The Forsaken Waltz


Joshua Kyan Aalampour

         
Arr.: Moe Swe

         
   
Allegro

     3   
             
 
   


    
                      
             

        
  

8

    3    3
           
    

cresc.

    



             

                      
     
15 rit. a tempo

         
     
  
    

         
cresc. 3

       


  
          
              

          
       
23

    3
             
3 3 3

 
cresc.

     


     
           
                
         

         
          
29

   
                  
         
3

    
 
 
             

 rit.
          
2

               
Andante

 
36

   
  
                    
   

dim.

         



Allegro    
  
               
                   

   
         
46 accel.

             cresc.   
                
           
        
 
 
  


                             
            
               


                     
55

  3      
                   
   
     
    

                          


                    
         
 


  
61

       
    
   

    
  
   
  
  

      
3 3

    
    
   


   
     
     
             

                    
   
68

   cresc.
  
 
         3 3 
      
    
dim.

    
     
3

    
 

 
3 3 3

           

         
                 
3

         

74

    
         
3

  
(cresc.)

       
3

          
3 3


3 3

 
3

 
       

3 3 3
3 3
3
     

   


   
  
 
   
                 
                          
         
78

  3   3 
      
             
 
3 3 3

 
(cresc.)

            
3 3

 
3


3

          

3 3

       


          

                          
   
83

   
    
             
    
3

 
3 dim.

     
  
 
             


            
                     
   
90 accel. 3 3 3

 cresc.
              
    
    
 
       
    
 

             


       
4

  
               
       
97

  
3


3 3

      

3 3


3 3 3

         
    
(cresc.)

  
   
            