HUNGARIAN DANCE

No. 5 in G minor

    
Johann Brahms

               
Allegro

      
 
              


 
          
      
 
            
   
 
           
           
  
9


    
              


        
 
             
   

 
                
          
 


 
16


     
                 


              
            
  

       
   


              


           
25


      
   


  
     



            
       
  
              
 
               



       
  
31



              
                       



          
       
     
            
                         
2

    
a tempo


rit.

  
39

 
           
       


 


         
      
  
 

         


         
        

      
  
     
            
    
Vivace

   
46

    

     
5

          
              
 


         
         
     
                      
           
            
  
     
53



 
 

              
                             

            
  Adagio
       Adagio    
                        
Vivace

       
Vivace

 
61 Adagio


      
            
   


  
                       

 

 
      Allegro
Vivace Vivace

            Adagio

           
 

      
                 
 
70

  
           
       
 
            
              

    

     
 
3

           
       
79


         
            
       
                        
   


         
            
    
  


87


       
 
  
 
  
      
   
 

    
 
      
    
        


 
             
  
 
     
            
94


                   
                                
     

     
 


              



               
102


 



  


         

    
                


 
     
    

                   
           
        

109


               


                    
                  
       
       
             
                            
4

  
a tempo

  
rit.

       
117

  
 
         
                     


       
             
 

  
       


  
     

124

 
 
       
5

      
    
