Professional Documents
Culture Documents
(Sasha Lord ACE Application 2020) Primary Event Solutions Application - Redacted
(Sasha Lord ACE Application 2020) Primary Event Solutions Application - Redacted
(Sasha Lord ACE Application 2020) Primary Event Solutions Application - Redacted
Introduction
Thank you for your interest in the Culture Recovery Fund: Grants second
round.
The aim of this Culture Recovery Fund: Grants second round is to support
organisations as they transition back to a viable and sustainable operating
model during April-June 2021.
The first few screens are autofilled with information you have already
provided in your applicant profile. If you need to make any amendments,
go back to the ‘Applicants’ section and edit your applicant profile.
All our text boxes have a character limit. Please stick to this character limit
as any additional text won’t be saved.
Applicant details
Address information
Section
Street:
Locality:
Town / city:
Postcode:
Main contact number:
Email address:
(Organisation email address
if applicant is an organisation)
40.2
Website address: primaryeventsolutions.com
Fax number:
Contact type Main First name Last name Primary contact Email
contact number
Board member Yes
Section 40.2
Contact details
Basic Details
Our clients include major festivals (Lovebox, Reading, Isle of Wight, Latitude),
boutique festivals (Wilderness, Wireless), location-based events (Jodrell Bank),
city-wide events (Pride, Tramlines, Hull City of Culture) and year-round activity
(Manchester LGTBQ+ Village).
Section 43.2
1. Tell us how you have managed the impact of Covid-19 so far, and why
you are unable to transition to viability and sustainability from 1 July 2021
without additional support:
(Up to 4,000 characters including spaces, approximately 700 words)
Financial viability:
We have retained staff as long as possible but have been forced to take
measured steps to save the company.
Initially 40 staff were placed on the government furlough scheme, with the
remaining staff either leaving the company for other work or unfortunately,
having to be made redundant.
We are shortlisted for a Manchester City Council Covid Recovery Grant for our
cultural significance (amount TBC).
Whilst restrictions are in place, we have diversified income with more corporate
clients, such as the Polish Embassy and have been working with Manchester
City Council Lightopia outdoor festival.
We put ourselves forward to lend our expertise, crew and security for NHS
Nightingale North and to help with the roll-out of the vaccine. Although this was
done for philanthropic purposes, it is pertinent to note that it will potentially draw
an income.
Directors have taken no dividends since Q1 2020.
Our reserves position as of 1st April 2020 was £20,000. Its deployment to
March has been to maintain enough staff as to secure future work when
restrictions relax. However, the scale of the model is unsustainable and by April
this year, we will be in deficit.
Section 40.2
We confirm that we have not received CRF and that this support is not on
behalf of a group or other companies. This funding is purely for transitioning
Primary Events to a position of financial viability and sustainability.
2. Tell us how you will use this grant to support your cultural operation
between April - June 2021 in a way that represents value for money:
(Up to 4,000 characters including spaces, approximately 700 words)
Cultural activity:
We are currently partially operating, with two clients and a reduced workforce.
We will be working with some of the most significant events in the northern
cultural calendar:
Section 43.2
Bury Met: April-Dec 2020 we were commissioned to transform their studio into
an online platform and develop their programme to inc. jazz, LGBTQ+ events
and BAME artists. We put on 47 livestream shows, hosting 358 artists to
20million viewers and will continue to support in Q2.
Planning will be taking place for our work at Parklife and the major, autumn New
Order concert. We will be responsible for safety, operational planning, event
control, onsite management, security, technicians and liaison with GM Police &
Transport for GM. We will be providing essential security and management
personnel for Leeds, Reading, Latitude and Creamfields.
Consumer behaviour:
The New Order (September) show has sold over £25,000 of tickets in one
month.
Parklife Festival has sold 12,000 pre-sale tickets and reports a record number
of pre-registration, online sign-ups.
Latitude is reporting record ticket sales in comparison with the same time in
previous year. As are the other events we work on, such as Leeds, Reading,
Creamfields.
All of these events are programmed for Q3 and Q4. It might be concluded that
the public believe that, especially with the much-publicised vaccine roll-out, that
It is also worth noting these are all outdoor events. As indoor events remain
cancelled, we are relying on building confidence in the outdoor sector. We are
finding that providing advanced information is key to developing this audience
confidence.
Means by which we are minimising the gap between income and expenditure
are covered in the previous section. We have been extremely dynamic in our
use of furlough, restructuring and minimising all non-essential expenditure.
One-off costs:
New Covid training for all new personnel, due to work in 2021.
Servicing and repairing our onsite vehicle, (£550 per month). This is essential
for all of our festival activities.
3. Tell us how you will adapt your plans if restrictions do not ease during
the period as set out in the assumptions:
(Up to 2,000 characters including spaces, approximately 350 words)
Regular dialogue with local, regional and national partners in order to ramp up
activity as soon as is legal and sensible.
Many of our clients programme in Q3 and some have moved their events back
slightly to mitigate risk. 2020 was a devastating year for our business and it is
essential we obtain support to transition us through. If we secure CRF we can
demonstrate that we will be back to a sustainable position by 2022 which in turn
means essential festivals in the UK cultural calendar will continue e.g. Reading,
Leeds, Section 43.2 Caribbean Carnival, etc.
These scenarios are being monitored and managed by the regular meetings of
our Directors and SMT previously described. We also have an extensive pool of
expert freelancers from across the events, music and general culture industry to
draw upon as required.
4. Tell us how you plan to ensure your viability and sustainability for the
period 1 July 2021 - 31 March 2022:
(Up to 2,000 characters including spaces, approximately 350 words)
All spend over £500 will need authorisation from SMT, anything over £5000 to
be signed off by Director.
All rotas will be signed off in weekly SMT review meetings to ensure event
staffing is kept cost-effective.
Full company financial review to take place on quarterly until March 2022.
Future income:
Contracts remain in place for activities cancelled in 2020, rescheduled for late
Q2 onwards e.g.
Reading
Leeds
Parklife
Latitude
Tramlines
Transmit
Risks:
Cultural Significance
We produce, manage & staff significant cultural events across the UK & abroad.
This includes large-scale festivals across regions of the UK e.g. Parklife, Kendal
Calling, Jodrell Bank Live, Festival No. 6, Warehouse Project, Lovebox &
Wilderness; & internationally e.g. Lost & Found, Hideout & BPM.
Section 43.2
Artist development:
Significant opportunities for visual artists at our events, many of whom have
gone on to tour with major, international musicians e.g. Vik Kaushal & Sam
Newson.
Programming opportunities for local & national promoters to host stages at our
festivals. Many of these have gone on to become significant names in the
industry e.g. Metropolis Music & NowWave.
We work with Kyso Collective, providing performance opps and free tickets to
music and theatre events for CYP in socio-economically challenged
circumstances e.g. in Moss Side and Hulm. We also provide free tickets in
partnership with Skiddle, Ticketline and MIF. In 2019, we provided 250 free
tickets to a single show (Bugzy Malone).
Given the wide array of organisations, events & festivals we work with, our
audiences are incredibly diverse. Demographics will differ between LGBTQ+
club events & a LA CYP festival. Overall they consist of 60% Experience
seekers, 30% Kaleidoscope Creatives & 10% facebook families.
Across our events in the UK we estimate we bring approx £182.6million into the
national economy (based on data from MCC, other LAs and Live Nation).
We are responsible for recruiting and placing up to 6016 people annually across
multiple events inc.
32 Sound engineers
69 Electricians
37 Lighting technicians
290 Crew
1500 Bar staff
56 Stagehands
1500 Security
37 Management
29 Event control
800 Police
43 Dog handlers
31 Marketing
23 Videographers
420 Cleaners
210 Caterers
In 2019 we booked 628 hotel rooms
In Manchester alone, between WHP & Parklife we add £41,000,000 to the local
economy per year (data, GMCA).
Every year the Parklife Foundation raises between £100k-£120k for the local
community.
Section 43.2
Application submission Page 17 12/05/2021
Applicant: Primary Event Solutions Section 40.2
Opening up access
6. Please tell us how you will open up access by improving the diversity of
your audiences, visitors, participants, workforce and governance:
(Up to 2,000 characters including spaces, approximately 350 words)
Workforce and governance:
We work w. Pride on regular Diversity training. By April, all staff will be certified.
By Dec we will have a model of Good Practice to share with the entire sector.
By April we will have signed off our Equality Action Plan which will inc. an
assessment of partners and suppliers.
By June our Advisory Board will be developed to include increased 50% BAME,
LGBTQ+, Accessible and Female representation.
Audiences:
For those less physically able we provide accessible bars, audience platforms,
an accessible website, onsite information and specialised helpers. We have
been awarded with Access All Areas Silver Accreditation for work on Parklife.
We will be aiming for Gold by 2022. We offer free carer tickets for all our events.
During 2020 we streamed a BAME live stream event to support the Black Lives
Matter hosting over 100 BAME artists. In 2019 27% of all artists were BAME
and in 2021 we will aim to increase this by 10%. We will only work with clients
that allow us to meet these programming targets. We also commit to producing
at least 2 stand-alone BAME events.
We commit to 20% LGBTQ artists for our live events in 2021. We commit to
producing stand alone LGBTQ events in 2021 such as Homobloc and
Manchester Pride.
Expenditure
The table at the top of the page is a snapshot of the information you are entering, and will
calculate your total expenditure for you as you work. This table is not editable.
The details about each item of expenditure that you add will be shown in the list at the bottom of
the page. You should make sure that you show how your figures have been calculated in the
'Description' field. For example, you should show the number of days and the daily rate for any
fees shown.
You should solely account for the costs you’re applying for Culture Recovery Fund Grants to
cover within this table
Onsite proj...
Section
40.2
Freelance contract costs Three months of external bar staff / security teams Section 40.2
Expenditure details
pension contribution
Amount (£): Section 40.2
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Expenditure details
Delivery plan
* Delivery Timeline
Please use the table to list the main stages and tasks of the delivery from the start date onwards,
and to show who will lead on each part of the delivery.
Enter at least one stage, and add each delivery stage in order.
To create the table, click the 'Add new item' icon on the left of the screen to add a delivery stage.
To add more than one stage, use the 'Save and Add another' button.
The table at the bottom of the page will populate with the information you enter.
Start date End date Activity or task details Task lead
05/04/2021 05/04/2021 Finance meeting Finance Manager
05/04/2021 05/04/2021 Management meeting SMT, Director,
Finance Manager
01/04/2021 23/04/2021 Board diversification with new appointments Director
05/04/2021 12/04/2021 Senior Manager
13/04/2021 13/04/2021 Section 43.2 Senior Manager
13/04/2021 13/04/2021 Factory planning meeting Senior Manager
13/04/2021 13/04/2021 Parklife planning meeting Senior Manager
05/04/2021 15/06/2021 Production of new web design/ socials campaigns / New printed Senior Manager
material
08/06/2021 08/06/2021 Updated H&S & Covid Training Session with any staff currently on the Senior Manager
books, new safety videos
19/04/2021 19/04/2021 SIA Training course Senior Manager
26/04/2021 26/04/2021 Board meeting Director
12/04/2021 30/04/2021 Recruitment drive Senior Manager
26/04/2021 26/04/2021 Meeting with Bury Met to round up on previous activity and plan next Senior Manager
events
27/04/2021 27/04/2021 Section 43.2 Director
28/04/2021 28/04/2021 Creamfields planning meeting Senior Manager
03/05/2021 03/05/2021 Finance meeting Finance Manager
03/05/2021 03/05/2021 Management meeting SMT, Director,
Finance Manager
03/05/2021 07/05/2021 All staff through Equality & Diversity training Senior Manager
17/05/2021 17/05/2021 Board meeting Director
07/05/2021 21/05/2021 Homobloc planning Senior Manager
07/05/2021 21/05/2021 Section 43.2 Senior Manager
Area of benefit
Using the tool below, please enter the location(s) where your activity is happening. To add a
location, click the 'Add new item' icon on the left of the screen. To add more than one location,
use the 'Save and Add another' button.
Name of the venue Country Local authority
Parklife United Kingdom Bury
Warehouse Project United Kingdom Manchester
Bury Met United Kingdom Bury
Creamfields United Kingdom Halton
Section 43.2
Reading Festival United Kingdom Reading
Leeds Festival United Kingdom Leeds
Isle of Wight Festival United Kingdom Isle of Wight
Transmit United Kingdom Glasgow City
Manchester LGBTQ Village United Kingdom Manchester
Latitude Festival United Kingdom East Suffolk
Tramlines (multi venue festival) United Kingdom Sheffield
Wireless Festival (Finsbury Park) United Kingdom Islington
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Venue details
Name of the venue or place (e.g. Oneplace Tramlines (multi venue festival)
Arts Centre):
No UK postcode available: X
Local authority (UK locations only): Sheffield
Have you received any advice from this local No
authority?
Venue details
Name of the venue or place (e.g. Oneplace Wireless Festival (Finsbury Park)
Arts Centre):
No UK postcode available: X
Local authority (UK locations only): Islington
Have you received any advice from this local No
authority?
Attachments
- A completed cashflow template for the period 1 January 2021 – 1 April 2022
- A completed detailed budget template for the period 1 January 2021 – 1 April 2022
- A balance sheet as at 31 December 2020, showing actual levels of restricted and unrestricted
reserves
- A balance sheet projection for 31 March 2021, showing projected levels of restricted and
unrestricted reserves
- Last financial year’s full financial statements (preferably 2019/20 where possible), prepared to
the relevant legal standard for an organisation of your size and status
Your documents can be up to 10MB and we accept PDF, MS Word, MS Excel, MS PowerPoint
and JPEG files.
Document Type Required? Document description Date attached
Cashflow template Yes Cashflow in manda... 25/01/2021
Detailed budget template Yes Budget in mandato... 25/01/2021
Balance Sheet (31/12/2020) Yes Balance sheet as ... 25/01/2021
Balance Sheet Projection Yes Balance sheet pro... 25/01/2021
Last year's full financial Yes Last full year's ... 25/01/2021
statements
Attachment Details
Attachment Details
Attachment Details
Attachment Details
Attachment Details
Declaration
We are committed to being as open as possible. This includes being clear about how we assess
and make decisions on applications to this programme and how we will use your application
form and other documents you give us. We are happy to provide you with copies of the
information we hold about you, including our assessment of your application.
We handle any personal data we receive in accordance with the United Kingdom General Data
Protection Regulation, the UK Data Protection Act 2018 and other applicable laws that regulate
the use and privacy of personal data (Data Protection Law). For more information about the
personal data that we collect, what we use it for, and your data protection rights, please refer to
our Privacy Notice.
As a public organisation we also have to follow the Freedom of Information Act 2000.
You must read the Freedom of Information (FOI) guidance on our website
(https://www.artscouncil.org.uk/freedom-information#section-6) before you sign your application.
1. That we will use this application form and the information you give to us, including any
personal data as referred to in our Privacy Notice, for the following purposes:
a) To decide whether to give you a grant.
b) To provide copies to other individuals or organisations who are helping us assess and
monitor grants, including local authorities, other lottery distributors and organisations that award
grants. After we reach a decision, we may also tell them the outcome of your application and, if
appropriate, why we did not offer you a grant.
c) To hold in our database and use for statistical purposes.
d) If we offer you a grant, as a public funder we are obliged to share information relating to the
activity we have funded, including the amount of the grant and the activity it was for, with the
Department for Digital, Culture, Media and Sport (DCMS) and any partner organisations who
have funded the activity with us. DCMS may publish that information.
e) If we offer you a grant, you will support our work to campaign for arts and culture, contributing
(when asked) to important publicity activities during the period we provide funding for. You will
also give us, when asked, case studies, images and audio-visual materials that we can use to
celebrate artistic and cultural excellence.
f) As an organisation that gives out public funds, we may carry out checks on the personal and
financial information you provide us. If you provide false, fraudulent or inaccurate information in
your application or at any point in the lifetime of any funding agreement we enter into with you,
we may share the information about you with other National Lottery distribution bodies and
relevant external bodies to prevent fraud and money laundering. If we identify or suspect
fraudulent activity we will report this to the police and take appropriate action.
g) If we offer you a grant or other benefit, you will have satisfied yourself, whether by reference
to independent legal advice or otherwise, as to compliance with relevant State aid rules,
including any new UK subsidy control regime.
4. You have read and understood our Freedom of Information (FOI) guidance
(https://www.artscouncil.org.uk/freedom-information#section-6) and acknowledge that if
information about this application is requested under the FOI Act, we will process that request in
line with our obligations under the FOI Act.