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Objective 4 Format a Word Document 110
Activity 3.09 Formatting a Word Document Using Page Layout 110
Activity 3.10 Inserting and Modifying a Text Box 111
Activity 3.11 Adding Page Borders and Page Color 112
PROJECT 3B Supplier Letter.......................................................................................................114
Objective 5 Use Mail Merge in Word to Complete Letters
Using Access Data 115
Activity 3.12 Starting Mail Merge in Word 115
Activity 3.13 Adding Merge Fields 116
Activity 3.14 Printing Letters 119
Objective 6 Use Mail Merge in Word to Create Envelopes
Using Access Data 119
Activity 3.15 Starting Mail Merge for Envelopes and Inserting a
Return Address 119
Activity 3.16 Completing and Printing Envelopes 121
Objective 7 Create and Modify a Query in Access 122
Activity 3.17 Creating a Query using the Query Wizard 122
Activity 3.18 Sorting and Filtering Data in a Query 124
Objective 8 Use Mail Merge in Access 126
Activity 3.19 Starting Mail Merge in Access 126
Activity 3.20 Completing the Mail Merge 127
Summary, Key Terms, Matching, and Multiple Choice 128–129
Contents vii
Objective 7 Export Access Data to Excel 170
Activity 4.16 Exporting Access Data 170
Activity 4.17 Using Table Styles in Excel 171
Activity 4.18 Inserting Subtotals in Excel 172
Summary, Key Terms, Matching, and Multiple Choice 175–176
viii Contents
Objective 2 Format a Newsletter 242
Activity 6.05 Changing Text Wrapping 242
Activity 6.06 Inserting a Design Accent 243
Activity 6.07 Formatting the Newsletter Background 245
Activity 6.08 Running the Design Checker 246
Objective 3 Use Mail Merge to Insert Names from an Access Table into a Publication 248
Activity 6.09 Modifying an Existing Access Database 248
Activity 6.10 Importing and Sorting a Recipient List from Access 251
Objective 4 Insert Access Data Fields into a Publication 252
Activity 6.11 Inserting Data Fields 253
Activity 6.12 Completing and Printing the Merged Newsletter 255
PROJECT 6B Internship Postcard ..............................................................................................257
Objective 5 Set Field Properties in an Access Table 258
Activity 6.13 Inserting an Input Mask and a Default Value 258
Activity 6.14 Modifying the Field Properties 260
Activity 6.15 Inserting a Lookup Field 262
Activity 6.16 Inputting Data with a Lookup Field 263
Activity 6.17 Grouping and Sorting Using the Blank Report Tool 265
Objective 6 Create a Publication Using a Publisher Template 269
Activity 6.18 Using a Publication Template 269
Activity 6.19 Inserting Business Information 270
Objective 7 Modify the Layout of a Publication 272
Activity 6.20 Inserting Images 272
Activity 6.21 Using Layout Guides 273
Activity 6.22 Filtering Recipients with Mail Merge 276
Summary, Key Terms, Matching, and Multiple Choice 278–279
Contents ix
Objective 4 Import Data into a PowerPoint Presentation 320
Activity 7.15 Copying Data into a PowerPoint Presentation 320
Activity 7.16 Modifying the PowerPoint Presentation 321
PROJECT 7B Retail Report..........................................................................................................323
Objective 5 Use Excel Functions 324
Activity 7.17 Inserting the PMT Function 324
Activity 7.18 Inserting the IF Function 326
Objective 6 Create a Report in Word Using Data from Other Applications 328
Activity 7.19 Inserting a Cover Page 328
Activity 7.20 Inserting a Table of Contents 330
Activity 7.21 Inserting Data from Other Applications 331
Activity 7.22 Updating the Table of Contents 332
Summary, Key Terms, Matching, and Multiple Choice 334–335
Glossary.................................................................. G-1
Index....................................................................... I-1
x Contents
About the Authors
Shelley Gaskin, Series Editor, is a professor in the Business and Computer Technology Division at Pasadena City
College in Pasadena, California. She holds a bachelor’s degree in Business Administration from Robert Morris
College (Pennsylvania), a master’s degree in Business from Northern Illinois University, and a doctorate in Adult
and Community Education from Ball State University. Before joining Pasadena City College, she spent 12 years in
the computer industry where she was a systems analyst, sales representative, and Director of Customer Education
with Unisys Corporation. She also worked for Ernst & Young on the development of large systems applications
for their clients. She has written and developed training materials for custom systems applications in both the pub-
lic and private sector, and has written and edited numerous computer application textbooks.
This book is dedicated to my students, who inspire me every day.
Nancy Graviett is a professor and department chair in Business Technology at St. Charles Community College in
Cottleville, Missouri. She holds a bachelor’s degree in marketing and a master’s degree in business education from
the University of Missouri and has completed a certificate in online education. Nancy has authored textbooks on
WordPerfect, Google, Microsoft Outlook, and Microsoft Access.
This book is dedicated to my husband, Dave, and my children, Matthew and Andrea.
I cannot thank my family enough for the love and support they share everyday.
1
students which files are needed for
PROJECTS 2016
I N T E G R AT E D
Integrating Word
and Excel the project and the names they will
use to save their documents.
OUTCOMES OUTCOMES
1A 1B
PROJECT PROJECT
Create an Excel workbook that Create and format an Excel chart
includes data copied from a Word and link the chart to a Word
document. document. M01_GASK4925_01_SE_C01.indd Page 2 13/02/16 8:51 PM f403 /203/PH02435/9780134444925_SHELLEY/SHELLEY_GO_WITH_OFFICE_2016_INTEGRATED_PROJECT ...
OBJECTIVES OBJECTIVES
1. Create a Word Document 5. Work with an Existing Word Document
2. Copy Word Text into an Excel Workbook 6. Create and Format a Chart in Excel
3. Modify an Excel Worksheet 7. Link Excel Data and an Excel Chart to a Word Document
Sales Memo
1A
4. Preview and Print Word and Excel Files PROJECT
PROJECT ACTIVITIES
In Activities 1.01 through 1.10, you will enter sales data for Adamantine Jewelry into a Word
document. You will copy and paste the Word data into an Excel workbook. In Excel, you will
create formulas and functions. Additionally, you will format numbers and text. Your completed
files will look similar to Figure 1.1.
PROJECT FILES
For Project 1A, you will need the following files: You will save your files as:
New blank Word document Lastname_Firstname_1A_Sales_Memo
New blank Excel workbook Lastname_Firstname_1A_Adamantine_Sales
i01A_Memo_Headings
PROJECT RESULTS
In This Chapter
In this chapter, you will create documents using Adamantine Jewelry’s designers take inspiration from
Word’s tab and table features to insert and format text. nature, cultural artifacts, and antiquities to produce
You will create workbooks in Excel by pasting information affordable, fashionable jewelry that is sold through major
from a Word document, entering data, creating formulas, retailers in the United States. With a 40-year history, the
inserting functions, and creating and formatting a chart. company is well respected among its retail customers
Finally, you will link the chart to a Word document. and has expanded to online and television retailers in
The projects in this chapter relate to Adamantine recent years. In addition to women’s bracelets, rings, and
Jewelry. This company is based in Milan, Italy, one earrings, the company also produces sport and fashion
of the world’s leading centers for fashion and design. watches for men and women.
1
Objective 1 Create a Word Document
When you create a Word document, there are times when you might want to use some of
1 Start Word, and then display a new blank document. If necessary, on the Home tab, in the
Paragraph group, click Show/Hide to display the formatting marks. On the View tab,
in the Show group, make sure that the Ruler check box is checked.
Print Layout view is a view of a document that looks like a sheet of paper and displays margins,
headers, footers, and graphics. Because formatting marks guide your eyes in a Word document—
just as map and road signs guide you along a highway—these marks will display throughout this
instruction.
Activity 1.02 | Entering and Formatting Text
1 With the insertion point blinking in the upper left corner of the document, to the left of
2 On the Home tab, in the Paragraph group, in the lower right corner, click the Dialog Box the default first paragraph mark, type Adamantine Jewelry and then press . Type the
Launcher . following text, pressing after each line:
3 At the bottom of the Paragraph dialog box, click Tabs. Ripa di Porta Ticenese, 53
4 In the Tabs dialog box, in the Tab stop position box, type 2 Under Alignment, click the 20143 Milano
Decimal option button, and then click Set. In the Tab stop position box, type 4 to replace Italy
the existing text. Under Alignment, if necessary, click the Decimal option button, and then tel. +39 0255500000-5
click Set. Compare your screen with Figure 1.2.
2 Select the entire first line of text—Adamantine Jewelry. On the displayed mini toolbar, click
the Font arrow and then click Arial Black. With the mini toolbar still displayed,
click the Font Size arrow , and then click 20. If the mini toolbar disappears, right-click
Tabs dialog box
the selected text.
Two tabs set The mini toolbar is a small toolbar containing frequently used formatting commands that displays
as a result of selecting text or objects.
3 Select the next four lines of text, beginning with Ripa and ending with the telephone
number. On the mini toolbar, click the Font arrow , and then click Arial. Click the
Decimal alignment
Font Size arrow , click 10, and then apply Italic .
4 Select all five lines of text, being careful not to select the blank line below the text. On the
Home tab, in the Paragraph group, click Center . Click the Layout tab, and then in
the Paragraph group, under Spacing, click the After down arrow two times to change the
value to 0 pt. Click to the left of the text Adamantine Jewelry, and then compare your screen
FIGURE 1.2 with Figure 1.3.
A tab stop marks a specific location on a line of text, indicated on the Word ruler, to which
you can move the insertion point by pressing the key. A tab stop is useful to align and indent
text. A decimal tab stop causes the text to align with the decimal point at the tab stop location.
5 At the bottom of the Tabs dialog box, click OK. Notice the tab stop indicators display on
the horizontal ruler.
Formatted text
5 Press + to move to the end of the document, and then press two times. Type the
following text: Here is the brief summary of sales by category that I promised to send. If you
need a further breakdown, please let me know.
6 Press , and then type the following company sales data pressing to separate the
columns. Press one time at the end of each row. Note: The arrow that displays on your
screen after pressing indicates a nonprinting formatting mark. Compare your screen
Key Feature with Figure 1.4.
instead of confusing letters and abbreviations. text is woven into the steps—at the
Fashion Watches 109,776.71 129,026.95
4
moment|
students need to know it—not
Integrated Projects 2016 Chapter 1: InTEGRATInG WORd And ExCEL
End-of-Chapter
Content-Based Assessments – Assessments with defined solutions.
M01_GASK4925_01_SE_C01.indd Page 37 13/02/16 8:51 PM f403 /203/PH02435/9780134444925_SHELLEY/SHELLEY_GO_WITH_OFFICE_2016_INTEGRATED_PROJECT ... M01_GASK4925_01_SE_C01.indd Page 38 13/02/16 8:51 PM f403 /203/PH02435/9780134444925_SHELLEY/SHELLEY_GO_WITH_OFFICE_2016_INTEGRATED_PROJECT ...
1. A small toolbar containing frequently used formatting commands that display as a result of
INTEGRATED PROJECTS 2016
Microsoft Word and Excel include features you can use to enter data and create charts. The selecting text or objects is the:
files can be formatted to create a professional appearance. The data from the source file A. Formatting toolbar B. mini toolbar C. Quick Access Toolbar
can be linked to or embedded in the destination file.
2. An Office feature that displays a list of potential results instead of just the command name is:
A. a gallery B. a shortcut menu C. the ribbon
3. An Excel view that maximizes the number of cells visible on your screen and keeps the col-
KEY TERMS umn letters and row numbers close to the columns and rows is:
Accounting Number Format .......... 12 Fill handle ...................................... 10 Print Preview .................................. 13 A. Normal view B. Page Layout view C. Print Layout view
Auto Fill ......................................... 11 Formula .......................................... 10 Quick Tables................................... 19 4. An Excel feature that extends values into adjacent cells based on the values of selected cells
AutoFit Contents ............................ 24 Formula Bar ................................... 26 Relative cell reference .................... 11 is:
AutoSum ........................................ 26 Function ......................................... 37 Shortcut menu ................................ 12 A. AutoComplete B. AutoCorrect C. Auto Fill
Cell ................................................. 19 Gallery.............................................. 7 Sizing handles ................................ 34
Chart sheet ..................................... 28 Linking ........................................... 31 Source file ...................................... 31 5. A predefined formula that adds all the numbers in a selected range of cells is the:
Comma Style.................................. 12 Live Preview .................................. 23 SUM function................................. 11 A. COUNT function B. SUM function C. TOTAL function
Contextual tabs............................... 19 Merge & Center ............................. 12 Tab stop ............................................ 3
Decimal tab stop .............................. 3 Mini toolbar ..................................... 4 Table ............................................... 18 6. The Excel number format that applies a thousand comma separator where appropriate, inserts
Destination file ............................... 31 Normal view..................................... 9 Table Style...................................... 18 a fixed US dollar sign aligned at the left edge of the cell, applies two decimal places, and
Embedded chart ............................. 28 Page Layout view ............................. 8 leaves a small amount of space at the right edge of the cell to accommodate a parenthesis for
Field ................................................. 7 Print Layout view ............................. 3 negative numbers is the:
A. Accounting Number Format B. Currency Format C. General Format
7. Tabs that are added to the ribbon when a specific object is selected and that contain com-
MATCHInG mands
relevant to the selected object are:
Match each term in the second column with its correct definition in the first column by writing the A. action tabs B. content tabs C. contextual tabs
letter of the term on the blank line in front of the correct definition.
1. A specific location on a line of text to which you can move the insertion point by press- A AutoFit Contents 8. The element in the Excel window that displays the value or formula contained in the active
ing the key, and that is used to align and indent text. B Cell cell is the:
2. A placeholder that displays preset content, such as the current date, the file name, a A. Address Bar B. Formula Bar C. Function Bar
C Chart sheet
page number, or other stored information. 9. A chart that displays as an object within a worksheet is:
D Destination file
3. An equation that performs mathematical calculations on values in a worksheet. A. a copied chart B. an embedded chart C. a pasted chart
E Field
4. A predefined formula that performs calculations by using specific values in a particular order.
F Fill handle 10. The process of inserting information from a source file into a destination file while maintain-
5. A small black square located in the lower right corner of a selected cell. ing the connection between the two files is:
G Formula
6. In a formula, the address of a cell based on the relative positions of the cell that con- A. embedding B. linking C. pasting
H Function
tains the formula and the cell referred to in the formula.
I Relative cell reference
7. A context-sensitive menu that displays commands and options relevant to the selected object.
J Shortcut menu
8. A format for information that organizes and presents text and data in columns and
rows. K Sizing handles
9. A predefined set of formatting characteristics, including font, alignment, and cell shad- L Source file
ing for a table. M Tab stop
10. A small box formed by the intersection of a column and a row. N Table
11. A Word feature that adjusts the width of the columns in a table to fit the cell content of O Table Style
the widest cell in each column.
12. A workbook sheet that contains only a chart and is useful when you want to view a
chart separately from the worksheet data.
13. The file where the data or object is created.
14. The file where the linked data or object is inserted.
15. The small squares or circles that display on each corner and in the middle of each side
of a chart or graphic.
End of Chapter | Integrated Projects 2016 37 38 Integrated Projects 2016 | Chapter 1: InTEGRATInG WORd And ExCEL
1 1
cOntent-BAsed Assessments (crItIcAl thInkIng)
Projects 2016
I n t e g r at e d
Integrating Word, Excel,
c a P s to n e
go! solve It Capstone Case 1 Jewelry Sale (continued)
case
and Access
Performance element
a report data displays appropriately the data is not grouped or it is
database in your Integrated Projects Capstone Cases folder, using your own name, with not sorted
the file name Lastname_Firstname_1cc_Jewelry_Customers
Insert the IF The IF function is inserted, and The IF function is inserted, but The IF function is not
In the Jewelry Customers table, add a Short Text field named Jewelry Preference after
function and the data is filtered correctly the data is not filtered correctly inserted
the ZIP field. Create a form based on the Jewelry Customers table. Addapplya combo box to
Adamantine Jewelry a filter
the form that lists the following types of jewelry: Bracelets, Earrings, Fashion Watches,
Adamantine Jewelry is based in Milan, Italy, one of States. With a 40-year history, the company is well Insert and position The text box is inserted and The text box is inserted but is The text box is not
Necklaces, Rings, and Sport Watches. Store the value in the Jewelry Preference field, positioned appropriately not positioned appropriately inserted
the world’s leading centers for fashion and design. The respected among its retail customers and has expanded to a text box
and then label the combo box Preference Using the form, add a jewelry preference to all
company’s designers take inspiration from nature, cultural online and television retailers in recent years. In addition to customer records, using each jewelry type at least one time. Add the following The data source is filtered using The data source is filtered but The data source is not
Filter anrecords,
Access
artifacts, and antiquities to produce affordable, fashionable women’s bracelets, rings, and earrings, the company also the correct field and value does not use the correct field or filtered
using your first name and last name for the last record. Save the form asdata source
Lastname
does not use the correct value
jewelry that is sold through major retailers in the United produces sport and fashion watches for men and women. Firstname 1cc Jewelry Customers Form
Insert text and Text and merge fields are At least one item is not inserted No items are inserted
merge fields in a inserted appropriately appropriately appropriately
First Name Last Name Address City State ZIP Jewelry Preference
letter and in an
Allison Plasek 33 Herman Ave Concord MA 01742 envelope
Rings
Firstname Lastname 4126 Mercer Ln Phoenix AZ 85009 Necklaces
end | You have completed capstone case 1
Create an Access report that contains all the fields from the Jewelry Customers table.
345 Group the report by the Jewelry Preferences field, and then sort the data by the City field. capstone case 1: jewelry sale | Integrated Projects 2016 347
Using your own name, title the report Lastname Firstname 1cc Jewelry Preferences Report
Open a new blank Excel workbook. Import the Jewelry Types Access table as an
Excel table. In column C, add the title Discount and then insert an IF function by typing
the following directly into the Formula Bar: =IF([Cost]>15000,[Cost]*0.2,0) to calculate a
20% discount on jewelry that costs greater than $15,000. Format columns B and C using
the Currency format and zero decimal places. Filter the table to display only the jewelry
that displays a discount amount other than zero in column C. Save the Excel workbook
in your Integrated Projects Capstone Cases folder, using your own name, as Lastname_
Firstname_1cc_Jewelry_Discount
346 Integrated Projects 2016 | capstone case 1: Integrating Word, excel, and Access
Instructor Materials
Scorecards – Can be used either by students to check their work or by you as a quick check-off for the
items that need to be corrected.
Other Resources – PowerPoints, Scoring Rubrics, Solution Files, Answer Keys, and Student Data Files
are all at the Instructor Resource site, pearsonhighered.com/go.
Projects 2016
I n t e g r at e d
Integrating Word
and Excel
Outcomes Outcomes
1A 1B
Project Project
Create an Excel workbook that Create and format an Excel chart
includes data copied from a Word and link the chart to a Word
document. document.
Objectives Objectives
1. Create a Word Document 5. Work with an Existing Word Document
2. Copy Word Text into an Excel Workbook 6. Create and Format a Chart in Excel
3. Modify an Excel Worksheet 7. Link Excel Data and an Excel Chart to a Word Document
4. Preview and Print Word and Excel Files
NAR studio/Shutterstock
In This Chapter
In this chapter, you will create documents using Adamantine Jewelry’s designers take inspiration from
Word’s tab and table features to insert and format text. nature, cultural artifacts, and antiquities to produce
You will create workbooks in Excel by pasting information affordable, fashionable jewelry that is sold through major
from a Word document, entering data, creating formulas, retailers in the United States. With a 40-year history, the
inserting functions, and creating and formatting a chart. company is well respected among its retail customers
Finally, you will link the chart to a Word document. and has expanded to online and television retailers in
The projects in this chapter relate to Adamantine recent years. In addition to women’s bracelets, rings, and
Jewelry. This company is based in Milan, Italy, one earrings, the company also produces sport and fashion
of the world’s leading centers for fashion and design. watches for men and women.
1
Sales Memo
1A
Project
Project Activities
In Activities 1.01 through 1.10, you will enter sales data for Adamantine Jewelry into a Word
document. You will copy and paste the Word data into an Excel workbook. In Excel, you will
create formulas and functions. Additionally, you will format numbers and text. Your completed
files will look similar to Figure 1.1.
Project Files
For Project 1A, you will need the following files: You will save your files as:
New blank Word document Lastname_Firstname_1A_Sales_Memo
New blank Excel workbook Lastname_Firstname_1A_Adamantine_Sales
i01A_Memo_Headings
Project Results
Decimal alignment
A tab stop marks a specific location on a line of text, indicated on the Word ruler, to which
you can move the insertion point by pressing the key. A tab stop is useful to align and indent
text. A decimal tab stop causes the text to align with the decimal point at the tab stop location.
5 At the bottom of the Tabs dialog box, click OK. Notice the tab stop indicators display on
the horizontal ruler.
2 Select the entire first line of text—Adamantine Jewelry. On the displayed mini toolbar, click
the Font arrow and then click Arial Black. With the mini toolbar still displayed,
click the Font Size arrow , and then click 20. If the mini toolbar disappears, right-click
the selected text.
The mini toolbar is a small toolbar containing frequently used formatting commands that displays
as a result of selecting text or objects.
3 Select the next four lines of text, beginning with Ripa and ending with the telephone
number. On the mini toolbar, click the Font arrow , and then click Arial. Click the
Font Size arrow , click 10, and then apply Italic .
4 Select all five lines of text, being careful not to select the blank line below the text. On the
Home tab, in the Paragraph group, click Center . Click the Layout tab, and then in
the Paragraph group, under Spacing, click the After down arrow two times to change the
value to 0 pt. Click to the left of the text Adamantine Jewelry, and then compare your screen
with Figure 1.3.
Formatted text
5 Press + to move to the end of the document, and then press two times. Type the
following text: Here is the brief summary of sales by category that I promised to send. If you
need a further breakdown, please let me know.
6 Press , and then type the following company sales data pressing to separate the
columns. Press one time at the end of each row. Note: The arrow that displays on your
screen after pressing indicates a nonprinting formatting mark. Compare your screen
with Figure 1.4.
Activity 1.04 | Saving a Document, Creating a Footer, and Inserting Document Info
1 On the Quick Access Toolbar, click Save , and then click Browse. In the Save As dialog
box, navigate to the location where you are storing your projects for this chapter, and then
on the toolbar, click New folder.
In the file list, a new folder is created, and the text New folder is selected.
2 Type Integrated Projects Chapter 1 to replace the selected text, and then press .
In Windows-based programs, the key confirms an action.
3 With the Integrated Projects Chapter 1 folder selected, at the lower right of the Save As
dialog box, click Open. Compare your screen with Figure 1.6.
The name of your folder displays in the address bar. In the File name box, Word inserts the text at
the beginning of the document as a suggested file name.
Integrated Project
Chapter 1 folder active
Beginning of document
automatically displays
Another Way Right-click near the bottom edge of the page, and then from the shortcut menu, click Edit Footer.
7 Under Header & Footer Tools, on the Design tab, in the Insert group, click Document
Info, and then click File Name to place the file name in your footer as a field. Compare
your screen with Figure 1.7.
A field is a placeholder that displays preset content, such as the current date, the file name, a page
number, or other stored information.
Figure 1.7
File name
Content in A1 and A2
6 Click the Insert tab, and then in the Text group, click Header & Footer to switch to Page
Layout view.
Page Layout view is a screen view in which you can use the rulers to measure the width and height
of data, set margins for printing, hide or display the numbered row headings and lettered column
headings, and change the page orientation. This view is useful in preparing your worksheet for
printing.
7 Under Header & Footer Tools, on the Design tab, in the Navigation group, click Go to
Footer.
The insertion point displays in the center section of the footer area.
Activity 1.06 | Copying and Pasting Word Text into an Excel File
Figure 1.11
Activity 1.07 | Creating a Formula, Using the SUM Function to Calculate Totals, and Using Auto Fill
1 Click cell D4 to make it the active cell. Type Total Sales and then press .
2 In cell D5, type =b5+c5 and then press .
The result of the formula calculation displays in cell D5.
3 Click cell D5 to make it the active cell.
The fill handle—a small square in the lower right corner of a selected cell—displays.
"You won't know it for roses now," answered Margery. "Poor dear
Mercy Marydrew—her heart used to sink when I came along with some
new flowers dug up from here. She was all for tidiness, and I do think
flowers gave her more pain than pleasure."
"I like them and I'll tend them well," promised Jane.
Her sister-in-law, regarding her with side glances, perceived that she
was possessed of childish charm. She was a pleading sort of girl—just the
type sure to win Jeremy's affections.
"My own impression is that it's going to mean big money from the
first," said the future huckster. "I'm itching to be at it; and I'm very hopeful
it may be possible to secure some of Miss Marydrew's furniture, so we can
go into Owley Cot as soon as Jacob likes. Father would help there."
"Not hard for you, however," promised Jeremy. "I'm the one to bear the
battle and come between you and everything. That's what I'm here for."
The family reassembled at tea, and Jacob, who had spent an hour with
Mr. Marydrew, declared that he was bearing up exceedingly well.
Bullstone found that Jeremy had already undertaken the new work in
spirit and was actually thriving at it, saving money and repaying his debts.
"Trust me," he said, "and be sure of this, that I shall return good
measure well pressed down, Jacob. This is the chance of a lifetime, and
something tells me my foot is now firm on the ladder."
They parted presently, and while Auna and Avis accompanied them for
a mile on their return journey to Brent, Margery thanked her husband.
"It's like you; I'm sure I'm deeply obliged; and father and mother will
feel as grateful as I do," she said rather formally.
Jacob laughed.
"For you and yours I do it. But don't be too hopeful. Jeremy isn't built to
help on the world—only to be helped on by it."
"Yes, yes, he'll try valiantly—a most well-meaning chap—but you can't
ask putty to take the place of lead. I'll push him and do what I may; and so
will you. If manners could make him, he'd be all right; but he's like your
rose-bushes—wants a lot of tying up and supporting."
CHAPTER III
The mind of Barton Gill was exercised, for he had heard painful news
and suddenly learned the unsuspected opinion of another man concerning
him. He felt shocked and cast down, having never guessed that Jacob
Bullstone contemplated the possibility which now confronted Mr. Gill as a
fact.
Barton was sixty-eight and, in his own opinion, as active and
apprehensive as ever. Looking back he perceived that he had actually
outgrown some weaknesses of middle age; while with respect to his
knowledge of dogs, no man could deny that it embraced everything of
importance.
Returning from Brent, the kennel-man fell in with Adam Winter and
revealed his troubles.
"Hast heard the black news, Adam?" he began. "But of course you have
not. It only burst upon me yesterday."
"He may have, or he may not. And it's all one, anyhow, since he never
feels called to give 'em. But in my case there ain't a shadow of reason. He's
built up a very wrong and mistaken picture of me. He's watched me in
secret, which ain't a manly thing to do, and now, like a thunder planet, he's
fallen upon me and given me the sack!"
"Under notice; but never any warning in the rightful sense of the word,"
explained Barton Gill. "I've been doing my work in season and out at Red
House for half a century, and putting the dogs before everything but God
Almighty, and helping to make 'em the world-famous creatures they be.
And full of zeal for the family, and pouring my knowledge into young Peter.
And now to be flung out."
"Well may you ax that. For no reason on earth but because I'm too old!
And only sixty-eight by this hand, and I wish I may die if a year more."
Adam was cautious. He felt very little doubt that Jacob Bullstone knew
his own business best. They had been neighbours for fifteen years and, so
far as Winter knew, Jacob regarded him as a good neighbour. They had
never quarrelled and not often differed. Indeed they met but seldom and
Adam saw Margery Bullstone far oftener than her husband. He had been
good to her children and regarded himself as an old friend of the family; but
his relations with Bullstone were not intimate.
"Not the sack then? You told me you were flung out."
"It's nature," argued Winter. "When we stand still, the younger ones
have got to pass us by. And, to the seeing eye, that's the first thing middle
age marks—that the young men go past. We think we be trudging along so
quick as ever; but we are not. And as for your life's work, you've done your
duty we all know and done it very well. You was born to work and you've
worked honest and helped on the world of dogs in your time; but nothing
stands still and dogs will improve beyond your knowledge no doubt. So I
should be dignified about it and go. Nought lasts, and youth's the flood
that's always making to drown all."
Barton Gill considered these sentiments, but did not approve of them.
"I had it in mind to ax you to put in a word for me," he answered; "but I
see I can't.'
"Not very well, Barton. I don't know enough about it, and nobody has a
right to come between master and man."
"Then you ought to be hopeful," said Adam. "If that was to happen,
you'd come back with a flourish of trumpets."
"I don't want no flourish of trumpets and I don't want to go," declared
the other. "It's very ill-convenient and unchristian thing to fire me now, and
I hope Bullstone will see sense before it's too late."
Adam Winter had some experience of the tyranny of old servants and
perceived that the kennel-man was not going to leave Red House if he could
stop there.
"For a woman she is," admitted Gill; "and when she calls home what
I've been to her young people, I make no doubt she'll see that a very
improper thought have come to master. But I haven't sounded her as yet and
she may not have the pluck to take my side."
They had reached the gate of Shipley Farm on the east bank of Auna,
and Adam stood a moment before entering.
"Well, I dare say it will straighten out. Look all round it. You've only
got yourself to think of; and if you was to retire, you'd enjoy a restful time,
and the respect due to you, and not be sorry to find yourself idle with your
work well done."
"I'm not going," answered Barton. "One word's as good as a thousand,
and unless the man uses force, I don't go. I've set the age of seventy-five for
retirement, and I don't break my word to myself for fifty Bullstones."
"A man's home is his home, ain't it? And who the devil's going to turn
me out of my home?"
Adam did not answer, but laughed to himself. He was still laughing
when he entered his kitchen, where his aunt, Amelia Winter, and his
brother, Samuel, had just begun their tea.
"I didn't expect you back so soon, my dear," he said to the old woman.
Amelia had worn well. She was upright and stout and strong—the
youngest of the party, as Adam always declared. The men resembled each
other. Samuel was but a few years older than his brother and Adam stood to
him for divinity. He echoed his opinions and bestowed upon him absolute
trust. Nothing his younger brother could do was wrong. Sammy's mental
eccentricities were considered quite harmless and they had seldom as yet
made him a danger to the community. If he ever displayed a spark of
passion, it was at any adverse criticism of Adam, and this weakness on his
part—once actually manifested, when he fell tooth and nail upon another
labourer for laughing at his brother over some trifle—was now respected. In
person Samuel appeared a larger edition of Adam, but of gaunt expression
and already grey. He was very strong and laboured like a horse. Work kept
his mind sweet.
"And what might you have seen to shock you, Aunt?" asked the master
of Shipley.
"A sorry sight," she answered. "You mind poor Miss Marydrew's
famous hat with the red squirrel's tail? It was a well-known feature—a
proper landmark round about; and to-day I've seen it on another woman's
head, and you might have knocked me down with a feather. That any
female could have the front to flaunt that well-known trophy! And such a
female! Sarah Saunders if you please. Properly indecent I call it."
"Her sale fetched very good prices," said Adam. "Old William kept a
few of the best things for his house; but they say he's cleared something
better than sixty pounds by it."
"He oughtn't to have sold her clothes, and I've told him so," answered
Amelia. "Clothes are sacred to the wearer in my opinion, and I'd so soon
have seen Mercy's ghost as her hat on that wicked head. It won't bring no
luck to anybody concerned."
Adam told how Barton Gill was under notice, and his aunt thought it a
hard thing. Samuel waited to hear his brother's opinion, and echoed it.
"Gill's worn out and did ought to make room for a younger man," he
said.
No great prosperity marked the farm, but Adam was not ambitious and
his future hopes only extended to his brother. He desired to see Samuel
safely through life and never at the mercy of unfriendly or indifferent
hands. His own needs were of the simplest. He had abandoned any wish to
wed, or raise up a family. He was content and his life went uneventfully
forward, brightened by various friendships. He was well liked but not well
known. To more full-blooded and energetic men he seemed shadowy; yet
none ever heard him say a foolish thing. His neighbours knew him for a
capable farmer, but they wondered why he stopped on year after year at a
place which offered such small opportunity for enterprise as Shipley.
Others, however, explained this seclusion as accepted on Samuel's account.
Samuel was happier in loneliness.
CHAPTER IV
ON SHIPLEY BRIDGE
The subconscious work of grievances and the secret attrition of their fret
are dangerous. Margery Bullstone harboured such an ill, and it had wrought
inevitable modification of character, for sense of personal wrong, if
indulged, must mar quality. She was barely conscious of this buffet, and
when she thought upon her life, assured herself that its compensations and
disillusions were fairly balanced, for she loved her husband and tried to
keep his fine characteristics uppermost in her mind; but she liked him less
than of old and her grievance appeared in this: that he hindered her and
came between her and many innocent pleasures which would have made
her life fuller and happier. She did not understand Jacob save in flashes, and
was dimly aware of perils in his nature and chambers, hidden in his heart,
which held danger. He told her often that he held no secrets from her, and
perhaps he believed it. Regarding temporal matters—his success or failure,
his money, his possessions, his plans—it was emphatically true. He liked
her to know how he stood, to share his hopes, to sympathise in his
disappointments. But this was not all, and Margery knew that in the far
deeper secrets of character and conviction, she had not entered the depth of
her husband's mind and never would. He was a warm-hearted man and yet,
under the warmth, flowed currents hidden from every eye. Sometimes,
more by accident than intention, she had dipped for a moment into these
currents, been chilled and found herself glad to ascend into the temperate
region of their usual communion. She knew he was jealous, yet he seldom
said a word to prove it. But she understood him well enough to read his
silences and they were unspeakably pregnant. They would sometimes last
for several days and frighten her. She had known bitter weeks when Jacob
addressed no living thing but the dogs. Then the darkness would drift off
and his steadfast and not uncheerful self shine out. Sometimes she was able
to discover a reason for such eclipse; sometimes, puzzle as she might, no
cause occurred to her mind. If she approached him, expressed grief for his
tribulation and prayed to share it, he would put her off. Then she felt the
cause, if not the fault, was in herself.
"If you don't know the reason, then no doubt there's no reason," was a
cryptic answer he often made, and it left her dumb. She was conscious of a
strange sense that somebody beside her husband dwelt unseen at Red House
—somebody who watched and noted, but made no comment. The unseen
expressed neither pleasure nor displeasure, but concentrated upon her and
chronicled her actions and opinions. Jacob seemed to be two personalities,
the one obvious, trustworthy, affectionate, the other inscrutable, attentive,
vigilant. If one Jacob praised her and seemed to come closer, so that she felt
happy, then arose the consciousness of the other Jacob, concerning whom
she knew so little, and whose attitude to herself she could not feel was
friendly. Had she been able to put a name to it, or analyse her husband's
second self, she might have felt easier in some directions; but as yet she had
failed to understand. Nor could anybody help her to do so. Perhaps Judith
Huxam came nearest to explaining the obscurity. But she refused to give it a
name, though her suspicion found vent in cautions to Margery.
Jacob was not secretive in many things, and a habit of his, quite familiar
to his wife, might have helped towards elucidation had she been of a
synthetic bent. He would sometimes himself harbour grievances for days
and then plump out with them. They were generally of a trivial appearance
in Margery's eyes, and she often wondered at the difference between the
things that annoyed a woman and perturbed a man. He was obstinate and
had his own way as a matter of course. She never opposed him, and where
alternatives of action presented themselves, Jacob decided; but some things
happened that she felt were a permanent bruise to him. They grew out of
life and struck the man in his tenderest part. None was responsible for them
and they rose from material as subtle and intangible as heredity and
character. Margery granted that they were very real facts and would have
altered them for her husband's sake had it been possible to do so; but to alter
them was not possible, for they rooted in the souls of the four children now
swiftly growing up at Red House.
At first the case centred with Margery herself, and while his boys and
girls were little children, he had almost resented the abundant worship they
bestowed upon her rather than him; but now the situation had developed,
though they were still too young to hide their predilections. Nor did they
turn to their father, as he expected the boys at least to do. They had declared
frank affection where least he expected it. Their mother was indeed first,
and then came in their regard not Jacob, but their grandparents; and he
found to his surprise that the Huxams attracted his sons and eldest daughter.
It puzzled him, even angered him; but he rarely exhibited his secret
annoyance and never to any but Margery.
Jacob Bullstone was exacting in trifles, and Margery, while she had
waived certain pleasures that meant much to her in her early married days,
always hoped to gratify them when her children were grown out of
babyhood and life still beckoned. Now, in sight of their crucial years
together, it was too late, and having from the first fallen in with her
husband's solitary mode of life, she found it had become impossible to
make him more gregarious and sociable. She loved her fellow-creatures and
companionship; he preferred loneliness and found the company of his
family more than sufficient. She was ambitious to entertain a little and
loved to see friends at Red House, or visit them; he cared not for hospitality
and could seldom be prevailed upon either to accept it, or offer it. He was
always craving for peace, while she found so much solitude to be
melancholy, and often sighed for distraction. She was but thirty-four and
her cheerful nature and ready sympathy made her popular. He was fifty and
regarded the life he liked as more dignified and worthy of respect, excusing
his hermit instinct in this manner. She loved to talk of her own and praise
her children in the ears of other mothers. He deprecated this desire strongly
and was morbidly sensitive about praising anything that belonged to him.
At the same time he would grow silent if others took his own cue, or
ventured to criticise unfavourably so much as a dog that he esteemed.
There was one golden link, and sometimes Margery confessed to her
father, though not to her mother, that Auna, the baby of the family, held all
together and might be called the little saviour of the situation and the central
fact of the home. She was physically her mother again—more like Margery
when eighteen, than Margery herself now was. She had her mother's eyes
and hair, her long, slim legs, her sudden laugh. She was an attractive child,
but very shy with strangers. Yet her good nature made her fight this instinct
and she pleased better in her gentle way than her more boisterous sister. Her
brothers made Avis their heroine, since she could do all they could
themselves and play boys' games; but Auna found this no sorrow. Her father
was supreme in her affections and his own regard for her echoed her
adoration.
He made no favourites openly, yet the situation could not be hidden and
none was jealous of Auna, since none ever had any ground for grievance.
His regard for Auna surpassed that for the others, and she loved him far
better than they did. Margery would not quarrel with the fact, and Jacob
explained it in a manner which left her no cause for complaint.
"It's natural that, after you, she should come first with me," he told his
wife privately—indeed he often repeated the sentiment. "She's you over
again—you, to every trick and turn—you, even to the tiny fraction your
right eyebrow's higher than your left. In body she's you, and in mind she'll
be you and me rolled into one. And she loves me more than the others all
put together, just as you love me more than they do. So never wonder; and
never fear I'll do less than my whole duty to every child of mine."
She never did fear that and was only sorry for him, that life had drawn
this difference. With such a man it was inevitable that he would react
fiercely in heart, though not out of reason. He was sensitive and knew
himself not popular; and when he confessed as much and she told him that
the fault was his own, since he would not court his neighbours and give
them opportunity to learn his worth, he would laugh and say she was
doubtless right. Yet, of the few friends that he had, he was very jealous, and
when a man offered friendship and presently cooled off, as sometimes
happened, by accident rather than intent, Jacob suffered secretly and
puzzled himself to invent explanations, when often enough the other,
pressed by a harder life than his own, had merely let him slip a little from
force of circumstances, yet still imagined him a friend.
Margery regretted her mother-in-law very heartily, for she had been a
valued factor in the home and acted as anodyne of trouble on many
occasions. She had taught her son's wife some precious truths concerning
Jacob and made her feet firm in certain particulars. She had won the
affection of her grandchildren also and she always possessed an art to
satisfy Jacob himself. But she was gone and with her much that Margery
had only dimly appreciated, but now missed. The wife also tended to forget
a point or two that had been wiselier remembered.
Jacob broke out sometimes and said things that must have caused
Margery uneasiness, had she not assumed their insignificance. What he
spoke in rare fits of anger was always of the surface and unimportant to
Margery, yet in another ear, if any had heard him, these speeches might
have sounded ominous. Galled sometimes by thoughtlessness in his sons, or
at an answer lacking in respect, he would roar harmlessly and even threaten.
She had heard him say that, since Auna was the only one who cared a straw
for his opinions, and valued his fatherhood in her, she should be the only
one he should remember. But these things were summer thunder and
lightning to his wife. Whatever his offspring might do, short of open wrong,
would never influence Jacob. What was hidden she regarded, indeed,
fearfully for its mystery; but that it would ever rise into injustice, folly,
madness she denied. He was a man too forthright and fixed in honour and
justice to wrong any fellow-creature.
And this she felt despite difference in religious opinion. She had never
probed this matter, but was aware that Jacob did not share the convictions
she had won in her home. He seldom went to church and seldom, indeed,
discussed religion at all; but he never spoke of it without great respect and
reverence before his children, though sometimes, to her, he allowed himself
an expression that gave her pain.
She did not doubt, however, that under his occasional contempt for her
mother's religious practices, Jacob remained a good Christian at heart.
Indeed he had never questioned the verities of Christian faith, or regarded
himself as anything but a religious man. But his plain dealing and
scrupulous honesty sprang from heredity and was an integral part of his
nature. He felt no vital prompting to religious observance in public, and his
dislike of crowds kept him from church-going save on very rare occasions.
Margery knew that he prayed morning and evening, and had indeed
reported the fact to her mother, who distrusted Jacob in this matter. For her
son-in-law himself Mrs. Huxam did not trouble; but she was much
concerned in the salvation of her grandchildren.
Margery wandered down the valley one afternoon when the leaves were
falling and the river making riot after a great rain in mid-moor. She always
liked these autumnal phases and loved to see the glassy billows of the water
roll, as they rolled when she came so near drowning in her marriage year.
She proceeded to meet Jacob, who would presently return from Brent,
whither he had been to despatch some dogs by train; and now she fell in
with Adam Winter, riding home on a pony over Shipley Bridge. She was
glad to see him, counting him among her first friends, and he welcomed her
and alighted.
"Haven't met this longful time," she said and shook hands. This they
never did, but for once the fancy took her and he responded.
"Leaf falling again," replied Adam, "and the autumn rain upon us. A
good year, however—middling hay and corn, good roots and good grazing."
"All right. 'One day followeth another,' as the Book says. And they're all
mighty alike at Red House. We don't change half so much as the river. Auna
was rolling down like this when I went over the waterfall, and you got wet
on my account."
"Sixteen year next month; I haven't forgotten."
"It's a long time to remember anything; but I've not forgot neither.
How's my brother, Jeremy, treating you?"
Adam laughed.
"New brooms sweep clean; but he's made a great start, and don't he look
a pretty picture in his trap? Up he comes, punctual as postman, every
Thursday afternoon for the butter and eggs. Long may it last."
"And Jane's suited too—so far. She gets off to Plymouth market on
Friday morning, and has done very clever indeed up to now."
"It was a great start in life for them, and like your husband to give it. A
wonderful good thing to do. Jeremy knows his luck I hope. But there—
Providence cares for the sparrows, though it over-looks the starlings in a
hard winter. Jacob's a good un, Margery."
"And heavy as gold—so a man answered, when I said that very thing
about Bullstone not a month ago. But I withstood him there. He's not heavy
—only a self-centred man. And why not? With a home and a wife and
children and a business, all packed up in the valley so snug and prosperous,
why shouldn't he be self-centred? Why does he want to be anything else?"
"It's narrow for a man," she answered, "and I often wish he'd go in the
world more, and welcome the world at Red House for that matter."
"I believe I might. You'd make a very good husband, Adam. A good
husband wasted. But why? It's not too late. Why don't you take a wife? I
should be glad, for it would mean another woman here, and new ideas."
"For your sake I would then," he said. "But the time's past, if it ever
came. I've got a bachelor nature and plenty to think upon without a wife."
"Lookers on see most of the game. I'm sure you're a lot cleverer and
more understanding than most married men."
"The open mind's a very good thing. I'd sooner be puzzled than always
think I knew. Such a lot always think they know; and always know wrong."
"If my Jacob could look at things from outside, same as you do; and not
always from inside, same as he does, then he'd see a lot clearer all round
life."
"He sees clear enough what he wants to see. He don't waste his time
looking at doubtful or uncertain things. What he does see, he sees; and so,
on his own ground, he can't be beat. I may see a bit farther and a bit more,
but my vision's cloudy. I'm not certain of anything."
"The fog will lift if fog there is. No man can do the things he does and
lack for the Guide, I reckon."
"I'll tell him what you say. Belike it would please him."
"Better not. He's not one to care what I might say. I'm a slight man in his
eyes. He might even think it was cheek my praising him."
"He thinks well of you and says it's a fine thing the way you work."
"I wish we could look forward. There's some things I'd dearly like to
know," said Margery.
"Lord! What a lot we should do to fight for ourselves and them we care
about if we could do that," he answered. "If we could look on ten years
even and see how we had changed—how habits had grown up and fastened
on us, how faith in our neighbours had gone, perhaps, and how, with the
years, we'd got more cunning, and harder and more out for Number One—
how we'd set to work to fight ourselves—eh?"
"It's you," she said. "It's you, Adam. You don't need to fear the years.
But I do. I'm different, because I've got children. It's for them I'd love to
look on, so as I might head off the dangers, if dangers showed!"
"None have less to dread than you in that direction. Wonderful children
—healthy, hearty, sensible. You and Jacob have made a very good blend for
the next generation, and that's something to be thankful for. If marriage is a
lottery—then what are childer? Look at my family. Who'd have dreamed
that my fine mother and my good, sane father should have had Samuel, and
Minnie, now in her grave, and me—me—only better than Samuel by a hair,
and often quite as mad as him! But there it was. The poison was hid away in
my mother's family, and they never told father till after he was wedded. A
very wicked thing and ought to be criminal—eh? My mother went off her
head after Sam was born and had to be put away for a bit. But she recovered
and never got queer again."
"I'd like to see you on one of your mad days," she said. "But now it's
you telling fibs, not me. Never was a saner man than you; and if you weren't
so sane, you'd be sad. But if you're sad, you don't show it. When I'm sad, I
can't hide my feelings."
"Much pleasanter not to hide 'em, if you've got somebody close at hand
to understand 'em. That's one of the compensations of a good marriage—to
share sorrow and halve the weight of it."
"Sounds all right," she said. "Perhaps, after all, there's some things we
married ones know better than you that bide single."
"For certain. Practice knocks the bottom out of a lot of fine theories."
"The things that you can share with another person don't amount to
much," she told him. "The sorrow that can be shared, and so lessened, is
only small. If one of my children was to die, would it make it better for me
because Jacob took on? No."
A child appeared at this moment and Auna approached from the abode
of Mr. Marydrew. Her father's movements were not often hidden from the
little girl and she was now about to plunge down the woody lane under
Shipley Tor by which he must soon return.
"And how's old Billy, my duck?" asked Margery.
"His cough has gone," said Auna, "and he gave me this brave stick of
barley sugar."
"I haven't sucked it yet," she said. "I won't suck it till father's had a bit."
"He'll be along in a minute, my dinky dear, and give you a ride home."
"Billy's terrible fond of her, ever since she went in once, unbeknownst
to us, to cheer him up when poor Mercy died. She popped in like a mouse,
and sat beside him, and told him what she'd come for; and he liked it."
"A good old pattern of man and wise enough to care for childer about
him."
"And who cares for them better than you? A fine father you would have
been, and I tell you again it's not too late."
"I've got Sammy—and a very good child too, when he's not crossed.
But he can be ugly."
"Small blame to you for not marrying," she said, "I chaff you, Adam;
but very well I know why for you didn't."
They relapsed into a lighter mood, and it happened that Winter had just
uttered a sharp comment on one of Margery's speeches, which made her
pretend to be angry. They were both laughing and she had given him a push
backwards, when Jacob came round the corner in his cart with Auna beside
him. He had seen the gesture and Margery perceived that he must have done
so; but Adam's back was turned and he did not know that Bullstone had
appeared.