AE23_100

GRIYA PANGLIPOER "The measure of a man's culture is the measure of his appreciation. We
are who we are based on what we value, and nothing more." BACKGROUND
From an etymological perspective, the term "Griya" may be
- Frank Lloyd Wright - In the contemporary era characterized by globalization, there is a growing accessibility to the
traced back to its meaning of "home"; however, "Panglipur" intersection of global and local cultural values. This circumstance has the potential to
is associated with the concept of an entertainer. The design positively influence the preservation of local culture through the optimization process in
of Griya Panglipur aims to serve as a venue for cultural cultural development. However, the optimization is precisely the converse, whereby external
education and recreational activities for its visitors. culture strives to exert dominance and undermine local cultural norms.

Sekolah Budaya Tunggulwulung (SBT), an institution dedicated to preserving traditional

culture and preventing cultural identity loss and crises, has been suspended. The assistance of
the local government is important for the sustainability of the SBT, situated in Tunggulwulung
Village. The implementation of SBT holds significant importance in fostering the character
development of the younger generation, ensuring their continued connection to and
appreciation for the traditions and cultural heritage of the nation.

PROBLEM

SBT doesn’t have a facility No teacher and No space for cultural

to run the activity student development

SOLUTION

Helps SBT by providing Design attractive buildings Facilitating multi-purpose

new facility to run the to attract teachers and buildings for cultural
activity students activities

CULTURAL CONDITION EXISTING DATA & SITE ANALYSIS DESIGN CONCEPT

EDGES NOISE
Tunggulwulung Village, located within the SERIMPI LIMA DANCE
Lowokwaru Subdistrict of Malang City, exhibits n Housing Area
significant regional potential in traditional cultural The fundamental principle employed in the architectural composition
arts. The establishment of Tunggulwulung Village as of the Griya Panglipoer Cultural House centers around the Serimpi
the Tunggulwulung Cultural Village with Diversity in
Elite Housing e
Lima Dance, a prominent traditional dance indigenous to the region of
Diversity is apparent.
n Malang. The Srimpi dance encompasses various thematic elements,
including religious, joyful, and sexual motifs.
The customary schedule observed in the
Tunggulwulung community encompasses w Village Road
Tunggulwulung Sacred value, the representation of sacred value is embodied in the
communal cleaning activities, known as "gotong sarun keris (warangka). This object is closely associated with sanctity
royong," and the celebration of surf festivals. The and essential to the Serimpi Dance. The warangka is included in the
neighborhood exhibits a robust creative inclination,
fostering a burgeoning interest in supernatural
s Field irigation
e architectural design of the roof structure at Griya Panglipoer.

phenomena among its citizens. ACCESSIBILTY Happiness value, the incorporation of happiness as a guiding principle
in design is manifested through providing parks and ample open
spaces, which serve as recreational locations. The architectural style of
CULTURAL ISSUES
w
the building incorporates the strategic use of natural lighting to foster a
positive and uplifting ambiance.
The site is in Tunggulwulung, district. Lowokwaru,
Malang City, East Java, is a rice field with an area of ​
Sensual value, the use of sensual value in the design of Griya Panglipoer
14,626.24 m2 (1.4 Ha) which is strategically located is achieved through the incorporation of sculptures and traditional
between educational and cultural areas. ornaments, which serve as stimuli for sensory experiences.

There is no special place to SBT as an arts forum has

s The Serimpi Lima Dance holds significant symbolic value as it serves as
a crucial element in ritualistic events (Upacara Ruwatan), as evidenced
carry out community not been operating since by the representation of Srimpi Lima, which conveys the Sedulur Papat
activities the pandemic Lima Pancer concept. (Udel, Pancer, Ari-ari, Kakang Kawah, and Getih)
 BLOCK PLAN VIEW
Description
Front
Side
AE23_100
1. Gateway / Entrance
2. Security Posts 15
3. Information center 14 16
4. 2 wheeled Parking
5. 4 wheeled Parking Pendopo
5 Pendopo
6. Sclupture
7. Pendopo Educational area Gateway
Lobby & resto Settlement Art galery
8. Educational Area 5
13
9. Market Security & information posts
10. Art gallery
11. Canteen 10 5
12. Gazebo
6 2
13. Lobby & Restaurant
14. Settlement 7 Gallery Security and information posts Gate Mushola Sclupture Entrance
15. Mushola 1
4
16. Green open space 12
9 3
SECTION
11
Section A-A’ Section B-B’
8
+12.20

+7.70 +8.70
+5.70
+4.00
+3.00

+0.00 0.00
Gallery Settlement Pendopo Mushola Security & information Education center Gallery Pendopo Lobby & resto Settlement
posts

METHOD & MASSING

WARANGKA (KERIS SHEATH) FLIPPED WARANGKA
Pendopo The architectural design of the roof is The position of the roof shape is altered by a vertical flip interpretation, serving as a
influenced by the form of the kris sheath, distinguishing characteristic from the focal point structure. Flip
also known as "warangka."

Musholla
Gallery
Settlement

Canteen Posts

Gazebo
The roof structure prominently stands Education Lobby
adjacent to the focal point, representing & resto
the holy significance as a symbol of divinity
within the context of the dream dance.

SITE CONCEPT (SEDULUR PAPAT 5 PANCER)

UDEL PANCER ARI-ARI KAKANG KAWAH GETIH
U

T
B

Placenta
S
Udel (Navel) Amniotic Fluid Blood

In this case, Udel (Navel) is shown as the center of the Pancer (Core) is shown as four wind directions that point in Ari-ari (Placenta) is the main circulation connecting Kakang kawah (Amniotic Fluid) is shown as a pond or The way that Getih (Blood) is shown as a green field
mass order, an important part of traditional cultural the same way as the Qibla. The Papat 5 pancer also splits building masses in preserving and learning culture. crater that circles the pavilion to keep Griya Panglipur safe surrounding each building mass is one way to understand
connections. the building mass into zones. It is the center of traditional from the outside world. The pond is thought to protect the what it means: "life."
culture at Griya Panglipur. griya panglipur brotherhood from shocks that hurt them.
ZONATION & ROOM REQUIREMENT
EDUCATION PENDOPO GALERY & TRADITIONAL MARKET LOBBY & SETTLEMENT
AE23_100
Service room Gallery
Toilet Library

Toilet
Private
Office & Private SCLUPTURE
Classroom Private Semi Public Admin Kitchen
Semi Public
Semi Public Public
Public
Public

Lounge room Canteen

Toilet Mini
Resto Meeting room
(Auditorium)
Traditional Lobby Bed Balcony
Market room
Garage Bathroom
Customer Janitor Admin Room
Toilet Space room
Lobby

Private
Semi Public
Canteen
Meeting Storage Public
Toilet
room
Training area Amphitheater

The building comprises two levels, wherein the first floor serves as a communal The Pendopo building serves as the focal point for The gallery serves as a dedicated space on the second floor for the Two settlement building phases characterize the Sculpture as a form of identity for
space for learning and dining. In contrast, the second story is dedicated to housing traditional cultural activities in Griya Panglipur, functioning display of Tunggulwulung's artworks, intending to engage and connect residential zone. The initial location being referred to is Griya Panglipoer is inspired by the
a library and multiple classrooms. Two distinct learning environments have been as a venue for culminating educational endeavors through with the local community. In contrast, the first floor is specifically the inn, whereas the subsequent location is identified as shape of the dragon's head on the
designed to support practical and theoretical learning. The library is a designated traditional cultural performances. designated as a marketplace for the public. The people's market is an the lobby. The structure facilitates the interaction support, where this dragon is one
space that houses a vast collection of information and resources from many establishment that meets the demands of the local community and is between Griya Panglipur and tourists, thus fostering the of the identities of Tunggulwulung
academic disciplines and subjects, facilitating acquiring and disseminating of held weekly, specifically on Sundays. preservation and acquisition of cultural knowledge.
knowledge for educational purposes.

Classroom Library Amphitheater Lobby Gallery Lobby Lobby Sclupture

Training Class Traditional Canteen Mini Resto Mini Resto

Area Hallway Market

SUSTAINABILITY LOCALITY STRUCTURE DETAIL & FACADE

Natural Fresh Air Circulation
(technology like AC is not needed here) 12.00 AM

The louvers positioned at the upper section of the structure

are designed to facilitate the entry of indirect sunlight into
the interior space throughout the afternoon. Additionally,
they serve the purpose of expelling heated air that Roofing Shingles
accumulates within the building. It is worth noting that wood
these louvers can be closed during rainfall. Teak wood Brick
09.00 AM 15.00 AM Bamboo slabs
Installing a brick roster on the left
The windows are strategically
side of the building is intended to Wooden Roof
positioned on the right side of the
facilitate the entry of indirect structure system
structure to allow for indirect sunlight
sunlight into the building's interior.
during the afternoon, thereby
illuminating the interior space.
Secondary Beam
Bamboo
Bamboo
The use of vine vegetation
on the left side of the
structure provides a source
of fresh air before entering
the inside. Additionally, it
functions as a secondary
Main Column
protective layer on the first
level. Roster
This design uses brick as main material of wall The building's front incorporates bamboo,
Stack Effect Brick and roster, while teak wood used as main which has been strategically organised into The architectural design incorporates a strategic
The provision of adequate clearance on both the left and right margins of the roof serves the purpose of material of structure and aesthetics function circular chambers to facilitate both air arrangement of walls and facades, utilizing a hollow
facilitating air circulation, so allowing for the upward movement and subsequent discharge of hot air through circulation and lighting. material configuration to optimize airflow and enhance
the louvre.
the penetration of natural light throughout the site.
 CANTEEN MUSHOLLA AE23_100

SETLEMENT
PENDOPO
And here’s our output idea
solution for Tunggulwulung

STORY BOARD
Tunggulwulung as a SBT (Sekolah Budaya Tunggulwulung) is a village..!!!!!
Culture village main culture preservation in Tunggulwulung
No space for cultural

PROCESS
development We are designing a cultural platform

BACKGROUND
for Tunggulwulung village, along
SBT doesn’t have a facility with supporting elements, for its
to run the activity sustainability

ISSUE SOLUTION
PROBLEM Education

Culture
"I heard....Tunggulwulung society are Space Settelment
worried about potential fading of their
village due to the impact of the COVID
-19 pandemic."

PRESERVATION
CULTURE BUILDING

COVID-19 pandemic causes

SBT to be dismissed.

SETTELMENT

No teacher and I think we could take a concept CULTURE

from Serimpi Lima Dance for
Yeah that’s right.... This village
should have the potential for
Student GRIYA PANGLIPOER it”s a
one of stand out culture there
EDUCATION BUILDING SPACE
Oh so unfortunate... that all the
potential of Tunggulwulung
cultural development in the
future
BUILDING SPACE
village as a cultural village is
fading away due to the COVID-
19 pandemic."
I’m so worry to hear that....as a
young generation, I think we
should help to solve this
CONCEPT
problem