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PERCEP TUAL LE ARNING
PERCEP TUAL LE ARNING
Kevin Connolly
1
3
Oxford University Press is a department of the University of Oxford. It furthers
the University’s objective of excellence in research, scholarship, and education
by publishing worldwide. Oxford is a registered trade mark of Oxford University
Press in the UK and certain other countries.
1 3 5 7 9 8 6 4 2
Preface xi
PART I
THE NATURE OF PERCEPTUAL LEARNING
PART II
THE SCOPE OF PERCEPTUAL LEARNING
viii
Contents
ix
Contents
Acknowledgments 219
References 223
Index 241
x
PREFACE
One day, in the middle of writing this book, I found myself waiting
in a medical specialist’s examination room, typing up a section of the
manuscript on my laptop. A couple of months earlier, my doctor had
suggested I visit a specialist about a small area on my right forearm.
My doctor did not seem to think it was a big deal, but he suggested
I visit a specialist just to be safe. So I found myself sitting, waiting
for the specialist, and typing up this manuscript. The specialist, who
looked to be well into his seventies, finally opened the door. I put
away my laptop, and he began to look at my arm slowly and meticu-
lously. As he proceeded, it became clear that he was alarmed, much
more so than the primary-care doctor had been. He called for a lab
test. What the specialist was worried about turned out to be early
melanoma, a serious form of skin cancer, caught soon enough that
it had not yet spread.
Many times during the course of writing this book I have thought
back to that specialist. Sometimes I find myself wondering what
sorts of prior events had led to his perception at that moment when
I was sitting in that room. I imagine the long lines of patients he
P r e fa c e
has seen and the textbooks and journal articles he has read. I think
about and I wonder what exactly enabled him to see in an expert
way that day, and so many others.
This book aims to make progress in our theoretical under-
standing of perceptual learning, both in terms of its nature and its
scope. Discussions of perceptual learning can be found throughout
the history of philosophy and psychology. William James (1890),
for instance, writes about how a person can become able to differ-
entiate by taste between the upper half and the lower half of a bottle
for a particular kind of wine (p. 509). This can be understood as a
case of perceptual learning—a long-term change in perception that
results from practice or experience.
Psychologists have been studying perceptual learning under
that name since Eleanor Gibson wrote the first review article on
the topic more than a half-century ago. Philosophers do not typi-
cally use the term. Yet cases of perceptual learning can be found in
the literature from Diogenes Laertius’s third-century discussion of
Stoic philosophy, to the work of the fourteenth-century Hindu phi-
losopher Vedānta Deśika, and the work of the eighteenth-century
Scottish philosopher Thomas Reid. Much more recently, cases of
perceptual learning can be found in the work of Susanna Siegel,
Christopher Peacocke, Charles Siewert, Galen Strawson, Berit
Brogaard, Casey O’Callaghan, Tim Bayne, and many others. This
book catalogs cases of perceptual learning in the philosophical liter-
ature for the first time.
Why is perceptual learning philosophically significant? One
reason is that it says something about the very nature of perception—
that perception is more complex than it may seem from the first-
person point of view. Specifically, the fact that perceptual learning
occurs means that the causes of perceptual states are not just the
objects in our immediate environment, as it might seem at first
xii
P r e fa c e
1. O’Callaghan (2011) explores the case of hearing speech before and after one learns the rel-
evant language, and understands it as an instance of perceptual learning. He uses empirical
evidence to argue that the phenomenal difference in a person’s perception when one learns
a language is not because they now hear meanings, but because they now hear the linguistic
sounds differently. (For more on this, see c hapter 6.) Bayne (2009) uses the case of asso-
ciative agnosia, in which patients perceive the form of objects but not their categories. By
contrasting this case with the perception of a typical perceiver, he argues that perception
comes to represent high-level categories, such as when we come to perceive a tomato as a
tomato. In much the same way that I do in this book, Brogaard (2018), Brogaard and Gatzia
(2018), and Chudnoff (2018), all draw on the perceptual learning tradition of Eleanor
Gibson, as well as more recent perceptual learning experiments in cognitive psychology, in
order to support a wide array of conclusions in philosophy of mind and epistemology.
xiii
P r e fa c e
xiv
18
–9
–18
–2 –1 0 1 2
L – M (% cone contrast)
Figure 7.2. Hansen and colleagues (2006) asked participants to make fruit
stimuli neutral gray, using a dial. Participants should have dialed the colors to
point (0, 0) on the axes. Instead, they overshot, making the fruits closer to their
opponent colors. Hansen and colleagues interpreted this result to mean that
participants saw the grayed fruits as having more of their prototypical color than
the fruits actually had. Source: Hansen et al. (2006).
Figure 7.3. Witzel and colleagues (2011) found the memory color effect for ten
out of fourteen of these artificial objects (that is, for everything except the fire
extinguisher, heart, Coca-Cola logo, and mouse cartoon figure). Source: Witzel
et al. (2011).
(a)
(b)
Figure 7.5. This figure illustrates one major challenge for explaining memory
color as a case of color constancy. Starting with the two cube images (a), the
blue tiles on the cube on the far left are actually the same shade as the yellow tiles
on the cube to the right of it. Yet they are perceived as different shades because
of color constancy. Importantly, nearly all humans will experience this effect.
By contrast, the discolored Pink Panther (b) on the right will be experienced
as pinker than it actually is only if someone has seen the Pink Panther before.
Source: (a) Lotto and Purves (2002); (b) The original undiscolored image is
from Witzel et al. (2011).
Figure 7.6. This picture shows clusters of bananas in front of a banana plant
background. Several psychology studies have provided evidence that under
some conditions (such as dim lighting), we see objects that have prototyp-
ical colors (such as yellow bananas) as more like their prototypical color. My
claim is that this effect enables us to more easily differentiate objects from their
backgrounds, such as bananas from the banana plant background in this figure.
This is especially relevant in dim lighting situations. Image from http://www.
banana-plants.com/index.html.
PART I
THE N ATURE
OF PERCEP TUAL
LE ARNING
Chapter 1
How to Understand
Perceptual Learning
1.1 INTRODUCTION
1. Note that unless otherwise specified, the philosophers that propose the following examples
suggest them as cases of perceptual changes, not just extra-perceptual changes. I return to
this distinction in section 1.2.
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
2. There is a recent debate about whether acquired perception for Reid is genuine perception.
Copenhaver (2010, 2016) argues that it is; Van Cleve (2004, 2015, 2016) argues that it
is not.
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T h e N at u r e o f P e r c e p t u a l L e a r n i n g
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3. Another ordinary case of perceptual adaptation is the case of coming indoors from the snow
and needing a short period of time for your eyes to adjust to the new environment.
8
H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
4. Following Pylyshyn (1999), Macpherson also often adds a “semantic criterion” to this de-
scription of cognitive penetration (see Macpherson, 2012, p. 26; 2017, pp. 9–10). For in-
stance, in her 2017 paper, she considers a case in which “[y]ou believe that aliens might land
on Earth. The belief causes you to be stressed. The stress causes a migraine which causes you
to experience flashing lights in the sky” (p. 9). Many philosophers will have the intuition
that such a case does not count as cognitive penetration. Because of this, Macpherson thinks
that the definition of cognitive penetration requires “that there be a causal, semantic link
between each of the steps in the chain that lead from the belief to the subsequent perceptual
experience” (2017, p. 10).
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T h e N at u r e o f P e r c e p t u a l L e a r n i n g
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
1988, p. 52). Mr. Chase has not undergone perceptual learning, and
the reason is that although he has undergone a long-term change in
his experience and that change is the result of practice or experience,
it is not a change in perception. His aesthetic tastes have changed,
but his perception has not. When it comes to his perception, as he
puts it, “[T]he coffee tastes just the same today as it tasted when
I arrived” (p. 52).
Another reason it is important to understand perceptual
learning in terms of long-term changes in perception is that doing
this demarcates perceptual learning from changes in behavioral
reactions that are based on perception. As Fred Dretske (2015)
points out, we could allow a notion of perceptual learning to include
improvements in our ability to perform perceptual tasks such as
learning to distinguish between triangles and squares (p. 166, n. 6).
However, such an account of perceptual learning would be prob-
lematic because it would allow in cases that do not involve percep-
tual changes at all (p. 166).5 In my account, perceptual learning is
perceptual, not just behavioral. More generally, there is a difference
between perceptual learning itself, and learning that is simply based
on perception (such as perceptually based behavioral learning).6
5. Importantly, this view comes from Dretske’s later work. In c hapter 2, I discuss how Dretske
(1995) is skeptical that there are widespread, genuinely perceptual changes due to learning.
6. Cf. Law and Gold (2008); and Chudnoff (2018, sec. 2), who do count mere perception-
based learning as perceptual learning, in some cases.
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
7. To test yourself, see National Public Radio, What does cold sound like? See if your ear
can tell temperature [Radio Segment], All Things Considered, July 5, 2014. Retrieved from
http://www.npr.org/2014/07/05/328842704/what-does-cold-sound-like.
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T h e N at u r e o f P e r c e p t u a l L e a r n i n g
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
Put another way, the empirical evidence from the last few decades
is clear: many basic perceptual abilities that come out of perceptual
development are not learned, so they should not count as percep-
tual learning.
Assuming that Kellman and Garrigan are correct that not all per-
ceptual development is the result of learning, this prompts a need
to distinguish between perceptual development, on the one hand,
and perceptual learning on the other. A plausible way to do it is to
say that the abilities mentioned by Kellman and Garrigan—such as
the abilities to perceive three-dimensional space, the directions of
sounds—which arise from innate or early maturing mechanisms,
fall under the category of perceptual maturation. Perceptual matu-
ration contrasts with perceptual learning, and perceptual devel-
opment then involves both perceptual learning and perceptual
maturation.
What exactly is the difference between perceptual learning and
perceptual maturation? The distinction is difficult to draw cleanly,
but there are several tendencies worth noting. As Fahle (2002)
puts it, “unlike learning,” maturation “ascribe[s]the main thrust
of the changes in a behavior to genetics, not the environment”
(p. xi; see also Goldstone, 1998, p. 586). According to Fahle (2002),
“[C]hanges in observable behavior are seen as the consequences
of the growing and maturation of the organism along a largely pre-
defined path rather than as a consequence of information gathered
through interaction with the outside world” (p. xi). Put another way,
in perceptual maturation more so than in perceptual learning, the
main thrust of the perceptual changes is genetics. While there are
bound to be messy cases, the tendency is that in perceptual learning
more so than in perceptual maturation, the main thrust of the per-
ceptual changes is interaction with the environment. Furthermore,
perceptual maturation is distinct from perceptual learning in that it
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
always under our rational control” (para. 14; see also Stanley &
Williamson, 2017, p. 718). Yet there is an important sense in which
one cannot control a tuned attentional pattern. Goldstone, for in-
stance, cites a study on attentional tuning by Shiffrin and Schneider
(1977). In that study, letters were used first as targets in the exper-
iment but were later used as distractors to be ignored (Goldstone,
1998, p. 589). Because of their prior training with the letters, the
participants’ attention became automatic with respect to the letters
in the scene, even though they were deliberately trying to ignore
them. It may seem at first glance that this effect would be short-
lived, and so would not count as perceptual learning. However, Qu,
Hillyard, and Ding (2016) found that such an effect lasted for at
least three to five months. The general lesson is this: After training,
it can be difficult to control a tuned attentional pattern because the
attention can be automatic toward particular properties. Perceptual
learning is not always under our rational control, unlike skills (as
Stanley and Krakauer describe them).
3. OTHER CASES
In addition to perceptual development and perception-based motor
skills, other points of contrast with perceptual learning include per-
ceptual changes brought about by drunkenness or depression (both
mentioned by Siegel, 2010, p. 107), as well as drug-induced percep-
tual states, and perceptual changes that occur due to time dilation.
Changes brought about by drunkenness or drugs may well be per-
ceptual changes. But they are rarely long-term, nor are the partic-
ular perceptual changes brought about by practice or experience in
a way that would count as learning.8 The same can be said about
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For instance, someone might see trails from moving objects years after they have last taken
LSD. This is a long-term change in perception, but it does not result from practice or experi-
ence in a way that would count as learning.
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9. See Bach, M., Hidden figures–Dalmatian dog, Visual Phenomena & Optical Illusions, August
11, 2002. Retrieved from http://www.michaelbach.de/ot/cog-Dalmatian/index.html.
10. A helpful point of comparison with slow perceptual learning is change blindness, what Fred
Dretske (2004) describes as “difficulty in detecting, visible—sometimes quite conspic-
uous—differences when the differences are viewed successively” (p. 1). Demonstrations
of change blindness, for instance, might have a participant look at a picture of a farm on
a computer screen. A cornfield taking up most of the picture is slowly gaining in height,
but the participant will not typically detect the change. In many instances, slow perceptual
learning is like such a case of change blindness, because in many instances of slow percep-
tual learning, the learner is unaware of the particular gradual change. This is not to say that
the changes in perceptual learning are always entirely gradual, in the way that the perceptual
changes when looking at a demonstration of change blindness are. Furthermore, unlike in
change blindness, in perceptual learning the blindness is to a feature of one’s own changing
percept, not to changing features of the world. So while a participant in a change blindness
study might not detect the change in the actual height of the cornfield, someone undergoing
perceptual learning might not detect a change in the look of a pine tree. Slow perceptual
learning also typically happens over a much longer period of time than has been shown
in the standard demonstrations of change blindness in the literature. The farm-picture
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Differentiation
In cases of “differentiation,” as a result of practice or experience,
what previously looked12 to a subject (phenomenally) like a single
object, property, or event, later looks to her like two or more
objects, properties, or events. 13 William James (1890), for instance,
demonstration might take fifteen seconds, whereas the changes in perception during per-
ceptual learning might take several days or months to occur.
11. See also Goldstone, Braithwaite, and Byrge (2012) and Goldstone and Byrge (2015).
Goldstone (1998) also lists a fourth mechanism of perceptual learning called stimulus
imprinting, in which “detectors (also called receptors) are developed that are specialized for
stimuli or parts of stimuli” (p. 591). As an example, Goldstone highlights the fact that cells
in the inferior temporal cortex can have a heightened response to particular familiar faces
(Perrett et al., 1984, cited in Goldstone, 1998, p. 594). I do not treat the case of stimulus
imprinting in this book. For one, the recent Goldstone and Byrge (2015) survey on per-
ceptual learning does not include it, nor does their 2012 survey (Goldstone, Braithwaite,
and Byrge, 2012). Also, I am not entirely convinced that the effects of stimulus imprinting
are truly perceptual, instead of just involving an increase in speed and accuracy (that is, a
change only in response rather than in perception). For more on stimulus imprinting, see
Goldstone (1998, pp. 591–596) and Goldstone (2003, pp. 239–241).
12. I use the term “looks” in this section, but I do not mean to imply by it that the types of per-
ceptual learning I describe are strictly visual. Feel free to substitute “feels,” “smells,” “tastes,”
etc. as appropriate. Also, in addition to learning effects on the ways objects, properties,
or events look, feel, smell, taste, etc., my view is that there are also multisensory learning
effects. For instance, there are changes in the way one experiences the visual jolt and the
auditory clang of a cymbal as coupled, due to the fact that one has learned through experi-
ence that the jolt and the clang are part of the same event. In c hapter 5, I argue for this view
and expand upon it.
13. The view that underwrites my project is that there are intentional objects (objects,
properties, events, relations), and that they change due to learning. There is no need to
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
posit looks in addition to intentional objects on my view. When I say that the look of an ob-
ject changes, I do not mean that this is something else changing in addition to the change
in intentional objects.
14. Following O’Callaghan (2015), I use the right-side up “r” rather than the upside-down “r”
for readability throughout this book. Importantly, this deviates from the way it is used in
the International Phonetic Alphabet.
15. The authors note that it is always possible that dressmakers go into dressmaking because
they have this ability, rather than the ability being a product of their training and experi-
ence. They also note that the ability could be a mixture of both factors (see Chopin, Levi,
& Bavelier, 2017, p. 3).
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Unitization
In cases of “unitization,” as a result of practice or experience, what
previously looked to a subject (phenomenally) like two or more
objects, properties, or events, later looks to her like distinct parts
of a single complex object, property, or event. To understand
unitization, consider the results of a study done by Gauthier and
Tarr (1997). On a computer, they constructed a set of photoreal-
istic action-figure-like objects called “Greebles” (see Figure 1.1).
Each Greeble has a particular body type and four appendages. The
family of each Greeble is determined by the shape of the large cen-
tral part of the body, rather than by the appendages (Gauthier et al.,
1999, p. 569). Each Greeble also has a sex, which is defined by the
direction of the appendages (as either all up or all down; Gauthier
et al., 1998, p. 2403). Individual Greebles of the same family and
sex differ only in the shape of the appendages (Gauthier et al., 1999,
p. 569). In Gauthier and Tarr (1997), participants were tasked with
identifying Greebles. At first, the participants would slowly locate
the important features of a particular Greeble, and then infer that
it was of a particular family and sex. After practice, however, the
participants would begin to see the Greebles not as collections of
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
Figure 1.1. Gauthier and Tarr (1997) used “Greebles” to demonstrate per-
ceptual learning. At first, participants would have to detect several features
of a particular Greeble and then infer its sex and family. After repeated ex-
posure to the Greebles, however, participants were able to detect their sex
and family immediately and accurately. Psychologists call this “unitization,”
when “a task that originally required detection of several parts can be ac-
complished by detecting a single unit” (Goldstone, 1998, p. 602). The two
rows in Figure 1.1 divide the Greebles into two different sexes, while the five
columns divide them into five different families. Source: Behrmann et al.
(2005).
features but as single units. This showed up in the fact that those
trained with the Greebles performed much better than novices did
on speed and accuracy tests.
Unitization occurs for several categories of things in addition
to Greebles. For instance, due to practice or experience, we come
to unitize words (as opposed to non-words), seeing them as single
units. Different words are, of course, qualitatively distinct from one
another. Nonetheless, when we see a word, we standardly see it as
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Attentional Weighting
In cases of “attentional weighting” (also called “attentional tuning”),
the phenomenal look of an object, property, event, or spatial region
changes as a result of learning to attend (or learning not to attend) to
that object, property, event, or spatial region. Attentional weighting
effects have been demonstrated at length in sports science, among
other domains. I have mentioned a 1998 study on expert soccer
players that found that when they defend against opponents, they
focus longer on an opponent’s hips than non-experts do (Williams
& Davids, 1998). A 2002 study on expert goalkeepers found that
during penalty kicks, they fixate longer on the non-kicking leg,
while non-experts fixate longer on the trunk area (Savelsbergh
et al., 2002). As well, a 2010 study on expert fencers found that they
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H o w t o U n d e r s ta n d P e r c e p t u a l L e a r n i n g
focus longer on the upper trunk area of their opponents than non-
experts do (Hagemann et al., 2010). All of these cases involve atten-
tional weighting, a kind of perceptual learning whereby “perception
becomes adapted to tasks and environments . . . by increasing the
attention paid to perceptual dimensions and features that are im-
portant, and/or by decreasing attention to irrelevant dimensions
and features” (Goldstone, 1998, p. 588; Goldstone & Byrge, 2015,
p. 819, give the same definition). For instance, the expert soccer
goalkeeper better performs the task of defending a penalty kick by
attending more to the non-kicking leg of the shooter and attending
less to the trunk area (more on the relevant notion of attention later
on in this section).
As I detail in a bit more length in c hapter 3, my view is that long-
term shifts in attention should be thought of as involving changes in
perception. Very roughly, this is because there is evidence that where
you attend alters your perception of all sorts features, including a
color’s saturation (Blaser, Sperling, & Lu, 1999), the size of a gap
(Gobell & Carrasco, 2005), spatial frequency (Abrams, Barbot, &
Carrasco, 2010), and contrast (Carrasco, Ling, & Read, 2004). Ned
Block, who was the first philosopher to highlight these experiments,
sums up that they “provide strong evidence for the claim that the
phenomenal appearance of a thing depends on how much attention
is allocated to it” (2010, p. 34). I agree with Block’s evaluation.
The concept of attentional weighting helps us to better under-
stand Peacocke’s Cyrillic case. As Siegel interprets the case:
When you are first learning to read the script of a language that is
new to you, you have to attend to each word, and perhaps to each
letter, separately. In contrast, once you can easily read it, it takes a
special effort to attend to the shapes of the script separately from
its semantic properties. You become disposed to attend to the
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T h e N at u r e o f P e r c e p t u a l L e a r n i n g
26
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91.
Answer
92.
When may a man reasonably complain of his coffee?
Answer
93.
Why does a duck put her head under water?
Answer
94.
Why does she take it out again?
Answer
95.
In what terms does Shakespeare allude to the muddiness of the
river on which Liverpool lies?
Answer
96.
97.
Why is a man who never bets, as bad as one who bets
habitually?
Answer
98.
When is a bonnet not a bonnet?
Answer
99.
Answer
100.
Answer
101.
Helen, after sitting an hour, dressed for a walk, at length set out
alone, leaving the following laconic note for the friend who, she had
expected, would accompany her:
2 8.
2
Answer
102.
Come and commiserate one who was blind,
Helpless and desolate, void of a mind;
Guileless, deceiving; though unbelieving,
Free from all sin.
By mortals adored, still I ignored
The world I was in.
King Ptolemy’s, Cæsar’s, and Tiglath Pilezer’s
Birth days are shown;
Wise men, astrologers, all are acknowledgers,
Mine is unknown.
I never had father or mother
Alive at my birth.
Lodged in a palace, taunted by malice,
I did not inherit by lineage or merit,
A spot on the earth.
Nursed among pagans, no one baptized me,
Sponsor I had, who ne’er catechised me;
She gave me the name to her heart that was dearest;
She gave me the place to her bosom was nearest;
But one look of kindness she cast on me never,
Nor word of my blindness I heard from her ever.
Encompassed by strangers, naught could alarm me;
I saved, I destroyed, I blessed, I alloyed;
Kept a crown for a prince, but had none of my own;
Filled the place of a king, but ne’er had a throne;
Rescued a warrior, baffled a plot;
Was what I seemed not, seemed what I was not;
Devoted to slaughter, a price on my head,
A king’s lovely daughter watched by my bed.
How gently she dressed me, fainting with fear!
She never caressed me, nor wiped off a tear;
Ne’er moistened my lips, though parched and dry,
What marvel a blight should pursue and defy?
’Twas royalty nursed me wretched and poor;
’Twas royalty cursed me in secret, I’m sure.
I lived not, I died not, but tell you I must,
That ages have passed since I first turned to dust.
This paradox whence? this squalor, this splendor?
Say, was I king, or silly pretender?
Fathom the mystery, deep in my history—
Was I a man?
An angel supernal, a demon infernal?
Solve it who can.
Answer
103.
A blind beggar had a brother. This blind beggar’s brother went to
sea and was drowned. But the man that was drowned had no
brother. What relation to him, then, was the blind beggar?
Answer
104.
Two brothers were walking together down the street, and one of
them, stopping at a certain house, knocked at the door, observing: “I
have a niece here, who is ill.” “Thank Heaven,” said the other, “I have
no niece!” and he walked away. Now, how could that be?
Answer
105.
“How is that man related to you?” asked one gentleman of
another.
Answer
106.
Describe a cat’s clothing botanically.
Answer
107.
What is that which boys and girls have once in a lifetime, men
and women never have, and Mt. Parnassus has twice in one place?
Answer
108.
Why is the highest mountain in Wales always white?
Answer
109.
To what two cities of Massachusetts should little boys go with
their boats?
Answer
110.
Answer
NOTABLE NAMES.
111.
Answer
112.
Answer
113.
Answer
114.
115.
A little more
Than a sandy shore.
Answer
116.
Answer
117.
A head-dress.
Answer
118.
Inclining to one of the four parts of the compass.
Answer
119.
A mineral and a chain of hills.
Answer
120.
A metal, and a worker in metals.
Answer
121.
A sound made by an insect; and a fastening.
Answer
122.
A sound made by an animal; and a fastening.
Answer
123.
A sound made by an animal, and a measure of length.
Answer
124.
A Latin noun and a measure of quantity.
Answer
125.
A bodily pain.
Answer
126.
The value of a word.
Answer
127.
A manufactured metal.
Answer
128.
To agitate a weapon.
Answer
129.
A domestic animal, and what she cannot do.
Answer
130.
Which is the greater poet, William Shakespeare or John Dryden?
Answer
131.
A barrier before an edible; a barrier built of an edible.
Answer
132.
One-fourth of the earth’s surface, and a preposition.
Answer
133.
One-fourth of the earth’s surface, and a conjunction.
Answer
134.
A song; to follow the chase.
Answer
135.
A solid fence, a native of Poland.
Answer
136.
An incessant pilgrim; fourteen pounds weight.
Answer
137.
A quick succession of small sounds.
Answer
138.
Obsolete past participle of a verb meaning to illuminate.
Answer
139.
A carriage, a liquid, a narrow passage.
Answer
140.
To prosecute, and one who is guarded.
Answer
141.
A letter withdraws from a name to make it more brilliant.
Answer
142.
A letter withdraws from a name and tells you to talk more.
Answer
143.
Why is a man who lets houses, likely to have a good many
cousins?
Answer
144.
What relation is the door-mat to the door-step?
Answer
145.
What is it that gives a cold, cures a cold, and pays the doctor’s
bill?
Answer
146.
What is brought upon the table, and cut but never eaten?
Answer
147.
What cord is that which is full of knots which no one can untie,
and in which no one can tie another?
Answer
148.
What requires more philosophy than taking things as they come?
Answer
149.
What goes most against a farmer’s grain?
Answer
150.
Which of Shakespeare’s characters killed most poultry?
Answer
151.
THE BISHOP OF OXFORD’S RIDDLE.
Answer
153.
Answer
154.
Answer
155.
1. A common fish, or an Eastern bay;
2. Part of a visage, or self to say;
3. The lowest part of window or door;
Whole. The end of a will that was made before.
Answer
156.
I have a little friend who possesses something very precious. It is
a piece of workmanship of exquisite skill, and was said by our
Blessed Saviour to be an object of His Father’s peculiar care; yet it
does not display the attribute of either benevolence or compassion. If
its possessor were to lose it, no human ingenuity could replace it;
and yet, speaking generally, it is very abundant. It was first given to
Adam in Paradise, along with his beautiful Eve, though he previously
had it in his possession.
It will last as long as the world lasts, and yet it is destroyed every
day. It lives in beauty after the grave has closed over mortality. It is to
be found in all parts of the earth, while three distinct portions of it
exist in the air. It is seen on the field of carnage, yet it is a bond of
affection, a token of amity, a pledge of pure love. It was the cause of
death to one famed for beauty and ambition. I have only to add that it
has been used as a napkin and a crown, and that it appears like
silver after long exposure to the air.
Answer
157.
When the king found that his money was nearly all gone, and that
he really must live more economically, he decided on sending away
most of his wise men. There were some hundreds of them—very fine
old men, and magnificently dressed in green velvet gowns with gold
buttons. If they had a fault, it was that they always contradicted each
other when he asked their advice—and they certainly ate and drank
enormously. So, on the whole, he was rather glad to get rid of them.
But there was an old lay which he did not dare to disobey, which said
there must always be:
158.
Why are not Lowell, Holmes, and Saxe the wittiest poets in
America?
Answer
159.
Why did they call William Cullen Bryant, Cullen?
Answer
160.
Why do we retain only three hundred and twenty-five days in our
year?
Answer
161.
What seven letters express actual presence in this place; and,
without transposition, actual absence from every place?
Answer
162.
Is Florence, (Italy,) on the Tiber? If not, on what river does it lie?
Answer both questions in one word.
Answer
163.
Is there a word in our language which answers this question, and
contains all the vowels?
Answer
164.
What is it that goes up the hill; and down the hill, and never
moves?
Answer
165.