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Final PDF to printer
Fourth Edition
©philsajonesen/Getty Images
Sean P. Melvin
Elizabethtown College
F. E. Guerra-Pujol
University of Central Florida
walkthrough
©philsajonesen/Getty Images
New for the 4th edition are Application-Based Activities for Business Law. This digital fea-
ture provides students valuable practice using problem-solving skills to apply their knowl-
edge to realistic scenarios. Students progress from understanding basic concepts to using
their knowledge to analyzeCHAPTER
complex 1scenarios and solve problems. Application-Based
Legal
Confirming Pages
Activities have been developed for the most-often-taught topics (as ranked by instructors)
in the business law course. These unique activities are assignable and auto-gradable in
Connect. Foundations TABLE 5.1 Challenges and Realities in Business Ethics
Challenge Reality
©philsajonesen/Getty Images
Business ethics is unnecessary The value of a code of ethics to an organization is its priority and focus with respect
because it asserts the obvious: to certain ethical values in the company. Dishonesty takes a variety of forms. If an
Learning Objectives
Act ethically.
Chapter Features organization is confronting varying degrees of dishonesty (including more common
examples such as office supply theft) or deceit in the workplace, a priority on honesty
is very timely—and honesty should be listed in that organization’s code of ethics.
After studying this chapter, students who have mastered the material will be able to:
Each chapter begins with Learning
Complying with the law is an While the law may operate as a baseline for ethical decision making, unethical acts
organization’s sole guide for may operate within the limits of the law (e.g., withholding information from superiors,
1-1 Understand the broad definition and origins of law. ethical conduct. casting revenue in favorable terms with a dubious basis for the projection, and spread-
1-2
1-3
List and explain the purposes of the law.
Explain the importance and benefits of legal awareness for business owners and managers in
Objectives and a short overview that
ing rumors). Illegal conduct sometimes has its genesis in unethical behavior that has
gone unnoticed.
1-4
creating a strategy and adding value to a company.
Articulate the role of counsel in legal decision making in a business context.
Ethics can’t be managed.
provides students with a map of the
Management inherently incorporates a value system. Strategic priorities (maximizing
profit, expanding market share, cutting costs, etc.) can be very strong influences
on ethical decision making. Workplace regulations and rules directly influence
1-5 Recognize, explain, and give examples of sources of American law. chapter. The Learning Objectives are a
behaviors in a manner that improves the general good and/or minimizes potential
harm to stakeholders.
Altering people’s values isn’t the objective of an organizational ethics program. Managing
■
and reviewing material in the chapter.
The reward systems, policies, and practices of the organization are aligned with man-
U
agement’s vision of ethics and integrity.
ndertaking the study of law may seem over- Applying this knowledge allows managers to limit
■ Above all, responsibility is seen as individual rather than collective in that individuals
whelming. Legal doctrines and rules can be risk and incorporate the law into their business strate-
are encouraged to assume personal responsibility for the actions and decisions of the
complex and difficult to navigate. Yet the law gies. This chapter introduces students to the founda-
organization.
impacts many facets of our daily life both at home and tions of the law and explains why the application of
at work. This textbook is designed to make studying legal doctrines is an important part of the business
managers and business owners. Strategic aspire to adhere, such informal value systems may document. Here, they are examined separately.
be too vague and thus not very helpful in a practical For a code of ethics, consider the following
guidelines:
Legal Solutions is structured in a problem context.
STRATEGIC SOLUTION:
Develop an effective Identify the ethical values needed to comply
■
2
and solution format that allows
UNIT ONE | Fundamentals of the Legal Environment of Business
students code of ethics and code of conduct for your busi-
ness organization. Such codes should be developed
with relevant laws and regulations.
Identify the ethical values most relevant to the
■
to understand how a particular section’s in cooperation with (and not exclusively by) the
organization’s human resource manager and legal
main activities in each area of your organization.
For example, the chief financial officer may iden-
legal concepts may be used to solve real- counsel. Ideally, the entire organization, not just tify objectivity and accuracy as important values.
WALKTHROUGH ix
walkthrough
goods (discussed in detail in Chapter 8, “Contracts for the Sale of Goods”). The law also
imposes an affirmative duty of good faith in performing obligations. In every contract,
LO 7-4 Confirming Pages
the parties have the duty of good faith and fair dealing in performance and enforcement.20
Although the good faith requirement is ordinarily met by the parties’ simply performing Identify the ethical
their obligations completely—a situation known as perfect performance—the law recog- dilemmas that a
manager faces in
nizes that there are some cases in which one party does not perform completely yet has the context of good
still acted in good faith and is entitled to enforce the remaining obligations in the contract faith performance.
against the other party.
might benefit from lower drug prices must use other, sometimes less ©philsajonesen/Getty
effective, alterna- Images
tives. As owners of the patent, the pharmaceutical companies are acting legally in setting
20
Legal/Ethical Reflection LEGAL/ETHICAL REFLECTION AND DISCUSSION
and Discussion
Restatement (Second) of Contracts § 205.
Made in the USA ■ Why should it matter whether the foreign company
|
CHAPTER SEVEN Contract Enforceability and Performance 217 is subject to the same quality-control and labor
A manager for WidgetCo is approached by a foreign safety regulations as the current USA supplier?
This feature is strategically placed in
vendor who offers to supply widgets at a substan-
■ Why should it matter whether the lower-priced
tial discount from what his company is currently
widgets are more (or less) likely to be faulty or
parts of the text where the instructor
paying. When determining WidgetCo’s course of
action, consider both the moral minimum and the substandard?
maximizing profits approaches to business ethics: ■ Why should it matter whether faulty or sub-
problem. It starts with a short narrative In Case 5.1, General Motors is sued for closing one of its plants in Michigan, a business
and ends with a series of questions decision that was detrimental to some of its employees and to the community where the
plant was located.
that fundamentally ask students: What Rev. Confirming Pages
CHAPTER FIVE | Business Ethics, Corporate Social Responsibility, and Law 143
would you do?
In Case 3.2, a federal court uses an injurious effect analysis in a defamation case filed meL47805_ch05_140-168.indd 143 10/29/19 09:53 AM
by a professional athlete.
CASE 3.2 Clemens v. McNamee, 615 F.3d 374 (5th Cir. 2010) Cases
The textbook uses a hybrid format to
FACT SUMMARY In the summer of 2007, fed- contacts as required by the long-arm statute and
eral agents contacted Brian McNamee in connec- due process. The court held that to support personal
jurisdiction in a defamation claim, the forum must
report case law rather than including
tion with a federal investigation into the illegal
manufacture and sale of performance-enhancing be the “focal point” of the story. Although the court
drugs in professional sports. McNamee was an ath- acknowledged that the defamation may cause dis-
letic trainer who had worked for both the Toronto
Blue Jays and the New York Yankees baseball
tress and damage to Clemens’s reputation in Texas,
it concluded that the alleged defamatory statement
lengthy excerpts from judicial opinions.
clubs. After authorities convinced McNamee that
they had sufficient evidence to convict him for
was inadequately directed to Texas to satisfy the
minimum-contacts requirement.
Students are provided with (1) a summary
injecting athletes with anabolic steroids, McNamee
agreed to cooperate with investigators in exchange WORDS OF THE COURT: Minimal Contacts of the facts; (2) a decision and opinion
for immunity from prosecution. During an inter-
view with investigators, McNamee admitted that he
and Injurious Effect “In support of jurisdiction,
Clemens points to the harm he suffered in Texas and synopsis; (3) short excerpts from the
actual opinion, called “Words of the
had administered steroids to all-star pitcher Roger to McNamee’s knowledge of the likelihood of such
Clemens in both Toronto and New York. McNamee damage in the forum. Yet under [previous case law],
Clemens has not made a prima facie showing that
Court,” to help students understand a
repeated this allegation to Major League Baseball
investigators and to a reporter during an interview McNamee made statements in which Texas was the
with Sports Illustrated. In 2008, Clemens, a citizen focal point: the statements did not concern activity
of Texas, filed a defamation suit against McNamee,
a citizen of New York, in federal court based on
in Texas; nor were they made in Texas or directed to
Texas residents any more than residents of any state.
key point in the case; and (4) several
diversity of citizenship. The trial court dismissed
the complaint due to lack of personal jurisdic-
As such, the district court did not err in dismissing
Clemens’ suit for lack of personal jurisdiction over
case questions to facilitate discussion.
tion over McNamee because his alleged defama-
tory statements were made outside Texas. Clemens
McNamee.”
Students will find this format useful for
appealed to the Court of Appeals. Case Questions
1. Why is due process relevant to the outcome of
understanding legal cases in a business
context.
SYNOPSIS OF DECISION AND OPINION The this case?
Court of Appeals for the Fifth Circuit upheld
the trial court’s ruling in favor of McNamee and 2. What is the practical implication of this deci-
affirmed the dismissal of Clemens’s defamation sion? Does it mean that Clemens cannot bring
complaint. The court rejected Clemens’s contention suit for defamation in any court?
x WALKTHROUGH
that jurisdiction was proper in a Texas court because
he suffered harm from the defamation in Texas. The
3. Focus on Critical Thinking: Why didn’t Clem-
ens sue McNamee in New York? Suppose that
court analyzed McNamee’s contacts with Texas in McNamee claimed that he had injected Clemens
the context of the defamation claim and concluded with steroids in Texas. Would this admission
that McNamee did not have sufficient minimum change the outcome of this case? How?
walkthrough
tutionality of conditions attached to federal spending programs: (1) the spending power must
be exercised in pursuit
Rev. Confirming of the general welfare, (2) grant conditions must be clearly stated,
Pages
(3) the conditions must be related to a federal interest in the national program or project, and
(4) the spending power cannot be used to induce states to do things that would themselves be
unconstitutional. This case signaled an important victory for Congress, which now regularly
©philsajonesen/Getty Images uses spending conditions as a form of regulation for individuals and businesses.
The effects test originated in the case of Calder v. Jones.21 Recall that Calder involved
Self-Checks
a lawsuit for defamation. Specifically, the U.S. Supreme Court ruled that a California court
had personal jurisdiction over the National Enquirer, a Florida corporation, in a defama- Self-Check Source of Constitutional Authority
tion case filed by Shirley Jones, an actress who lived in California. Despite the fact that the
Self-Check exercises offer students an
Enquirer had no physical presence in California, the Court reasoned that jurisdiction was What is the constitutional source of authority for each of the following laws?
proper because the Enquirer knew or should have known that its defamatory article would 1. A federal statute that makes it more difficult for businesses to qualify for protection
opportunity to reinforce and apply the mate-
have an injurious effect on the actress in California, where she lived and worked. under bankruptcy laws.
rial being studied in the textbook. Students
Regardless of whether a particular jurisdiction follows the Zippo sliding-scale test, the
Calder effects test, or an all-purpose totality test, in all cases courts will carefully con- 2. An increase in the federal corporate income tax.
sider any facts demonstrating how a website or e-mail/text message targets a particular 3. A federal statute that adds criminal penalties for patent infringement.
use black-letter law and cases to answer
forum. For instance, do the websites under consideration list specific jurisdictions where 4. A federal statute creating an agency to regulate ground shipping between states.
short hypothetical questions on a specific
shipments will or will not be made? Does the website contain an end-user agreement that 5. A federal statute that requires that 25 percent of federal government construction
designates certain jurisdictions for legal actions? Is a specific mailing address or area code contracts be awarded to companies that are women- or minority-owned enterprises.
topic. Self-Checks appear in the textbook
listed on the website or e-mail?
Jurisdictionally savvy business owners and managers should thus keep abreast of case Answers to this Self-Check are provided at the end of the chapter.
after important legal concepts and are always
law developments and consider conducting a strategic self-study or “self-audit” to deter-
traditional legal
legal concepts in the fundamentals of legal theory and how
Along with holding the actual tortfeasor liable in a awareness for
ture and the publication (American Tattler) may be topics that are most commonly encountered in the business environment. However,
business owners
defamation case, the law imposes certain liability liable for damages. developing legal insight by understanding
and managers in
walkthrough
Rev. Confirming Pages
©philsajonesen/Getty Images
THEORY TO PRACTICE
Each chapter ends with several features puters, refurbishes them with new software and hardware
parts, and sells them in bulk for about half the price of a
and has been shipping Santiago parts for approximately
four years in a row. Last year, Parts sold approximately
text in a practical way. trict is satisfied with the order. Santiago has a website that
gives contact information for the company, but the site is
1. If Wilmington decides to file suit against Parts in
Delaware, will a Delaware court have personal
only partially interactive because users can transact busi-
jurisdiction over Parts? Why or why not?
ness only by sending Santiago an e-mail via the website.
Recently, Wilmington discovered that large shipments of 2. Suppose Parts has a website where customers can
Santiago’s products were defective, and it has been unable order products, pay for them via credit card, and
to come to a resolution with Santiago over the matter. have them delivered via a delivery service to any
U.S. city. How does this affect your jurisdiction
1. If Wilmington wishes to sue Santiago, what court or analysis?
courts would have jurisdiction over this matter? 3. If Parts’s only contact with Delaware is via its web-
2. What would be the best venue and why? site, what standard should the trial court apply to
3. If a Delaware court decides that it does not have determine whether there are minimum contacts?
jurisdiction, how may that affect Wilmington’s
decision on whether or not to file a lawsuit?
Key Terms: Key terms for students are boldfaced in the text and listed as a group at the end of the chap-
ter with a definition and reference to the page number in the chapter where the term is first mentioned.
Case Summaries: Several brief case summaries are included, with a heading for each that indicates
its general topic reference to the chapter and with questions about the case summary. These cases are
intended to reinforce students’ knowledge of how laws apply in different fact circumstances.
Chapter Review Questions and Answers: Several multiple choice questions designed to reinforce
learning objectives are featured at the end of each chapter, along with answers and explanations.
xii WALKTHROUGH
walkthrough
Rev. Confirming Pages
©philsajonesen/Getty Images
then work toward a resolution. The simu- 1. Explain the legal doctrines that govern the use of restrictive covenants.
lations are also excellent for review and 2. Interpret and apply the rules set forth in current case law.
3. Articulate a cogent argument for each party/side in the dispute.
reinforcement because the materials 4. Negotiate a tenable solution as an alternative to a judicial forum.
839
xiii
CAPSTONE CASE STUDY 1 | Coffee Wars: Starbucks v. Charbucks
WALKTHROUGH
online assignments
and resources
©philsajonesen/Getty Images
NEW Connect’s Business Law Application-Based Activities (ABAs) Application-Based Activities for Business
Law provide students valuable practice using problem-solving skills to apply their knowledge to realistic scenarios.
Students progress from understanding basic concepts to using their knowledge to analyze complex scenarios and
solve problems. Application-Based Activities have been developed for the most-often-taught topics (as ranked by
instructors) in the business law course. These unique activities are assignable and auto-gradable in Connect.
SmartBook® 2.0 Available within Connect, SmartBook 2.0 is an adaptive learning solution that provides personal-
ized learning to individual student needs, continually adapting to pinpoint knowledge gaps and focus learning on
concepts requiring additional study. SmartBook 2.0 fosters more productive learning, taking the guesswork out of
what to study, and helps students better prepare for class. With the ReadAnywhere mobile app, students can now
read and complete SmartBook 2.0 assignments both online and offline. For instructors, SmartBook 2.0 provides
more granular control over assignments with content selection now available at the concept level. SmartBook 2.0
also includes advanced reporting features that enable instructors to track student progress with actionable insights
that guide teaching strategies and advanced instruction, for a more dynamic class experience.
Writing Assignment As part of a larger set of learning activities that provide students with core course content
as well as opportunities to practice the skills they need to develop, the new MH writing assignment toolset offers
faculty the ability to assign a full range of writing assignments to students (both manual-scoring and auto-scoring)
with just-in-time feedback. You may set up manually scored assignments in a way that students can
■ automatically receive grammar and high-level writing feedback to improve their writing before they submit
their project to you;
■ run Originality checks and receive feedback on “exact matches” and “possibly altered text” that includes
guidance to properly paraphrase, quote, and cite sources to improve the academic integrity of their writing
before they submit their project to you.
The new writing assignment will also have features that allow you to assign milestone draft (optional), easily
re-use your text and audio comments, build/score with your rubric, and review your own Originality report of
student work. In addition, you may choose from a set of auto-scored, short-answer questions that allow you to add
lower-stake writing activities to your course without adding significant grading and feedback to your workload;
these promote critical thinking/conceptual understanding of course content and provide students with instanta-
neous feedback.
Interactives McGraw-Hill Connect’s Interactives offer a variety of automatically graded exercises that require stu-
dents to apply key concepts. Whether the assignment includes a click and drag, video case, or decision generator,
these interactives provide instant feedback and progress tracking for students and detailed results for the instructor.
Instructor’s Manual The Instructor’s Manual is designed to be an effective course management tool and an inte-
gral part of the turnkey approach used throughout the supplementary material package. The features and format
are intended to give instructors maximum flexibility to determine and produce high-quality course content. The
Instructor’s Manual also has a special “Day One” section addressing important fundamental course decisions for
instructors who are new to the course.
Test Bank and Quizzes Our test bank and quizzes contain a variety of true/false, multiple-choice, and essay ques-
tions as well as scenario-based questions.
PowerPoint Presentation Slides This edition’s revised PowerPoints contain an easy-to-follow lecture outline sum-
marizing key points for every chapter.
Business Law Newsletter McGraw-Hill Education’s monthly business law newsletter, Proceedings, is designed
specifically with the business law educator in mind. Proceedings incorporates “hot topics” in business law, video
suggestions, an ethical dilemma, teaching tips, and a “chapter key” cross-referencing newsletter topics with the
various McGraw-Hill business law textbooks. Proceedings is emailed to business law instructors each month.
AACSB Statement McGraw-Hill Education is a proud corporate member of AACSB International. The authors
of The Legal Environment of Business, 4th Edition, understand the importance and value of AACSB accreditation
and recognize the curricula guidelines detailed in the AACSB standards for business accreditation by connecting
selected questions in the test bank to the general knowledge and skill guidelines in the AACSB standards.
The statements contained in The Legal Environment of Business, 4th Edition, are provided only as a guide for
the users of this textbook. The AACSB leaves content coverage and assessment within the purview of individual
schools, the mission of the school, and the faculty. Although The Legal Environment of Business, 4th Edition, and
the teaching package make no claim of any specific AACSB qualification or evaluation, we have within The Legal
Environment of Business, 4th Edition, labeled selected questions according to the general knowledge and skill
areas.
Tegrity: Lectures 24/7 Tegrity in Connect is a tool that makes class time available 24/7 by automatically capturing
every lecture. With a simple one-click start-and-stop process, you capture all computer screens and corresponding
audio in a format that is easy to search, frame by frame. Students can replay any part of any class with easy-to-use,
browser-based viewing on a PC, Mac, iPod, or other mobile device.
Educators know that the more students can see, hear, and experience class resources, the better they learn. In fact,
studies prove it. Tegrity’s unique search feature helps students efficiently find what they need, when they need it,
across an entire semester of class recordings. Help turn your students’ study time into learning moments immedi-
ately supported by your lecture. With Tegrity, you also increase intent listening and class participation by easing
students’ concerns about note-taking. Using Tegrity in Connect will make it more likely you will see students’
faces, not the tops of their heads.
Test Builder in Connect Available within Connect, Test Builder is a cloud-based tool that enables instructors to
format tests that can be printed or administered within an LMS. Test Builder offers a modern, streamlined interface
for easy content configuration that matches course needs, without requiring a download.
Test Builder allows you to:
■ Access all test bank content from a particular title.
■ Easily pinpoint the most relevant content through robust filtering options.
■ Manipulate the order of questions or scramble questions and/or answers.
■ Pin questions to a specific location within a test.
■ Determine your preferred treatment of algorithmic questions.
■ Choose the layout and spacing.
■ Add instructions and configure default settings.
Test Builder provides a secure interface for better protection of content and allows for just-in-time updates to flow
directly into assessments.
Assurance of Learning Ready Many educational institutions today are focused on the notion of assurance of
learning, an important element of some accreditation standards. The Legal Environment of Business is designed
specifically to support your assurance of learning initiatives with a simple, yet powerful, solution. Each test
bank question for The Legal Environment of Business maps to a specific chapter learning objective listed in the
text. You can use our test bank software, Test Builder, or Connect to easily query for learning objectives that
directly relate to the learning objectives for your course. You can then use the reporting features of Test Builder
to aggregate student results in similar fashion, making the collection and presentation of assurance of learning
data simple and easy.
FOR INSTRUCTORS
FOR STUDENTS
No surprises.
The Connect Calendar and Reports tools keep you on track with the
work you need to get done and your assignment scores. Life gets busy;
Connect tools help you keep learning through it all.
acknowledgments
We owe a great deal of gratitude to our entire team at McGraw-Hill Education. Although
many team members worked diligently with us in developing and strengthening this book
over the course of more than a decade, there are a core of professionals who have provided
extraordinary support and enthusiasm for the book for many years: Managing Director
Tim Vertovec, Executive Portfolio Manager Kathleen Klehr, Product Developers Jaroslaw
Szymanski and Allie Kukla, and Content Project Managers Lori Koetters and Angela Nor-
ris are exceptional in their creativity, insight, and work ethic.
Throughout the development of each edition of this book, we have been privileged to
have the candid and valuable advice of our reviewers and focus groups. Our reviewers pro-
vided us with priceless suggestions, feedback, and constructive criticism. The depth and
sincerity of their reviews indicate that they are a devoted group of teacher-scholars. The
content of the book was greatly enhanced because of their efforts.
xviii ACKNOWLEDGMENTS
ACKNOWLEDGMENTS xix
brief table
of contents
UNIT ONE Fundamentals of the Legal Environment of Business 1
Chapter 1 Legal Foundations 2
Chapter 2 Business and the Constitution 40
Chapter 3 The American Judicial System, Jurisdiction, and Venue 76
Chapter 4 Resolving Disputes: Litigation and Alternative Dispute Resolution 110
Chapter 5 Business Ethics, Corporate Social Responsibility, and Law 140
UNIT FOUR Business Entities, Securities Regulation, and Corporate Governance 451
Chapter 13 Choice of Business Entity, Sole Proprietorships, and Partnerships 452
Chapter 14 Limited Liability Companies and Limited Liability Partnerships 480
Chapter 15 Corporations 500
Chapter 16 Regulation of Securities, Corporate Governance, and Financial
Markets 528
table of contents
Case 2.6: Citizens United v. Federal Election Other Theories of Jurisdiction in Electronic
Commission, 558 U.S. 310 (2010) 59 Commerce 99
The Fourth Amendment 60 Key Terms 100
Exceptions 61 Chapter Review Questions 101
Reasonableness Requirement 61 Theory to Practice 102
Searches and Seizures 62 Legal Strategy 101 102
Case 2.7: United States v. Jones, 565 U.S. 400 (2012) 62 Manager’s Challenge 103
Postscript: The USA PATRIOT Act 63
Due Process Protections 64 CHAPTER 4 Resolving Disputes:
Due Process 64 Litigation and Alternative Dispute
Equal Protection 64 Resolution 110
Postscript: The Right to Privacy 66
Civil Litigation 111
Federal Statutes 66
Workplace Privacy 66 Dispute Resolution and Business Planning 111
Key Terms 67 Class Action Lawsuits 111
Chapter Review Questions 68 Class Action Fairness Act (CAFA) 112
Theory to Practice 68 Case 4.1: In re Subway Sandwich Marketing & Sales
Legal Strategy 101 69 Practices Litigation, T. Frank, Objector, No. 16-1652
Manager’s Challenge 70 (7th Cir. 2017) 113
Stages of Litigation 114
CHAPTER 3 The American Judicial Prelawsuit: Demand and Prelitigation Settlement
System, Jurisdiction, and Venue 76 Negotiations 114
Role and Structure of the Judiciary 76 Standing 115
State versus Federal Courts 77 Statute of Limitations 115
State Courts 77 Pleadings Stage 115
Federal Courts 79 Complaint and Summons 115
How the Law Develops 83 Answer 115
Counterclaim 118
Jurisdiction and Venue 84
Cross-Claim 118
Jurisdiction and Business Strategy 85
Motions 118
Overview of Jurisdiction 85
Discovery Stage 118
Two-Part Analysis 85
Scope, Timing, and Methods of Discovery 119
Subject Matter Jurisdiction: Authority over
the Dispute 86 Case 4.2: 20/20 Financial Consulting, Inc. v. John
Original versus Concurrent Jurisdiction 86 Does 1–5, 2010 U.S. Dist. LEXIS 55343 (D.C. Colo.
Choice of Forum 87 May 11, 2010) 119
Jurisdiction over Property 88 Pretrial Conference 122
Personal Jurisdiction 88 Trial 122
In-State Defendants 88 Jury Selection and Opening Statements 123
Out-of-State Defendants 88 Testimony and Submission of Evidence 123
Case 3.1: Goodyear Dunlop Tires Operation v. Brown, Closing Arguments and Charging the Jury 123
564 U.S. 915 (2011) 89 Deliberations and Verdict 123
Posttrial Motions and Appeals 123
Injurious Effect 90
Collecting the Judgment 124
Case 3.2: Clemens v. McNamee, 615 F.3d 374 Alternative Dispute Resolution 124
(5th Cir. 2010) 91 Informal ADR 125
Physical Presence 91 Formal ADR 125
Voluntary 92 Arbitration 126
Venue 93 Legally Mandated Arbitration 126
Case 3.3: Franklin v. Facebook, No. 1:15-CV-00655 (N.D. Federal Arbitration Act 127
Ga. 2015) 93 Case 4.3: Henry Schein, Inc. v. Archer & White Sales,
Internet Jurisdiction 95 Inc., 139 S. Ct. 524 (2019) 128
How the Law Develops in Real Time 95 Employment and Labor Arbitration 129
International Jurisdiction in the Internet Age 98 Case 4.4: National Football League Management
Country of Origin Standard 99 Council v. Brady, 820 F.3d 527 (2d Cir. 2016) 129
VI
A survey of the spirit of American sculpture should include, as a
cause for joy, a glimpse at the single ideal figures in which many of
our modern sculptors express themselves, more or less
untrammeled by the demands of the world. The subjects for such
figures are rarely new, yet they must be treated with perennial
freshness. Take Diana: Saint-Gaudens, Warner, MacMonnies, Miss
Scudder, McCartan and I know not how many others have done
Diana in her phases, and each new portrayal should prove a new
joy. Take Maidenhood: Rudolph Evans has chosen this ancient
theme for his Golden Hour, one of the most delightful pieces in all
American sculpture; Barnard has rendered it in marble; Sherry Fry’s
classic bronze Maidenhood, in the guise of Hygeia, and Mrs.
Burroughs’s On the Threshold are sculptural expressions of the
same subject. Take the Ephebos: John Donoghue’s Young
Sophocles, dated 1885, a masterpiece coming just half way, in point
of time, between the arrival of the Greek Slave in America and the
unveiling of MacMonnies’s Civic Virtue, is a gloriously conceived
figure of youth in the abstract, rather than a full-length likeness of the
Greek poet leading the chorus after Salamis. Surely in sculptural
mastery, Donoghue is much nearer to MacMonnies than to Powers.
Picking our way past the Slave and her kin, and coming at last upon
a classic like this Young Sophocles, we may safely abandon the
prefix pseudo. What a relief! It is as if one could at last leave off
over-shoes, and walk abroad dry-shod, in fair weather. This example
from the ’eighties points out once more the progress made between
the Fairs of 1876 and 1893. Does it also, in its old-school
seriousness of consecration to art, and in its reverence for “the
nobler forms of nature” shame a little the easy slapdash of the
battalions of sketchy figures now clamoring for space in print and in
the galleries? Probably not. Other times, other ideals. “She certainly
saved herself trouble,” was the comment of a sculptor, looking at a
modernist figure whose drapery was made by strings.
THE GOLDEN HOUR
BY RUDOLPH EVANS
CHAPTER VI
OUR EQUESTRIAN STATUES
II
Today, our equestrian statues are the work of accomplished
sculptors. Such commissions are not bestowed on weaklings or
beginners, on irresponsibles or mere experimenters. In addition to
genius, the highest equestrian art demands of the sculptor certain
pedestrian virtues; such as foresight and perseverance and common
sense and ability to cope with the unsuspected deviltries of men,
beasts, and things. As said in another chapter, every sculptor who
triumphs over his equestrian problem is heroic. This is true whether
he works single-handed or in collaboration with some other sculptor,
some one with a special gift for animal form. And it remains true,
even though in our day, no sculptor can well hope or desire, like
Houdon, to be “considered under the double aspect of Statuary and
Founder.” Earnest men like Cellini and Houdon, Clark Mills and
Brown have long since, by working on their knees in sweat and
grime, paved the way for the modern organization of bronze
founding to be carried on as a craft in purlieus outside the sculptor’s
studio. Many tribulations are thereby removed from the sculptor, but
enough have been added for his proper chastening. Those who
know our American equestrian statues, those who have seen the
pluck and energy with which their makers have achieved their goal,
will certainly set down valor as one of the gifts belonging to the spirit
of American sculpture.
III
Clark Mills, Brown, Ball, Ward, Saint-Gaudens, French, Potter,
Partridge, Remington, Bush-Brown, Elwell, Proctor, Rhind, Lukeman,
Bitter, Niehaus, Ruckstull, Bartlett, MacMonnies, Dallin, the two
Borglums, Fraser, Aitken, Miss Hyatt, Mrs. Farnham, Roth, Packer,
Shrady;—if without benefit of catalogue memory at once speaks all
these names, no doubt there are others also. And in what infinite
variety of imagination and of rendering their works stand before us!
The whole procession of mounted heroes produces no sense of
monotony. Originality, that quality overprized when prized at all as an
end in itself, appears in sufficient measure. Yet, beginning with Saint-
Gaudens, most of these well-trained artists would undoubtedly admit
their debt of gratitude to Barye and Frémiet and Dubois, the French
masters, and beyond these, to Donatello and to Verocchio and
Leopardi, through whom the Renaissance gave to the world those
two vivid masterpieces, the Gattamelata and the Colleoni. If that
almost mythical third masterpiece, da Vinci’s Sforza, had been saved
to round out a trinity of high accomplishment, how great would have
been our debt to Italy! As it is, the void left is something every
sculptor is free to fill, if his powers permit; there are still worlds to
conquer.
IV
A strangely moving story of some such high ambition is told in
the career of Henry Merwin Shrady, who died last year, at the very
time when his colossal equestrian monument to General Grant was
unveiled in Washington. Shrady’s swift uncharted course, like that of
a few artists, variations from the type, conformed in no way to the
routine deemed necessary for most men in his profession. A
graduate from Columbia, he had successfully engaged in business
for some years before he began to model animals. He became a
sculptor overnight. His immediate success in the art of sculpture is
but partly explained by referring to his cultivated intellect, and by
saying that as the son of a noted surgeon he easily assimilated the
truths of anatomy. Nor does his success need explanation as much
as recognition. His success is his artist’s secret, perhaps never to be
revealed, perhaps always to remain among the imponderable things
the soul will not disclose to science. Surely he crowded into his brief
career all the rapt effort of the youthful student, and all the more
composed but no less strenuous endeavor of the assured artist.
From first to last, his offerings are good. But the grandiose
conception of his final work, the Grant monument, an epic crowded
and massed with equestrian and leonine figures passionately
portrayed in a kind of exalted realism, called for continued heroic
years of labor. Those years were at times harassed by
misunderstandings with the changing officials whose presumably
difficult duty it was to supervise the work in the public interest.
Indeed, Shrady’s equestrian concept was in this instance a thing too
grandiose to be accepted, on sight unseen, by pedestrian minds.
Though his art triumphed at last, and all his promises were
performed, his life ended as the veil was lifted from its crowning
work.
V
I often think that the equestrian statue has a larger and more
immediate power of communication than other sculptural forms. This
is not merely because of its weight and volume and general air of
expensiveness. Those things belong in ever so many climes to ever
so many huge prosaic monuments seen with the profoundest
indifference of the human soul. But the man (or the Maid) on
horseback is readily enough taken to heart as a person with tidings,
say as someone bringing the good news from Ghent, or some other
definite place. He or she at once becomes a figure in a drama, that
old word that means something doing; an atmosphere of romance is
at once created for the passer-by to share in, if he likes.
Perhaps the equestrian hero is Mr. Lukeman’s Circuit Rider, a
preacher of the Word, going very reverently and wisely about his
Father’s business, or else, this being a great year for bronze circuit
riding, he is Mr. Proctor’s studious Circuit Rider, to be set up on the
Capitol grounds at Salem, Oregon. Perhaps he is Mr. Bartlett’s
Lafayette, coming from a court of distinction, with a message of high
national import, so that all the glory of just that must be diplomatically
suggested in a large way in his own person, while his horse must
show a proud lip, and seem to be of the kind men give kingdoms for.
Perhaps he is Ward’s General Thomas, sitting his thoroughbred, the
first thoroughbred revealed in true mettle in our sculpture; the
General surveys a momentous battlefield, “holding his own,” as
Garfield amazedly saw, “with utter defeat on each side of him, and
such wild disorder in his rear,” and so winning the name he bore the
rest of his life, the Rock of Chickamauga. Or perhaps again the hero
is a heroine,—the Maid of Orleans as Miss Hyatt has portrayed her,
uplifted by her visions and riding on to glory.
In any event, it is quite clear that the equestrian statue is a
storied thing. And this is very hard on the solemn critic, who, thirsting
for pure abstractions, declares in his mistaken way that art must not
tell a story, and who for the moment highbrowbeats everybody into
saying message or meaning or content instead of story. Meanwhile,
so far apart are the ways of criticism and creation, the maker of
equestrian statues continues to spin his romances and epics in
bronze. The fact that his fine theme appeals to the people not only
gladdens him; it puts him under a still more pressing obligation to
show what an artist can do with such a theme, how greatly he can
enhance and exalt it. He understands well enough that it is easier to
begin such enterprises with gusto than to finish them with glory. Most
of our masters of the equestrian form were lovers and knowers of the
horse before they were his sculptors; and that, though not imperative
for genius, is valuable.
VI
Aside from good workmanship, our American equestrians show
an individuality of conception, now stately, now familiarly historic,
now soberly truthful, and almost always interesting. No one but
MacMonnies has just the MacMonnies Gaelic, Gallic gallantry of
attack, everywhere sustained by the MacMonnies absolute mastery
of sculptural resource; no one but Bartlett can impart quite that
cosmopolitan touch of suavity and courtliness which tempers the
eagerness of his young Lafayette; no one but Bitter ever worked up
such a shout and hurrah over rearing stallions for expositions, and
yet was able, a little later, to give New York a work of such studied
seriousness as his equestrian of General Sigel; and no one but
Edward Potter has ever told in sculpture, during a lifetime of
acquaintance with thunder-clothed necks, so much of the honest
truth about horses. That clear atmosphere of practical Christianity
which envelops those two Circuit Riders does not in the least
resemble the religious ecstasy breathing from Miss Hyatt’s Jeanne
d’Arc. Different again is the exalted devotion that speaks in every
line of Saint-Gaudens’s Shaw, from the slant of the rifles, like falling
rain, up to the brooding visage of the young commander and the
presence that guides him and his men. Looking at the mere
composition here, one thinks often of the Surrender at Breda; but the
oblique lines of our Army rifles are surely far more tragic than the
upright Breda lances. Each of these last-named sculptors has had a
certain theme and a certain emotion to present, and each has
marshalled his resources in his own characteristic way.
HORSE TAMERS
BY F. W. MACMONNIES
Again, the tragedy that will always be latent for the Southerner in
the Saint-Gaudens Sherman, with its dominating figure of the warrior
seasoned to his great task, yet a task to be tempered by the
advancing spirit of Nike-Eirene, is not in the least like the kind of
tragedy that enfolds Fraser’s End of the Trail. Here the pupil does
not follow the master in subject, or in treatment, or in those mere
motions of the sculptor’s tool, too often transmitted unchanged from
teacher to learner. Mr. Fraser’s moving parable of a losing people is
told in his own way, and in the grand style of sculpture, just as the
parables of the Evangelists are told in each Evangelist’s way, and in
the grand style of language, as English-speaking readers are
privileged to know it. Long before assisting Saint-Gaudens in the
Sherman equestrian, Mr. Fraser, from his boyhood in Montana, knew
the horse of the untamed West. His group is sculpture from his own
experience. And Solon Borglum’s way with his far-Western themes is
not at all like Mr. Fraser’s way. Solon Borglum, least academic of all
those sculptors who still feel reverence for anatomical truths,
envelops his men and beasts in a kind of fateful weather that stirs
the human heart to sympathy with them in their struggles, whether
happy or unhappy; he veils his subjects in the hope of making them
more clear to you. Different again is Mr. Dallin’s version of that great
historic theme, the mounted Indian. This sculptor’s genius, seen at
its best in the commanding Appeal to the Great Spirit, placed in front
of the Boston Museum of Fine Arts, interprets the ritual of a passing
race. The position of this austere group at the approach to an
austere building appropriately suggests to the spectator the pathos
of contrast between two cultures, the lower and the higher, the
vanishing and the enduring. Does not that Indian mutely remind us of
great treasure which is ours, but in which he may not share?
VII
Whether our equestrian statues, as the groups last spoken of,
reveal a side of American life destined to pass from our view, or
whether, on the other hand, they are of the historic portrait order, as
are our most of the Old World equestrians, it is clear that the
personal vision prevails. The note of romance is present; perhaps we
scarcely realize how much the so-called dumb beast contributes to
that. Mr. Proctor’s mastery of animal form, whether in equine or other
shape, is certain, plain, delightful. Leaving our horses for a moment,
where shall we find a “Tyger” as terrible and as “burning bright” as
the Proctor Golden Tiger for Princeton, a creature none the less
awe-inspiring though seen in sphinx-like repose? Decidedly, the man
has the gift for animals; I shall never forget how under Mr. Proctor’s
playful influence, one of the dullest and mangiest kittens I ever saw
suddenly leaped up into a miracle of feline grace.
I
How summarize an art that shows us sculptured form, not in the
faithful four-square roundness of fact, but in a subtly chosen and
poetic projection of fact? For the manifestations of the spirit of relief
are legion. A relief of a certain figure may have scarcely the
thickness of a flower petal, or again it may have an even greater
salience than life itself. All depends upon its purpose. When I am told
that Mr. Aitken and Mr. MacNeil are making some studies, in relief, I
do not know whether Mr. Aitken is at work on another large
equestrian subject like that of his George Rogers Clark monument,
or whether he is devising one of his little medallic Pegasi such as his
Watrous medal; and I do not know whether Mr. MacNeil is to give us
a new coin, such as his quarter-dollar of a recent series, or a new
memorial as imposing as his military monument at Albany with its
serried stone warriors in relief. Surely it is a Protean art that can
produce the Brenner cent, the Weinman dime, the Fraser Victory
medal; that can make the Saint-Gaudens portrait of Stevenson a
suitable adornment for the church of St. Giles in Edinburgh; that can
decorate the façade of St. Bartholomew’s in New York with bronze
portals crowded with figures of the apostles and crowned with
marble tympana of the saints; that may even serve the dynamic
purpose of Rude’s great Chant du Départ on the Paris arch and the
static majesty of Calder’s Washington and MacNeil’s Washington
paired on the New York arch.
When we remember all the little coins and medals in the world,
and all the architectural ornament, structural or otherwise, on the
buildings of the world, and all the religious reliefs of Bible story such
as those that Mino and the Della Robbias have left us, and all the
patriotic and allegoric tales hoisted aloft into pediments and
springing up on arches, it is clear that relief sculptures vastly
outnumber the other sort. How often sculptors must have hailed
relief as an escape from rendering facts in the round, to be seen all
around! For commemorative portraiture in the public square, the
future will probably make a wider use of high relief (or even of low
relief, properly framed) to take the place of the portrait statue, often
the result of a purely automatic choice. And the purely automatic
choice is not a choice at all; it is a habit.
II
I am told on high authority that there are many persons who
think that a bas-relief in sculpture is a form resulting from an exactly
proportioned flattening of the same subject in the round. It is also
dismaying to find that there are those who would invent a machine
whereby on some principle of proportionate recession from the eye a
bas-relief could be produced from a form in full-blown dimensions. Is
not the art of sculpture already sufficiently mechanized? And surely a
good look at a fine relief should dispel mechanistic illusions. For in
relief, if nowhere else, live sculpture laughs at the despotism of
mathematics. Even the tyro in relief portraiture soon finds that he
cannot give the human ear the projection from background that a
proportional representation would demand; he sees that to do this
would exalt that whimsical volute beyond its merits, and divert
attention from other and perhaps more delightful, more characteristic
features of a face. If his portrait is in profile, as is not unlikely, he
discovers that this profile is in itself a very telling thing, and that he
can make it interesting or lively by softening a contour here, by
hardening it there, by letting it alone somewhere else, by sinking or
by raising parts of his background; before long he has discovered, as
Egyptians and Italians and Frenchmen and Americans before him
have discovered, a thousand devices of art, not algebra, that give his
relief a look of life and truth. In short, his work will never seem so
false and so far from sympathetic as when its chief quality is that it is
topographically true in its proportionate flattening. Of course I feel
ashamed to say such things baldly, when so many of our American
bas-reliefs have said them poetically. My excuse is that my words
may drive some unbeliever to look at the works. For, as the
Metropolitan Museum’s curator of prints lately said in an address,
“Art in this country doesn’t need to be talked about; it needs to be
seen.”
WELCH MONUMENT