Chapter
First EMPIRES AND
CoMMON CULTURES
in AFRO-EURASIA,
1250-325 BCE
Rig-Veda (c. 1700-1100 BCE)
‘The Rig-Veda is a collection of sacred hymns; it is among the oldest
examples of Sanskrit literature and of Hindu religious texts. The name
comes from the Sanskrit words rg (praise) and veda (knowledge). The
Rig-Veda is one of four canonical Hindu texts, each of which has a
specific religious and social function. Sections of these Vedas are still
recited as prayers, an indication of Jong cultural continuities that
survived processes of political change. The text originated between 1700
and 1100 ace in the anéient kingdoms of northwestern India—and so
Soincides with the period of Vedic migrations.
For atleast a millennium, the Vedas survived only orally, with
spec ;
est formulas, performance, and mnemonic markers serving to
intain remarkable continuity,
The Rig-Veda is organized into 10
may .
moe etek) of varying lengths and purposes: religious ritual,
flowing 'ymns, sacrifices, and commentary on everyday life, The
selection, from Hs i :
through eerie” 7m Hymn 90 in Book 10, tells story of creationFIRST EMPIRES AND COMMON CULT URES
108
usha, thousand-eyed, thousand-footeq__
Thousand headed Pare all sides, still extends ten —
he, having pervaded the eart
beyond it.
Purusha al
going to be. Peas :
it of food. i
Re rina geanieds greater, indeed, than this is Purusha, ly
creatures constitute but one-quarter of him, his three-quarters are
the immortal in the heaven.
With his three-quarters did Purusha rise up; one-quarter of
him again remains here. With it did he variously spread out on all
sides over what eats and what eats not.
From him was Viraj born, from Viraj the evolved Purusha. He,
being born, projected himself behind the earth as also before it.
‘When the gods performed the sacrifice with Purusha as the
oblation, then the spring was its clarified butter, the summer the
sacrificial fuel, and the autumn the oblation.
The sacrificial victim, namely, Purusha, born at the very begin-
ning, they sprinkled with sacred water
With him as oblation,
the Sadhyas [a class of
seers].
From that wholl
Jone is all this—whatever has been and whatever is
is the lord of immortality and also of what
upon the sacrificial grass.
the gods performed the sacrifice, and also
f semidiyine beings] and the rishis [ancient
ly offered sacrificial oblation were born the
verses [re] and the sacred chants; from it were born the meters
hein the sacrificial formula was born from it.
e ihe horses were born and also those animals who have dou-
From mae? UPPet and lower} of teeth: cows were born from it,
a were born goats and sheep. :
oe :
a tha ee seed Purusha, in how many different portions
arms? What wa Ty became of his mouth, what of his two
Hy asia Wachanarh thighs and his two feet called? .
Tajanya; his two ‘hig ans his two arms were made into
shtdra was born, 88 the vaishyas; from his two feet the
radition, edited by Aincli, New
Press, 1988), by Ainslie T. Embree (!UPANISHADS 109
‘The moon was born from the mind, from the eye the sun was
porn; from the mouth Indra and Agni, from the breath [pra] the
‘vind [ayul Was born.
From the navel was the atmosphere created, from the head the
heaven issued forth; from the two feet was born the earth and
the quarters (the cardinal directions) from the ear. Thus did they
fashion the worlds.
Seven were the enclosing sticks in this sacrifice, thrice seven were
the ire-sticks made when the gods, performing the sacrifice, bound
down Purusha, the sacrificial victim.
With this sacrificial oblation did the gods offer the sacrifice.
These were the first norms [dharma] of sacrifice. These greatnesses
reached to the sky wherein live the ancient Sadhyas and gods.
Questions
. Paragraph 11 is an explicit discussion of varna (later called castes, after
the Portuguese term). How does this hymn describe or justify the hierar-
chical relationships among Brahmin (priests and nobles), Rajanya
(warriors and administrators), Vaigya (merchants, cattle herders, arti-
sans), and Sidra (servants and unfree peasants)?
How does this hymn characterize the relationships between humans
and the natural world?
On one level, this hymn is a creation story—the birth of the cosmos,
People, and animals from various parts of Purusa. How is sacrifice
related to creation here? Why might such a tale be appealing in a soci-
¢ty with strong memories of recent conflict?
Upanishads (first millennium BcE)
The Upanishads
a collection of Indian sacred texts, have grown over
Centuries; s¢
sha ome have even been added in modern times. The earliest
* However, date to the middle of the first millennium ace, and inchide
iti ie fundamental principles of Hinduism. They also influenced
ues prent of Buddhism and other faiths. The excerpt here lays out
basic ideas of karma and reincarnation, linking people’s‘Ss
110 | FIRST EMPIRES AND COMMON CULTURE:
nd .d desires in their current life to the fate of their soul in the
conduct an
future.
os
i ducts himself, so doe:
i ts, according as one con : '
‘According as one act serach eat ean
. The doer of good becomes good.’ :
Bronte virtuous by virtuous action, bad by bad action,
But people say: “A person is made [not of acts, but] of desires
only? [In reply to this I say] As is his desire, such is his resolve; as
is his resolve, such the action he performs; what action (karma) he
performs, that he procures for himself.
On this point there is this verse:-—
Where one’s mind is attached—the inner self
Goes thereto with action, being attached to it alone.
Obtaining the end of his action,
Whatever he does in this world,
He comes again from that world
To this world of action.
—So the man who desires,
ee *
a Now a = whe does not desire—He who is without desire,
0 is ‘rom desire, whose desire i: i ire i
tidninanen pis sire is satisfied, whose desire is
to Brahma, depart. Being very Brahma, he goes
Accordin,
pect is, inde ai are of pleasant conduct here—the pros-
womb of a Brahman, or pu emer @ pleasant womb, either the
Vaigya, But thse wis or the womb of a Kshatriya, or the womb of
are of stinking conduct here—the prospect is,
indeed, that they wi
sie se. ah mr 4 stinking womb, either the womb of a
ec,
or the womb of an outcast (candala).
bert Ernst Hume,
: , The Thi
(Oxford: Oxford University Pross tis a
Principal Upanisha
Ipanishads
PP 140-41, 233,Vv
WHEN SENNACHERIB'S FORCES MET HEZEKIAH 111
Questions
what happens to the person who is Free of earthly desires?
1, Wha
those who are reborn in this world, what determines what kind of
7
> a they are reborn in?
What are the possible outcomes for those who have not behaved well
a their current life? What does this suggest about social hierarchy in
i
this world?
When Sennacherib’s Forces Met Hezekiah
(c. 700 BCE)
Asrecorded on many reliefs in imperial palaces—most notably Sennach-
eri’ reliefs of the siege of Lachish displayed at Nineveh and Tiglath
Pileser III's earlier reliefs at Nimrud—one way the Neo-Assyrians
naintained tight control over their centralized empire was through
brutal conquest and deportation of any who would resist the “yoke of
Ashur” One such resistance against Neo-Assyrian rule took place in
Judah, the southern kingdom of Israel, led at the time by King Hezekiah.
Records survive that offer both the Neo-Assyrian and the Jewish
Petspective on this particular moment around the year 700 BcE, From
the Neo-Assyrian perspective, the so-called ‘Taylor prism records on its
Sitsides, in 500 lines of cuneiform script in Akkadian, the first eight
ns of Sennacherib. Sennacherib (t. 705-681 nce) ruled the
eae Empire at its height. His third campaign described on the
Hite ances {he fight against Judah, among other opponents such as
with ies and Egyptian contingents. From the Jewish perspective,
5 extays ‘Mt 2 Kings 18-19 records the exchanges between Sennach-
"tance x the People of Judah, Hezekiah’s anxiety over his
Sou wie ennacherib and his consultation with the prophet Isaiah
in the face of Neo-Assyrian might. 2 Kings, from which
was part of a series of historical texts preserved in
nd was likely composed in the sixth century BCE. The
et offer gn cherib’s campaigns on the Taylor prism and 2 Kings
roms mine valuable opportunity to compare completely separate
Tent genres, from diametrically opposed sides, reflecting
1 Hel ew Bibl
Seideot en