Piano exile (feat.

Bon Iver) - folklore

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Arranged for Piano and Two Voices

 
TheQwertyMaster Taylor Swift

                                   

 = 73

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        
             


 


                                    
A


5

      
             


                                    

9

          
 
        


   
              
       

B


13

                             



                   


      
                    

18

      
               
      


                                    
C


23

          
          

Taylor Swift

                                    
2


27

      
             
 


  
                         
D


31

      
           


        


   
                     
  
35

                           

                  


                       
E

                
40

   
                        


      


 
                 
45

 
                      

     


 
                 
49

 
                      

     

Taylor Swift

         
3

             
    
53
F

 
                        


  
       


     
                  
    

58

                              
   
                


                       
G

    
63

 
                         


    
    


     
                 
68

 
                  
        



 
                 
72

 
                     
     



                 
     
76

 
                          
 


       



Taylor Swift

    
4

              
81

  
                
    


Taylor Swift