?
’
Goodne ss only knows ! S ome friend o f uncl e s I
“
’ ’
w il l s a y ! Thou gh why shouldn t you imagine ? D o n t w e
’
talk nons ense ourselve s ? And l et them that s the way
”
to learn not to ! Wait a m inute I ll fetch Z o s s im o v ,
’
.
“
Y o u mu st go to b ed at once he pronounced exam ini ng ,
’
a powder .
wa s taken at o nce .
“
I t s a good thing you ar e taking him hom e ob served
’
,
“
Z o s s im o v to Ra z u m ih in —
w e shall s e e how he i s to mo rrow ~
,
“
D o you know what Z o s s im o v whi sp ered to m e when w e
wer e comi ng o u t ? ” Ra z u m ih in blurted o u t as soon a s they ,
, ,
’
I n the fi rst place you v e three tim es the b rains he has ; i n the
,
second i f you are not mad you needn t car e a hang that he
, ,
’
w hat s b rought him to thi s conclu s ion a b out you was you r
’
”
conver sation to day with Z a m e t o v -
”
.
“
Z a m e t o v told you all a b out it ?
’
su b j ect ; i t wa s at Lu i s e Iv a n o v n a s B ut to day to day it s ’
.
-
,
-
.
,
,
a cqu ai ntance
Ah ! h e t oo b ut w hy did they pu t m e dow n a s
m ad ? ”
“
O h not mad I must hav e s ai d t o o mu ch b rothe r
,
.
had b een repeated to him o nly that d ay ? They had sp ent that
hou r and a hal f plying N a s ta sya w ith qu estions S he w as stil l .
him ? B oth had b een w eep ing both had been i n angui sh ,
fainti ng .
“ ’
I t s nothing nothing ! he cri ed to the mother and si ste r
,
’
It s only a fai nt a m ere trifle ! O nly j u st now t h e do cto r
,
CH APT E R I
a n d r o v n a b eg an to cry .
“
Go home w ith him h e s aid i n a b roken vo ice po int
, ,
“
Thi s ev ening Ro dya answe red Pu lcheri a Al exandrovna
, , ,
near you
”
.
“ ’
D on t to rtu re m e ! h e s aid w ith a gestu r e o f i rritation .
“
I wi ll stay with him cri ed Ra z u m ih in I won t l eav e him
, ,
’
’
thei r hearts content ! M y u ncl e is p residing ther e ”
”
.
“
How h ow c a n I th ank you ! Pul cheri a Al exandrovna
,
‘
w a s b eginning o nc e mor e p r essing Ra z u m ihin s h ands but
’
, ,
‘
Raskolnikov inte rrupted h er again .
“ ’
I can t hav e it ! I can t hav e it he repeated i rritably
’ 9’
”
,
’
don t wo r ry m e ! E n o ugh go away I can t stand it !
,
.
’
“
C ome mamma com e out o f th e room at l east a minute
, , ,
evident .
” ,
1 98 F Y OD O R DO S T OEV S KY
”
M ayn t I lo o k a t him a fte r t hr e e yea r s ? w ep t Pul che ri a
’
Al exandr o vna
”
.
“ “
S tay h e stopp ed th em agai n y ou k eep inter rupting m e
, , ,
“
N o Ro dya bu t h e knows al ready o f ou r arr iv al
, ,
We .
idly .
, ,
s h e stopp ed l o ok ing at D ou ni a , .
“ ’
D ou ni a Raskoln iko v co ntinu ed w ith an e ffo rt I don t
, ,
mu st re fu s e Lu zh in s o th at w e m ay n ev er hear hi s nam e
”
,
aga i n
”
.
“
Go od H e av en s ! c r i ed Pu lch er i a Al exandrovn a .
”
B rothe r think wh at you ar e s aying ! A v d o tya Roma
,
added gently .
“
Y o u think I am del i ri ou s ? N o Y o u ar e m ar rying .
”
.
,
, ,
h av e you
“
D ouni a yo u a r e h asty t o o b e qu iet to mo r row -
”
.
, , , ,
’
D o n t you se e the m othe r interpo sed in di smay B et
”
.
,
t er come away !
“
H e i s r av ing Ra z u m ihin cri ed t ips ily o r how wou ld
, ,
hands p e rsu ading them and giving them r easons w ith aston
, ,
“ ’
You can t g o to th e l andlady that s p e r fec t nonsense !
’
,
“
h e cr ied
’
I f you stay though you a r e hi s moth er you l l
.
, ,
stay w ith him now and I ll condu ct you both home you can t ’ ’
, ,
, ,
’
Then l isten ! Then I l l ru n ho me i n a tw inkl ing— I v e a lo t
,
’
in the hou r— from the docto r you u nder stand from the , ,
,
’
’
h e re mysel f but i f it s all r ight you go t o bed And I ll
, ,
’
, .
’
fo r m e bu t it s o u t o f the question fo r you : s h e wouldn t
,
’
fo r she s a fo ol S h e d b e j e al ’
tak e you fo r she s ,
’ ’
.
seemed i n su ch a condition
”
.
“
Ah I s e e yo u think I am i n su ch a condition ! Ra z u m ih in
,
8— R
202 FYOD O R D O S TO EV S K Y
’
h as tu r ned m y h ead B ut do n t m ind m e ! D o n t t ak e
.
’
’
t aken y o u hom e I ll p ou r a coup l e o f p ai l ful s o f w ate r ov e r
,
.
t oo I w ant t o b e
. I h ad a p res entimen t
. l as t yea r
t he r e w as a m omen t tho u gh it w asn t a p resenti men t ’
l it t l e tim e a g o t h at h e w o u ld g o m ad th at s w hy h e ’
’
m u stn t b e i r ritated
”
.
“ ?
W hat do yo u s ay cr ied th e mo the r
”
.
“ ’
Ye s bu t it s no t s o not a b it o f it H e gav e him s o me
, , .
And I shan t b e d ru nk ’
And wh at m ade m e get s o tight ?
Becau se th ey got m e i nto an argu ment d amn them ! I v e
’
b eli ev e they ins i st o n comp lete absence o f indiv idu ali sm and
,
t h at s j ust wh at th ey r el i sh ! N o t to b e themselv es t o b e as
’
,
thei r o w n bu t as it i s
”
.
,
“
Li sten ! Pul ch eri a Alexandrovn a inte rr u p t ed t imidly bu t ,
“
What do you think ? ” shout ed Ra z u m ihin lou der than ,
“
ev e r you th ink I am attacking th em fo r t alking nons ens e ?
,
’
N o t a b it ! I lik e th e m to talk nonsense
’
That s m an s o n e .
s cou ndrel .
“
E xcu s e me M r Ra z u m ih in you ar e f o r getting
, .
,
“
Ye s ye s you ar e r ight I did fo rget mysel f I am a sham ed
”
, , ,
o f it Ra z u m ih in m ad e h aste t o apologi s e
,
B ut but .
’
you can t b e angry w ith m e f o r spe aking s o ! F o r I speak
s i nce rely and not b ecau s e hm hm ! That would be di s ,
’
grace fu l ; in fact not b ecau s e I m i n h m ! Well any ,
’ ’
w a y I wo n t s a y w h y I d ar en t B ut all w e s a w to day ,
.
-
’
b ecau s e he h ad h is h ai r cur led at the b arb er s not b ec au s e h e ,
’
That s evi dent D o you think him clev er ? N 0 h e i s a fo ol
.
, ,
’
giv en ? Wel l then l et s go o n I kno w thi s cor rido r I v e
, ,
’
.
,
”
, ,
ru n
”
.
“
G o od h eav ens D ou nia wh at i s going to h app en ?
,s aid ,
“ ’
D on t wo r ry you rs el f m o ther s ai d D ouni a t aking o ff , , ,
“
h e r h at and cap e God has s ent thi s gentleman to ou r a id
.
,
on him ,
I assu re you . And all that h e has done fo r
Ro dya .
“
Ah D oun i a goodness knows wh eth er h e w ill come ! How
, ,
“ ’
N o it s not that mothe r You didn t s e e y o u w er e ’
.
, , ,
“
Ah th at illnes s ! What will happen what w ill happen ?
”
, ,
”
,
“
And I am su r e that h e will say the sam e t o m o rrow -
’
th e mothe r was always afraid to b reak i n on her daughter s
mood at su ch moments .
again twenty years olde r but w ith o ut the p roj ecti ng u nde r
, ,
’
pati ent s illnes s was du e p artly to hi s un fo rtunat e m ateri al
sur roundings during th e l ast f ew m o nths but i t h ad p artly ,
“
al so a m o ral o rigin was s o to sp eak th e p r o du ct o f s ev e ral
,
t roubl es ce r t ai n ideas
, and s o o n N oticing ste althily .
”
.
“
i nqui ring as to som e su spi ci o n o f i nsanity he repl i ed with ,
“ ’
We ll talk to m o r r o w ; g o t o b ed at once ! Ra z u m ih in
-
“
s ai d i n conclu sion fol low ing Z o s s im o v o u t
, I l l b e with .
’
r epo rt.
”
That s a fetchi ng l i t tl e gi rl A v do tya Ro m an o v n a
’
, ,
came o u t i nt o th e stre et
”
.
“
F etching ? Y o u s aid f etching ? r o ar ed Ra z u m ihin and
h e flew at Z o s s im o v and s eiz ed him by th e th r o at I f you
”
.
“
Let m e g o you d runken devil s aid Z o s s im o v s t ruggl ing
, , , ,
“
N o b rothe r not at all such anothe r I a m not dreaming
”
.
, ,
o f any folly .
“ ” “
Li sten h e said you r e a fi rs t rate f ellow but among
, ,
’
-
,
’
that I do n t know h o w it i s yo u ar e still a good ev en a ,
b rothe r
“
B ut I don t think ! ” ’
’
w ax , simply m elting ! S av e m e f r o m her by all that s ,
’
unholy ! S he s most p repo ssessing I ll r epay yo u I ll
’
.
’
do anything .
“
Well you ar e smitten ! B ut what am I to d o with h e r ?
,
,
.
‘
.
, ,
”
.
, ,
gret it !
210 F Y OD O R D O S T O EV S K Y
, ,
that
”
.
“
Well then dr o p he r !
B ut I c an t drop h er l ike tha t ! ”
Why can t you ? ” ’
’ ’
Well I c an t that s all ab o ut i t ! The r e s an el emen t
, ,
’
Th en w hy h av e you f ascinated h er ?
’
I h aven t fascinated he r ; p erhap s I w as fas cina t ed ,
’
j oking I m i n e arnest it l l b e j u st th e sam e t o h e r S h e
, ,
’
.
’
sh e s b ash fu l to hyste rics— but j u st l et he r s e e you can t ’
’ ’
t ear you rs el f away— th at s enough It s f ear fully c o m .
”
. .
,
“
B ut what do I w ant w ith he r ?
’ ’
wh ethe r it s so oner o r l ate r ? Ther e s the feathe r b ed ele -
,
’
.
C HAPT E R I I
bl ushed desp erat ely at the v ery idea and suddenly the
r ecollection fo rced its el f v ividly upo n him o f how h e had
s aid last night o n the stai rs that the l andl ady w o ul d b e
j ealou s o f A v d o tya Ro m a n o v n a that was s imply
i ntolerabl e H e b rought hi s fi s t down h eav ily o n th e kitchen
.
“
O f cou rs e h e mutter ed to him sel f a minut e l ate r w ith
,
“
a feel ing o f s el f ab asement o f cou rs e all th es e i n fami es
-
, ,
no w !
’
shouldn t w ake him and p r o mi s ed t o s e e hi m again about
elev en .
“
I f h e i s still at h o me h e added D amn i t all ! I f one
, .
’ ’
c an t control o ne s pati ents how i s o n e to cu r e the m ! D o ,
coming h e re ?
“
They are coming I think said Ra z u m ih in u nder standing
, , ,
“
th e o bj ect o f the qu e stion and they wi ll di scu ss the i r fami ly
,
”
. .
, , ,
ri ght to be h e re than I .
“
B ut I a m n o t a father co n fe ss o r ; I shall c o me and g o
’
aw ay ; I v e plenty to do be side s looking a fte r them ”
”
.
“
O n e thing wo r ri e s m e i nte rpo sed Ra z u m ihin f r o wning
, , .
“
Y o u to ld the ladie s s o too ,
.
begun .
“
Tell m e t el l m e ! What do you think E xcus e m e
”
, ,
’
I still do n t kn o w yo u r name ! Pulcheri a A lexandrovna put
i n hastily .
“
D mitr i P ro k o fi tch .
o b serv ed D ouni a .
“
G O O d h eavens I had not expected t o fi nd h im in th e l east
”
,
“
Go d grant it may cr ied Pulch eri a Al exandr o vna d i s
, ,
h er arm s folded and her lip s comp res sed o ccasionally puttin g ,
“ ’
You v e to ld u s a great deal th at i s i nter e s t ing ab ou t m y
b rothe r s ch aracte r
’
and h av e told it imp artially I am .
“
h im ob se rv ed A v d o tya Ro m a n o v n a w ith a smile I think
”
.
,
’
you ar e r i ght th at h e needs a wo man s care s h e added ,
“ ’
I didn t s a y s o ; but I d ar es ay yo u ar e r ight o nly
”
,
What ?
“
Y o u m ean h e i s n o t cap abl e o f l o v e ?
D o you kno w A v do tya Ro m a n o v n a yo u are aw fully l ike
”
, ,
“
Yo u may both b e mi stake n ab o u t Ro dya Pulch e ri a ,
“
Al exandrov na re marked sl ightly piqu ed I am n o t talkin g
,
.
‘ ”
D i d yo u he ar about that a ffai r ? asked A v d o tya
Ro m a n o v n a .
“
D o you suppo se Pul ch e ri a Alexandr o vna co ntin u ed
warml y D o y o u suppo s e th at my te ars my entre ati es my
. , ,
“
He h a s nev e r sp o k en a wo rd o f th at a ffai r t o m e ,
“
Ra z u m ih in answe red cauti o u sly But I did h ear s o mething .
“ “
Yo u s e e D mi tr i P r o k o fi tc h s h e b egan
, I l l b e p e r fectly
, .
’
cally
‘
.
’
came f ro m him Yo u d b etter r ead i t you rs el f ; ther e i s one
.
op inion ”
.
DE A R MA DA M Pu l c h e r ia Al e x a n d ro vn a I h a v e t h e h o n o u r t o in
, ,
f o rm y o u t h a t o w i n g t o u n fo r e s e e n o b s t a c l e s I w a s r e n d e r e d u n a b l e t o
m e e t y o u a t t h e r a i l w a y s t a tio n ; I s e n t a v e r y c o m p e t e n t p e r s o n w i t h
t h e s a m e o bj e c t i n V ie w I l ik e w i s e s h a ll b e d e p r i v e d o f t h e h o n o u r
.
o f an i n t e r v i e w w i t h yo u t o m o r r o w m o r n i n g b y b u s i n e s s i n t h e
-
S e n a t e t h a t d o e s n o t a d m i t o f d e l a y a n d a l s o t h a t I m a y n o t i n t ru d e
,
o n y o u r f a m i l y c i rc l e w hi l e y o u a r e m e e t i n g y o u r s o n a n d A v d o ty a ,
Ro m a n o v n a h e r b r o t h e r I s h a l l h a v e t h e h o n o u r o f v i s i t i n g yo u a n d
.
p a yi n g y o u m y r e s p e c t s a t y o u r l o d g i n gs n o t l a te r t h a n t o m o r r o w
—
e ve n i n g a t e i g h t o c l o c k p r e c i s e ly an d h e r e w i t h I v e n t u r e t o p r e s e n t
’
m y e a r n e s t a n d I m ay a d d im p e ra t i v e r e q u e s t t h a t Ro d i o n R o m a n o
, ,
v it c h m a y n o t b e p r e s e n t a t o u r in t e rv i e w — a s h e o ffe r e d m e a g r o s s
C R IM E A ND P UN I S H ME NT 921
a n d u n p r e c e d e n t e d a ffr o n t on th e o c c a s io n of my v i s it t o h i m in h is
i ll n e s s te rd a y a n d m o r e o ve r s i n c e I d e s i r e f ro m yo u p e r s o n a ll y
ye s , , ,
a n in d i s p e n s a b l e a n d c i r c u m s t a n t i a l e x p l a n a t i o n u p o n a c e r t a i n p o i n t ,
i n r e g a r d t o w h i c h I w i s h t o l e a r n y o u r o w n in t e r p r e t a t i o n I h av e .
t h e h o n o u r t o i n fo r m y o u i n a n t i c i p a t i o n t h a t i f in s p i t e o f m y
, , ,
r e qu e s t I m e e t Ro d i o n Ro m a n o v it ch I s h a ll b e c o m p e ll e d t o w it h
, ,
d r a w im m e d i a t e ly a n d t h e n y o u h a v e o n l y y o u r s e lf t o b l a m e I w r it e .
o n t h e a s s u m p t i o n t h a t Ro d i o n Ro m a n o v it c h w h o a p p e a re d s o i l l a t
m y v is i t s u d d e n ly r e c o v e r e d t w o h o u rs l a t e r a n d s o b e i n g a b l e t o
, ,
l e a ve t h e h o u s e m a y vis i t y ou a l s o
, I w a s c o n fi rm e d in t h a t b e l ie f
.
b y t h e t e s t i m o n y o f m y o w n e y e s in t h e l o d g i n g o f a d r u n k e n m a n
w h o w a s ru n o v e r a n d h a s s in c e d i e d t o w h o s e d a u g h t e r a y o u n g , ,
w o m a n o f n o t o r i o u s b e h a vi o u r h e g a v e t w e n t y fi v e r o u b l e s o n t h e
,
-
p r e t e x t o f t h e fu n e r a l w h i c h g r a v e l y su r p r i s e d m e k n o w i n g w h a t
,
p a in s y o u w e r e a t t o r a i s e t h a t s u m H e re w i t h e x p r e s s i n g m y
.
s p e c i a l r e s p e c t t o y o u r e s t im a b l e d a u g h t e r A v d o tya Ro m a n o v n a I , ,
b e g y o u t o a c c e p t t h e re s p e c tfu l h o m a g e o f
“
Y o u r h u m b l e s e rv a n t ,
“
P LUZH I N . .
“
Act o n A v d o tya Ro m a n o v n a s deci si o n Ra z u m ihin
’
,
“
O h dear m e ! S he s ays
,
goodnes s knows what sh e
says sh e do e sn t expl ain her obj ect ! S he s ays that it would
,
’
’
b e best at l east n o t that it would b e b est but that it s a b so
, , ,
Ro m a n o v n a .
“
fully if yo u only knew what h e w a s up to i n a restau rant
,
’
about a d ead man and a gi rl bu t I d idn t unde rstand a ,
e ns !
them and yet thi s ev iden t pove rty gav e the two l adi es an ai r
,
“
D ouni a and felt prou d o f e sc o rting he r Th e q ue en wh o
”
.
“
mended h e r stockings i n p ri so n h e thou ght mu s t h av e , ,
“
M y Go d excl aimed Pulcheri a Al exandrovna l i t tle d i d
, ,
glancing at h im t imidly .
“
D o n t b e a fr aid mothe r s ai d D ouni a ki s sing h er bet t e r
’
”
, , , ,
h av e f aith i n hi m .
“ ’
O h d ear I hav e faith i n him bu t I h ave n t slept al l ni ght
, , ,
“
D o yo u know D ou ni a when I do z ed a l ittl e th i s mor ni n g
, ,
’
a goo d o men ? O h dear m e ! Y o u do n t know Dm i t ri Pro c!
,
” ’
ko fi t c h th at M ar fa P e t r o v n a s dead !
N o I didn t kn o w ; who i s M ar fa P e tr ovn a
’
,
w a s s itting i n the oppo site co rner fully dr es sed and care fully
,
224
C R IM E AND P UN IS H ME NT 225
“
Yes i ndeed I am qu ite surp ri sed at him to day began
, ,
-
,
, ,
’
Thes e fundamental cau ses I don t know but they mu st b e ,
d erangement coi ncide s with you r l eav ing the univ ersity You .
“
Yes yes ; you are p er fectly r ight
,
I will make haste .
“
What ! he saw you l ast ni g ht ? Raskolniko v asked a s ,
“
though startled Then you hav e no t slept e ithe r a fte r you r
.
j o u rn eyf
“
Ach Ro dya th at was o nly till two o clock D o unia and ’
”
.
, ,
“
I don t know how to thank him eithe r Rasko lnikov went
’
,
“
o n suddenly frowning and lo o king d o wn
,
S etting aside the .
226 F Y ODO R D O S TOEV S K Y
’
to de serv e such speci al attentio n from you ! I s imply do n t
under stand it and and i t w ei gh s upon m e ,
’
i ndeed b ecau s e I don t u nde rstand it I tell y o u s o c a n .
d id l y .
“ ’
D o n t b e i rr itated Zo s s im o v f o rced h imsel f to l augh
, .
“
What nonsense h e is talking ! Why you are i n a s enti
”
,
’
As fo r yo u mother I do n t d are to sp eak h e w ent on
, , , ,
“
a s thou g h repe atin g a le sso n le arned by h eart It i s o nly .
to day that I hav e b een abl e to r eali se a littl e how di str essed
-
back .
o nce and w arml y p res sed h is h and o verj oyed and th ank fu l
, , .
“
And h o w wel l h e do es i t all the mothe r w a s thinking
-
,
“
t o h er sel f What generou s impu ls es he has and how simply
.
, .
N a s ta sya
’
he r t o w ash o u t th e b l oo d I v e o nl y
”
.
“
B l o od ! What blo od ? Pul cheri a Al exandr o vna ask ed in
alarm .
“ ’
O h nothing— do n t b e u neasy It w as wh en I w a s w ander .
“
That s t rue Rasko lniko v answer ed with sp eci al car e ful
’
,
“
nes s . I rem emb e r e ve rything even to the slighte st detai l ,
’
and yet— why I di d that and went the re and s aid that I can t ,
“
A fam ili ar phen o meno n i nterp o sed Z o s s im o v actions , ,
“
Why p eopl e i n pe r fe ct health act i n the same w ay t o o
, ,
“
The re i s som e t ruth i n you r ob se rvati o n th e l atte r ,
“
At the wo rd m adman carel es sly dropped by Z o s s im o v ,
m editating o n something .
“
Well what about th e m an w h o w a s run o ver ? I in t e r
”
,
’
you sent m e to hi s w i fe fo r the fu ne ral S he s a widow .
’
dren starving, n o thing i n t he house there s a d a u gh
’
te r too
, p erhap s you d have give n i t yours el f i f y o u d ’
”
,
’
“ ’
H e l aughed
’ ’
s i n o u s n et es pa s c o n t e n ts That s r ight i sn t . .
,
it D ouni a
“
N 0 i t s not
’
answere d D ouni a fi rmly
”
.
, ,
’
hav e consider ed that Well that s prai s ewo rthy and it s.
,
’
,
,
“
he added i rritably v exed at b eing carri ed away ,
I o nly .
“ ’
That s enough B odya I am su r e that ev erythi ng y o u , ,
“ ’
D o n t b e to o sure he answer ed twi sting hi s m o uth i nto a , ,
smi l e .
thi s conver sation and i n the silence and i n the r e conci li ation
, , ,
“
Yet i n thei r abs ence I seemed to lov e them s o much
flashed through hi s mind .
“
Do you know Ro dya M ar fa Petro vna is dead Pul cheri a
, , ,
“
What M ar fa Petrovna
O h mercy o n u s— M ar fa P etrovna S vidrig a i l o v I wr ot e
”
, .
“
A a h! -
Ye s -
I r ememb er S o she s dead ! O h ’
”
. .
,
did she di e o f ?
O nly imagi ne quite suddenly Pul cheri a Al exandr o vna
, ,
“
answer ed hur ri edly encouraged by hi s cu ri os ity O n t he
, .
93 0 F Y ODO R D O S T OEV S K Y
“
Why wer e they o n su ch b ad te rms ? he asked addre ssing
, ,
hi s si ste r .
“
N o t at all Qui t e the cont rary i ndeed With h er he wa s
. .
,
alway s ve ry p ati ent cons ide rate e ven I n fact al l those s even
, .
,
p ati ence .
“
The n h e coul d not have b een s o aw ful i f h e controll ed
h imsel f f o r seven year s ? Yo u s eem to b e de fending him ,
D ounia
“ ’
N o no he s an aw ful man ! I c a n imagine n o thing m ore
”
, ,
“
That had happ ened i n the mo rning Pul cher i a Al exan ,
to ld
”
.
“
A fte r the b eating ?
That w a s always he r hab i t ; and i mm ediately a fte r
d inne r so a s not to b e l at e i n starting s h e w ent t o the
, ,
o f him sel f .
“ ’
Ah my dea r I d o n t know wha t t o t alk ab o ut b r o ke f r om
, , ,
Pulche ri a Al exandrovna
‘ ”
.
s tr ai ned s m ile .
23 2 F YODO R DO ST OEV S K Y
’
Well i f you rememb e re d som ethi ng ; that s all ri ght !
, I
w a s b eginning to thi nk mutter ed Z o s s im o v getting u p ,
“
f rom th e so fa It i s tim e f o r me to b e o ff I w i ll look in
. .
w ent out
”
.
“
What an excellent m an ! o b se rved Pul che ri a Al exan
dro v n a .
“
Y e s , excellent , splendid , w el l - educated , i ntellige nt Rask o l ,
I mu st go .
“ ’
A ah ! What a bi g o n e ! H ardly like a l ady s
—
”
.
”
, ,
O h yes my d ea r
, ,
.
“
H m ye s
’ ’
What shall I tell y o u
,
. I do n t rememb e r mu ch ?
’
do n t know what drew me to he r then— I think it w a s b e caus e
s h e w a s always il l I f s h e had b een lame o r hunchb ack I .
,
“
N o it w a s n o t o nly sp ring del i rium
,
said D ouni a with , ,
warm feeling .
hea r or did not u nde rstand her wo rds Then completely lost .
,
“
Y o u love he r even now ? sai d Pulcheri a Al exandrovna ,
touched .
“
H e r ? N o w ? O h yes Y o u ask about her ? No ,
.
’
that s al l now as it were i n anothe r wo rld and s o ,
“
somehow far away H e looked attenti vely at them You
. .
“
What a wretche d lodging you have Ro dya ! It s like a ’
”
,
“
M y lodging he answe red l i stles sly Yes the l odgin g
, , .
,
thi s siste r with him a fte r three years abse nce thi s i ntimate
,
’
,
— R
9
23 4 F YODO R D O S T OEV S K Y
a s a means o f e s cape
”
.
“
Li sten D ouni a h e b egan gravely and dr ily o f cours e
, , , ,
It i s m e o r Lu zhi n I f I am a s c o u ndrel y o u mu st n o t b e
.
, .
l o ok o n y o u as a s i ster .
“
Ro dya Ro dya !
, I t i s the s ame as yeste rday agai n ,
“
Pul che ri a A lexandrovna cried m ou r n fully And w h y do , .
“
B rothe r D ou ni a answe red fi rmly and w ith the s am e
,
“
d rynes s . I n al l thi s the re i s a m istake o n you r p art I .
“
S he i s lying he thou ght to him s el f b iting h is nail s
, ,
“ ’
v indi cti vely P roud creatu r e ! S he w o n t adm it she wants
.
“ ”
A ll ? h e aske d w ith a m al i gnant gr in .
’
Pyot r P e tro v itch s cou rtship sh o wed m e at o nce what h e
w anted H e m ay o f cou rs e think too well o f hims e l f but
.
, , ,
”
. o
,
agai n ?
“
And w hy a re yo u b lushing again ? You ar e lyi ng s iste r , .
showed marke d anxi ety and all i ndeed exp ecte d s o mething ,
parti cular .
“
What surpri s es m e h e b egan a fter a short p au se h and , , ,
an uneducated l ette r .
di ffer ent .
“
B ut they al l wr ite l ike that y ou know Ra z u m ihin , ,
o b se rved abruptly
”
, .
“
H av e y o u r e ad it ?
Ye s ” .
”
.
,
“
Legal ? Yes it s j u st l egal — bus i ness l anguage not so
,
’
guage !
“
Pyotr Petrov itch m ake s n o s e cr et o f the fact that h e
had a che ap edu cation he i s prou d indeed o f hav ing m ade ,
“ ’
Well i f he s pr ou d o f it he h as r eason I do n t d eny
,
’
, ,
very s igni fi cantly and p lai nly and ther e i s b es ides a thre at ,
o r o ne o f u s ?
C R IM E A ND P UN IS H M EN T 23 7
cl early that i t w as too nai vely expres sed and that perhap s ,
I tel l you thi s s imply to war n you be caus e I s ince rely w ish ,
fo r you r good
D ouni a di d not reply H er r esolution had b een take n . .
“
The n what i s you r de ci s ion Ro dya aske d Pulcheri a ,
What deci si on ?
You s e e Pyotr Petr o vitch wr ite s that y o u ar e n o t to b e
w ith u s thi s evening and that he wi ll go away i f you com e .
”
,
“
D ou ni a ha s al ready de cided and I fully agre e w ith he r , ,
“
I decided to a s k you Ro dya to u rge you n o t to fai l t o
”
, ,
come ?
“
Yes .
23 8 F Y ODO R D O S T OEV S KY
’
I wil l ask you too to b e w ith u s at eigh t o cl o ck sh e
, , ,
“
s aid address ing Ra z u m ih in Mo the r I am i nviting h im
”
.
, , ,
too .
“
Qu ite ri ght D ou ni a
, Well si nce y o u have de cided
.
, ,
“
a dded Pulcher i a Al exandr o vna so b e it, I shal l feel e asie r
.
angry o r n o t n o w !
,
240 F Y ODO R DO S T OEV S K Y
m ih in s ch ai r
’
.
“
Y o u sit he re he s ai d to Ra z u m ih in putting him on th e
, ,
so fa .
ko l n iko v .
“
I I hav e com e fo r o n e minute F o rgiv e me fo r .
“
di stu rbing you sh e b egan falte ringly
,
I c o me fro m .
“
I w i ll try ce rtainly most cert ainly an swered Rasko l
'
, , ,
“
I want to talk t o you You are pe rhap s in a hu rry bu t
”
.
,
chai r fo r he r .
hi s eye s glowed
”
.
“
M othe r h e said firmly and i nsi stently thi s i s S o fya
, , ,
’
into the po o r gi rl s face and sc rutini sed he r with p erplexity ,
.
C R IM E AND P UN I S H M E NT 24 1
”
,
Wh
f
?
y
At the body s r emainin g so long Y o u s e e i t i s hot now
’
. .
’
wi lling but now s h e see s her sel f that it s necess ary
”
,
“
T o day then
- ?
,
”
,
fu ner al lunch
”
.
“
S he is g iv ing a fune ral lunch ?
Yes j u st a littl e S he told me to thank you v ery .
All at once her lips and chin b egan tr embling but with , ,
could not h av e b een cal led p retty but her b lu e eyes wer e ,
ness and s impl icity i n h er exp res sion that o ne could not help
being attracted H e r face and he r whol e fi g ur e i ndeed had
.
, ,
“
But has K a t e r n ia Ivanovna been abl e to mana g e with
such smal l means ? D oe s she even mean to hav e a funer al
lunch ? ” Raskol nikov asked pe rsi stently keeping up th e ,
conv e rsation .
“
T h e co ffin w ill be pl ain o f cou rse and ev e rything ,
“
I under stand I under stand o f cou rse w h y do
,
You gav e u s eve ryth in g yeste rday S oni a sai d sudd enly , ,
“
Ro d ya sh e said gettin g up
, we shal l hav e dinne r , ,
h a u s t e d you .
“ ’
Ye s yes I ll come h e answe red getting up fus sily
”
.
, , , ,
B ut I h av e someth ing to se e to
”
.
“
B ut su r ely you w ill h av e dinne r togeth er ? c ried Razu
mihin looki ng in su rpr i s e at Raskolnikov What do yo u
”
.
, ,
mean ?
“
Ye s yes I am coming
, o f cou r se
, o f c o u r se ! And ,
“
Go od —bye Ro dya that is ti ll w e m eet ,
I do not l ike ,
.
”
.
,
.
,
o f th e room .
“
What you ng w o m an mothe r ,
Why ?
I hav e a p r esentim ent D ou nia Wel l you may b el i eve i t, .
,
“
N othing o f th e sort ! cri ed D ouni a i n v exation What , .
he r wh en she came i n .
“
Well you wil l s e e
, S h e wo rr i e s m e ; b ut yo u w ill
.
s ee yo u w i ll s e e !
, I w as s o frightened S he was gazi ng at .
“
P e o pl e wi l l w r ite anything W e w ere talked ab out and .
“
Go d grant i t m ay b e !
And Pyot r P etrovitch i s a contemptib le sl andere r ,
“
Then I w il l tell K ateri na I vano vna that y o u ar e coming ,
“
O n e m i nut e S o fya S em yo n o vn a
, We have no s ecrets . .
C R IM E AND P UN I S H ME N T 245
“
P o rfi ry
’
again ,
Yo u know that what s hi s nam e
P etrovitch
“
? ”
I shoul d think s o ! H e i s a rel ation Why added the .
“
Yes well ? ” Ra z u m ihin s eye s opened wide
’
.
’
gav e m e as a keeps ake when I l e ft hom e and my father s ,
m ay a s k fo r it be fo re dinner .
“
C ertai nly not to the pol i ce station C ertainly to P o r fi ry . .
“
Ra z u m ih in shouted i n extraordinary excitement Well how .
,
shall b e su re to fi nd him
”
.
“
V e ry well l et u s go , .
m an .
“
I f you have to go now Soni a was beginning not looking , ,
“ “
Let u s go decided Rasko lniko v
, I wil l come to yo u
”
.
“
D on t you lock up ? asked Ra z u m ihin f o l lowing him o n
’
,
t o the s t ai rs
”
.
“
N eve r answer ed Raskol nik o v
, I h av e b een m eani ng .
“
D o yo u g o t o th e r ight S o fya S e m yo n o v n a ? How di d
”
,
“
Why yo u gav e you r addres s to Po l enk a yesterday
, .
N o I rem emb er
, .
”
.
,
no vna .
wi ll s e e o h dear ! , p
n a u mo v Tai l o r ”
B ah ! th e s t range r r ep ea t ed again
.
, ,
“
You lodge at K a p e rn a u m o v s h e s aid looking at S oni a ’
, ,
”
.
“
We ar e n eighb ou rs h e w ent o n gaily I only came
,
”
.
P o rfi ry s , Ra z u m ih in
’
On t he way t o was o bv i o usly ex
cited .
“ ’
Th at s cap ital b roth er h e r ep eated s ev eral times and
”
, , ,
I am glad ! I am glad !
“ ”
What ar e yo u gl ad ab out ? Rask o lniko v thought t o
hims el f .
“ ’ ’
I didn t kn o w that y o u pl edged th ings at tha t old woman s ,
“ ’ ’
I v e not mo r e than a si lve r roubl e l e ft a fter last night s
accu rs ed deli r iu m ! ”
H e l aid sp eci al emphasi s o n th e del i r iu m
”
.
“
Yes ye s Ra z u m ihin h astened t o agr ee— w ith wh at was
, ,
Oh, yes ,
Ra z u m ih in
answe red qu ickly He i s a ni ce .
, ,
you s e e .
“
What ? That th ey think I am a madman ? M ayb e they
ar e right he said w ith a constr ained smil e
, .
“
Y e s yes ,
That i s pooh no !
. But al l that I s aid , ,
“
But why a re you apologi sing ? I am so sick o f i t al l !
Raskolniko v cri ed with exagge rated i rritabi lity I t was .
“
I know I know I understand ,
B el i ev e m e I u nder
,
.
,
“
I f you ar e ashamed then don t sp eak o f it ,
’
.
”
,
“
I shall have to pu l l a long face with him to o h e thought , ,
“
w ith a b eating he art and he tu rned white and do it n at , ,
u ra l l y t o o
,
B ut the most n atu ral thing would b e t o do noth
.
’ ’
b eating that s wh at s b ad !
,
“
In thi s grey hou s e s aid Ra z u m ih in , .
”
,
ru m .
“
I s a y b roth er h e s aid suddenly add res sing Ra z u m ih in
, , ,
“
E xcited ? N o t a b it o f it s aid Ra z u m ihin s t ung t o , ,
t h e qu ick .
“
Y e s b ro the r I as su r e yo u i t s noti ceab l e
’
, , Why y o u s a t .
,
blu shed ; esp eci ally when you we r e inv ited t o di nne r y ou
”
,
b lu sh ed aw fu lly
”
.
“ ?
N othing o f the s ort nons en s e What do you mean ,
”
.
,
Wh at a p ig y o u ar e !
B ut why are you s o shame faced ab ou t it ? Rom eo ! Stay ,
‘
.
(
Pi g
Raskol nik o v l au ghed as though h e coul d not r estrain him
s el f S o l au ghing th ey ente red P o rfi ry P e t r o v itch s fl at
.
,
’
.
C HAP T E R V
A S KO L N IKO V
was al re ady entering the r o om H e .
a p eony w ith an u tt erly cr est fallen and ferociou s exp res sion
, .
app arently m aking desp erate e ffo rts to subdu e hi s mi rth and
u tte r a few wo rds t o intr o du ce himsel f B ut h e had no .
“
whi ch Ra z u m ih in re ce iv ed thi s spontaneou s m i rth gav e the
whol e s cene th e app ear ance o f mo st genu ine fun and natu ral
n ess Ra z u m ihin st rength ened thi s imp ress i o n a s though o n
.
pu rpo s e .
“
F 0 0 1 ! Yo u fi end h e ro ar ed w av ing h i s arm wh ich a t
, ,
B u t w hy b re ak chai rs gentlemen ? Y o u kn o w it s a lo ss ’
”
,
25 2
C R IM E AND P UN I SH MENT 25 3
“ ”
’
I v e g o t to think o f that h e thought E xcu s e me ,
”
.
,
“
p l eas e h e b egan a ffecting extreme em b arrassment
, ,
Ras .
k o l n ik o v .
“
N o t at al l , v ery pl easant to s ee you and how plea s
a n t l y you v e com e in
’
Why, wo n t b e ev en s a y good ’
”
.
“
Up on my honou r I don t know w hy h e i s in su ch a rage
’
“
O h you sharp l awye r !
,
D amn you al l P snapped ,
easily .
“
T hen I hav e b een spared th e trou b le Al l l ast we ek h e .
tob acco ?
oppo site at the s ame t able l i stened warmly and imp ati ently
, ,
“
F o ol Raskolnik o v swo r e to hims el f
, .
th em or bu t they w ill w r it e to yo u .
“ ’
That s j u st the p o int that at th e p r es ent moment , ,
“
R askolniko v tr i ed hi s utmost t o fe ign emb ar rassm ent I ,
m oney .
“
That s no m atte r answer ed P o r fi ry P et rov itch r e c e iv
’
, ,
“
ing hi s expl anati o n o f hi s p ec u ni ary po siti on coldly bu t ,
25 6 F Y ODO R D O S T OEV SK Y
“
Ye s
”
.
When d id sh e c om e ?
Last ni ght ” .
s o me ti me .
“
Wh at ? E xp ecting him ? Why did you know that h e
”
,
h ad pl edge s th e r e ? cri ed Ra z u m ih in .
“
You r things the ring and the w atch w e re w r apped up
, ,
with he r
“ ”
H o w o bs e rvant you a r e ! Rask o lni k o v smil ed awkwardly ,
and and
“ ”
S tupid ! F eebl e ! he th o ught Why did I add th at ? ” .
“
I h av en t b een quite w ell
’
.
“
I am n o t p al e at all NO I am qu ite w ell
.
, ,
N o t quit e w ell !
” Ra z u m ih in caught him up What .
“
N o ns ens e ! D on t yo u b el i eve i t ! B ut you do n t b eli ev e
’ ’
”
i t anyway Raskolnikov l et sl ip in hi s anger B ut P o r fi ry
, .
“
B ut h o w c o uld yo u hav e gon e o u t i f you hadn t b een ’
drily .
“
And N ikodim F o m itc h was tell ing m e t o day put in -
,
“
P o r fi ry Petrovitch that he m et you ve ry l at e l ast night
”
,
“ “
And ther e s aid Ra z u m ihin
,
we r en t you mad then ?
,
’
th e twenty fi v e at once ! -
“
M ayb e I f o und a t reasu re somewhere and you kn o w
nothing o f it ? S o that s why I was liberal yeste rday ’
.
“
O h no quite th e contr ary qu ite the contrary !
, I f only ,
“
B u t you might giv e u s som e tea ! M y thr o at s d ry ’
,
cri ed Ra z u m ih in .
“
C apital id ea ! P e rh ap s we w ill all keep you comp any .
’
Wouldn t y o u l ike s omething m o r e es sential b e f o re
”
tea ?
“
Get along w ith you ! ”
P o r fi ry Pet rov itch w en t o u t to o rde r t ea .
Ra s ko l n ik o v s thoughts w er e i n a whi rl
’
H e wa s i n .
“
Th e wo rst o f i t i s th ey don t di sgui s e it ; th ey d o n t c ar e ’ ’
”
,
’
h e would change his m i nd ! H e i s at hom e her e whil e i t s ,
60 F Y ODO R DO S TOEV S K Y
admitted !
“
Y o u a r e w rong there cri ed P o r fi ry P etro v itch ; h e w a s
,
‘
. .
’
Hum an n atu r e is not taken i nto account it i s exclud ed i t s , ,
’
no t supp os ed to exi st ! They don t reco gni s e that hum anity ,
’
s edu ctiv ely cl ea r and you mu stn t think about i t That s ’
.
”
,
l i fe i n two p age s o f p ri nt !
C R IM E AND P UN I S H MEN T 26]
”
do ! l aughed P o r fi ry “
h e t u r n ed to
C a n yo u imagine .
,
“
O h I know i t do es but j u st tell m e : a m an o f fo rty
, ,
“
Ra z u m ih in was almo st i n a frenzy O h i f y o u l ike he .
, ,
“ ’
ro ared I l l p rov e to yo u that you r white eyelashe s m ay v ery
,
I u ndertake to ! Wi ll y o u bet o n it ?
“ ’
Do ne ! Let s hear please h o w h e wi ll prov e i t ! ”
”
, ,
“
Ar e you su ch a goo d d i s semble r Rasko lnikov asked
carele ssly .
“ ’
You wouldn t hav e suppo sed it eh ? Wait a b it I shall , ,
“
M y arti cl e ? In the P e rio dic a l R evie w ? Rasko lnik o v
aske d i n astoni shment I ce rtainly did w rite an arti cl e upo n
.
it to the We e kl y Re v ie w .
“
B ut it came o u t i n the P erio dica l .
”
,
’
w asn t pri nted at th e time .
“
That s t ru e ; but when it c eased to exi st the We e kl y Re
’
know ?
Raskolniko v had n o t kn o wn .
“
W hy yo u might get som e money o u t o f them fo r the
,
’
I t do esn t matter though I w il l find i t Think o f not telling
”
.
,
us !
’
H o w d i d y o u fi nd o u t th at th e arti cl e was mi ne ? It s
o nly si gned with an initial .
“
I only l earnt it by chance th e othe r day Through the ,
.
“
I analysed i f I r ememb er the psycholo gy o f a cr iminal
, ,
t o r t io n o f h i s idea .
264 F Y OD O R D O ST OEV S KY
’
o rdinary and extrao rdinary I acknowl edge that it s s o me ,
’
what arb itr ary but I don t i nsi st upo n exact numbe r s I only
, .
, ,
’
depends o n the idea and its dimension s n o te that I t s o nly i n ,
.
C R IME A ND P U N IS H M E N T 265
w orld and pe o ple it the second mov e the wor ld and lead i t
,
fact all hav e equal rights with me— and vive l a gu err e é ter
,
“
And and d o yo u b eli ev e i n G o d ? E xcu s e m y
curi os ity
”
.
“
I d o r epeated Raskolnikov r ai sing hi s eye s t o P o r fi ry
, , .
’
And do yo u b eli eve i n Lazaru s r i sing fr om th e
dead ? ”
“
I I do Why do you ask all t hi s ? ”
”
.
’
Y ou don t s ay s o I asked fr o m cu ri o sity E xc u se
. .
”
.
,
r emark i s v er y witt y .
“
Thank yo u But t ell me thi s : how d o you di stingui sh
.
’
anxi ety o f a pr actical l aw abiding citizen b ut couldn t they -
,
’
adopt a speci al uni fo rm fo r instance couldn t they w ea r , ,
I o— R
266 F Y OD O R D O S T OEV S K Y
the other .
“
Thank yo u .
“
Well yo u h av e c ertai nly set my mind mo re at r est on tha t
,
’
s co r e ; but ther e s anoth er thi ng wo rri e s me Tel l me pl ease .
, ,
m any o f them eh ?
,
“
O h you needn t wor ry about th at either
’
, Rask o lnik o v ,
“
went on i n the s am e tone People with n e w id eas p e o pl e.
,
“
Ye s y o u s ee Wel l then ?
”
.
,
“
And what i f w e d o catch him
“
Th en h e get s what h e d eserv e s
”
.
”
.
“
B ut t h e r eal geniu se s asked Ra z u m ih in frowning thos e
, ,
w h o h av e th e r ight to mu rde r ?
’
O ughtn t they t o su ffe r at
al l eve n f o r th e bl o od they v e sh ed ? ” ’
g o t up .
not forget it .
“ ’
Well you s e e
,
I really don t know how to expre s s i t
’
p rop erly . It s a pl ayful psychological idea When ,
.
’
you w er e w ritin g your article su rely you couldn t h ave
helped h e h e fancying your sel f
-
‘
j u st a little an ex
,
, , ,
’
t ra o r d in a r y m an uttering a n e w w o r d in you r s ense
”
.
,
’ ’
That s so i sn t it ,
?
“
Quite poss ibly Raskolnikov an swered contemptu o usly
,
.
“
And i f s o could you b r ing you rsel f in case o f wo rldly
,
mu rder ?
And agai n h e wi nked with hi s le ft eye and laughed no i s e ,
l essly j u st as b e fo re .
“
I f I did I certainly should not tell you Raskolniko v ,
“
N O I was only i nte rest ed o n account o f you r a ticl e fro m
,
r
,
“
F o o how O bv iou s and insolent that i s
,
Raskolnikov ,
“ ’
Allow me to obse rve he answe red dryly th at I don t , ,
“
O h come do n t w e al l think ou r selv e s N apoleons now i n
’
”
,
“
Pe rhap s it was o n e o f these futur e N apol eons w h o did fo r
”
A l yo n a Ivanovna last week ? Z a m e t o v b lurted o u t fro m
th e co rner .
t u rned t o g o .
27 0 F YOD O R D O ST OE V S KY
”
Ar e y o u go ing al ready ? Po rfi ry sai d ami ably h o ldin g ,
’
i t all ; we ll h av e a t alk A s o n e o f the last t o b e th e r e yo u
”
.
,
”
.
“
Yo u want t o cro ss exami ne me o fficially i n due f o r m ?
—
“
O h w h y ? That s not nece ss ary f o r the p resent You
’
.
,
“
Then wh en y o u went up stai r s b etween s ev en and ei ght ,
’
didn t yo u s e e i n a flat that sto o d op en o n a s econd sto rey ,
“ ’
P ainte r s ? N o I d idn t s e e th em
,
Rask o lnik o v answ ered ,
’
and I d o n t think I noti ced a flat l ik e tha t O p en B ut
”
.
a rguments .
’
D o n t bel i ev e i t then ! answe red Rasko lnikov with a
, , .
’
hm
’
w o rd s ce rtainly I agr ee P o r fi ry s tone wa s , ,
Why ?
“
H e h a s changed hi s m ind since l ast ni ght .
“
I f th ey h ad had fact s— I mean r eal fac t s— o r at l east ,
ground s for su spi ci o n then they would certai nly h ave t ried
,
S t op !
C RIM E A ND P UN I S H MENT 73
’
And it s i nsulting insulting ! I understand yo u B ut ,
.
”
.
a shame !
“
H e really h as put i t w ell though Rasko lnikov thou ght , , .
”
,
“
m orr o w ? h e s ai d w ith b itte rne ss M u st I really ente r .
r ant .
“
D amn i t ! I will go mysel f to P o rfi ry I w ill squeez e it o u t ,
i t again st hims el f ?
“
I f I had don e tha t thing I sh o uld ce rtainly h av e s ai d that
”
,
“
B ut w hy sp eak against you r sel f ?
“
B ut h e woul d hav e to l d you at o nce th at the wo rk m en ,
d etai l .
“
Yes that is wh at he w as reckoning on that I sh o uld n ot
, ,
“
B u t h ow coul d you fo rget it ?
“
H e i s a kn av e th en i f that is so ,
nes s and th e eagernes s w ith wh ich h e had made thi s expl ana
,
nece ssity
”
.
“
I am getting a reli sh fo r certain asp ect s ! h e thou ght t o
h ims el f Bu t almo st at th e same instant he b ecam e suddenly
.
,
“
What i s it ? cri ed Raskol niko v .
funny .
and a fter wonder ing for a mom ent he tu rned and went b ack
to h is room .
s ight o f hi m w alking along the othe r side o f the str eet w ith
the same ev en delibe rate step w ith hi s eye s fi xed o n th e
,
“
You w ere i nqu i ring fo r m e o f the porter ? Raskol
n ik o v s aid at l ast b ut i n a cu r iously qu iet vo ice
,
.
’
Th e man m ade no answ er ; h e d idn t e ven look at h i m .
“
Why do you com e and ask fo r m e and s ay
nothing . What s the m eaning o f it ?’”
Ra s k o l n ik o v s vo ice b roke and h e s eem ed u nabl e t o a rti c
’
“
M u rde re r ! h e s aid suddenly i n a qu iet but clear and
d istinct voic e .
“
What d o yo u m ean what i s Who i s th e .
“
Yo u a re a mu rdere r the man answ ered sti ll mo re arti c
,
fi fty p aces away and look b ack at him stil l standing ther e .
“
D o n t di stu rb him ! Let him sl e ep H e can have hi s di n
’
.
ne r l ate r .
“
Quite s o answe re d Ra z u m ih in
,
B oth withdrew care .
fully and close d the do o r Anothe r hal f hou r pas sed Ras .
-
.
“
Wh o i s h e ? Wh o i s t hat man w h o sprang o u t o f th e
e arth ? Whe re w a s b e w hat did h e s e e ? H e h a s s ee n i t all
, ,
“
it
, h e thought w ith a b itte r smi l e And ho w dared I .
,
“
N o tho s e m en ar e n o t m ade s o
,
The r eal M a s ter t o .
b ro nz e !
O n e sudde n i r rel evant idea al m o s t m ade him l augh N ap o .
c
”
.
“
o f feve ri sh excitem en t Th e O ld woman i s o f no co u se .
“
qu en c e h e th o ught hotly and i ncoherently
, Th e o l d
, .
28 0 F Y OD O R D OS TOEV S K Y
d es ir e s
’
f o r that s not fo r y o u ! I sh all neve r forgiv e
”
,
th e O l d woman !
H is hai r w a s s oaked w ith sweat his qui veri ng l ips wer e ,
“
M othe r s iste r— how I l oved them ! Why do I h ate them
, '
can t b ea r th em near m e
’
I went up to my mothe r and .
ki ssed he r I r emembe r ,
To embrace he r and thi nk i f.
’
s h e only knew shall I tell he r then ? That s j u st what
I m ight do Hm S h e mu st b e th e s am e as I am
’ ”
. .
,
”
D o es he know I am followi ng him ? thought Raskolnikov .
at once follow ed him i nto the yard but the man was gone ,
.
the window o n the fi rst floo r ; the moon sho ne through the
panes with a m elancholy and mysteri ou s light ; then h e
reached the s econd floo r B ah ! thi s i s the flat wher e t he
.
“
S O h e mu st hav e stopped o r hidde n somewhere He .
Ah ! the flat was st anding w ide O pen h e hes itated and went ,
“ ’
moon looked i n at the windows It s the moo n that make s
.
“
that clo ak here ? h e thought it wasn t there b e fo re ’
.
,
sti r ring
”
.
“
I s it stil l a dream ? h e wonder ed and agai n rai s ed hi s
e yeli ds hardly p er ceptibly ; the strange r w a s standing i n t he
s am e pl ace stil l w atchi ng him
,
.
C HAP T E R I
A N th i s b e sti ll a d re am ?
” Rask o lnik o v t h ou gh t o nc e
m o r e H e looked care fully and su sp ici o u sly at the
.
“ ’
I ve c o me t o y o u f o r tw o r eas o ns In the fi rs t place I .
,
“
It wa s yeste rday I know I o nly arr ived mysel f the day
, .
“
That i n my o w n hou se I p ers e cuted a d e fencel e ss gi rl and
‘i nsulted he r with my i nfamou s p rop o sal s — i s that it ? ( I am ’
’
anti cipating you ) B ut you v e o nly t o as sum e that I too am
.
, ,
o f b eing att ra cted and fall ing i n lov e ( whi ch doe s not depend
28 4
C R IM E AND P UN IS H M E NT 285
,
“ ’
disgust .I t s simply that whethe r yo u ar e r ight o r wrong ,
’
w e di slike yo u We don t want to have anything t o d o with
”
.
yo u. We show yo u the d o o r Go o u t ! .
“ ’ ’
B ut you r e b ut there s n o getting rou nd y ou he ,
“
said laughing i n the fr ankest way I hoped to get r o und
”
.
“
Y o u have g o t r id o f M ar f a P etr o vna t o o s o they s ay ? , ,
“ ’
O h you v e heard that t o o then ? Y o u d b e su r e to
’
, , , ,
’
though . B ut a s fo r your question I r eally don t know ,
Al l was r egula r and i n o rder ; the medi cal i n qui ry diagno sed
apoplexy due to b athing immedi ately a fte r a heavy di nner and
a bottl e o f wine and i ndeed i t could have p roved nothing
,
’
e lse B ut I ll tell you what I h av e b een thinking to mysel f
.
’
o f l ate on my w a y her e i n the train especially : didn t I
, ,
Raskolnikov laughed
”
.
“
I wonde r yo u troubl e y o u rs el f ab out it !
But what ar e yo u laughing at ? O nly conside r 1 s t r u ck ,
s ay warmth
, The sto ry O f you r siste r had b een w rung o u t
.
to the last dro p ; fo r the last thr ee days M ar f a Petr o vna had
b een fo rced to s it at home ; s h e had nothing t o sh o w he rs el f
with i n the town B e sides sh e had b o r ed them s o wi th that
.
,
”
.
’
s ay i t s thei r o nly amu sem ent .
“
Y ou are fo nd o f fi ghting ? h e asked car ele ssly
”
.
way d o yo u r ememb e r R o di o n Ro m a n o v it c h h o w a fe w
, , ,
’
ve ry yea r I b el iev e th e di sgrace fu l acti on o f th e A g e t oo k
‘
,
’
re ady I ve been lounging ab ou t fo r the l ast three days and
.
,
’
I ve s een them o r they v e s een m e ,
’
That s a m atte r o f .
’
’
em anci pati on o f the s e r fs has n t a ffected m e ; my pr o perty
consi sts chi efly O f f o re sts and wate r m eadows The revenu e .
my he el s M y o nly h o p e n o w i s i n anatomy by J o v e
”
.
, ,
it is !
“
Anat o my
B ut a s fo r t he s e club s D u s sa u t s par ades o r p r o gress, , , ,
t o b e a ca rd sha rpe r -
“
Why have you b ee n a card sharp e r then ? ” -
,
“ ’
I f it hadn t b een fo r t hat would y o u have give n he r ,
the S lip ?
“ ’
1 do n t know what t o say I t w a s scarcely the do cument .
i t true ?
“
Why would you go up ? ”
,
t o b e deep i n thought
”
.
“
What d o es he mean ? I s h e in e arnest ? Raskolniko v
wonde red .
“
N o the d o c u ment didn t re strain m e
’
, S v id rig a i l o v we n t ,
“
on m editatively
, It w a s my o w n doing not l eaving th e
.
,
Y o u don t b el i ev e s h e u sed it ?
’
w a s actually he r expres si on .
”
.
“
Y o u s eem t o b e mis si ng M ar fa Petrovna very much ?
D o yo u b eli ev e i n the m ?
290 F Y ODO R D O S TOEV S K Y
I w ou ld n t say no
’
P erhap s n o t po u r v o u s pl a ire .
”
,
exactly
”
.
“
D O yo u s e e them t hen ?
,
“
M ar fa Petro vna i s p lea sed to vi si t me he said twi s t ing , ,
“ U
How d o yo u mean s h e i s pl eased t o vi sit y o u ?
S he ha s b een thre e time s I saw he r fi rst on t he v e ry .
a l o ne
”
.
“
We r e yo u awak e ?
Qu ite aw ake I wa s w i de awa k e eve ry time S he c om e s
. .
,
“
W hat m ade m e thi nk tha t som ething o f the s o rt m u st b e
happening t o y o u ? ”Raskolniko v said suddenly .
H e was m u ch excited .
“
What ! D id you think s o S v id r ig a i l o v asked i n ast o n
ishm e n t D id yo u r eal ly ? D idn t I s ay tha t the r e w a s ’
”
.
“ ’
D idn t I
No
I t h o ugh t I did W h en I cam e i n and s aw y ou l yin g w ith
‘
.
m an ’
‘
.
“
Wha t d o y ou m ean by th e m a n ? Wh a t a r e y ou t alking ’
ab ou t ? ” cr i ed Rasko lnikov .
“ ’
W hat do I m ean ? I r eally don t kn o w S v id rigai l o v .
’
o ther s faces
”
.
W ha t d o es sh e s ay when s h e c o mes to yo u
292 F Y ODO R DO S T OEV S K Y
’
h e i s do ing it out o f rev enge b ecau s e we had a v io len t
qu arre l j u st b e for e hi s death ‘H o w dar e you come i n wit h
‘
.
”
,
“
You should g o to a docto r .
strong as you ar e I didn t ask you whethe r you b eli eve that
.
’
ange r
”
.
“
What do p eopl e gene rally say ? muttered S v id r ig a i l o v ,
“
N othing o f the so rt Rasko lnikov in si sted i r ritably , .
b el i ev e in that to o ,
.
C R IM E A N D P UN IS H M EN T 293
’ ”
I don t b el iev e in a futu r e l i fe s aid Rask o lnik o v .
,
“
And what i f there ar e only sp iders there o r something o f
”
,
”
,
that .
“
C a n i t b e you can imagine nothing j u ster and mo re
com forting than that ? ” Raskolnik o v cried with a feel ing o f ,
angu i sh .
“
J u ster ? And h o w can we tell p erh ap s th at i s j u st and , ,
b egan l aughing
”
.
waste I want to go o u t
. .
“
By all means by all m eans You r si ster A v d o tya Roma
, .
,
v it ch
“
C an you re frain from any qu estion about my s ister and
fro m m enti oning her n ame ? I can t u nderstand how yo u ’
ri a il o v
g .
“
Why but I ve com e h e re to speak about he r ; h o w ca n
’
”
,
“
All th i s i s v e ry na i v e excu s e m e I sh o uld h av e s aid
”
,
“
Yo u m ean t o s a y t h at I am seek ing my o w n ends
’
Don t .
thing
“
Through i dlenes s and dep rav i t y Rask o l nik o v pu t i n , .
”
,
“
H av e you s een th at long ?
and t o cu t o ut M r Lu zhin ” . .
“
E xcu se m e fo r inte r r upting y o u ; kindly b e b rie f and ,
t o go o u t .
“
With the g reates t pl easu re O n ar riving h ere and de t er .
”
.
, ,
”
,
“
V e ry lik ely s h e woul d .
O h no indeed
, ,
H oweve r i f you r e fu se it S O b e it
.
, , ,
to A v do tya Ro m a n o v n a
”
.
“
N o I won t
’
.
,
t o s e e he r once mo r e ~
”
.
“
D o n t hop e fo r i t
’
.
“ ’
I m so r ry B ut y o u d o n t kn o w m e Pe rhap s w e may ’
”
. .
“
You think w e m ay be c o m e f ri ends
”
.
“
and took hi s hat I d idn t qu ite intend to d istu r b y o u
.
’
“
Wher e did yo u see m e thi s m o rning ? Rask o lnik o v asked
u neas ily .
“
I s aw yo u by chance I keep fancying ther e i s s ome
.
p erhap s .
“
O h al l r ight A re you starting s oo n o n you r t ravel s
”
, .
,
m a y I ask ?
“
What t rav el s ?
‘
Why on that j ou rney y o u spok e o f it you rsel f .
,
C R IM E A N D P UN I S H M E N T 29 7
“ ’
Perhap s I ll get mar ried i nstead o f the j o u rney They re
’
.
making a match f o r me
‘ ”
.
II e re ?
Yes ”
”
.
“
Are you tell ing the truth ?
near you .
”
.
,
“
Why w h o was that ,
? asked Ra z u m ih in a s s oo n a s ,
“
I t was S v id r ig a i l o v that l and o wner i n who s e hou s e my
,
’
D o u ni a s fo rgiv enes s a fte rwards and sh e s j u st di ed su d ,
’
’
a fte r hi s w i f e s fu neral H e i s ve ry strange and i s dete r .
,
’
fro m him that s what I w anted to tell yo u d o yo u
”
,
h ear ?
“
Gu ard h e r ! What c a n h e d o to h arm A v do tya Roma
n o vn a ? Thank you Ro dya fo r speaking to m e l ike that
”
.
, ,
“
I do n t know’
.
”
,
“
Yes I r ememb er him p er fectly I shou l d know him in a
, ,
Th ey w e re s ilent ag ain .
“
Hm ! that s al l right muttered Raskolnikov DO
’
, .
“
What do you m ean ? I don t u nde rstand you ’
”
.
298
3 00 F Y ODO R D O S TOEV S K Y
’
A moment s s i lenc e fo llow ed Pyot r Pe t rov itch del ibe r .
“
I tru st y o u h ad a f av ou rabl e j ou rney h e i n q u i red ,
“
O h v ery Pyot r P et rovitch
, ,
.
“
That s unavo id abl e ; o u r national railways ar e o f t er ribl e
’
“
Oh no Pyot r Petrov itch i t w as al l t erribly di s ,
”
, ,
“
w ith p ecu li a r i ntonation and i f D mitr i P ro k o fi tch had not ,
Ra z u m ihin s h e added
,
i ntroducing him to Luzhi n
,
.
“
I had th e pl easu r e yeste rday mutte red Pyotr ,
“
M a r f a Petro vn a i s dead hav e you he ard ? s h e b egan ,
“
To b e su re I heard s o ,
I w as immedi ately info rmed .
,
and I hav e come to make you acqu ainted with the fact that
Arkady Ivanov itch S v id riga i l o v s e t O ff i n haste fo r P ete rs
bu rg i mmedi ately a fte r hi s wi fe s funeral S o at l east I ’
”
.
“
To Peters b u rg he re
? ? D ouni a asked i n al arm and
l ooked at her mother .
“
Y e s i ndeed and doubtless not without som e d esign
, , ,
“
Good heav ens ! wo n t h e l eav e D ouni a in p eac e even
’
? ”
her e cri ed Pul cheri a Al exandrovna .
“
I imagine that n eithe r you no r A v do tya Ro m a n o v n a
hav e any grounds fo r uneasiness unles s o f cour s e you are , , ,
your selve s desi rou s o f getting into communi cation w ith him .
whe re he i s lodging .
“
O h Pyot r Pet rovitch y o u would n o t b el i ev e what a
, ,
, ,
“
It s impossibl e to b e ce rtain about th at I hav e p reci s e
’
.
”
.
,
n ik o v li st ened attentively .
“
Ar e you sp eaking th e t ruth when you s ay that yo u
h ave goo d ev idence o f thi s ? ” D ou ni a asked sternly and
emph atically .
“
I bn l y r ep eat wh at I w as tol d i n s ecr et by M ar f a
P etro vn a I mu st O b s erv e that from the legal p o int o f v i ew
.
“
H e w as fai rly chee r ful and at eas e and qu ite hope s th at ,
sho rtly
”
.
“
Thank God ! c ri ed Pul ch er i a Al exandr o vn a c ro ss ing ,
”
, .
“
B ut what wh at do e s he w ant t o p ropo s e to D ouni a ?
,
you ?
“
Yes
”
.
What wa s i t ?
“ ’
I ll tel l you a fte rwards .
“
I am comp ell ed to keep a bu s iness engagement and s o ,
“
D on t go Pyot r Petrovitch s aid D ouni a yo u intended
’
, , ,
to spend the ev eni ng B esid es you w rote you rsel f that you
”
.
,
“
P reci s ely s o A v d o tya Ro m a n o v n a
, Pyot r Petrovitch ,
di s regarded .
s ilence .
“
You r requ est th at my b rothe r should not b e p resent at
”
o u r meeting w a s di s regarded sol ely at my instance s aid ,
“
D ouni a Yo u w rote that you had b een insulted by my
.
“
Ther e are i nsults A v do tya Ro m a n o v n a which n o good
, ,
”
,
“
Pleas e understand that o u r whol e futu re depends now o n
wh ethe r all thi s i s expl ained and s e t right as soon as po ssibl e .
s ide r you to b e
, I v e giv en you a great promi se I a m
.
’
“
A v d o tya Ro m a n o v n a Luzhi n decl ared h u ffi ly
, you r ,
“
Wh at ! cri ed D ou ni a flu shing , I s e t you r i nte rest
.
wh at has m ad e up th e w h o l e O f my l i f e and h e r e y o u a r e
”
,
“
Lov e fo r the futu r e pa rtne r o f you r li fe fo r y o u r hu s ,
“
W o uld you go s o far then a s to l et he r a ssoci ate w ith
? ”
y o u r mother and si ster
“
I hav e don e s o al re ady i f you c are to know I made he r , .
”
Ro d ya ! c ri ed Pu lcheri a Al exandrovna D ouni a cr im .
s o n ed
,
Ra z u m ih in knitted hi s b row s Luzhi n smiled w ith .
lo fty sa rcasm .
“
Y o u may s e e f o r y o u rsel f A v d o tya Ro m a no v n a h e said
, , ,
“
h i s hat . B ut in w ithdr awing I v entu re to r equ est th at fo r ,
“
You s eem to thi nk w e ar e c o mpl etely unde r you r autho r
i ty Pyotr Pet rov itch D ouni a h as told you th e re ason you r
,
.
h ands .
“
That i s not qu ite tru e Pulche ri a Al exand r o v na e speci ally
, ,
“
J udging from that r emark w e may certai nly p resume th at
”
,
i r ritably .
“
But now i n any case I cann o t reckon o n i t and I parti e ,
“ ”
Good h eavens ! cried Pulcher ia Al exandr o vna .
“ ?
Aren t you ashamed now s ister
’
asked Raskolnikov
”
.
,
“
I am ashamed Ro dya s ai d D o uni a Pyotr P etr o v itch
” h
.
, , ,
“
A v d o tya Ro m a n o v n a i f I go out o f thi s doo r now a fter
, ,
t o b e shaken
”
.
“ ’
What ! S o that s how it stands ! cri ed Luzhin utterly ,
I might p rotest
”
.
“
What right h av e yo u t o speak to he r l ike that ? Pulche ri a
“
Al exand rov na i nte rvened hotly And what can yo u p ro te st .
all
B ut y o u h ave b o und me Pulcheri a Alexandrovna Lu zhi n , ,
“
E xpense s ? What expenses ? Ar e yo u speaking o f o u r
t runk ? B ut the conductor b rought it fo r nothing fo r you .
no t w e !
“
E nough mothe r no mo re ple ase A v d o tya Ro m anOv n a
”
, , ,
“
i mplo red Pyot r P etr o vitch do b e kind and go !
”
.
,
“
I am going but o n e l ast wo rd he s aid quite unabl e t o
, , ,
“
co ntro l himsel f You r mamm a s eems to hav e enti rely f o r
.
mihin j u m p in g u p
’
”
.
,
“
You ar e a m ean and spite ful man ! s aid D o u ni a
”
.
wo rd mo r e o r
Pyotr P etr o v i tch gazed at him fo r some S econd s with a
p al e face that wo rked w ith ange r then h e tu rned w ent o u t , , ,
ship him admi re hi m and only him How many s cenes how
, .
,
No , I I am mo re to blame th a n any on e
,
s ai d D ouni a ,
“
k i ssing and emb racing her mothe r I was tempted by hi s .
”
,
“
Go d has del iv er ed u s ! God has deliv er ed u s ! Pu lche ri a
Alexandrovna muttered but hal f consci ou sly a s though
, ,
had only that mo rning thou ght ruptu r e with Lu zhin a terr i
ble mi s fortune Ra z u m ihin w a s delighted H e did no t yet
. .
“
What did S v id r ig a il o v s a y to yo u ? sai d D o uni a ,
appro achi n g h im
”
.
“
H e wants to m ake you a pres ent o f ten thou s and r o ubl es
and h e desi res to see y o u once i n m y presence ”
”
.
talk
”
.
“
What answer di d you g iv e him ? asked Do uni a .
H is
’
fo r you H e do esn t w ant you to mar ry Luzhin
. .
“
H o w do you explai n him to you rsel f Ro dya ? H o w did
”
,
h e stri ke you ?
“
Go d r est h er soul exclaimed Pu lcheri a Alexandrovna , .
’
D ouni a seemed strangely imp re ssed by S v idrig ail o v s
O ff e r .
“
He has go t some ter r ibl e plan sh e sai d i n a h al f whi spe r ,
“
I fancy I shall hav e to see hi m m o r e than o nce again h e ,
s aid to D ouni a
”
.
“
We will watch hi m ! I w ill track hi m o u t ! cri ed Razu
“
m ihin v i go rou sly I won t lo s e sight o f h im Ro dya h a s ’
‘
.
, .
Ro m a n o v n a
D ouni a smi led and hel d o u t h er h and but th e lo o k O f ,
’
experi ence F o r n early two year s I v e b een scuttling abou t
.
among the publ i sher s and now I know every detai l o f thei r ,
’
I were to tel l a publ ishe r I d ar e s a y h e d hesitate— th ey ,
’
D ouni a s eye s shone
”
.
“
I like what yo u a re s aying D mit r i P r o k o fi t ch ! sh e ,
said .
“
I know nothing about it o f cou r s e put i n Pulche ri a , ,
“
Alexand rovna it may b e a goo d i dea but agai n God knows
, ,
.
’
It s new and untri ed O f cou rs e we mu st r emain her e at
”
.
,
“
What do you think brothe r ? sai d D ouni a ,
.
Of
’
I think he s g o t a v ery goo d i dea h e answe red , .
’
go well And as fo r hi s b eing abl e to m anage it there s no
.
,
“
H ur rah ! cri ed Ra z u m ihin N o w stay the re s a fl a t .
, ,
’
’
It s fu rni shed r ent mode rate thre e r oom s
,
S uppo se you t ake , .
’
them to begin with I ll p awn y o u r watch t o mo rr o w and .
-
C R IM E AND P UN IS H MEN T 3 17
You can al l three live together and Ro dya will b e with you ,
.
B ut where ar e you o ff to Ro d ya
”
,
“
What Ro dya you are go ing alr eady ? Pul cheri a Alexan
, ,
d ro v n a asked in di smay
”
.
“
At such a minute ? cri ed Ra z u m ih in .
them .
“
O n e wo uld think you were bu rying me o r saying good bye -
fo r ever
” he said somewhat O ddly H e attempted to smi le .
, ,
“
What i s the matter with you ? cr ied h is mothe r
”
.
strangely .
“ ’
O h I m qu ite obliged to
,
he an swe red v aguely a s ,
“
I meant to s a y as I wa s coming her e I meant
to tell you mothe r and you D ouni a that it would b e b ette r
, , ,
“
Good God ! c ried Pulche ri a Alexandrovna B oth his .
al so
.
“
Ro dya Ro d ya b e reconciled with u s ! Let u s be as
”
, ,
He looked dully at he r .
“
N o matte r I sh all com e
’
, I m coming h e mutte red .
,
“
Wi cked hea rtl es s e go i st
, cri ed D ouni a .
”
.
’
see it ? You re h eartl es s a fte r th at ! Ra z u m ih in whi spe red
“
i n he r e ar squ eez ing h er h and ti ghtly I sh all b e back
”
, .
ran out o f th e ro om .
“
I knew y o u would run a fter m e he said GO b ack t o , .
Goo d bye -
.
“
B ut wh er e ar e yo u going ? Wh at are you doing ? What s ’
“
O nce fo r all nev er a sk me about anything I h av e nothing
, .
’
t o tell you D o n t come t o s e e me M aybe I ll come here ’
”
. . .
’
Leav e m e but d o n t l e a v e th em D O you u nde rstand me
,
? .
“
D O you u nder stand now ? s aid Rask o lnik o v h i s f ace
”
,
“
W ho i s there ? a w o man s vo i ce asked u ne asily
’
”
.
“ ’
It s I come to s e e you answer ed Raskolnikov a n d ,
It s you ! Good he av en s ‘ 3’
cr i ed S oni a weakly and sh e
stood ro oted to the spot
”
.
“
Whi ch i s you r ro om ? Thi s w a y ? and Rask o lnikov
trying no t to look at he r h astened i n
, .
t h e ro om i n a r api d gl ance .
right hand wall w as anothe r doo r alw ays kept locked That , .
’
l ed to the next fl at whi ch fo rmed a s eparate lodging S onia s
,
.
stoo d by the tab le O n the oppos ite wal l near the a cute
.
d estini es
”
.
“ ’
It s el even i sn t it ? he asked still n o t
’
I am l ate , ,
l i fting hi s eyes
”
.
“
Ye s muttered S oni a o h yes it i s she added hastily
, , , , , ,
“
as though in that lay her means o f es cap e M y landl ady s .
’
’“
I ve com e to you fo r the l ast time Raskolnikov w ent ,
“
o n gloomi ly although thi s was the fi rs t time
, I m ay pe r .
I don t kn o w ’
to mor row -
aterina I vanovna to
m o rrow S oni a s v oi ce shook
.
’
.
“ ’
I do n t kno w I shall know to —morrow morning
. .
that he was s itti ng dow n whil e she was al l the while stand
ing b e fore him .
s io n a t e ly at he r .
“
H ow thi n you ar e ! What a hand ! Q uite t r anspare nt
”
,
“
I have always b een l ike that s h e sai d
”
.
,
“
Yo u re nt thi s ro om f r o m the K a p e rn au m o v s
“
Yes .
Al l i n one r o om
Ye s.
”
I should b e a frai d i n yo ur r oo m at night he o b s e r ved ,
gloomi ly .
“
They a re v e ry go o d p eopl e v e ry kind answe red S o nia , ,
’
too. .
’
’
b e a hou se s er f A nd ther e a re s even childre n
. and it s
o nly the eldest o n e that stamm ers and th e other s ar e simply
i ll but they do n t stamme r B ut wher e did you hea r
’
” h
.
“
You r fathe r told m e then H e told m e al l about you , . .
’
And how you went out at s ix O clock and cam e b ack
at nine and how K ateri na Ivanovn a knelt down by you r bed ” .
“
I fanci ed I s a w him t o day S h e whi sp ered hesitatingly -
”
.
,
Whom ?
F ather I w as w alki ng i n the str eet out ther e at the
.
,
’
co r ner ab o ut t e n o cl o ck and he see m ed to b e walking in
,
3 24 F Y ODO R D O S T OEV S K Y
’
I don t know They ar e i n debt fo r the lodging bu t
.
,
anothe r m inute
”
.
“
H o w i s i t s h e i s so bold ? S h e r el i es up o n y o u ?
O h no do n t talk lik e that
’
her hand s spi tting b lood w eeping and all at o nce s h e w ill
, , ,
tub into the r oom w ith he r f eebl e hands and sank o n the b ed ,
enough . Ah it w a s s a d to s e e h er
,
.
“
Well a fter that I c a n u nder stand yo ur l iving l ike thi s
, ,
“
And are n t you so r ry fo r them ? Are n t you s o rry ?
’ ’
“
S oni a flew at h im again Why I kno w you gav e you r .
, ,
’
l ast penny you r sel f though you d s een nothing o f it and , ,
, ,
’
ho w o ften I v e done i t ! Ah I v e be en w retched at th e ’
”
,
“
You w ere cru el ?
’ ’ ’ ’
I can t stay a s I didn t want t o r ead and I d gone i n chi efly
, ,
‘ ‘ ,
.
,
’
said pleas e do P l ea s e d o s h e s aid sh e wanted them s o
’
.
, , ,
su rprise .
“
K ate rina Ivanovna i s i n consumpti o n rapid consumptio n ;
”
,
“
O h no no n o !
, , ,
imploring that sh e sh o ul d no t .
3 26 F Y ODO R DO S TOEV S K Y
pu t he r hand s to he r head .
“
How can y o u ? That cann o t b e
And S o ni a s face w o rk ed with aw fu l ter ro r
’
”
.
“
C annot b e ? Raskolnik o v went o n w ith a ha r sh smile .
’
S o ni a s o v erbu rdene d b o s o m
S he li stened lo o king impl o r ingly at him cl asping he r hands
, ,
“
And can t y o u s ave ? Put by f or a rainy day
’
? he asked ,
s to pping suddenly b e fo r e he r
”
.
“
N O whi spe re d S o ni a
”
.
,
i roni cally
“
Ye s .
“ '
“
No , s h e w hi spered w ith a p ai n ful e ffo rt .
3 28 F Y OD O R D O S T OEV S K Y
the same time you kno w you rsel f ( you ve o nly to O pen you r ’
eye s ) that you a re not helping any one by it not sav ing a ny
”
,
gazing at him with eves o f angui sh but not seeming su rpr i sed ,
at hi s suggesti on .
many tim es and earnestly sh e had thou ght out i n her despai r
,
dere d at hi s sugge stio n S he had not even noti ced the cru elty
.
m eant fo r S onia .
sur ely not d ep rav ity ? All that i n famy had ob vi o u sly o nly
C R IM E A ND P UN I S H MEN T 3 29
“
There ar e thre e w ays b e for e he r he thou ght the canal , , ,
not help b eli eving that the last end was th e m o st likely
”
.
“
B ut can that b e t ru e ? he cri ed to him sel f C a n t hat .
canal ti ll now i s the idea O f sin and they the chi ldren , .
”
.
mor e intently at he r
”
.
“
?
S o yo u pray to Go d a great deal S oni a he asked he r .
,
“
What should I b e without God ? s e whi spe red rapidly ,
squeezing hi s hand
”
.
“
Ah s o that is it ! he thought
”
.
,
furthe r .
“ ’ ”
B e si lent ! D on t a sk ! You don t deserve ! sh e cri ed ’
1 2— R
3 30 F Y ODO R DO S TOE V S K Y
,
’
, .
agai n .
“ ’
That s the way o u t ! That s t h e explanation he de cided
’
, ,
w ith su ch fi r e such ste rn ene rgy that l ittl e b ody stil l shaking
, ,
”
,
wo rn
”
.
“
?
Wher e did y o u get that h e call ed to her a cros s the r oo m .
t h e tab le .
“
It w a s b rought m e sh e answe red a s i t we r e u nwil lingly,
, ,
n o t looking at him
”
.
“
Who b rought i t ?
L iz a v e t a I a sked he r for it
”
, .
L iz a v e ta ! strange ! he thou gh t .
“
Where i s the sto ry o f Laz aru s ? he asked suddenly .
“
Wher e i s the rai s ing O f Lazaru s ? F i nd i t f o r m e S o n ia , .
“
It s i n t h e
’
You are not l ooking i n th e ri ght pl ace
”
.
“
F ind it and read it to me he said H e sat down w ith hi s
,
.
“ ’
I n thr ee weeks time they ll w el come m e i n the madhou se !
’
”
I shall b e there i f I am not i n a wo rse place h e muttered t o ,
h im sel f .
332 F Y ODO R D OS T OE VS K Y
catch i n h er b reath .
i ntens e emotion S he m aste red her sel f cont rol led the spasm
.
,
“
And many o f the J ews cam e t o M artha and M ary t o c o m
fort them co ncerni ng thei r b rothe r .
“
J e su s s aid u nto he r T h y b rothe r shall ri se agai n
,
.
“
Then when M ary was com e wher e Je su s w a s and s a w
H im s h e fel l down at H is feet saying u nto H im Lo rd i f
, , ,
And s aid Wher e hav e yo u l aid him ? They said unto Him
, ,
J e su s wept .
the eye s o f the b li nd have cau sed that even thi s man sh o ul d
,
?”
not have died
Raskolnikov turned and looked at her w ith emotion Yes .
,
“
J esu s ther efor e again gro aning i n H imsel f cometh t o th e
grave It was a cave and a stone lay upo n it
.
,
.
Then they too k away the stone f rom the place whe re the
dead was laid And J esu s l i fted up H is eye s and said F ather ,
.
,
“
B ound hand and foot w ith g r a v e c l o th s and h i s face w a s
bound a b out with a napkin J e su s saith unto them L o o se him .
,
and l et him go .
Then m any o f the J ews whi ch cam e to M ary and had seen
”
the things whi ch J esu s did b el i eved o n H im .
he r chai r qu i ckly .
“
That i s all a b out the raising o f Lazaru s she whisper ed ,
passed
'
.
“
I hav e a b andoned m y family to day he said my m o the r -
, ,
”
. .
“
What fo r ? aske d S oni a amazed H e r r ecent meeting .
h orro r .
“
1 hav e only yo u now he added Let u s go togethe r
, . .
336 F Y ODO R D O S T OEV S K Y
“
Wh at s t o b e done ? B reak what mu st b e b r o ken o nce
’
, fo r
all that s al l and t ake the su ffe ring on one sel f What yo u
,
’
, .
,
’
d on t u nder stand ? You l l unde rstand late r
’
F r eedom .
’
t im e I shall speak to you I f I do n t come to mo r row yo u ll
.
~
,
’
’
day l ate r on i n year s to com e you l l u nde rstand pe rhap s
, ,
“
Why do yo u kn o w w h o ki lled he r ? s h e a sked chi lled
, ,
‘
I know and wi ll tel l you only you I have cho sen ,
.
simply to tell you I cho se you out long ago to hear thi s
.
,
go ing r ou nd .
“
Go od heave ns how doe s h e know w h o kill ed Liz a v e ta ?
”
,
’
What did tho s e wo rds me an ? It s aw ful ! B ut at the same
“
time th e id e a di d not ente r he r head not fo r a moment ! Oh , ,
”
,
fu l heavens !
S oni a spent th e whol e night f eve ri sh and deli ri ou s S he .
him him w ith pal e f ace with b urning eyes kis sing ,
he r feet w eeping
,
.
co m fort .
CHAPT E R V
p revent hi s e scap e Bu t t h e r e w a s n ot hi ng o f th e s o r t h e
.
,
would n o t hav e l et him stand and wai t like that And w o uld .
spai r .
33 8
3 40 F Y OD O R D O STO E V S KY
’
did I put i n I b el i ev e pas sed throu gh hi s mi nd i n a flash
‘
.
“ ’ ’
ing hi s emotion w a s i ncr easing It s b ad i t s b ad ! I shall
”
.
, ,
s a y too mu ch agai n .
’ ’
Ye s ye s ye s ! The r e s no hu rry t her e s no hu rry mut
, , , ,
th e w i ndow the bu r eau and the table at one mom ent avo id
, ,
’
ing Ra s k o l n ik o v s su spi ciou s glance then agai n standing ,
”
.
“
A capital thing a capital thing repeated P o r fi ry Petro
, ,
v it ch ,
a s though he h ad j u st thou ght o f somethi ng qu ite
“
di ffe rent . Ye s a capital thing he almo st shouted at l ast
, , ,
u pon hi s vi sito r .
to g ive him an u nexp ected kno ck dow n b low w ith som e f atal -
’ ’
qu estion I sn t that s o ? It s a sacred tradition m entio ned
”
.
, ,
“
P o r fi ry P etrovitch he b egan resolutely th o ugh with , ,
“
consi de rab le i rritatio n yesterday you expressed a desir e ,
”
, , ,
“
Goo d heav ens ! What do you m ean ? What sh al l I q u es
? ”
tion you ab out cackled P o r fi ry P etrov i t ch with a change
“
o f to ne in stantly l eaving o ff l aughing P lease do n t di s ’
”
.
,
’
you v e come to s e e m e at l ast I l ook up on you simply
a s a vi sito r And as fo r my con fou nded l aughte r pl eas e
.
,
e xcu s e i t Rodio n Ro m a n o v it ch
,
Rodi o n Ro m an o v itch ? .
’
That i s you r nam e ? It s my nerve s yo u ti ckl ed m e s o ,
“
I mu st tel l you one thing ab out m ysel f m y dear Rodi o n ,
,
’
i n its o w n way h e h e h e ,
- -
“
Is he exp ecting anything ?
You ar e ce rtai nly quite ri ght about it ” P o r fi ry b egan ,
Rodio n Ro m a n o v itc h
“
Ye s I w a s ,
,
C R IME AND P UN IS H M EN T 45
”
, ,
laughing ?
r o v it ch s
’
.
“
Yet that i s the cas e w ith som e type s e speci ally for m e n
, ,
a te rribl e fri ght that the enemy would attack openly and
take S evastopol at o nce B ut when they s a w that the enemy .
l east .
,
’ ’ ’
course you r e right t o o You r e right you r e ri ght Thes e
, ,
.
, .
’ ’
leav e o n e man qu ite alone i f I do n t tou ch h im and don t ,
mom ent that I know al l about it and am wat ching him day
and night and i f he i s i n continu al suspi cion and terro r he l l
, ,
’
’
b e b ound to los e hi s head H e l l com e o f himsel f o r m ayb e .
,
you have ove rlooked them ! Why they ar e all sick nervou s , ,
and i rritabl e ! And then how they all su ff er f rom spl een !
That I assur e yo u i s a r e gu la r gold mi ne for u s And it s .
’
e s cap e to h e h e
?
Ab road perhap s ? A Pol e wi ll es cap e
,
-
,
’ ’
B ut that s al l nons ense and o n the sur f a ce It s n o t me rely ,
.
’
o f natu r e he can t e scap e m e i f h e had anywhere to go Hav e .
’
you seen a butte rfly rou nd a candle ? That s how he w ill
ke ep ci rcl ing and ci r cl ing rou nd me F reedom wi ll lo se it s .
’ ’
attractions He ll b egi n t o b ro o d he l l weav e a tangl e round
.
,
’
himsel f h e l l w o r ry him sel f t o death ! What s m o r e he wil l
,
’
“ “
I t s a l e sson h e th o u ght tu rning co ld
’
Thi s i s b ey o nd
, , .
, ,
’
p retending to s car e m e ! You ve no proo fs and th e man I
,
‘
o f that when t h ey o ver step al l o b stacle s a s you w ittily and
’
w a y he s gi ve n u s the i de a !
’
H e l i ed i ncomparably but h e ,
’ ’
didn t r ecko n o n hi s temp erament That s what b et rays .
O h, do n t
’
t rouble please cri ed Raskolnikov and h e s u d
”
, ,
“ ’
d e n ly broke i nto a laugh Pl eas e don t t rouble . .
“
P o r fi ry P etrov itch h e began spe aking loudly and di s , ,
“
I see clearly at last that you actually su spe ct me o f mu rder
ing that o l d woman and her si ste r Liz a v e ta Let m e tel l .
n o t r estrai n hi s voi ce
”
.
’
I won t allow it ! he shouted b ri nging hi s fi r st down o n ,
“ ’
the table Do yo u hear that P o r fi ry Petrov itch ? I wo n t
”
.
,
al low i t
”
.
“
Goo d he avens What do es it me an ? cri ed P o rfi ry P etro
“
v it ch
, apparently qu ite f rightened Rodi o n Ro m a no vitch .
,
” P
, .
”
.
,
“ ’ ’
I wo n t al low it I wo n t allow it Rasko lnikov r ep eated
, ,
“
S ome fre sh ai r ! And you mu st have som e wate r my
”
,
’
dear fellow You r e i ll ! and he w a s running to the doo r
.
goo d .
“
Rodio n Ro m a n o v it c h my dear f ellow you ll dri ve you r , ,
’
wate r d o drink a l it t le
,
.
85 0 F Y OD O R D O ST OEV S K Y
di sgu st .
“
Ye s you ve had a l ittl e attack ! Y o u l l b ring b ack y o u r
’ ’
”
,
d o wn !
“
N o n o t from m e but I knew he w en t to y ou and w hy
”
, ,
Yo u knew ?
I kne w What o f i t ?
.
”
Why thi s Rodi on Ro m a n o v it ch th a t I k n o w m o r e tha n
, ,
’
y o u r head ! Y o u r e fu ll o f gene rou s i ndi gn atio n at th e
’
w rongs you ve r eceived fi rst from de sti ny and then fr om , ,
’
B ut do s it down fo r go o dnes s sak e P l eas e res t yo u
”
.
, ,
lo o k shocking do s it down ,
.
would you i nsist that you w er e not deli r iou s bu t i n full '
i sn t it
’
?
“
Anothe r thing ab o ut Ra z u m ih in— yo u certainly ought to
h ave sai d that he cam e o f hi s o w n acc o rd to h ave conceale d ,
’
you r part i n it ! B ut you don t c o nceal it ! Y o u lay stre s s
”
o n hi s com ing at you r i nsti gation .
b ack .
“
Y o u keep tell ing l i e s he s ai d slowly and w eakly twi st
, ,
“
ing hi s l ips into a s i ckly smil e you ar e t rying agai n to sh o w
,
“ “
You keep lying he cri ed ,
Yo u know per fectly well tha t
.
”
.
l iev e you l
“ ”
What a wily pe rs on you a re ! P o r fi ry tittered the r e s ’
,
’
no catching yo u ; you v e a p e r fe ct mo nom ani a S o you do n t .
’
”
.
“
Ye s I do went o n P o r fi ry tou ching Ra sk o l n ik o v s a rm ’
'
, , ,
, ,
‘
b low ( you r exp re s sio n ) saying : And what w er e you doing ,
’
si r pray at ten o r nearly eleve n at the murde red woman s
, ,
flat and why di d you r ing th e b ell and w h y did you ask about
blood ? And w hy did yo u i nvit e the port er s to go with you
to the poli ce station to the l ieutenant ? That s how I ought
-
,
’
again .
“ ’
You ar e lying all th e while he cr i ed I don t kno w , ,
“
him . I am lying but how did I t reat you j ust now I , ,
o f
de fence are n o t v ery r el ia b l e and cut b oth ways : ill ne ss ,
’
deli rium I don t rememb e r— that s all ri ght b ut why, my
,
’
,
“
B ri efly he sai d lo udly and imp eriou sly r is ing t o hi s f eet
, ,
“
and in s o doing pu shing P o r fi ry b ack a l ittle b riefly I want , ,
“
a pe r fectly goo d humou r ed s ly and c o mpos ed face
-
And ,
.
he he -
“ ’
I repe at Raskol nik o v cr ie d furi ou sly tha t I can t pu t
”
, ,
up w ith i t !
With what ? U nce rtai nty ? ” i nter rupted P o rfi ry .
’ ’ ’
D o n t j ee r at m e ! I won t h av e i t ! I t el l y o u I w on t
’
? ”
hav e it I can t and I wo n t d o you h ear d o yo u hear
. he
’
, ,
”
,
p er fe ct paroxysm o f fu ry .
“
I w ill not all ow mysel f to b e tor tu red h e wh ispe red in , ,
“ ’
A r r est m e sear ch m e but ki ndly ac t i n due form and d o n t
”
, ,
pl ay with m e ! D o n t dare ! ’
“
D on t worry ab o ut the fo rm P o r fi ry i nte rrupted with t he
’
,
“ “
Ah they re coming cri ed Raskolniko v
,
’
, .You ve sent
’
r eady !
B ut at thi s mome nt a st range inciden t o ccu r red s o m ethin g
,
t e rvie w .
C HAPT E R VI
how Raskolnikov s a w it .
“
What i s it ? cri ed P o r fi ry Petrovi t ch annoyed Why , .
,
I gave o rder s
F o r an instant ther e w a s n o answe r b ut it w a s evident ,
that ther e w er e s eve ral pe rsons at the doo r and that they ,
“
What i s it ? P o r fi r y P etrovitch r ep eated une asily .
s w ered .
“
H e i s not wanted ! T ak e him away ! Let him wait !
? ”
H o w i rregular ! cri ed P o r fi ry ru sh
What s he do ing h er e
’
,
ing to th e door .
stro de into th e ro om .
twitching .
featu res The man whom h e had thru st b ack fol lowed him
.
instantane o u sly .
“ ’
G o away it s to o soon ! Wait till you ar e sen t fo r !
,
35 7
358 F Y OD O R D OS TO E V S K Y
”
Why h ave y o u b r o ught hi m too s oo n ? P o rfi ry Pe tro v i t ch
muttered extre m ely annoyed and as i t we r e t hrown o u t o f
, ,
h i s reckoning .
“
What s th e matte r
’
? ” cri ed Po r fi ry su r p ri s ed .
,
I am gu i lty ! M i n e i s th e s in ! I am th e mu rde r e r ,
”
,
“
What i s it ? cri ed Po r fi ry P e t r o v i t ch r ec o ver in g fr om his ,
“
I a m t h e m u rder e r r ep ea t ed N ik o lay a f t e r a b ri e f
, ,
p au s e
”
.
“
Wha t you wh a t who m d id you k il l ?
P o r fi ry P e t rov itch w a s o b v i ou sly b ewildered .
N ik o l a y agai n w a s s il en t fo r a m oment .
“
A l yo n a I vanovna and he r s is t e r L iz av e t a I v an o vna I
”
,
th e l atte r .
“ ’
You r e i n t o o gr eat a hu r ry h e sh o uted at hi m al mo s t , ,
“ ’
angrily I didn t ask y ou what cam e ov e r yo u Sp eak
”
.
,
p ronou nced
”
.
“
Ach ! What did you ki ll them wi t h ?
An axe I had it r eady
”
. .
“
D id you d o i t alon e ?
3 60 F Y ODO R D OS T OEV S K Y
“
O n e wo rd Rodion Ro m a n o v itch ; a s to all the r est i t s
’
, ,
shan t we ’
? ”
And P o r fi ry sto o d still facing him w ith a smil e , .
“
? ” ’
S han t w e he added again .
speak out .
“
Yo u mu st fo rgiv e me P o r fi ry Petr o v itch fo r wha t ha s
”
, ,
“ ’
D o n t m ention it do n t menti o n it Po r fi ry repl i ed almo st ,
’
, ,
“
gl ee ful ly I mysel f too
. I h av e a w ick ed t emp er I , ,
”
.
,
“
And wil l get to know each oth er th r o ugh and through ?
added Rask o lniko v .
“
Yes ; know e ach oth er th r o ugh and thr o ugh assented ,
p arty ?
“
To a funeral .
wel l .
“
I don t know wh at t o wi sh you s aid Raskolnikov w h o
’
, ,
“
h ad b egu n to descend th e stai rs but looked b ack again I , .
comical o n e
” Po rfi r
.
“
?
Why comical y Pet r o vitch had t u rned to go but ,
“
Why how you mu st h av e b een t ortu ring and harassing
,
con fes sed ! Y o u mu st hav e b een at him day and night p rov ,
‘
, .
’ ’
l ying you l l say You a re not the mu rd erer You can t b e !
, .
’
C R IM E AND P UN I S H MEN T 3 61
’ ’
It
’
not you r own tal e you ar e telling ! You mu st admit it s
s
a c o mi cal bu s iness
“
H e h e h e ! You noticed then that I s ai d to N ikol ay j u st
- -
? ”
now that it was not hi s own tal e h e was tel ling
“ ”
H o w cou ld I h elp noticing i t !
H e h e ! You ar e qu ick witted
-
You notice eve rything ! -
.
”
a ct e r is t ic o f Gogol among the write rs ,
.
“ ”
Ye s o f Gogol ,
.
”
.
,
S o sh al l I .
fo r th e dange r w a s i mminent .
aims he could not see into all hi s cal cul ations B ut he had
, .
n e c t e d w ith him .
th e doo r .
“
-
”
To day ! T o day h e rep e at ed to hi ms el f
-
Y e s t o day ! .
-
, ,
S o it mu st b e .
day s vi sito r fr o m u n d e r g r o u n d
’
.
“
What do you w ant ? asked Raskolnikov nu mb with ,
t er ro r .
What P o r fi ry
The head o f th e detectiv e department ? ”
Ye s T h e po rte rs did not go th ere b ut I went
.
, .
T o day
-
”
,
“
Where ? What ? When ?
could it happ en ? Up on my wo rd !
“
I saw th at the po rter s did no t w ant to do wh at I s ai d ,
“
began th e man ; fo r it s to o l ate said they and mayb e he l l
’
, ,
’
,
’
‘
.
, ,
‘ ‘
.
,
‘
.
“
And did he qu esti on N ikol ay wh il e you w ere there ?
H e got r id o f m e as h e did o f you be f o re he sp oke to
”
,
N ikol ay .
“
F o rgive m e fo r my ev i l thoughts and my sl ander ,
.
C R IME AND P UN IS H ME N T
”
,
“
I t all cuts b oth ways now it al l cut s b oth ways rep eated
, ,
”
,
“
N o w we ll mak e a fight fo r it he s aid with a m al i ci ou s
’
, ,
C HAPT E R I
3 66
3 68 F Y ODO R DO S T OEV S K Y
to b e on e o f th e gu ests .
had imp ress ed Pyotr Pet rov itch T hese powe r fu l omni sci ent .
i f neces sary to anti cipate conti n g enci es b y s eek ing the favou r
”
,
“
of ou r younge r gen eration H e r el i ed o n Andrey S e m yo n o .
”
,
’
w rong ; it s a l ib el I w a s s imply de fending mysel f
. S he .
”
, .
I to do ? I s imply pu sh ed he r b ack .
“
H e he he
- -
Lu zhin w ent o n l augh ing mal i ciou sly .
w on t b e l ate r
’
bu t at p r es ent th er e i s
,
co n found i t !
’
H ow mu ddl ed o ne g et s w ith yo u ! I t s not o n that accou nt
th at I am not go ing I am not go ing on p rincipl e not to.
,
, ,
’
it. I am so r ry the r e won t b e any p r ie sts at it I shou ld .
ce rtainly go i f there we re
“
T h en you would s it down at anoth er m an s tab l e and
’
“
C e rt ainly not insu lt bu t p rotest I shou ld do it w ith a
,
.
’ ’
s ense and ther e s no ne ed o f so ftne ss o n the contrary what s , ,
”
,
’
tru e wh at they s ay about he r i sn t it ?
,
“
What o f it ? I think that i s i t i s my own p er sonal con , ,
L e b e z ia t n ik o v w a s en raged .
“ ”
That s anothe r slande r h e yel l ed
’
I t was not so at al l ! .
,
’
env i ronment It s all th e envi ronment and m an h im sel f i s
.
’
whil e I m stil l dev eloping S o i ya S e m yo n o v n a S h e h as a .
No,
no ! O h no ! O n th e c o ntr ary , .
me !
“
And you o f cou rs e ar e dev el op ing h e r
, h e h e l t rying -
”
,
’
it s simply wo rk honou rab le u se ful wo rk whi ch is as goo d
, ,
“
And mo r e ho nou r able mo re honou r abl e h e he he
‘
~ ~
, ,
“ ’
What do yo u me an by mo r e hono u ra b le ? I do n t ’
’ ’
M o re honour abl e nobl er — all tho s e ar e o l d —fash ioned
,
’
You can snigger as mu ch a s yo u like but that s so ! ,
“
note s he le ft o n the t abl e The ces spool qu esti on had .
“
It s you r ill luck ye st erday th at m akes you s o i ll humou red
’
- —
“ “
hi s i ndepend ence and hi s p rotest s d id not v entu re to
oppo se Pyot r P etrov itch and stil l beh aved to hi m wi th some
o f th e respe ct habitu al i n earl i er ye ar s
”
.
“
You d b ette r tel l me thi s Pyotr Petrovitch inte rrupted
’
,
“
with haughty di sple asu re can you o r rathe r are you
,
O h,
I want to I am l eav ing here to day o r to mo rrow
.
- -
’
should b e i ndeed F o r ther e s no knowi ng wh at you might
”
.
,
imagine .
“ ’
I shan t i magine anything I only a sked and i f you v e .
,
’
tabl e and then agai n at Pyotr P etrov itch and her eyes r e
mained r iveted on him L e b e z ia tn ik o v w a s mov ing to th e .
and stopped L e b e z ia t n ik o v
”
.
H a s h e come
“
I s Rasko lnikov i n there ? ? he a sked him i n
a w hi sper .
“
Rasko lnikov ? Ye s Why ? Y e s h e i s ther e I s a w hi m
”
.
,
.
wi th embarrassment .
“
In the fi rst pl ace S o fya S e m yo n o v n a w ill you make my
,
,
’
a ffably .
“
Qu ite s o yes ; th e pl ace o f a mothe r S o ni a answered
, , ,
“
Then you wi ll m ake my ap o logi e s t o h er ? Through in
evitable ci rcum stance s I am fo rced to b e ab sent and shall n o t
b e at the dinner i n spite o f you r mamma s kind i nv itati o n ” ’
”
.
Ye s I l l tell he r
’
at once .
‘
And S oni a h as tily j u m p e d u p f rom he r s eat
”
.
’
“ ’
Wait that s not al l Py o t r Petrov itch detai ned he r smil e
, , ,
“
ing at her simpli city and igno r ance o f goo d m anner s and ,
“
I chanced yesterday i n pass ing to exchange a coupl e o f
words w ith K ateri na Iv anovna poo r woman That was s u ffi , .
“
Yes pr eternatur al S oni a hu rri edly ass ented .
”
Ye s s impl er and m or e c o mp rehensiv e
,
ye s i ll
,
.
3 80 F Y ODO R DO S T OEV S KY
’
put i t into K ate rina Iv a n o v n a s own h ands The dinne r to .
fo r instance Am I right ?
‘
.
’
I don t know thi s i s o nly to —day once i n he r l i fe ,
“
V e ry well then keep it i n mi nd ; and now w ill you accept
, ,
mo re
And Pyotr Petrov itch held out to S oni a a ten roubl e note
care fully un folded S o ni a too k it flu sh ed cr imson j ump ed
.
, ,
“
I he ard and s a w eve rythin g h e said l aying stre ss o n th e , ,
“
l ast v e rb That i s honou ra b le I mean to say it s hu mane !
.
, ,
’
not I con fess in p ri ncipl e symp athi s e with p riv ate char ity
, , ,
y e s y,
e s I like it,
.
“
T hat s all no nsense muttered Pyot r Pet rov itch som e
’
, ,
“
N o it s not nonsen se ! A man w h o has su ffered d i stre ss
’
Y o u s e e I v e spoken my mi nd !
’
manity .
,
“ ’
B ecau se I don t want in you r fr e e m ar ri age to b e made a
-
”
,
answer .
“
C hildren ? Y o u re fer red to children L e b e z ia tn ik o v ,
“
s tarted o ff l ike a warho rs e at the trump et call C hildr en are .
.
,
’
h av e lov ed you now I re sp ect you fo r yo u v e shown you c a n
, ,
3 82 F YODO R D O S T OEV S K Y
’
ri ed p fo o ! I me an i f I we re to mar ry l egally o r not i t s
, , ,
it a fterwards .
3 8 4‘ F Y OD O R DO S T OEV S K Y
b oiling that tea and punch mi ght b e o ffe red a fter d inne r
,
.
’
h ovna s di spo sal and had b een al l th at mo rning and all th e
’
Iv a n o v n a s cha racte ri sti cs to p ai nt ev e ry o ne s h e met i n the
most g l owin g colou rs He r pr ai s e s w er e s o exagger ated as
.
and pe ace lovin g dispo siti on but from continu al fai lur es and
—
,
not quite sob er The o lder and mo r e r espe ctabl e o f them all
.
,
, ,
“
P robably taking hi s c u e from Lu zhin th at contemptibl e ,
no t to invite him .
I vanovn a he ard thi s from Amal i a Iv anovn a who qua rrel ling ,
“
thi s lady and he r dau g hter who s e f o ot s h e w as not wo rth
, ,
he r thou ghts and feel ings and did not h arbou r mal i ce and ,
might s e e th at s h e was not accu sto med to her way o f liv ing .
h e was drunk had a loud and most uns eemly l augh and only
,
ha (
! C ough cough —cough
) And wh at do e s
-
sh e put o n that .
’
.
’
Look he s j ump ed up and i s making hi s bow s they mu st b e
, ,
”
, ,
l andlady s S i lv e r spoon s
’
Amal i a Iv anov na ! s h e a d
“
dres sed h e r suddenly almo s t aloud i f you r spo ons should , ,
”
, ,
h a ha !
—
S he l aughed tu rning to Raskol nikov and agai n ,
“ ’ ’
S he didn t under stand s h e didn t understand again ! Lo ok ,
“
D o you kno w I gav e he r the mo st del i cate inst ru ction s
, ,
”
,
he r & c & c
, .
,
.
qu i red with equ al di gnity how Pyot r Petrov itch was then ,
“
What an imb eci l e ! Look lo ok ! Why w a s h e b ro ught ? ,
“
Ye s h e w a s fond o f d ri nk h e w a s fond o f it h e did
”
, , ,
“
M y late hu s b and ce rtai nly h ad that weaknes s and ev e ry
”
,
“
but h e w as a ki nd and honou rabl e m an w h o lov ed and ,
”
b ut he did not fo rget the chi ldren !
? ”
A co c k ? D id you s ay a cock shouted th e commi s
sari at cl erk .
sighed lo st i n thou g ht
,
.
“
N o dou b t you think l ike ev e ry o ne th at I w a s to o
, ,
”
sev er e w i th h im sh e w ent o n addre ssing Ra skolnikov
, ,
.
3 99 F Y ODO R DO S T OEV S K Y
c rimso n and at o nce sai d aloud acro ss the ta b le that the man
who s ent it w a s a d runken a s s ! ” “
cab ,
and that the c a b man wanted him to ki ll and K ar l ,
“ ”
Li sten to the o w l ! K aterin a Iv anovn a wh i sp er ed at
“
o nce he r g ood humou r almo st re sto r ed S h e m eant to s a y
,
—
,
‘
i nstead o f puni shing th e ca b m an cl a sped hi s hand s and ,
cough cough ) —
.
that K ater ina Ivanovna had i n he r hands the v ery certifi cate
o f honou r o f which M a r m e l a d o v had spoken to Raskolnikov
“
to assi st her o f her gentl eness patienc e devotion g ene r
”
, , ,
-
,
paid h er g o l d fo r th e l o dgings .
“
Amal ia Iv anovna at o nce d ecl ared th at he r v ater au s
B erli n w a s a v ery v ery impo rtant man and both h ands i n
”
, ,
n o vn a hoping fo r a fight
, .
C HAP T E R III
YO TR P E TR O V I T C H sh e cri ed p rotect me , ,
”
.
these o rphan s .
“
Allow me ; madam Allow m e . Pyotr P etrov itch .
“
wav ed h er o ff You r pap a as yo u ar e well awar e I had
”
.
Allow me to p ass .
“
at hi s entr ance N o t o nly w a s thi s s eri ou s bu sines s man
.
3 96
C R IM E AN D P U N IS H ME NT 3 97
“
Well how i s it to b e then ? asked Lu zhin lo oking in
, ,
t e n t l y at he r .
“ ’
I don t know I know nothing about it
. S oni a ,
“ ”
N o you know nothing ? Luzhin repeated and again h e
”
,
“
Reflect I am prepared to giv e you time fo r conside ration
,
.
nes s— and a fte r counting two thou sand thre e hund red
rou b le s I put the re st i n my pocket b o ok i n my co at po cket -
.
kept you r hand s fo r some t ime o n the table and taking i nto ,
consider ati on you r soci al po sitio n and the habit s associ ated
with it I w a s s o t o say w ith ho rr o r and po sitively again st
, , ,
tempe r
”
.
“
H old that mad woman ! h e shouted .
l adi es
”
.
“
What ! M ad ? Am I mad ? Idiot ! sh ri eked K ateri na
“
Ivanovna You ar e an idi ot you r sel f petti fogging l awye r
.
, ,
“
n o v n a brok e i nt o hysteri cal laughte r D id you ev er se e
”
.
“
such an idi ot ? s h e tu rn ed from si de to side And you
”
.
“
too ? s h e suddenly saw the l andl ady and you t o o s au sage , ,
’
You r e wrong I w ill get i n ! I will get i n ! Y o u reckoned
,
S earch he r s earch h er ! ,
“
I am re ady I l l b e r esponsible b ut calm you rsel f
’
, ,
“
Well well but a s to that
,
Lu zh in mutte red that
, ,
case it s di ffi cu lt fo r a m an
’
o n account o f her s e x .
H o w i s it to b e
’
cou rs e it s n o t th e w ay t o do things
”
, .
done ?
C R IM E AND P UN I S H MEN T 402
!
”
As you will ! Let any on e w h o l ikes s earch he r cri ed
K aterina I v anovna S oni a tu rn out you r po ckets ! S ee !
, ,
, ,
see ?
“
Thie f ! O u t o f my lodging Pol ice p ol ice ! yelled
”
.
,
“
N o it w asn t I ! I didn t tak e it ! I know nothing ab out
’ ’
it
,
sh e cri ed with a heartrendin g w ai l and she ran to ,
“
S oni a ! S oni a ! I don t b el i ev e i t ! You s e e I don t ’ ’
”
,
beli eve it ! S h e cri ed i n the face o f the obv iou s fact swaying ,
at l east !
“
M adam madam thi s incid ent do es not r eflect u pon you !
, ,
“
he c ri ed imp res s iv ely no o ne wou ld tak e upon hi ms el f to
,
d ressed the whol e comp any gentl emen ! C omp assi onating ,
with sob s as s h e hid her p retty l ittl e face swol len with w eep
,
“ ”
H o w v il e ! a l ou d vo i ce cri ed suddenly in the doo rway .
“
What v il eness L e b z ia t n ik o v repeated star ing h im ,
Lu zhin tu rned p al e .
“ ”
What l i es ! he cri ed i mpudently why h o w c ou l d yo u , , ,
“
N o I didn t fancy it
,
’
And though I was standing s om e
.
w a y o ff I s a w it all
,
And though it ce rtainly w o u ld b e hard
.
’
to di stingui sh a not e fro m the w indow — th at s tru e— I knew ,
, ,
folded it and kept it i n you r hand all the time I didn t th ink .
’
”
o ath .
o n all hands chi efly exp res siv e o f wo nde r but some w er e
, ,
“
I wa s mi stake n i n yo u ! Protect her ! Yo u a re th e
only o n e to take her part ! S he i s an o rphan God has sent ,
you
K aterina I vanovna h ardly knowing what sh e was doing
, ,
“ “ ’
A pack o f nonsense ! yel led Lu zh in rou sed to fu ry it s
‘
all nonsen se y o u v e b een talking ! An ide a stru ck you you
’
, ,
,
’
“
What for ? T hat s wh at I can t u nderstand bu t that
’ ’
’
al so Wagner s ) ; then I come o n h ere and what a state o f
things I find ! N o w cou ld I cou ld I hav e all these ideas and , ,
”
,
note in he r pocket ?
mence w ith such convi ctio n that ev e ry one obv iou sly b e
,
that s all ! And I tell you you are lying s ir You a re lyin g
’
, , .
piqu e b ecau s e I did not agree with you r freethinking godl ess ,
”
, ,
s oci al propositions !
B ut thi s reto rt d id not b enefit Pyot r P etrov itch M u rmu r s .
“
Ah that s you r l i ne n o w i s it ! cri ed Leb e z ia tn iko v
,
’
, ,
“
N o w I c a n expl ain it all t o mysel f said R askolnikov , ,
“
addressing L e b e z ia t n ik o v F ro m th e v e ry b eginning o f th e
.
l oude r than any one and was m aking some suggestions v ery
u npleasant to Lu zhi n B ut not all tho s e p re sent w e re .
”
, , ,
“
p as s ! h e said m akin g h is w a y through the crowd
,
And .
Yes al low m e to p as s !
,
C R IM E A ND P UN I S H MENT 4 09
,
”
expounding all thi s fo rtnight !
“
I told you mysel f to day th at I w as go ing when you t ried
-
,
at Pyot r P etrovi tch ; but the glass flew strai ght at Amal i a
Ivanovna .
“
O u t o f my lodgings ! At once ! Qu i ck m arch !
And with these wo rds sh e b egan snatching u p eve rything
s h e could l ay h er hands o n that b elonged to K ate rina Iv a
“
What ! A s though th at godless calumny w a s not enough
_
thi s v il e creatu r e attacks me ! What ! O n th e day o f my
hu sband s funeral I am tu rned o u t o f my lodging ! A fte r
’
“
eyes i s th er e no j u stice upon e arth ? Whom shou l d yo u
,
‘
creatu re ! Po l enk a stay with the chi ld ren I l l come b ack
, ,
’
.
”
,
crowd o f lodgers who s till fill ed the room and w ai ling and , ,
’
N o w it s time fo r m e to go thought Raskolniko v Well
”
, .
,
t rem b l in g “
,
‘
it w a s all du e t o your soci al po sitio n and
,
,
’
the ha b its associated with it D id you u nder stand that j u st
”
.
now ?
“
O nly don t talk to m e a s you di d yes t erday
’
she i nte r ,
’
r u p t e d him Ple ase don t begi n it There is mi sery e nough
. .
w ithout that .
r ep roach .
" “ ’
M y God ! cri ed S oni a let s go at o nce ,
“
It s e verlastingly the sam e thing ! cri ed Raskolniko v
’
,
“
i rri tab ly You ve no thought except fo r them ! S tay a
’
”
.
littl e with m e .
“
B ut K ate rina I van o vna ?
You won t l o s e K at eri na Ivano vna you m ay b e su re
’
”
, ,
'
fo r it .
“
Thi s time Lu zhin d id not want to pro secute you h e ,
“
b egan not looking at So ni a but i f he had wanted to i f it h ad
, , ,
not b e en fo r L e b e z ia tn ik o v and m e Ah ?
”
.
“
Yes s h e assent ed i n a f aint vo i ce
,
Ye s she repea t ed .
, ,
‘
B ut I mi ght easily not have b een the re And it was quit e
”
.
’
an accide nt L e b e z ia tn ik o v s turning up .
“
And i f you d gone to p ri so n what then ? D o y o u r e
’
”
,
m em b e r w h at I s aid ye sterday ?
‘
I thought yo u would c ry out again don t speak it leav e ’
o f ,
o ff
’
Raskolnikov gav e a l augh b ut rather a forced o n e .
”
.
,
“ “
What sil ence again
,
? he asked a m i nute l ate r We mu st .
”
L e b e z ia t n ik o v would s a y
“
( H e w a s b eginning to lo s e the
.
Ivanovna and the chi ldren and you rsel f thrown in — since
’
you don t count y o u rsel f fo r anything— Pol enka too fo r
’
she ll go the sam e w a y Well i f suddenly it all depended on
.
,
“
I felt that you w ere going to a sk some qu estion l ike that .
“
Then it would b e bette r fo r Luzhin to go on l ivi ng and
’
doing wi cked thi ngs ? You haven t dared to decid e e ven
”
that !
“
But I can t know th e D ivi ne P rov idence
’
And why .
’
do you ask what can t b e answe red ? What s the u s e o f s u ch
’
“
You d b ette r say strai g ht o u t what you want
’
Soni a crie d
“
i n di stre ss .Y o u ar e l ead in g up to something again .
”
C a n you have com e simply to tortu re m e ?
pas sed .
4 14 F Y ODO R DO S T OEV S K Y
“
weak . I told you ye ste rday that I w as n o t coming to
’
ask forgiveness and almost th e fi r st thing I v e s aid i s
to ask fo r gi vene ss I sai d th at about Luzhi n and
.
S o nia
H e tri ed to sm il e b ut there was something h elpl es s and
,
fa ce i n h i s hands .
o n he r b ed .
“
What s th e matt er
’
? a sked S o nia dreadful ly f ri ghtened , .
wo rked helpl es sly stru ggl ing to utte r som ething A p ang
,
.
’
o f ter ro r p as sed throu gh S o ni a s heart
”
.
“
What s the ma tt er
’
? s h e repeated drawi ng a l i tt l e away ,
f rom him .
“
N othing S oni a do n t b e fri ghtened
’ ’
, ,
It s nonsense . .
anothe r
”
.
“
You can t guess then ? he aske d suddenly f eel ing a s
’
, ,
“
N no i -
whi sp ered S oni a .
”
Take a good look .
but a mom ent l ater s h e got up mov ed qui ckly to him se i zed , ,
She cou ld not have said fo r i nstance that she had fo re seen , ,
’
S top S o ni a enough ! do n t tortu r e me he b egged he r
, , ,
m i serably .
C R IME AND P UN IS H ME N T 17
a s though she had b een sta bb ed utte red a cry and fell o n ,
“
What hav e you done— wh at h av e you do ne t o you r
”
s el f ! s h e s ai d i n desp ai r and j umping up s h e flung he r , , ,
tight .
“
Y o u are a strange girl S onia— you kis s m e and hu g m e ,
”
.
are doing .
“
The r e is n o o n e— no one i n the whol e wo rld now s o
”
u nhappy as yo u ! s h e cried in a frenzy not he aring wh at he ,
s ai d and she suddenly b roke into v iol ent hyster i cal weeping
,
.
. .
“
Then yo u won t l eav e me S oni a ? h e said looking at
’
, ,
“ '”
N o no neve r nowher e
, ,
cri ed Soni a
,
I will follow .
,
“
Here I have come .
’
Ye s now ! What s to b e done now ! Togethe r to
”
, ,
smi le cam e o n to hi s l ip s .
“ ’
Perhap s I don t want to go to S iberi a yet S onia he said , , .
“
agai n she cou ld not b eli eve it : H e he i s a m u rder e r !
”
,
C oul d it b e tru e ?
“
What s the m eaning o f it ’
? Wher e am I ? ” she s aid i n
complete b ewilde rment a s thou gh still u na b l e to r e cove r her ,
? ”
you b ri ng you r sel f to it What do es it m ean ?
“ ”
O h wel l to plunde r
—
,
Leave o ff S oni a h e answe re d .
, ,
Ye s ? ”
“
N o S onia no ,
he muttered turni ng away and hanging
, , ,
“
hi s head I w a s not s o hungry
. I ce rtainly did want to
’
h elp my mothe r but that s not the r eal thing e ithe r
, .
D o n t to rtu r e m e S o ni a
’
,
.
Ra z u m ih in s a w it he r ece iv ed i t fo r
money w a s mine— m y own .
“ ’
And th a t money I don t ev en know r eal ly wh ether
.
“
ing . I took a pu r se o ff her neck made o f chamo i s le athe r ,
’
a pu r s e stu ffed ful l o f something but I didn t
’
look in it ; I suppose I hadn t time And the things .
al l there now .
”
begin .
“
Ach w e are so d i ffe rent h e cr ied agai n w e ar e n ot
, , ,
m ysel f th at .
“
N o no it w a s a g o od thing you came
, cr i ed S o ni a .
”
, ,
“ ’
It s b etter I should know far b ette r ! ,
“ ”
What i f it w er e r eal ly that ? h e s aid a s th o ugh reaching ,
“
a conclu si on Ye s that s what i t w a s ! I w anted to
.
,
’
“ ’
You l l understand ? V e ry w ell w e shall s e e ! He ,
“
It was l ik e thi s : I asked mys el f o n e d ay thi s qu estion
what i f N apol eon fo r instance had h app ened to b e in my
, ,
’
Yes S oni a th e funni est thing o f all i s that p erhap s th at s
, ,
j u st how it wa s .
“
Yo u had b ette r tel l m e st raight o u t without
examples sh e begged stil l mo r e timidly and scarcely
, ,
audi b ly .
“
You ar e right agai n S oni a O f cou rs e that s all no n ,
.
’
’
a student but I couldn t keep mysel f at th e u niver sity and
,
,
’
’
infli cted o n one s si st er Why should one ? When o n e has .
that s all
’
Well o f cou rs e in kill ing the o ld wom an I
”
.
,
’
did w rong Well that s enough
.
,
.
422 FYOD O R D O S TOEV S K Y
”
, , , .
, .
“
Y o u s e e you rs el f th at it s not right B ut I v e sp o ken ’ ’
.
t ruly it s th e truth ’
”
.
,
“
A s though that could b e th e truth ! Good God !
“
I v e only kill ed a l o u se S on i a a u sel es s l o athso m e
’
”
, , , ,
“
A hum an b eing a l ou s e !
—
”
, ,
“
st rangely at he r B ut I am t alking nons ens e S oni a h e
.
, ,
“
added I v e b een talki ng nonsens e a l o ng ti m e
.
’
That s .
’
”
,
“
No S oni a that s n o t it h e b egan agai n sudd enly ’
, , , ,
a roubl e Ra z u m ihin w o rk s !
. B u t I tu rned sulky and
woul dn t ( Ye s sulkine s s that s th e ri ght wo rd fo r it ! )
’ ’
.
, ,
you v e s een it
’
And do you know S oni a that l ow
.
, ,
ceilings and tiny room s c ramp th e soul and the m ind ? Ah,
4 94 F Y ODO R DO S T OEV S K Y
d evil eh
,
?
“
H u sh don t l au gh bl asph em e r ! Y o u d o n t u nd erstand
’ ’
”
, , ,
“
H u sh S oni a ! I am not l aughing I know mysel f that
”
.
,
, ,
hand s
“ ”
A c h S oni a ! he cri ed i rritably and seemed about to make
,
“
some r etort but w a s contemptuou sly sil ent
,
D o n t i nter rupt .
’
”
o f that !
And you mu rdered her ! ”
But how di d I mu rde r her ? I s that how men do
mu rders ? D o m en go to commit a mu rde r as I went then ?
I will tel l you som e day how I w ent ! D id I murde r th e o l d
woman ? I mu rdered mysel f not her ! I crushed mysel f ,
“
What su ffering ! A wai l o f angui sh b roke from
So ni a
”
.
“
Well what am I to do now
,
? he asked suddenly rai sing ,
hi s h ead and looking at her w ith a f ace h ideou sly di sto rted
by despai r .
4 26 F Y ODO R DO S T OEV S K Y
“
S tand up ! ”
( She s ei z ed him by th“e shoulde r h e got up , ,
”
,
squ eezin g them tight in h er s and gaz ing at him w ith eye s
full o f fi re .
H e w a s am az ed at h er sudden ecstasy
”
.
“
You m ean S ib e ri a S oni a ? I mu st gi v e mysel f up ? he
,
asked gloomily .
’
S u ffe r and expi ate you r s in by i t that s what y ou ,
”
m u st do
”
.
“
No ! I am not go ing to them S oni a !
”
,
”
al ready ! O h G o d ! s h e cri ed why h e know s i t al l him , ,
o f you now ?
, Wh at w rong , .
”
. .
,
“
It will b e to o much fo r you to b ear too much ! she ,
'
”
P erh ap s I v e b een un fai r t o mys el f
’
h e ob se rv ed ,
4 98 F Y ODO R DO S T OEV S K Y
“
S onia ” he said “
you d b ette r n o t come and s e e m e ’
”
, ,
when I am i n p ri son .
passed
”
.
“
H ave you a cro s s o n you ? she asked as though ,
suddenly thinking o f i t .
“
N o o f cou rs e not ?
,
Here take this o n e o f cypre ss , ,
’
cro s s and I gav e he r my l ittl e ikon I w i ll wear Liz a v e t a s .
’
now and give you thi s Take it it s mi ne ! It s m ine
.
’
,
“
you know s h e b egged h im We w il l g o t o su ffe r togethe r ,
”
.
,
“
N o t now S oni a B ette r l ate r he added to com fo rt he r
”
. .
, ,
“
Yes yes b ette r she repe ate d w ith convi cti on when you
, , , ,
’
to m e I ll put it o n you w e w ill pray and go t ogether
, , .
At that mom ent some o n e kno cked thre e times at the doo r
”
.
“
S o fya S e m yo n o v n a m ay I com e i n ? they he ard i n a
,
“
I ve com e to you S o fya S e m yo n o v n a
’
h e began
”
.
, ,
S onia s creamed .
“ ’
At l east it s eem s so B ut w e do n t know what to.
, , ,
and collect money and w ill go every day u nder the g eneral s ’
window
‘ ,
4 29
43 0 F Y ODO R D O S T OE V S KY
of
’
t o anything . Imagine th e state things ! It s b eyond
”
anything !
woul d hav e gone on but S o ni a w h o had
L e b e z ia t n ik o v , ,
cam e a fter h im
”
.
“
S he has ce rtai nly gone m ad ! h e s ai d to Raskol niko v a s ,
‘
.
’
S o fya S e m yo n o v n a s o I s aid it se em e d l ike it but the r e
, ,
i s n t a dou b t o f it
’
They s ay that i n consumptio n the
.
’
tub er cle s s om etime s o ccu r i n the b rai n ; it s a pity I know
nothing o f m edici ne I di d t ry to p ersuade her but s h e
”
.
,
wouldn t l i sten ’
”
.
“
D i d you talk to he r ab out th e tu b e r cl es ?
”
. .
’
wo n t ?
“
Li fe would b e t o o e asy i f i t we r e s o a nswe re d ,
R askolnikov .
“
E xcu se m e excu se m e ; o f cou rse it would b e r athe r
,
“
s ay ( D ouni a; b egan to get up ) that i f you should need
m e o r shoul d ne ed all my l i fe o r anything call
’
m e and I ll come Good bye
, .
-
“
D ouni a Raskolniko v stopped he r and w ent t owards he r
”
.
“
Well ? s h e asked wai ting a moment .
,
“
B ut what doe s i t m ean b rothe r ? Ar e w e really parting
”
,
N o h e wa s not cold t o he r
, The re w a s an i nstant ( the .
“
A fterward s sh e may shudde r when s h e rememb er s that
”
I em b raced he r and wi l l f eel that I stol e he r ki ss
, .
“ ”
And w ould s h e stand that te st ? h e went o n a few m inute s
“
N o she w ouldn t ; gi rl s l ike that can t stand
’
l ater to him sel f ’
”
.
,
He could not o f cou rse and would not cons ide r how i ll h e
, ,
was But all thi s continual anxi ety and agony o f mind co uld
.
“
With thi s idioti c pu r ely physi cal w eaknes s dep ending on
, ,
’
th e sunset o r som ething o ne can t help doing s o methi ng
”
,
’
stupid ! You ll go to D ou ni a a s wel l a s to S oni a h e mut , ,
t e r e d bi tterly .
ru shed up to him .
“ ’
O nly fancy I v e b een to you r room l o oking fo r you
,
O nly .
’
fancy sh e s carri ed o u t her pl an and taken away the children
, ,
.
’
roads and i n front o f shops ; the re s a crowd o f fool s running
a fte r them C om e along ! ”
”
.
“
And S onia ? Raskolniko v asked a nxiou sly hu rrying a fte r ,
Le b e z ia t n ik o v .
“ ’
S imply franti c That i s it s n o t S o fya S e m yo n o v n a s
.
,
’
the canal b ank near the b ridge now not far from S o fya S em
”
, ,
yo n o v n a s quit e clo se
’
.
,
more su ffe ring tha n eve r and i nde ed out o f doo r s i n the ,
standing be at them,
Then sh e would m ake a ru sh at the
.
when she made Lida and K olya dan ce and P o l enka sing S he .
’
p rovide fo r the children m ys el f I w on t bow down to any ,
”
b od y ! She has had to b ea r enou gh f or u s ! she po inted to
S onia P olenka how mu ch hav e you got ?
.
,
S how m e !
What only two farthings ! O h th e m ean w retches ! They
,
”
,
?
The re what i s that blo ckh ead l au ghi n g at
, ( S he poi nted “
”
It s al l b e cau s e K olya her e i s so
’
to a man i n the crowd ) .
’
Pol enka ? Tel l m e i n F rench pa r l e z m o i fr a ii ga is Why I v e ,
.
,
, ,
’
‘
. .
M a l bo r o u g h ’
s e ii v a - t- e h gu e rr e
Ne sai t qu a ii d r e v ie ii dr a .
keep tu rning the o the r way and Polenka and I w ill sing and ,
clap o u r hands !
C in q s o u s c i n q s o u s
,
’
P o u r m o n te r n o tr e m e n a g e .
”
,
advi ce to make i t sho rte r and now you s e e the child is quite,
the matte r stup ids ? C ome K olya b egi n M ake hast e make
, , ,
.
,
‘
.
,
foo l ?
43 8 F Y ODO R DO S T OEV S K Y
“
Yo u
’
It s forbidden i n th e str eets
’
. mu stn t make a di s
’
t u rb a n c e f
“ ’
you r e making a di stu rbance It s j u st th e sam e a s i f
’
'
It s .
”
I we re grindin g an o rgan What b us i ne s s i s it o f you r s ? .
“
You hav e to get a l i cence fo r an o rgan and you h av en t ,
’
”
lodge ?
”
"
What a li cence ? waile d K ate rin a I v anovna I bu ri ed
”
.
,
C alm you rsel f m adam calm you rs el f b egan the o ffic ial
, , , .
”
,
wanted to take them away som ewhe re Weepi ng and wai ling .
,
“
B ring th em b ack b ri ng them b ack S oni a ! O h stupid , , ,
you r s ake s .
bending ove r he r .
n ik o v we r e t h e fi r st at h er side th e o ffi ci al to o hastened up
”
, ,
“
and behind hi m th e pol i ceman who mutte red Bothe r ! with ,
“
Pass o n ! P as s o n ! h e s aid to th e crowd that p re ssed
fo rward .
“ ’
She s dyi ng som e one shouted
”
.
,
’
Sh e ss g o n e out o f he r mind s aid ano the r , .
4 40 F Y ODO R D O S T O EV S K Y
The ble eding ceased fo r a time Sh e l ooked with sick but .
”
,
“
S o that s how you l ive S oni a ! N ev e r once h av e I be en
’
”
,
in you r room .
“
We hav e be en you r ru in S o ni a Po l enka Lida K olya ,
.
, , ,
”
.
,
“ ’ ’
Wh at the p ri e st ? I do n t w ant h im You haven t got a
, .
’ ’
wo n t forgive me I don t c are ! ,
r attl e i n h e r throat .
“
I said to h im you r excellency sh e ej acul ated gasping, , ,
“
a fte r e ach wo rd That Amali a Lu d w igo v n a ah ! Lida
.
,
D u h a s t D ia m cm te n
.
a nd P e r l en
What next ? ’
That s th e thing to s ing .
D i r h a s t d i e s c h o n s te n A u g e n
/
M ad e ze n , w a s w i l l s t d a m e h r ?
In th e h e a t o f m id d a y i n th e va l e o f D a g e s ta n .
C R IM E AND P UN IS H ME NT 44 1
”
.
how was it ?
Sh e was v iolently excited and tri ed to s it up At la st in a .
,
In t h e h e a t o f m i d d a y ! in th e va le ! o f D ag e s ta n !
W i t h l e a d i n m y br e a s t !
”
You r excellency ! s h e wailed suddenly w ith a heart
“
r endi ng scream and a flood o f te ars p rotect the o rphans ! ,
’
Y o u hav e b een thei r father s gu est o n e may say ari s
S o nia
”
.
“
S oni a S oni a ! s h e articul ated so ftly and caressingly as
, ,
“
though su rpr i sed to find he r the re S oni a d arling ar e yo u .
”
,
here to o ?
,
“ ’
E nou g h ! It s ove r ! F a rewell poo r th ing ! I am don e
”
,
S he sank into unco nsciou sne ss again but thi s time i t did ,
’
mother s feet ki ssing them and weepi ng v iolently Thou g h
,
.
they had a feel ing that it was something ter ri b l e ; they put
’
thei r hands o n each other s little should ers stared strai g ht ,
feathe r .
up to him .
S h e i s dead h e s aid ,
.
away .
“
I wil l undertake all the ar rangements the fu ne ral and ,
’
th at Y o u know i t s a qu estion o f mo ney and a s I t o ld you
.
, ,
I have plenty to spare I w ill put thos e two l ittl e one s and .
“
What i s you r motiv e fo r such b enevo lence ? asked
Raskolniko v
”
.
’
told you I h ad no need o f that money Won t you admit that
‘
.
’ ’ ’
it s simply done f ro m hu manity ? S he w asn t a lou se yo u
”
,
the s ame w a y .
“
H o w d o you kno w ? h e whi sper ed hardly abl e t o ,
b reathe
‘
.
“
Why I l odge he re at M adame Re s s l ic h s th e othe r s ide
,
’
n ei g hbou r
”
.
“
Yo u ?
P A RT V I
C HAP T E R I
’ ’
w o rds in S oni a s room at the moment o f K aterin a Iv a n o v n a s
death the no rmal wo rkin g o f h i s mi nd seemed to b re ak
,
down . But although thi s new fact cau sed him extreme
uneasiness Raskolnikov wa s i n no hu rry fo r an explanatio n
,
44 4
C R IM E A ND P UN I S H MEN T 445
,
.
o f it fo r a time .
in fo rmed Rasko lnikov that h e had made an arr angem ent and ,
“
a fter a b ri e f pau se d ropping h i s vo ice asked : But how is , ,
’
up ! We l l talk thin g s over ; I am o nly sor ry I v e s o much to ,
’
”
.
,
fresh ai r f resh ai r ,
mo re th an anything !
4 46 FY ODO R DO S TOEV S K Y
’
the r equi em se rvi ce B y S v id r iga i l o v s o rd e rs it w a s sung
.
‘
p rayed so ftly and a s i t w ere timidly we ep ing
, , ,
.
“ ’
T hese last two days s h e h asn t s ai d a wo rd to me sh e
”
.
’
hasn t glanced at me Raskolniko v thought suddenly Th e ,
.
stayed all th rough the s erv ice A s h e bl ess ed them and took .
o f sel f abnegation
-
at least s o h e i nte rpreted it
, .
n e s a t f o r an hou r l i s t e n 1 n
g to songs i n a tav e rn and he r e
4 48 FY ODO R D OS T O E V S K Y
“
When did you s e e them la st ?
j .
’
h av e you b een doing with yours el f ? Tell me pl ease I v e , .
’
al l came h ere togethe r w e couldn t l et h er come al one all ,
’
I f he s g o ne out that i s i f he i s w ell and h a s fo rgotten h i s
, , ,
’
at hi s doo r b egging fo r kindne ss Sh e retu rned home and
‘
.
’
took to he r b ed ; now s h e is i n a fev er I s e e s h e said
‘
.
, ,
’
that he has time fo r his g ir l S he m eans by yo u r girl .
,
’
it and I don t intend to wo r ry my b rain s o ve r you r secrets
, .
“
\ V h a t do you m ean to do now ?
“
\ V h a t busine ss i s it o f you r s wh at I me an t o d o ? ”
“
You are g oing i n fo r a dri nking bout ”
”
.
’
Why it s p retty plai n
, .
“
Y o u always hav e b een a v ery r atio nal pe rson and y o u v e
’
”
neve r b een mad neve r he ob s erved suddenly with w armth
”
.
, ,
’
You re right : I shal l drink Goo d bye ! .
-
And h e moved to go o u t .
“
I was talking with my sister— the day be fo re yeste rday I
think i t w a s— about you Ra z u m ihin , .
“
About me ! B ut whe re can you have seen he r the
”
day be for e ye sterday ? Ra z u m ih in stopped sho rt and even
turned a l ittl e p ale .
“
She came h ere by her sel f s a t ther e and talked to m e
”
.
,
S he did !
Ye s
”
.
I told her you were a v ery good hone st and indu striou s , ,
’
man I didn t tell her you lov e he r becau s e s h e know s th at
”
.
,
he rsel f
”
.
“
S h e knows that hers el f ?
’
Well i t s p retty plain Wher ev e r I mi ght go w h ateve r
, .
,
“
Ro dya ! You s e e well Ach damn i t ! B ut .
,
neve r mi nd But I
. I shall find out th e secret
and I am sur e that it mu st b e some ridiculou s nonsense and
that you ve made it all up Anywa y you ar e a capital fellow
’
.
,
a capital fellow !
“
That w a s j u st what I wanted to add o nly you inte rrupted , ,
a ir mean to go to h im di rectly to fi nd o ut wh at h e m e an t
I
”
.
b y that .
“ ’
H e s a political conspi rato r ! H e mu st b e And he s o n
’
.
’
the eve o f some despe rate step th at s c ertai n I t c a n o nly b e
”
.
,
“
S o A v d o t ya Ro m an o v n a come s to s e e you h e s aid , ,
“ ’
weighing each syll abl e and you r e go ing to s e e a m an who ,
himsel f
”
.
\ What l ette r
“
?
“
mu ch indeed Too much s o I b egan spe aking o f you s h e
. .
,
“
S he bgot a l etter ? Raskolniko v asked th o ught fu lly .
“
Y es and yo u didn t know ? h m
’ ’
,
“
Goo d b ye Rodi on The r e was a ti me b rother wh e n I
-
, .
,
’
There s no need now That s all stu ff ! .
’
away :
“
O h by th e w a y do you r ememb e r th at mu rde r you know
, , ,
,
’
b een found h e ha s con fe ssed and given the p roo fs It s one
, .
I mu st fi nd out !
H e thought o f D ouni a reali sing all h e h ad h e ard and ,
“
Y e s a m ean s o f e scape had com e !
,
It had b een too
sti fling too cramping the b u rden had b een too agonising A
, , .
matte r .
“
And so P o fi r y himsel f had expl ained i t to Ra z u m ih in ,
appear ance a fter that t ete a t ete i nterv i ew whi ch cou ld hav e
.
- —
,
glances things had b een said i n such a tone and had re ached
,
hi s convi ction .
C R IM E AND P UN I S H MEN T 45 3
“
had felt clear i n hi s mind at least I mu st settl e S v id r i
,
.
g a il o v h e thought
,
“
and as soon a s po s s ibl e ; he t o o
, , ,
, ,
“
fi ry explained l au ghi ng I v e b een meaning to look i n a ’
.
,
”
. .
“
S it down P o r fi ry P etrovitch s it down
,
Raskolnikov , ,
”
S peak spe ak s eemed a s though it wou ld bu r st from
”
, ,
“ ’
Ra sk o l n ik o v s heart
’
. C ome why don t yo u sp eak ?
,
45 6 F Y OD O R D O S T OEV S K Y
“
What is h e up to what do e s he t ake m e f or ? Raskol
,
“
I v e decid ed openne s s i s b etter b etwe en u s P o r fi ry
’
’
lay put a stop to i t o r I don t know what w e mi ght not ,
time i n the next room — can you r eal i se that ? You know
that o f cou rse ; and I am awar e th at h e came to you a fter
,
’
something els e— I shan t lo s e what I want anyway Yo u ,
.
out of hi m ;
may r eckon upo n mo st surpri sing r esult s
one
“
B ut what are you driving at now Raskolnikov mut
te r e d at l ast asking th e questio n without thinking
”
, .
‘
“
What i s he talking a b out ? h e wonde red d istractedly
”
,
tell you thi s fi rst frankly and quite s ince rely fo r a b ov e all
, ,
’
I don t want to deceiv e you When I made yo ur acqu aint .
’
from the fi r st and indeed you v e no r eason to like me You .
may think what you like but I desi r e now to do all I can to ,
’
It s scarcely nece ss ary to go ov er everything i n d etail ,
“
P o r fi ry P etr ov itch w ent o n Indeed I cou ld s carcely .
,
1 6— R
45 8 F Y OD O R DO S T OEV S KY
si ncer ity a youth ful inco r rupti b le pride and th e dar ing o f
,
’ ’ ’
de spai r i n it It s a gloomy article but th at s wh at s fi ne i n
.
,
’
time What i s ther e i n it ? I r eflected There s noth ing
. .
’
And it s not at al l th e thing fo r the p ro secuto r to l et him
sel f be car ri ed away by noti ons : he re I hav e N ikolay o n
my hands with actu al evi dence against him— you m ay think
w hat you like o f it b ut it s evidence He b rings i n hi s ’
. .
’
p sycholo gy too ; o n e h a s to conside r him to o for it s a mat
, , ,
‘
. ,
H er e i s my littl e fact
’
my b re ath and wa s al l in a tremo r .
,
’ ’
thou g h t I and I didn t think it ov er I si mply wouldn t I
, , .
question all the way And then what about you r t r embling
.
,
d eli rium ?
“
And so Rodi on Ro m a n o v itc h c a n you wo nde r that I
, ,
it !
Ra z u m ih in told m e j u st n o w that you think N ikol ay
guilty and h ad you rs el f as su r ed h im o f it .
M r Ra z u m ihin
. cri ed Po r fi ry P etrov itch s eeming gl ad ,
, ,
thi s from N ikol ay and from hi s fel low v ill agers And what s .
’
“
Petersbu rg had a great e ffect upo n him especi ally the ,
“
Well h e w a s frightened h e tri ed to h ang hi msel f ! H e
, ,
ran away ! How can o ne get ove r the idea th e p eopl e hav e
o f Ru ssian l egal p ro ceedings The v ery wo rd t ri al frightens ‘ ’
’ ‘
som e one s benefit but s imply o n e mu st su ffe r I f they ’
, .
A r l i g i u s s e ct — TRA N S LAT OR S N o r a
1
e o .
’
.
4 69, F Y ODO R DO ST OE VS KY
n o h ar m And t h e way h e th r e w it to o : a im ed i t a ya r d o n
'
“
S o I su sp ect now th at N ikolay w ant s t o tak e h is su ffe ring
o r something o f the so rt I kno w it fo r certain from facts .
,
’
i ndeed O nly h e doesn t kno w th at I know
. Wh at you .
,
’
ing him especi ally s ince h e t ri ed t o h ang h ims el f Bu t h e ll
, .
’
h e i s simply at s e a knows nothing and doe sn t even su sp ect
,
th at h e do esn t know ! ’
“
N o Rodi on Ro m a n o v it ch N ikol ay do esn t com e in ! Thi s
’
, ,
‘
,
’
phra se i s quoted that blo od r enews when co m fo rt i s ,
Ro m a n o vit c h
4 64 F Y OD O R DO S T OEV S K Y
my i nterest .
’
Ach wh at i f I am conv inced ? Th at s only my dream fo r
,
’
th e time Why shou ld I put you i n s a fety ? You know that s
.
e ral times al ready that that p sychol ogy can b e t aken in two
ways and that th e s econd w a y is st ronge r and l ook s far mo re
p ro b a b l e and that apart from that I hav e as yet nothing
,
“
Y e s yes secondly
”
?
,
Raskolnikov was l istening b r eath
,
les s .
“
B ecau se as I told you j u st now I consi der I owe you an
, ,
“
Listen P o r fi r y Petrov itch You s aid j u s t n o w you h av e
, .
now ?
“
N o Rodion Ro m a n o v it c h I am not mi staken
, I h av e a
”
.
,
, .
b e b ette r Rodion Ro m a n o v it c h
,
.
“ ’ ’
T hat s not simply r idiculou s it s p os itively shameles s ,
.
,
-
God that I will so arrange that you r con fes sion sh al l come
as a compl ete su rpri se We wil l make a cl ean sweep o f all .
“
No h e s aid apparently a b andoning al l attempt to keep
,
“
u p app earances with P o r fi ry it s not wo rth it I don t care ’ ’
”
, ,
“
and as it seem ed involuntarily th at s j u st what I feared ’
”
, , , ,
“ “
Ah don t di sdain l i fe ! P o r fi ry w ent o n
,
’
You h av e .
”
fel low !
4 66 F Y ODO R DO S T OEV S KY
? ”
A great deal o f what l i es b e fo re me
O f li fe Wh a t so rt o f p rophet a re yo u do you know
.
,
bondage . .
“
The time wil l b e sho rtened l aughed Raskol nikov , .
“ ”
A c h hang it ! Raskolnikov wh i sp ered w ith lo ath ing and
,
“
H ang it i f yo u lik e ! You ve lo st faith and you th ink th a t
’
,
ou t del ibe ration ; don t b e a fraid— the flood will b ear you to
’
’
speak I t s a s well that yo u only kill ed th e ol d woman
. .
’
I f you d inv ented ano the r theo ry yo u mi ght p erhap s hav e
done someth ing a thou s and times mor e hideou s You o ught .
’
o f atmospher e woul d you h av e I f you r an away you d .
,
, ,
’
two o r three— rememb er my w o rd you ll con fes s o f you r
, ,
’
s el f and perhap s to you r o w n su rp ri se You won t know .
”
.
, ,
,
.
al so ro se .
“
Ar e you going fo r a w alk ? T he ev ening w ill b e fi ne i f ,
”
.
thing to freshen th e ai r .
H e to ok hi s c a p .
“
P o r fi ry Petrov itch pl eas e don t tak e u p th e notion th at I
’
,
, ,
’
sel f ( it s an absu rd p ropos ition but you mu st fo rgiv e me
-
,
”
.
,
ko l n ik o v
. T h e l atte r went t o th e windo w and w aited w ith
i rritabl e imp ati enc e til l h e calcu lated that P o r fi ry had r eached
the street and mov ed away Then he too went hu rriedly o ut
.
o f the r oom .
C HAPT E R III
’
E hu rri ed to S v id r ig a i l o v s What h e h ad to hop e
.
,
’
.
S v id r ig a i l o v ?
O h how sick h e w a s o f i t al l !
And yet he w as hastening to S v id r ig a i l o v ; coul d h e b e
expecting something n e w f rom h im i nfo rmation o r m eans , ,
4 70
4 79 F YOD OR D O S T OEV S K Y
despai r .
mouth .
“
Well wel l come i n i f you want me ; I am he re ! h e
, ,
i n whi ch merch ants cle rks and num b ers o f p eopl e o f all,
”
.
,
“
C ome that s enough S v id r ig a i l o v stopp ed he r at
’
, ,
her face
”
.
“
H ey Phil ip a gl ass ! shouted S v idr iga i l o v
”
.
, ,
, .
p atri archal footing ; the w aite r Phi lip was b y now an old , ,
ev en second rate .
4 74 F Y ODO R D O S T OE V S K Y
”
. .
“
Why don t you s a y at o nce i t s a m i racl e
’ ’ ’
“
N othi ng els e ?
m o re than h al f a gl as s o f wine .
“
I f ancy you cam e to s e e m e b e f o r e y o u knew th at I w as
capabl e o f having what you call an op ini o n o f my own ”
,
o b s erv ed Raskolniko v .
“
I don t r ememb e r answ er ed Raskol nikov w ith su rp ri s e
’
.
,
somehow too b lu e and thei r exp res sio n som ehow to o heavy
and fi xed The re was som ethi ng aw fully unpl easant in
.
”
“
W hy i n such haste ? asked S v id r ig a il o v lo oking at hi m ,
cu riou sly .
“
Y o u u rged m e v o u r s e l f to f rankness j u st now and a t
”
,
’
though I shoul d l ik e to b e f ri ends w ith you I shan t ,
“
What did you w ant m e fo r then ? I t w as yo u w h o
”
,
“
W hy simply a s an i nte resting subj ect fo r ob serv ation
,
.
I sn t that so
’
? I sn t th at so ? p ersi st ed S v id r ig a il o v w ith
’
, ,
o n a tin di sh .
“
H ave you dined by th e w a y ? I v e h ad something a n d
’
, , .
“
I c a n spend an hou r w ith you It s hal f past fou r .
’
—
“ ”
But what a r e you and w h y h av e you come h ere ,
?
“ ”
Y o u a re a gam b l e r I b el i ev e ?
,
”
.
,
gam b l e r
”
.
“
You hav e b een a card sh arp e r th en ? -
”
.
,
It di d h appen Why ? ” .
i t mu st h av e b een l ively .
“
I won t contradi ct you and b esides I am no h and at
’
”
.
o f th e wom en
”
.
“
As soon as you bu ri ed M ar fa P e t rovn a ?
”
Quite s o S v id r ig a i l o v smil ed w ith engaging candou r
,
.
”
.
,
“
S o yo u hop e fo r nothing h e re but v ic e ?
O h v e ry w ell fo r v i ce then
,
You insi st on its b eing
, .
”
.
,
o ccupati on o f a so rt .
“ ’
Th at s nothing to r ej o i ce at it s a d i s eas e and a ’
”
,
d an g erou s on e .
“
O h that s what you think i s it ! I agre e th at i t i s a
’
, , ,
acro ss an intell igent p erson l ike you— intel li gent and highl y
interesting I am simply gl ad to talk and b esides I v e drunk
—
,
’
’
that hal f —gl ass o f champagne and i t s gone to my h e ad a
l ittl e And b esides the r e s a c ertai n f act th at h as wou nd
.
,
’
“
S v id r ig a i l o v b egged
7
A —ach ! S i t down stay a l ittl e " , .
‘
.
, ,
’
save m e a s you w ou ld call it ? I t w ill b e an an swe r to you r
,
“
Tel l m e b ut I t ru st that you
, .
, ,
48 1
48 2 F Y ODO R D O S TOEV S K Y
I tel l you frankly that I feel r eally so rry fo r the i nnume rable
’
woes o f whi ch I w a s the cau s e W ell and that s enough .
, ,
,
.
”
something o f th e so rt al ready ?
“
I h ave Luzhin charged you with havi ng cau sed the
”
.
, ,
I v e heard s omethi ng o f a M r Ra z u m ih in he s
’
windo w .
’
.
—
tions even tea rs— would you beli ev e it even tears ? Thi nk
, ,
-
fl a tt e ry N othing in th e wo rld i s ha rde r than sp eakin g
.
’
the truth and nothing e asi er th an fl atte ry I f there s th e .
and how l ittl e t roubl e ! And the lady r eally had p rinciple s o f
h er own anyway All my t actics lay i n simply being utterl y
, .
’
wo n t b e angry i f I mention now that I was beginning to
p roduce the s ame e ffect o n A v d o tya Ro m a n o v n a But I wa s .
but b y then it was impo ssible And imagine what I did then ! .
, ,
i f it expres se s the th at sh e l iv ed by he r wo rk ,
a r e f ro w n in g a g a in ) and I re so lv ed to o ffe r he r al l my
~
money— thi rty thou sand roubl es I c o uld hav e r eali s ed then
i f s h e would run away w ith m e h er e t o P ete r sbu rg Of , .
ga fl o v .
“
Well a fte r wh at you hav e s aid I am fully conv inced that
, ,
“
O h nonsen se s aid S v id r ig a il o v s eeming to rou s e h im
, ,
me .
“
Ye s I am certain th at she can t bu t that s not th e p o i nt
.
’
,
’
.
48 8 F Y ODO R D O S T OEV S KY
’ ’
now eh ? I know what you r e thi nking th at she s the wom an
, ,
’
And they ve t w o little nephew s o n the i r hands as thou gh the i r ,
these chi ldi sh eye s shynes s and tear s o f b ash fulnes s ar e b ette r
,
, , ,
’
Well she s something i n that l i ne Th e day a fter w e d b een
,
’
.
, ,
’ ’
mo r e fro m me no pr esent s You ll admit that to he ar such
,
.
’
Well l isten w e l l go to se e my betrothed o nly not j u st
”
, ,
now !
“
The fact i s thi s monstrou s d i ffe renc e in age and develop
'
ment excite s you r sensual ity ! Will you re ally make such a
m arri age ? ”
“
Why o f c o u r se E ve ry o n e think s o f himsel f and h e live s
, .
,
I 7— R
4 90 F YOD OR DOS TOEV S K Y
’
by th e wall You can t f ancy wh at a ca n ca n that was ! Th e
.
’ ’
children ! Well i t s not my bu sines s whethe r that consol in g
,
’
c o uldn t di stingui sh decent folk s and t reat them with r espect ;
gav e he r to under stand that I had ple nty o f mo ney o ffered ,
pro ffe red my servi ces and mo ney I l earnt that they had g o n e .
A S K O L N IK O V w alked a fte r hi m
”
.
“ ’
What s thi s ? cr i ed S v id rig a i l o v t u rning round I .
I s aid
I t means that I am not g o ing to l o s e sight o f you n o w .
What ? ”
B ot h stood stil l and gaz ed a t o n e an ot her a s t h o ugh mea s ,
“
F ro m all y o u r h al f tip sy sto ri es Rask o lnikov ob serv ed
,
“
ha rshly I am po s itiv e th at y ou h av e not giv en up you r
,
“
Upon my wo rd ! I l l call th e p o l ice !
’
C all away !
”
Agai n they sto o d fo r a mi nute facing e ach o the r At l as t .
S v id r ig a i l o v s fac e changed
’
Hav ing s ati sfi ed himse l f that
.
“
What a fellow ! I pu rp o sely r e fra ined f rom r e fer ring
’
to you r aff ai r though I am d evou r ed by cu ri o s ity It s a
,
.
’
fantastic a ffai r I v e pu t it o ff till anoth er t ime but you r e
.
’
4 92
C R IME AND P UN I S H ME N T 49 3
“
N o m atter I l l come all the same
’
.
,
’ ’
A s you l ike i t s nothing to me but I won t come w ith yo u ;
, ,
delicacy !
“
And to l i sten at d o or s ! ”
” ’
Ah that s it i s it
,
? l aughed S v id riga i l o v
,
Ye s I should .
,
’
ne s s s ake explai n it my dea r b oy E xpound the l atest
”
, , .
theo rie s !
“ ’
You cou ldn t hav e he ard anything You re making i t al l .
’
’
B ut I m not talking about that ( thou gh I did hear s o me
thing ) N o I m talking o f the way you keep sighing and
’
.
,
and now you tell me not to li sten at doo r s I f that s how you .
’
feel go and in form the poli ce that you had thi s mi schance :
,
,
’
murder old women at o ne s pl easu re you d b ette r b e o ff to ,
’
”
. .
m oney ? ’
I ll giv e you th e fare .
“ ’
I m not thinking o f that at all Raskolnik o v interrupted ,
w ith di sgu st .
4 94 F Y OD O R D O S T OEV S K Y
’
I unde rstand ( but d o n t pu t y o u r sel f out don t di scu ss it i f
’
,
’
I f so you ought not to hav e got into thi s coi l It s n o u s e .
”
.
,
’
?
you rsel f o r don t yo u w ant to
,
“
You seem t rying to e nrage me to m ake m e l e av e y ou ,
.
’
stai rca s e You s e e that s the w a y to S o fya S e m yo n o v n a
.
,
.
K a p e rn a u m o v
’
_
thi s one wil l b e tu rned i nto cash to day I mu stn t wa st e -
.
’
“
To think that I could for one instant hav e l o oked fo r help
f rom that co ars e b rute tha t dep rav ed sensu al i st and black
,
guard he cr i ed .
4 96 F Y ODO R D O S T OEV S K Y
’
cur iou s secret o f y o u r b elo ved b rothe r s is entirely i n my
keeping ” .
“
What are you a frai d o f ? he ob se r ve d qu i etly The .
“
Have y o u p rep ared S o fya S e m yo n o v n a
N o I have no t sai d a wo rd to h er and am no t q u ite ce r
,
’
see ,
he s b owing ; he s ees I m comi ng w ith a l ady and no
’
’
S e m yo n o v n a s r o om i s next to mi ne— s h e l o dges i n the next
flat The whol e floo r i s l et o ut i n lodgings Why ar e you
”
.
.
ribl e to her .
pa e .
“
Allow m e to i nqui re whethe r s h e i s at h om e S h e is .
’
soon I f she s gone o ut i t can o nly b e to s e e a lady ab o ut
.
,
’
was som ethi ng to obs erve fo r i nstance that S v idr ig a i l o v s , ,
’
the pass age but through the l andl ady s two almost empty
,
explai n .
“
Look her e at this sec o nd l arge ro om N o ti ce that doo r
, .
,
’
i t s lo cked B y the do o r stands a chai r the o nly o n e i n th e
.
,
down he re .
s ide o f the t abl e at l east s even feet fro m h er but p rob ably
, ,
there was the same glo w i n hi s eye s which had o nce f right
ened D ou ni a s o mu ch S he shudder ed and o nce mo re l ooked .
y o u s ay b y my b rother,
Y o u hint at i t t oo clearly ; you .
’
daren t deny i t now I mu st tell y o u that I d he ard o f thi s
’
.
’
o ! o !
’
“
I f yo u didn t b eli ev e it how c o uld yo u r i sk coming alon e
’
,
’
nea r I w a s on th e lo o k out It s spi rited o f y o u it p r o v e s
.
-
.
,
think o f him ?
“ ’
S u rely that s not th e o nly t h ing y o u a r e bu ilding o n ?”
N o not o n that but o n hi s own w o rd s
, H e came he re o n
, .
’
two success iv e eveni ngs t o s e e S o i ya S e m yo n o v n a I ve .
s h e won t b et ray h im
’
.
5 00 F Y ODO R DO S T OEV S K Y
.
,
su ffer ed a great deal and i s stil l su ffer ing f rom the idea that
he could make a theo ry but was i ncapab le o f boldly ove r ,
’
steppi ng the law and so i s not a m an o f geniu s And that s
,
.
e specially .
“
B ut remors e ? You deny hi m any m o ral fe el ing then ?
? ”
I s h e like that
“
Ah A v d o tya Ro m a n o v n a everything i s in a mu ddl e n o w ;
, ,
’
all I p ers ev er e i n that B ut we v e talked o f th i s mo r e th an
, .
“
I know hi s theo ry I read that art icl e o f hi s ab out m e n
.
failed he r .
“
S o fya S e m yo n o v n a wi ll n o t b e b ack ti ll night at l east I ,
“
Ah then y o u are lying ! I s e e
, yo u w er e lying
lying all the time I d o n t b el i eve you ! I do n t b el ieve ’ ’
”
.
“
A v d o tya Ro m a n o v n a what i s it ? , C o ntro l yoursel f !
Her e i s some water D rink a little . He sp rinkled som e .
“
It has a cte d vi olently S v id r ig a i l o v mutter ed to him
,
“
s el f frowni ng
,
A v d o tya Ro m a n o v n a
. calm you rs el f ! ,
”
,
you feel ?
“
C ruel man ! To b e abl e to j e er at i t ! Let m e go
”
.
Ho w you s ave h im ? C a n
can h e re al ly b e s aved ?”
D ouni a s a t down S v id r iga i l o v s a t d o wn b eside he r
. .
“
It all depends on you o n you o n you al o ne he b ega n , , ,
“
Yo u o n e w o rd fr o m you and h e i s s ave d I ,
.
’
I l l save him I have mo ney and fri ends I ll s end him away
’
. .
o n e fo r m e I have fr i ends
. cap abl e p eopl e If .
’
I ll do everything I w il l do the imp os sibl e
. What you .
k illing m e ?
He was almost b egi nning t o rave S o methi ng s ee m e d .
the do o r
”
.
“
O pen it ! O p en it ! s h e call ed shaking the d oo r O p en
”
.
,
“
Ther e i s n o o n e at home h e s ai d qu i etly and emph ati cally , .
”
,
“
Wher e i s the key ? O pe n the d o or at o nce a t o nce
”
, ,
base man !
“
I h av e lo st th e key and canno t find i t .
I l l ki ll you
’
S he w a s frantic .
.
’
“
I nform i f you want to ! D o n t sti r ! D o n t come near er !
,
’
“
Are you s o p ositiv e I p oiso ned M ar fa P etrovna ?
“
You d id ! You hinted i t you r s el f ; you talked to m e o f
p oison . I know you we nt to get i t you had it in
readines s I t w a s y o ur d o i ng
. I t must have b ee n .
y o u r doing S coundre l ! .
“
E ve n i f that wer e tru e i t w oul d hav e b e en f o r y o u r
”
,
that s a l i e and a l ib el !
’
“ ’
A l i e ? Well i f you l ike i t s a l ie I m ade it up
”
. .
, ,
“
I know you w i l l s ho ot yo u p retty w ild cre atu r e We ll ,
”
.
,
shoot away !
D ouni a r ai se d the r evolv er and deadly p ale gaz ed a t hi m , , ,
measur ing the di stance and awaiting the fi rst mov eme nt o n
hi s part H er lowe r l ip w a s white and qu iv e ring and he r
.
“
T h e w asp has stung m e S h e aim ed straight at my h ead
”
. .
’
What s thi s ? B loo d ? h e pul led out hi s handkerchi e f to
wipe the blood whi ch flowed i n a thi n stre am do w n hi s righ t
,
“
Well you mi s sed ! F i re again I ll wait said S v id ri
, ,
’
,
“
g a i l o v so ftly sti ll smiling bu t glo omily I f y o u go o n like
”
, , .
r ai sed i t .
“ ’
Let me b e s h e cri ed i n d espai r I swear I l l sho ot
”
.
,
’
again I . I ll kill you .
“
Wel l at thre e p aces y ou can hardly help i t B ut i f
”
.
’
you d o n t then Hi s eyes fl ashed and he took t w o
.
“
Yo u haven t l o aded i t pr o perly
’
N ev er mind you hav e
”
.
,
’
!
a n o ther charge the re Ge t it r eady I l l w ait . . .
“
Let me go D o uni a impl o r ed S v id r ig a il o v shudder ed
, . .
“ ? ’
Then yo u don t lov e me he asked s o ftly D ouni a shook .
he r head
”
.
“ ’
And and y ou can t ? N ev er ? h e whi spe red in
d espai r .
“
N ev er !
T her e followed a moment o f terrible dumb stru ggle i n th e ,
H e re s th e key
’
.
“
Take it ! M ake h aste !
He looked stubbo rnly o u t o f the w ind o w Do uni a wen t .
“
signi ficance i n the ton e o f th at m ake hast e .
home .
s cr ibabl e te rro r .
“
I may b e going t o Ameri ca S o fya S e m yo n o vn a s ai d , ,
“
S v id r ig a i l o v and as I am p rob ably s eeing yo u fo r the l ast
,
“
Tho s e p eopl e h av e thei r o w n way o f doi ng things A s to .
t here i s no nee d fo r it n o w .
“
I am s o much indebted to you and s o ar e the ch ildren
”
,
“
and my stepmother said S oni a hur ri edly and i f I v e s ai d
, ,
’
’
s o littl e pl eas e don t con side r
’
That s enough ! t hat s enoug h ! ” ’
C R IM E A ND P U N I S H MEN T 5 09
’
himsel f and I am n o t a gossip ; I wo n t tell any one I t was .
,
That s .
’ ’
so, i sn t it ? And i f s o you ll ne ed money Y o u ll need it , .
’
’
you wi ll b e asked— do n t s a y anything about my coming to
’
se e you now and do n t show the money to any o n e o r s a y
”
a wo rd about it Well now good bye .
( He g o t up ) , My -
. .
“
H o w can y ou h o w c a n you b e going now i n su ch ,
? ”
r ain
“
Why b e s t arting fo r America and b e s t opped by rain !
, ,
su re to .
tion but began b y smil ing and rubb ing h er h ands and th en
, ,
thi s had o f cou rse b een v ery i mp r essi v e but thi s t ime A rk ady ,
I vanov itch s eemed p arti cul arly i mp ati ent and ins isted o n ,
cou rs e appeared .
inqui ringly
”
.
“
I s the re te a ? ask ed S vidrigail o v .
Yes si r
”
.
,
What el s e i s ther e ?
V eal v odka s av o u ri es
, , .
“
N othing nothing , .
vo rce .
bu t obv iou sly h ad not th e sl ight est ide a what h e was t alking
about and scarcely heard it A candl e was bu rning d o wn o n .
“
l onging t o fi x hi s imagin ation o n something I t mu st b e a
”
.
“ ’
garden u nder the window h e thought The re s a sound
, .
” ”
,
“ ’
candl e ? h e blew it out They v e gone to b ed next doo r .
,
“
he thought not s eeing th e l ight at the crack
,
Well now .
, ,
M ar fa Petrovn a no w i s the t im e fo r yo u to tu rn u p ; it s
,
’
’
won t com e
H e suddenly r ecal led how an hou r b e fo r e car rying o ut ,
’
hi s nons ens e B ut now h e s t o o eager fo r l i fe Thes e young
. .
“
rose b e fo r e him and a shudde r r an ov er h im
, N o I mu s t .
,
’
revenge mys el f ev en and th at s a b ad s ign a b ad s ign I , , .
’
D ouni a s image ro s e b e fo r e him j u st as sh e was wh en a fte r , ,
white heavily fra g rant n arci ssu s b ending ove r thei r b right
, ,
only j ust make out some dark blu r s o f obj ects S v id r iga i l o v .
,
”
,
they drag thei r rubbi sh to thei r upper sto reys What time
”
.
thr ee .
“ ’
Aha ! I t wi ll b e l ight i n an h o u r ! Why wait ? I l l go
o u t at o nce st raight to th e park I ll choo s e a great bu sh .
’
’
ther e d renched with rain s o that a s soo n as o ne s sh o ulde r
”
,
’
t o u ches it mill ion s o f d rop s d rip o n o ne s head
,
.
’
couldn t cho o s e a b etter .
“
w a s p al e and ti red sh e was numb w ith c o ld
,
H o w can s h e .
behind the cupbo ard and spent th e ni ght the re c rying and ,
“
What folly t o t roubl e mysel f h e decided suddenly w ith
”
,
“
an oppre ssiv e fe eling o f annoyance What i dio cy ! In .
“
co arse r than the ro sy ch eeks o f ch ildho od It s a flu sh o f
’
”
.
l au ghed i nv ited hi m
, The r e wa s something i nfi nitely
.
5 20 F Y OD O R D O S T OEV S KY
“ “
high towe r stood up o n the le ft B ah h e th o ugh t her e
.
,
changing hi s p osition .
“
N othing b r o the r go o d mo rning answer ed S vidriga i l o v
”
.
, , ,
’
Thi s i sn t the place .
Ame ri ca ?
S v id r ig a i l o v took o u t t h e r evo lv e r and c o cked i t Ach ill e s .
’ ’
Well b rothe r I don t mind that I t s a go o d pl ace When
, , . .
Ame ri ca .
“ ’
You can t d o i t h ere it s not th e place cri ed Ach ille s,
’
, ,
“ ’
B eside s i t do esn t matt e r th ey still know n o thing h e
”
, , ,
“
thou ght and they ar e u sed to thinking o f m e a s eccentri c
, .
deci sio n .
ou t
. At fi rst Pulcheri a Al exandrovna w a s sp eechl es s with
j oy and surp ri se ; then sh e to ok him by the hand and d rew
him into th e room
”
.
“
Her e you ar e ! s h e b egan falter ing with j o y Do n t b e , .
’
’
habi t o f shedding tear s I v e b een like that ev er since you r .
’
fathe r s death I cry fo r anything . S it d o wn dear boy .
,
“
I w a s i n the r ain ye sterday mothe r Raskolnikov , .
began .
“
N O no , P ulcheri a Al exandrovna hu rri edly inte rrup t ed
, ,
’
womani sh w a y I u sed to ; do n t b e anxi ou s I unde rstand I , ,
’
unde r stand it al l : n o w I v e l earned the ways he re and t ruly
’
I s e e f o r mysel f th a t they ar e b ette r I v e mad e u p my .
5 21 18— R
5 22 F Y ODO R D O ST O E V S K Y
t hat s wh at h e i s bu sy ab ou t ; th at s th e s o lu t i o n o f the m ys
’ ’
.
,
and anger .
“
But how ev e r fo ol i sh I may b e Ro dya I can s e e fo r , ,
’
they dar ed t o t hink y o u w ere mad ! Y ou d o n t kn o w b ut ,
son lov e s yo u now mor e than hims el f and that all you ,
’
thought a b out me that I w a s cru el and d idn t car e about y ou
, ,
with thi s .
, ,
“ ’
at last I v e b een thinking al l thi s ti me that we wer e
.
B ut wher e ar e yo u go ing ?
“
Goo d bye mothe r ” -
.
,
’
I can t stay I mu st go n o w
”
.
,
’
And can t I com e w ith you ?
“ ’
Let me bles s you and si gn y o u w ith th e c r o s s That s
”
.
’
r ight that s right O h God what ar e w e d o ing ?
, .
,
a ft e r a l l
t h o se aw ful month s hi s heart wa s s o ftened He fell .
“
Ro dya my darling my fi rst born
, s h e s aid sobbin g , , ,
’ ’
I v e been crying l ately it s tha t my mother s heart h ad a
’
,
a way t o day -
“
NO !
3’
’
You ll come agai n ?”
“
Ye sI ll come ’
.
”
.
y o u ar e g o ing ?
“
V ery far ” .
“
E nough mother s aid Rask o lniko v deeply r egretting
, , ,
“ ’ ’ ’
N o t fo r ev er it s n ot yet f o r ev er ? Y ou ll c om e y o u l l
”
, ,
c o me t o mo rrow ? -
“
I w ill I will goo d bye
,
He tor e himsel f away a t l as t
,
-
. .
He r eyes fixed upo n him betr ayed ho rro r and i nfi nite gri e f
, ,
.
“
Am I to come i n o r go away ? he asked uncertainly .
“
I ve b een al l day w ith S o fya S e m yo n o v n a
’
We were .
t o come there .
“
I feel weak D ouni a I am v ery ti red ; and I should h av e
”
, ,
“
Where were you all night ?
’
I don t r ememb er cl early You s ee si s t e r I wanted to .
, ,
“ ’ ’
I h aven t faith b ut I have j u st b een we eping in moth er s ,
’
arms ; I hav en t faith but I h av e j u st a sked h er to p ray fo r
”
,
’
me I don t know how it is D ouni a I don t under st and it ’
”
. .
, ,
“
H av e yo u been at mo ther s ? Hav e yo u told her ? cri ed ’
“
D ounia ho rro r stri cken, S u rely you hav en t do ne that ?
-
’
“
N O I didn t tell h er
’
, i n word s ; but sh e u nde rstood
a great deal S he h eard you talking i n y o u r sl eep I am
. .
’
in g oing to s ee her I don t know why I did go I am a . .
“
A contem p ti b le per son but ready to face su ffering ! Yo u
”
,
’
glo ry but now I m trapped
, .
“ ’
B ut that s not s o not s o ! B r o ther what a re y o u s a y
”
, ,
ing ?
The colou r had rushed i nto hi s pal e exhau sted f ace but a s ,
cau se
“
D ouni a darl ing i f I am guilty fo rg i v e me ( though I ,
’
cannot b e fo rgiv en i f I am gui lty ) Good bye ! We won t .
-
’
di spute It s time high t ime to go
. D on t follow me I, .
’
,
’ ’
I v e b een talking t o h im D on t cry abo u t m e : I l l try .
’
C R IME AND P UN IS H M EN T 5 29
’
Perhap s I shal l some day make a name I won t di sgrace .
N
’
”
.
,
“ ’ ’
Why ar e you c rying ? D on t cry don t cry : we are no t
”
,
’
p arting fo r eve r ! Ah yes ! Wait a minute I d forgotten ! , ,
’
t rait o n ivo ry It was the portrai t o f hi s l andlady s d a u gh
.
D ouni a .
“
I used to talk a great deal about it to he r o nly to her , ,
”
.
motioned her away with imp ati ence and ev en v exati on and ,
“
I am wi cked I s ee that h e thought to himsel f feel ing
, , ,
“
B ut why are they s o f o nd o f m e i f I d o n t deser ve it ? O h,
’
5 30 F Y ODO R DO S T OEV S KY
,
’
that s what they are sending m e the re fo r that s what t hey
’
every one o f them a scou ndrel and a crim i nal at h eart and ,
”
.
,
-
humbled by convi ctio n And yet why n o t ? I t m u s t b e 5 0
. .
bu t stil l he went.
5 32 F Y ODO R D O S T OEV S KY
-
h e walked i nto the room .
s h e turned p al e
”
.
“
Yes said Raskolnikov smi ling
,
I h av e com e fo r you r ,
.
“ ’
You s e e S o nia I v e decided that i t w il l b e b ette r s o
, , .
’ ’
There i s o ne fact B ut i t s a long story and ther e s no
.
cro sses ?
o f the cro s s o ver hers el f and o ve r him and put the wo o den ,
cros s o n hi s neck .
“ ’
It s the sym b ol o f my t aki ng up the cros s h e l au ghed , .
’
w o man s neck Tho s e w o uld b e appr o pri ate n o w re ally
.
, ,
’
nonsense and f o rgetting what m atter s ; I m som eh o w f o r
g e t fu l . You s e e I hav e com e to warn y o u S o ni a s o tha t , ,
’ ’
y o u might kno w that s all— that s all I came fo r B u t .
’
Well n o w I am going t o pr i so n and you ll have you r wi sh
,
.
”
.
,
“
What am I to her ? Why doe s s h e w eep ? Why i s sh e look
ing a fter m e like my mother or D ou ni a ? S he l l b e my nu r se ” ’
.
“
O h ce rtainly a s m u ch a s you like ! And s ince rely S o ni a
, , ,
sincerely .
“
W hat ar e you doing
”
? Where are yo u go ing ? S tay h ere ,
stay ! I ll go alone ’
he cr ied i n cowardly vexation and
, ,
“
almo st r esent ful he moved t owards the doo r What s the ’
”
.
,
"
Was it ri ght was i t ri ght all thi s
,
? he thought again a s ,
al l and not g o ?
’
mu stn t ask him sel f qu estio ns A s he tu rned i nto the stree t .
“
Why with what obj e ct did I g o t o h e r j u st n o w ? I t o l d
,
’
then ? It s written here C ompany that s a thing t o r em em ,
’ ’
,
’
begging It s cu riou s that she thinks m e happi e r tha n s h e i s
. .
Here he re
, take it my g o od w om an !
”
,
“
God bless you the b eggar c hanted i n a l achrym o s e v o i c e
, .
“
t o the thi rd sto rey I shall b e s ome t ime going u p h e
. ,
l egs were numb and gave way u nde r him but sti ll t hey ,
“
H e imagined fo r an instant th e figu r e o f th e explo siv e l i eu
”
t enant I lya P etr o v itch Was h e actu al ly go ing to hi m ?
.
,
’
C ouldn t h e go to some o n e el s e ? T o N ikodi m F o m it c h ?
’
C ouldn t b e tu rn b ack and g o straight to N ikodim F o m it ch s ’
d rink it o ff at once .
“
th e next room Pe rhap s I stil l need n o t speak p ass ed
.
,
no r o f course N ik o di m F o m it ch
, , .
CR IM E A ND P U N I SH MENT 5 37
No
”
o ne in ? Rask o lni ko v asked addre ssing t he pe rs o n a t ,
t h e bureau
”
.
“
Whom d o yo u wa n t ?
A ah ! - N o t a sound was heard not a s ight was s ee n , ,
cri ed suddenly .
“
I t i s the hand o f fate th o ught Rask o lnik o v Why is h e
”
.
,
h ere ?
“
Y o u ve c o m e t o s e e u s ? What about ? cri ed I lya Petro
’ ”
v it c h H e was ob viously i n an exceedi ngly goo d humou r and
.
“ ’
p erhaps a tri fle exhilarated I f it s o n b usi nes s yo u ar e .
’
r athe r early It s only a chance that I am h er e
. howeve r
I ll do what I can I must admit I
’
wha t 13 it what is
.
, ,
it ? E xcu s e me .
“
Yo u didn t imagine I d f o r
’ ’
O f cou rs e Raskolnik o v .
”
, ,
Rodion Ro m a n o v itc h .
’
you I ve b een genu inely grieve d s i nce that s ince I b e
haved l ik e that it w a s explai ned to m e afterward s that
you w er e a l iterary m an and a l ea rned o n e too and
s o to say the fi rst step s M ercy o n u s ! What l ite rary o r
scienti fi c man do es not begi n by s o me o riginal ity o f c o ndu c t !
M y wi fe and I have th e greatest r esp ect fo r l iteratur e in ,
’
my w i fe i t s a genui ne p as s io n ! Lite ratu re and art ! I f o nl y
a man i s a gentleman all the rest can b e gained by tal ents , ,
hav e come ?
D t o ev ky a p p
os s t o h ve f
s g o t te t h t it i
e ar ft r s u s e t a n d th at
a or n a s a e n
l t tim R k l i k v vi i t d t h e p o l i c e o fi ce a t t w o in th e a f t
,
th e as e as o n o s
oo n e . e rn
h e w a s re p o ac h e d f o r c o m ng t oo l at e
.
r i .
5 38 F Y OD O R D O STO E V S KY
“
Ye s my m o ther and s iste r
,
.
“
I v e even had the honou r and h app ines s o f m ee t in g
’
arriving ?
“
N o I only l oo ked i n I came to a s k I t h ou gh t
,
no Z a m e to v i s no t h ere Yes w e v e lo st Z a m e to v He s
’ ’
.
, , .
’
headed youngste r that s all ; o n e m i ght hav e expec t ed s o me
,
’
intellectual one and you wo n t b e d ete r red by f ailur e Fo r .
”
.
Trav els ?
“
No
” .
O h,
I have Th er e a re a gre a t m any N ihil i sts ab out
.
openly !
“
N no -
.
”
. ,
“
B ah bah b ah ! Then no doub t you can t ell u s so m ethin g
- -
”
about him You had no su spi cio n ?
.
“
I saw him yesterday he w a s dr inking w i ne ; I
knew nothing .
“
You ve turned pal e agai n It s s o s t u ffy here
’
.
’
.
troubl ing yo u .
’
“
Oh not at al l as o ften as yo u l ike It s a ple asu re to s e e
”
.
, ,
’
I u nderstand I u nderstand and i t s a pl eas ur e to s e e
, ,
,
yo u !
“
I am v ery gl ad go o d bye Raskol niko v s m il ed -
,
.
“
H ullo a ! B ack again ! h av e yo u l e f t som ething b ehi nd ?
’
W hat s the m atter ? ”
Raskolniko v w ith white lips and staring eyes ca m e s l o wly
, ,
w ater ! ”
Rask o lnikov dropped o n to a chai r bu t he kept hi s eyes
,
“
It was I began Raskolnikov
”
.
Liz a v e ta w ith a n a x e a n d r o b be d th em
” .
sides .
u nder the stone some o f the mo st v alu abl e not es lying u pper
,
thi s po inted strongly to the conclu sion that Rasko lnikov was
not quit e l ik e an o rdinary mu rder e r and robb er but tha t ,
that she alone knew many myster iou s and impo rtan t facts ,
that hi s art icle and bri lli ant lite rary talent p roved it Thi s .
S u spicions .
she b ecame at once gloomy and s il ent and thi s mood l asted ,
’
tw o pi eces o f n ew s excited Pulcheri a A l ex a n d ro v n a s d is
-
inte rested i n the new s sh e gav e him from thei r letter s that ,
”
.
, ,
“
Why do e s my actio n strike them as s o ho r r ibl e ? ” he
said to himsel f I s it b ecau s e it was a crime ? What i s
.
It was only in that that h e recogni sed h i s cri minal ity o nly ,
it .
ing i nto the rive r h e had p e rhap s b een dimly cons ciou s o f
,
futur e r e su rrection .
I g— R
55 4 F Y ODO R DO S TO EV S KY
w as di s lik ed a n d avoid ed by ev e r y o n e ; th e y ev en b e ga n t o
hate him at l ast — w hy he c o ul d not tell M en w h o had be en
,
.
” “
You shoul dn t
’
"
You r e a g e ntl ema n th e y u sed t o say
’
”
.
.
’ ’
t h e o thers .
d i
A qu arrel b roke o u t o n e day h e d not kn o w ,
ho w Al l f el l o n h im at o n ce in a fu r y
‘
.
.
,
“ ”
shout e d You ou ght to b e kill ed .
th ey w an t ed to k il l hi m a s an in fi del H e s ai d nothi ng O n e . .
h av e b e en bl o o d sh ed .
“
r oa d th ey a ll took o ff th ei r hats to h er
, Littl e m o th er S o fya
”
.
deli rium p ersi sted s o l ong The s econd w eek a fter E aste r
.
cold and that s h e would soon v ery soo n come and s e e him ,
othe r men w ere livi ng utterly u nl ike tho se her e ; ther e tim e
,
i nstant she wa s ter ribly fri ghtened and she turned pal e S he .
the heart o f each held infinite sou rce s o f li fe for the heart o f
the othe r .
in hi s li fe .
He had even fancied that day that all th e co nvi cts w h o had
b een hi s enemie s l ooked at him di ffe rently ; h e h ad even e n
t e re d i nto talk w ith them and they answ ered hi m in a fri endly
w ay . H e remembered that now and thought i t w a s b o u nd ,
p e c t e d l y happy —
that s h e was almo st f r ightened o f he r h app i
~