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C O N T E N TS
Preface x
New to this Edition xv
Reviewers of the Second Edition xvi
About the Author xvii
PA RT T WO Historiography in the
Contemporary World 131
was nothing else we wanted to do more than pursue our work. The
majority of readers of this book will undoubtedly pursue other careers
rather than becoming professional historians. I hope this book will
have helped them appreciate history more, even if they only pursue
it as a hobby in later life or neglect it altogether. But I also hope it will
have helped them understand what it means to find a career that really
engages one, body and soul.
This book owes a great deal to the encouragement of my editor at
Oxford University Press, Charles Cavaliere, who suggested the proj-
ect. A stay as a scholar in residence at the Research School of Social
Sciences at the Australian National University in 2012 gave me valu-
able time to start on the work, which could not have been completed
without the assistance of the staff of the University of Kentucky library.
I am grateful to innumerable friends and fellow historians for their
comments and suggestions, including my colleagues at the University
of Kentucky, who read one chapter in our departmental seminar in
2014, and the graduate students in my class on “Historical Criticism”
in spring 2014, who served as guinea pigs for the first half of the book.
David King provided valuable insights into the life of a historian writ-
ing for a general audience, and John Carland, Darrell Meadows, and
Daniel Vivian have done likewise in helping me write about opportu-
nities for public historians. Thanks to Valerie Barske and Fred Rosen-
baum for answering my queries about their work and to the staff of the
Thomas D. Clark Center for Kentucky History who took time to show
me around behind the scenes at a history museum.
The changes in this edition reflect recent scholarship in the field
and the impact of public events such as the debates about the presenta-
tion of the Civil War in public spaces in the last few years. In attempt-
ing to keep Herodotus to H-Net up to date, I have continued to draw
on the lessons I learned from the teachers who introduced me to his-
toriographical issues, starting with my high school American history
teacher, Jules Tanzer, who somehow managed to stay awake through
every page of my paper on “Grover Cleveland and the Gold Standard.”
In my undergraduate years, I was stimulated particularly by Geoffrey
Barraclough, a pioneer of contemporary world history; Carl Schorske, a
virtuoso intellectual and cultural historian; and Gerald Feldman, who
taught the dynamic undergraduate historiographical seminar I took at
Berkeley. In graduate school, I learned from H. Stuart Hughes and Ste-
ven Schuker, the odd couple who led Harvard’s introductory seminar
xiv Preface
Notes
1. Edward Hallett Carr, What Is History? (New York: Vintage Books,
1961).
2. John Tosh, The Pursuit of History, 5th ed. (Harlow: Pearson, 2010).
3. Ernst Breisach, Historiography: Ancient, Medieval, and Modern
(Chicago: University of Chicago Press, 1983); Donald R. Kelley,
Faces of History: Historical Inquiry from Herodotus to Herder
(New Haven, CT: Yale University Press, 1998); Donald R. Kelley,
Fortunes of History: Historical Inquiry from Herder to Huizinga
(New Haven, CT: Yale University Press, 2003); Donald R. Kelley,
Frontiers of History: Historical Inquiry in the Twentieth Century
(New Haven, CT: Yale University Press, 2006).
4. As a graduate student at the University of California, Berkeley,
in the 1970s, I was privileged to participate in the last research
seminar directed by Hans Rosenberg, a major figure in modern
European social history. Rosenberg had done his dissertation
under the direction of the German intellectual historian Friedrich
Meinecke, who in turn had been a student of Ranke’s.
N E W TO T H I S E DI T IO N
xv
R E V I E W E R S O F T H E S E C O N D E DI T IO N
xvi
A B O U T T H E AU T H O R
xvii
From Herodotus to H-Net
PA RT ON E
Historiography from
Herodotus to the Twentieth
Century
CHAPTER 1
What Is Historiography?
W
e do not know when human beings first began telling sto-
ries about striking events that happened in the past, but we
can hardly doubt that as soon as they started to do so, they
came up against some of the same questions that historians encoun-
ter today. How many generations ago did that enormous flood force
their ancestors to seek a new home? Did the story they told about the
great flood exaggerate the role of one group member’s ancestor at the
expense of another? Whose memory of those events was most accu-
rate?1 Questions like these, about the nature and reliability of evidence
concerning past events, the ways of organizing stories about them, the
ways those stories may be distorted, and the purposes they may serve,
are the stuff of historiography. We can define historiography as the crit-
ical assessment of the ways in which historians try to reconstruct past
events as distinguished from the statements they make about the past.
or the American Civil War. In this case, they are using the term to de-
scribe the way in which historical knowledge about and interpretations
of those particular subjects have changed over time. In this book, we
will be concerned with historiography in the more general sense—that
is, with the common issues that confront historians, regardless of what
era or aspect of the past they may be interested in.
The complexity of the subject of historiography reflects the
complexity of the term “history” itself. In most languages, the word
“history” refers both to events that took place in the past and to the
accounts we give of them. In this respect, history differs, for example,
from literature. The history shelves of a library do not contain the past
itself; instead, they hold books that purport to contain information
about the past. The fact that they often contain many different books
about the same historical subjects, books that may tell quite different
stories about their topics, suggests that there is not necessarily a simple
relationship between “the past” and the way it is written down and
remembered. By contrast, the shelves in a library’s literature section
contain the actual works studied by scholars of that discipline, such as
the plays of Shakespeare and the novels of Virginia Woolf. Historiog-
raphy is a critical enterprise that deals, in good part, with the questions
raised by the difference between these two meanings of the word “his-
tory.” It asks what methods we can use to obtain reliable knowledge
about the past, given that we cannot actually observe or recreate events
that have already happened. Historiography also tries to account for
the different ways in which historians have understood the past and to
reconcile these conflicting interpretations with the notion that there is
some core of truth about the past that can be known.
When they decide to study history, few students are particularly
attracted by the prospect of taking a course in historiography. Histori-
ography is often thought of as a difficult topic. This idea is not entirely
deserved; some classic works on historiography, such as Marc Bloch’s
The Historian’s Craft (1949) and E. H. Carr’s What Is History? (1961),
succeed in raising big issues in direct language, and even among con-
temporary “postmodernist” historians, who have the reputation of
being hard to understand, there are some, such as Keith Jenkins, who
write with admirable clarity. Nevertheless, most people are attracted
to history because they are curious about some specific aspect of the
past, such as the lives of women or the American Civil War, not be-
cause they want to engage in abstract arguments about the obstacles to
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With generall pardon for my men, halfe gone,
Which heard and read, the rest within an houre,
Shranke all away ech man to shift for one:
And when I sawe they left mee post alone,
I did disguise mee like a knight of the post,
And into Sussex rode away in post.[803]
19.
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24.
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14.
In case king Henry had beene such a one,[867]
Hardy and stout, as his fathers afore,
Long mought bee haue sate in the royall throne,
Without any feare of common vprore:
But dayly his weakenesse shewed more and more,[868]
Which bouldnesse gaue to the aduersary band,[869]
To spoyle him at last both of life and land.
15.
16.
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So this duke’s traynes were couert and not seene,
Which ment no lesse, that hee[900] most pretended,
Like to a serpent couert[901] vnder greene,
To the weale publique seemed wholy bended:
Zelous he was, and would haue all thinges mended,
But by that mendment nothing els hee ment
But to bee king, to that marke was his bent.
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G. F.[947]
[After this tragedy ended, one sayd: “Seeing this duke hath so
vehemently exclaimed against the duke of Yorke’s practises, it were
well done to heare what hee can say for himselfe. For after the first
battaile at Sainct Albane’s he was[948] made protectour,[949] which
so much greeued queene Margaret and her complices, that priuy
grutches and open dissembling neuer ceased till the duke and his
allyes were fayne to flie both field and realme, hee into Ireland, and
they to Calais. Whence they came againe with an army, whereof
Richard Neuill earle of Salisbury was leder, and marched toward
Couentry, where the king was, and had gathered an army to subdue
them, and encountred them at Northampton on the 10 day of Iuly in
the yeare of grace 1460, fought with them, lost the fielde, and was
taken himselfe and many of his friendes slaine, as Humfrey Stafford
duke of Buckingham, Iohn Talbot the second of that name earle of
Shrewesbury, Iohn vicount Beaumont, Thomas lord Egremont, sir
William Lucy and diuers other. But ouerpassing all these and many
moe because they were honorably slaine in the fielde, let vs come to
him who was the chiefe cause thereof, that is to say, Richard
Plantagenet duke of Yorke slaine in the battayl at Wakefield on
Christmas euen, and Edmund earle of Rutland his yong sonne, who
was there murdered by the lord Clifford as hee would have fled into
the towne to haue saued himselfe.
Therefore imagine that you see a tall man’s body full of fresh
woundes, but lacking a head, holding by the hand a goodly childe,
whose breast was so wounded that his heart might be seene, his
louely face and eyes disfigured with dropping teares, his haire
through horror standing vpright, his mercy crauing handes all to bee
mangled, and all his body embrued with his owne bloud. Out of the
wesand pipe of which headles body came a shreking voice saying as
followeth.”]
Howe Richarde Plantagenet Duke of
Yorke was slayn through his ouer rash
boldnes, and his sonne the Earle of
Rutland for his lacke of valiaunce, An.
Dom. 1460.[950]
1.
2.
3.
For Richard earle of Cambridge, eldest sonne
Of Edmund Langley, thyrd[959] sonne of king Edward,
Engendred mee, of Anne, whose course[960] did runne
Of Mortimers to bee the issue gard:
For when her brother Edmund died a ward,[961]
Shee was sole heire[962] by due discent of line,
Whereby her rightes and titles all were mine.
4.
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