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All rights reserved. No part of this book may be reproduced,
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otherwise, except as may be permitted by law or expressly
permitted in writing by the Publisher.
1 2 3 4 5 6 24 23 22 21 20 19
Acknowledgments
Text acknowledgments and copyrights appear at the back of the
book on pages 488–489, which constitute an extension of the
copyright page. Art acknowledgments and copyrights appear on
the same page as the art selections they cover.
7
8
Preface
Many students are asking why they should go into journalism
these days. The constant partisan attacks on the press at the
national level roll like an avalanche down to the smallest news
outlet. Trust in the media has suffered from the toxic atmosphere.
Journalists are subjected to verbal and sometimes physical
abuse.
Now, perhaps more than ever, the country needs young people
who are willing to ask questions of those in power. Who are willing
to spend hours at meetings and hours poring over documents to
reveal what public officials are doing. Who are willing to support
democracy by doing the hard work of being watchdogs.
9
to covering California wildfires; from covering politics in
Washington to covering the city council in your hometown.
10
foundations for both journalism and public relations, no matter the
medium. We’ve also updated our current examples and issues,
while still modeling in these examples — and in our own writing —
the clear and descriptive writing that journalism students must
learn. Our emphasis on these topics in the textbook, combined
with robust online support and practice opportunities, ensures that
students will have more opportunities than ever before to practice
and refine their skills.
11
New to This Edition
We welcome to this edition our first new co-author since the first
edition, published in 1980. Beverly J. Horvit is an experienced
journalist who for six years has taught and served as coordinator
of our basic news-writing class at the University of Missouri. After
having used the book for even longer, she was able to make
invaluable contributions to this edition with a fresh, diverse
perspective.
12
Chapter 11, Writing for Digital Media, has been updated
with examples of how news sites used new techniques to
report the confirmation of a Supreme Court justice. The
section on how writing for the web differs from writing for
other media is expanded and upgraded. Techniques for
driving traffic to your website through social media are
explored.
LaunchPad Solo for Journalism 2.0, an updated and
reorganized version of the previous edition, includes the
downloadable student workbook, videos with discussion
questions, thousands of Exercise Central for AP Style
quizzes, and downloadable instructor resources including
lecture outlines and recommended in-class activities. The
videos get students thinking critically about news media by
giving them an insider’s look at journalism from a variety of
provocative angles while the Exercise Central for AP Style
quizzes give them further opportunity to hone in on skills that
will improve their writing at its core.
New material in the law chapter includes tips on gaining
access to public records, as well as a section on prior
restraint.
Two new annotated models, “Using Quotes Effectively”
(Chapter 5) and “Analyzing a Speech Story” (Chapter 13),
deconstruct stories, to show students how all the pieces of a
story fit together.
Ten new “On the Job” boxes that prepare students for
contemporary careers and provide a more diverse set of
subjects and jobs for students to explore. In every chapter, a
working journalist illustrates how the skills students learn in
class have prepared them for careers across the media and
13
in public relations in today’s challenging and evolving job
market. Many of the newest boxes focus on new job
opportunities and challenges created by a field in transition.
They discuss how a journalist’s role can change and expand
unexpectedly because of technology, and they suggest ways
journalists and public relations professionals can embrace
that change and stay engaged with their work.
Our new chapter on public relations reflects the growing role
of public relation activities in a range of applications including
the evolving role of social media. By showing how PR fits into
the broader strategic communications field, we broaden the
number of career possibilities for students.
A reorganization of Chapters 3-5 (Gathering and Verifying
Information, Interviewing and Quotations and Attributions),
allows students to more easily build upon skills as they make
their way through the text, creating a more seamless flow of
content.
14
Enduring Features of the Text
Users of News Reporting & Writing have come to expect that
every new edition of our textbook will be readable and current as
well as deeply focused on journalistic essentials. We are proud to
continue to offer the following features:
15
addition, throughout the book, we offer students a framework
for critically assessing the ethical questions they will face as
journalists. In addition, we dedicate Chapters 19 and 20 to
legal and ethical matters.
A chapter on math for journalists. News Reporting &
Writing includes a chapter on “Reporting with Numbers”
(Chapter 7), which stresses the importance of using and
understanding data — a vital skill for political and business
news writers in particular.
Coverage of common grammar issues, Associated Press
style, and proofreading and copy editing symbols — in
print and with the best online tools. The appendices
provide helpful information students need to turn in polished,
professionally edited copy and an easy-to-find reference for
proofreading and copy editing symbols is located at the end
of the book. In addition, thousands of accompanying online
exercises offer students additional opportunities to improve
their grammar and AP style knowledge
(launchpadworks.com).
New digital formats. The PDF e-book for News Reporting &
Writing includes the same content as the print book, offering
an affordable option for students. Learn more about PDF e-
books at macmillanlearning.com/ebooks.
16
Resources for Students and Instructors
As before, News Reporting & Writing is supported by a range of
effective resources for students and instructors. For more
information, please visit the online catalog at
macmillanhighered.com/newsreporting13e/catalog. The
following ancillaries are available with this edition:
17
macmillanhighered.com/newsreporting13e/catalog. The
manual is also downloadable in modules from LaunchPad
Solo for Journalism.
18
Acknowledgments
Our colleagues and students at the University of Missouri have
given us invaluable feedback on the book, for which we are
grateful.
19
Meriwether, Columbia College Chicago; Selene Phillips, University
of Louisville; Janita Poe, Georgia State University; Ladonia
Randle, Texas Southern University; Gary Shaffer, Ocean County
College; and David Shanks, Louisiana State University.
20
McBride, Columbia College Chicago; Carole McNall, St.
Bonaventure University; Kristi Nies, Peru State College; Jean
Reid Norman, University of Nevada, Las Vegas; Carolyn Olson,
Maryville University; Debra Patterson, Motlow State Community
College; Deidre Pike, Humboldt State University; Richard Puffer,
Coker College; Leland “Buck” Ryan, University of Kentucky; Cathy
Stablein, College of DuPage; Scott A. Strain, Laney College;
Margaret Tebo, Columbia College Chicago; Cynthia Thomas,
Grand Valley State University; Hai Tran, DePaul University; Mike
Trice, Florida Southern College; Maureen Tuthill, Westminster
College; Tsitsi Wakhisi, University of Miami; Tracy Warner,
Indiana-Purdue, Fort Wayne; Thomas E. Winski, Emporia State
University; and Vallorie Wood, Kennesaw State University.
21
Brian S. Brooks
Beverly Horvit
Daryl R. Moen
22
23
Brief Contents
Preface
PART ONE JOURNALISM AND JOURNALISTS
1 The Nature of News
2 The State of the News Industry
PART TWO REPORTING TOOLS
3 Gathering and Verifying Information
4 Interviewing
5 Quotations and Attributions
6 Using News Releases as Sources
7 Reporting with Numbers
PART THREE STORYTELLING
8 The Inverted Pyramid
9 Writing to Be Read
10 Alternatives to the Inverted Pyramid
PART FOUR WRITING FOR SPECIFIC MEDIA
11 Writing for Digital Media
12 Writing News for Radio and Television
PART FIVE BASIC STORIES
13 Covering a Beat
14 Speeches, News Conferences and Meetings
15 Other Types of Local Stories
16 Business and Consumer News
PART SIX SPECIALIZED TECHNIQUES
24
Another random document with
no related content on Scribd:
48. “Lyr is it called, | and long it shall
On the tip of a spear-point tremble;
Of the noble house | mankind has heard,
But more has it never known.”
Svipdag spake:
Fjolsvith spake:
[248]
Svipdag spake:
Svipdag spake:
Fjolsvith spake:
Svipdag spake:
Svipdag spake:
Fjolsvith spake:
[250]
Svipdag spake:
Fjolsvith spake:
Mengloth spake:
Svipdag spake:
Mengloth spake:
[234]
[Contents]
NOTES
[235]
1. Svipdag (“Swift Day”): the names of the speakers are lacking in
the manuscripts.
7. Urth: one of the three Norns, or Fates; cf. Voluspo, 20. [237]
8. Horn and Ruth: these two rivers, here used merely to symbolize
all dangerous streams, are not included in the catalogue of rivers
given in Grimnismol, 27–29, for which reason some editors have
changed the names to Hron and Hrith.
10. This stanza is a close parallel to Hovamol, 150, and the fifth line
may well be an interpolation from line 4 of that stanza. [238]
16. At this point Groa’s song ends, and Svipdag, thus fortified, goes
to seek Mengloth. All the link that is needed between the poems is
approximately this: “Then Svipdag searched long for [239]Mengloth,
and at last he came to a great house set all about with flames. And
before the house there was a giant.”
17. Most editors have here begun a new series of stanza numbers,
but if the Grougaldr and the Fjolsvinnsmol are to be considered as a
single poem, it seems more reasonable to continue the stanza
numbers consecutively. Bugge thinks a stanza has been lost before
17, including Fjolsvith’s name, so that the “he” in line 1 might have
something to refer to. However, just such a prose link as I have
suggested in the note on stanza 16 would serve the purpose. Editors
have suggested various rearrangements in the lines of stanzas 17–
19. The substance, however, is clear enough. The giant Fjolsvith
(“Much-Wise”), the warder of the house in which Mengloth dwells,
sees Svipdag coming and stops him with the customary threats. The
assignment of the [240]speeches in stanzas 17–20, in the absence of
any indications in the manuscripts, is more or less guesswork.
24. Svafrthorin: who he was, or what his name means, or who his
son was, are all unknown.
26. Thrymgjol (“Loud-Clanging”): this gate, like the gate of the dead,
shuts so fast as to trap those who attempt to use it (cf.
Sigurtharkvitha en skamma, 68 and note). It was made by the
dwarfs, sons of Solblindi (“Sun-Blinded”), the traditional craftsmen,
who could not endure the light of day. [242]
32. Gering suggests that two stanzas have been lost between
stanzas 15 and 16, but the giant’s answer fits the question quite well
enough. The fruit of Yggdrasil, when cooked, is here assumed to
have the power of assuring safe childbirth.
36. Gif and Geri: both names signify “Greedy.” The first part of line 3
is conjectural; the manuscripts indicate the word “eleven,” which
clearly fails to make sense. [245]
46. Sickle: i.e., tail feather. With this the circle of impossibilities is
completed. To get past the dogs, they must be fed with the wing-
joints of the cock Vithofnir; the cock can be killed only [247]with the
sword in Sinmora’s possession, and Sinmora will give up the sword
only in return for the tail feather of the cock.
50. Loki, the one god named, was the builder of the hall, with the aid
of the nine dwarfs. Jari, Dori, and Ori appear in the Voluspo
catalogue of the dwarfs (stanzas 13 and 15); Delling appears in
Hovamol, 161, and Vafthruthnismol, 25, in the latter case, however,
the name quite possibly referring to some one else. The other
dwarfs’ names do not appear elsewhere. The manuscripts differ as
to the forms of many of these names. [248]
[Contents]
VÖLUNDARKVITHA
The Lay of Völund
[Contents]
Introductory Note
Between the Thrymskvitha and the Alvissmol in the Codex Regius
stands the Völundarkvitha. It was also included in the Arnamagnæan
Codex, but unluckily it begins at the very end of the fragment which
has been preserved, and thus only a few lines of the opening prose
remain. This is doubly regrettable because the text in Regius is
unquestionably in very bad shape, and the other manuscript would
doubtless have been of great assistance in the reconstruction of the
poem.
There has been a vast amount written regarding the Weland tradition
as a whole, discussing particularly the relations between the
Völundarkvitha and the Weland passage in Deor’s Lament. There
can be little question that the story came to the North from Saxon
regions, along with many of the other early hero tales. In stanza 16
the Rhine is specifically mentioned as the home of treasure; and the
presence of the story in Anglo-Saxon poetry probably as early as the
first part of the eighth century proves beyond a doubt that the legend
cannot have been a native product of Scandinavia. In one form or
another, however, the legend or the smith persisted for centuries
throughout all the Teutonic lands, and the name of Wayland Smith is
familiar to all readers of Walter Scott, and even of Rudyard Kipling’s
tales of England.
Once let a figure become popular in oral tradition, and the number
and variety of the incidents connected with his name will increase
very rapidly. Doubtless there were scores of Weland stories current
in the eighth, ninth, and tenth centuries, many of them with very little
if any traditional authority. The main one, however, the story of the
laming of the smith by King Nithuth (or by some other enemy) and of
Weland’s terrible revenge, forms the basis of the Völundarkvitha. To
this, by way of introduction, has been added the story of Völund and
the swan-maiden, who, to make things even more complex, is
likewise said to be a Valkyrie. Some critics maintain that these two
sections were originally two distinct poems, merely strung together
by the compiler with the help of narrative prose links; but the poem
as a whole has a kind of dramatic unity which suggests rather that
an early poet—for linguistically the poem belongs among the oldest
of the Eddic collection—used two distinct legends, whether in prose
or verse, as the basis for the composition of a new and
homogeneous poem.
[Contents]
[254]
[256]
2. . . . . . . . . | . . . . . . . .
Hlathguth and Hervor, | Hlothver’s children,
And Olrun the Wise | Kjar’s daughter was.
3. . . . . . . . . | . . . . . . . .
One in her arms | took Egil then
To her bosom white, | the woman fair.
[257]