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 Q

Quagliati, Paolo, 381.

Quantz, J. J., 415, 515.

Quartet style, 555f, 565.

Queen Elizabeth Virginal Book, The, 18.

Quintet, (Beethoven), 509;

(clarinet and strings), 599;
(wind instruments and piano), 599;
(with wind instruments), 600, 601.
See also Pianoforte quintet; String quintet.

Rachmaninoff, 334, 338.

Raff, Joachim, 321, 322f;

(string quartet), 547.

Rameau, J. P., 8, 61f, 131.

Rappoldi, 445, 451.

Rasoumowsky, Prince, 419, 513.

Ravel, Maurice, 353, 364ff, 564f.

Realism, 27;
(in pianoforte music), 311, 344.
Rebec, 369, 372.

Rébel, 406.

Recitative, 14.

Recoupe, 470.

Regal, 1.

Reger, Max, 321, 466, 598, 604.

Registers, contrast of (in pianoforte music), 277.

Reichardt, J. F., 494.

Reiteration of notes, 47.

Reményi, 445.

Reusser, Esajas, 473.

Revolution. See French Revolution.

Rhétorique des Dieux, 26.

Rhythm, (syncopated), 219f;

(mixture of duple and triple, Brahms), 241;
(5/4 time), 258;
(7/8 time), 359;
(rhythmic oddities), 547.

Ricercar, 10, 11, 469.

Richter, Franz Xaver, 112, 413, 487.

Richter, Jean Paul, 218, 321.

Riemann, Hugo, cited, 512, 521.

Ries, Ferdinand, 182.

Rigoletto, 309.

Rimsky-Korsakoff, 330f, 555.

Robineau, L’Abbé, 409.

Rode, Pierre, 412, 430, 432, 433f, 451, 456;

(influence on Spohr), 440.

Rogers, Dr. Benjamin, 394.

Rois des ménestriers, 372.

Rois des violins, 372.

Rolla, Alessandro, 437.

Romanticism, 207f, 211, 218, 239, 320, 321.

Rome, 2, 6, 15.

Rondo (Couperin), 17f, 58, 79.

Ropartz, Guy, 598.

Roseingrave, Thomas, 43, 44.

Rosenmüller, Johann, 473.

Rossi, Salomone, 474.

Rossini, 292.

Rounds, 473.

Rubert, Martin, 473.

Rubini, 254.

Rubinstein, Anton, 295, 331;

(trio), 579f.

Rudolph, Archduke, 575.

Ruggeri, 391, 402.

Rugieri, 478.

‘Rule, Britannia,’ 291.

Runs, 383, 430, 448.

Russia (modern composers), 329, 553.

Russian ‘color’ (Beethoven), 515.

Rust, Friedrich Wilhelm, 98, 100f, 117, 129, 416.

Rust, Ludwig Anton, 117.

Saint-Foix, 425.

St. Georges, Chevalier de, 407.

St. Germain des Près, Abbey of, 369.

St. Mark’s, Venice, 1.

St. Nicholas Brüderschaft, 371.

St. Peter’s (Rome), 2, 15, 42.

Saint-Saëns, Camille, 341f;

(violin music), 462;
(trio), 581;
(pianoforte quartet), 589;
('cello sonata), 598.

Salieri, 454.

Salomon, Johann Peter, 416, 496.

Salomon concerts (London), 410, 443.

Salon music, 201;

(Chopin), 280f.

Saltarello, 469.

Sammartini, Giovanni Battista, 498, 499.

Santini, Abbé, 44.

Sarabande, 23, 25, 75.

Sarasate, Pablo de, 451, 452, 462, 465.

Satie, Eric, 366f.

Saxophone (in chamber music), 598.

Scale passages, 20;

 (harpsichord), 68;
(Clementi), 120.

Scandinavia (pianoforte music), 326ff.

Scarlatti, Alessandro, 7, 38, 42ff, 111.

Scarlatti, Domenico, 8, 19, 38, 41, 42ff, 45, 86, 91, 105ff, 109. 131,
276;
(sonatas), 46ff;
(form), 49;
(compared with Bach), 65.

Schachbrett, 3.

Scharwenka, Philipp, 321.

Scharwenka, Xaver, 321, 323f.

Scheidt, Samuel, 16.

Schein, I. H., 472.

Scherzo, 79;
(in string quartet), 493.

Schmitt, Florent, 365f.

Schobert, Jean, 97, 98, 113, 114, 117, 123, 426, 498.

Schönberg, Arnold, piano music, 324;

(chamber music), 565ff.
Sextet, Verklärte Nacht, 565.
First string quartet, 567ff.
Second string quartet, 570f.

Schubart, C. F. D., 417.

Schubert, Franz, 89, 183ff, 193ff, 206, 209, 254, 367, 547, 577, 590;
(compared with Brahms), 248;
(Müller-Lieder transcription), 296;
(transcriptions of songs of), 306, 307;
(transcription of waltzes), 310;
(violin music), 456;
(string quartet), 536ff;
(octet), 602.
Piano sonata in A major (op. 120), 198.
Piano sonata in D major (op. 120), 195.
Piano sonata in A minor (op. 143), 196f.
‘Wanderer’ Fantasy (op. 15), 198.
Impromptus (first set), 200ff.
Impromptus (second set), 202f.
‘Musical Moments,’ 204ff.
Dances (for piano), 206.
String quartet in G major, 537f.
Trios (op. 99 and 100), 577.
‘Forellen’ quintet, 590.

Schumann, Clara, 133, 300, 584.

Schumann, Robert, 193, 207, 218ff, 254, 333, 367, 439, 440, 547;
(opinion of Mendelssohn), 217;
(compared with Brahms), 248;
(transcriptions of songs of), 306;
(influence on Chopin), 323;
(influence), 329, 349ff, 551;
(violin sonatas), 457f;
(string quartets), 541ff;
(trio), 578;
(pianoforte quintet), 587;
(cello music), 595;
(viola pieces), 598;
(comp. for clarinet, viola and piano), 603.
Fantasy Pieces, 222f.
 Kinderscenen, 224.
Carnaval, 225ff.
Davidsbündler Dances, 229.
Papillons, 229.
Faschingsschwank aus Wien, 229.
Abegg Variations, 230.
Symphonic Études, 230ff.
Kreisleriana, 232ff, 273.
Novelletten, 235.
Sonata in F-sharp minor, 235.
Sonata in G minor, 236.
Fantasy, 236.
Pianoforte concerto, 237.
String quartet in A minor, 541.
String quartet in F major, 542.
String quartet in A, 542.
Pianoforte quartet (op. 44), 582.
Pianoforte quartet (op. 47), 582.

Schuppanzigh, Ignaz, 419, 510 (footnote), 513.

Schuppanzigh quartet, 510 (footnote), 521.

Scott, Cyril, 339.

Scriabin, Alexander, 335ff.

Senaillé, J. B., 406.

Sénancourt, 318.

Sensationalism, 294f. See also Virtuoso music.

Septet (with wind instruments), 600.

Serenades, 599.
Serrato, Arrigo, 466.

Sextet, (Beethoven), 509;

(with wind instruments), 600, 601.

Sgambati, Giovanni, 338f;

(pianoforte quintet), 589.

Shedlock, J. S., (cited), 38 (footnote); 43; 50 (footnote);

(quoted on Chopin), 259;
(quoted on Beethoven), 262.

Short forms. See Miniature forms.

Sibelius, 465.

Sibylla, Duchess of Württemberg, 24.

Siciliana, 505.

Simphonia (early use of term), 472.

Simpson, Christopher, 394.

Sinding, Christian, 328f;

(pianoforte quartet), 590.
Concerto in D-flat, 329.

Sinfonia, 79, 475.

Singing allegro, 101, 107, 113.

Singing bass, 60.

Singing melody (in pianoforte playing), 296, 307.

Sinigaglia, Leone, 466.

Skips (violin playing), 430.

Slavic influences (in sonata), 98, 99.

Slawjk, Joseph, 445f.

Smetana, 556f, 561;

(influence), 589.
String quartet, Aus meinem Leben, 556f.

Société des Concerts du Conservatoire, 447.

Sokoloff, Nikolas, 555.

Somis, 402.

Sonata, (origin of word), 12;

(Kuhnau), 28;
(so-called), 37, 91;
(Scarlatti), 46ff;
(for violin alone), 409, 421;
(for two violins), 421;
(with figured bass), 426;
(for harpsichord and violin ad libitum), 426;
(early use of term), 471, 472;
(in early instrumental music), 474f, 477, 478ff;
(Corelli), 482;
(a quattro), 484.
See also Pianoforte Sonata; Violin sonata; Violoncello sonata; Trio
sonata, etc.

Sonata a quattro (early form of string quartet), 484.

Sonata cycle, 478, 482;

(interchange of movements), 100.
Sonata da camera, 22 (footnote), 385, 396;
(fusion with Sonata da chiesa), 483.

Sonata da chiesa, 12, 385, 396;

(fusion with sonata da camera), 483.

Sonata form, 49, 50, 90f, 104, 484f, 487;

(in string quartet), 490.
See also Triplex form.

Song (influence of, on pianoforte music), 194, 254.

Songs, (variations on), 289;

(transcriptions of), 307.

Songs without Words, 211. See also Mendelssohn.

Sontag, Henriette, 439.

Spain (modern), 339.

Spinet, 5.

Spineta, Giovanni, 5.

Spohr, Ludwig, 412, 418, 430, 438, 440ff;

(string quartet), 535f;
(trio), 577;
(clarinet compositions), 603.

Staccato (violin), 449.

Stamitz, Anton, 418, 432.

Stamitz, Carl, 418.

Stamitz, Johann, 98, 112f, 413, 418, 420, 487, 491, 499.
Stcherbatcheff, Nicholas de, 334.

Steibelt, 182.

Stein, 156, 158.

Stich, 600.

Stillman-Kelley, Edgar (cited), 251.

Stormant, Lord, 502.

Stradivarius, 386 (illus.). See Vol. VIII.

Strauss, Ludwig, 445.

Strauss, Richard, 321, 324;

(influence), 338;
(violin sonata), 465f;
(pianoforte quartet), 590;
('cello sonata), 597f;
(horn concerto), 604.

Streicher, 156, 158.

Striggio, 376.

String quartet (early example of combination), 376;

(early forms of), 475, 477, 484;
(early classics), 486ff;
(Boccherini), 487, 488;
(Haydn), 489ff;
(Mozart), 507f;
(Beethoven), 509ff, 512ff, 534;
(Spohr), 535f;
(Schubert), 536ff;
 (Mendelssohn), 539ff;
(Schumann), 541ff;
(Brahms), 545ff;
(Franck), 547ff;
(d’Indy), 551f;
(Chausson), 552;
Dvořák, 559;
(modern), 560ff;
(Debussy), 561ff;
(Ravel), 564f;
(Schönberg), 565f.

String sextet, (Brahms), 543ff;

(Schönberg), 565f.

Strungk, Nicholas Adam, 392, 412.

Studies, 321. See also Études.

Style galant, 58, 75, 502.

Suite, 12ff, 41, 74ff, 93;

(uniformity of key), 25;
(Bach), 70ff;
(Grieg), 327;
(early form of), 469f.
See also Ordres.

Sulponticello, 556.

Süssmayer, 425.

Sutterheim, Baron von, 528.

Symbolical sequence of notes, 218.

Sympathetic vibrations, 356, 363.

Symphonic masterpieces (transcriptions of), 306.

Symphony (term applied to string quartet), 490.

Syncopated rhythms (Schumann), 219f.

Taglietti, 478.

Taneieff, Serge, 555.

Tarantella (Heller), 321;

(Dargomijsky), 330.

Tartar le corde, 469.

Tartini, Giuseppe, 122 (footnote), 402, 412, 415, 417, 427, 428, 430.

Tausig, 44, 290.

Technique. See Pianoforte technique; Violin technique.

Telemann, Georg Philipp, 413.

Temperament, equal. See Equal temperament.

Terminology (uncertain, in Renaissance period), 472.

Ternary form, 45. See Triplex form.

Thalberg, Sigismund, 286, 291ff, 449;

(rivalry with Liszt), 299f.

Fantasia on ‘Moses,’ 292ff.
Thayer, 433.

Thematic development, 475, 480.

Thematic metamorphosis, 548.

Themes, 11, 70;

(contrasted), 113;
(second), 476, 477.

Thome, François, 342.

Thomelin, Jacques, 52.

Thumb (use of, in pianoforte playing), 68.

Toccata, 12, 21, 29, 41, 79, 469, 470;

(A. Scarlatti), 38;
(Bach), 81.

Tone color (attempt at, in string quartet), 517, 572.

Tone-painting, 382.

Tonini, 391, 478.

Tordion, 470.

Torelli, Giuseppe, 388f, 399, 413, 483;

(influence on Bach), 422.

Tost, Johann, 496, 535.

‘Touch’ (harpsichord), 6. See also Pianoforte technique.

Touchemoulin, 409.
Tourte, François, 431.

Transcriptions, 296;
(Liszt), 306;
(Mendelssohn’s ‘Midsummer Night’s Dream’), 310;
(Schubert’s Waltzes), 310;
(Glinka), 330;
(of Vivaldi’s concertos, by Bach), 422;
(Rode’s Theme and Variations), 434;
(Paganini caprices), 439;
(for lute), 468.
See also Fantasias; Operatic fantasias.

Transitional passages (in sonata), 114.

Tremolo, (pianoforte), 302;

(string instruments), 378, 381, 384, 556.

Trésor des Pianistes (Madame Farrenc’s), 53, 104, 129.

Trills, 32, 430.

Trio, 469;
(Haydn, Mozart), 574ff;
(Beethoven), 576f;
(Schubert, Mendelssohn, Schumann), 577;
(modern Russian), 579f;
(Arensky, Dvořák, Tschaikowsky), 580;
(modern French), 581;
(wind instruments and piano), 599.

Trio sonatas, 101, 388, 474, 476, 484, 574.

Triplex form, 91, 96, 102, 104ff, 115;

(C. P. E. Bach), 113;
(Beethoven), 163ff;
 (Chopin), 260.
See also Sonata form; Ternary form.

Trium, 469.

Trombone (in chamber music), 604.

Troubadours, 9 (footnote), 370.

Tschaikowsky, 331ff, 463f, 553f, 561, 580;

(on Lalo), 462.
Pianoforte concerto in B-flat minor, 332.
Violin concerto, 463f.
String quartet, 553f, 561.
Trio (op. 50), 580.

Tum-tum bass, 177, 191, 287.

Tuning (modified, of violin), 392, 436, 439. See also Equal

temperament.

Turin School (of violin music), 404f.

Turini, Francesco, 475.

Turns, 32.

Ucellini, Marco, 385.

Uhland, 252.

V
Valentini, Giuseppi, 402.

Variations, 17, 18, 19, 20f;

(Handel), 87;
(Beethoven), 165, 595;
(Weber), 184f;
(Mendelssohn), 215;
(Schumann), 230f;
(Brahms), 242ff;
(popularity in early 19th cent.), 285;
(Herz), 286f;
(Thalberg), 291;
(in early instr. music), 475;
(Haydn), 475.

Venetian school (violin composers), 399.

Venice, 1.

Veracini, Antonio, 390, 479, 483.

Veracini, Francesco Maria, 401, 483.

Verdi (Rigoletto transcription), 309.

Viadana, 474.

Vicentino, Nicola, 467 (footnote).

Vienna, 89, 371, 502.

Viennese classics, 131ff.

Vieuxtemps, Henri, 412, 446, 448f, 453.

Vinacesi, 391, 478.

Viol, 371, 372.

Viola, 598.

Viola da gamba, 590f.

Viola pomposa, 591.

Viola sonata, 598.

Viola suite, 598.

Violin, 370;
(ancestors of), 368f;
(in 16th cent.), 373f;
(modified tunings), 392.

Violin bow, 382, 385.

Violin concerto, (Torelli), 388;

(Viotti), 405, 411;
(Bach), 422, 423;
(Mozart), 424f;
(Kreutzer), 432;
(Rode), 433;
(Baillot), 435;
(Paganini), 440;
(Spohr), 441;
(de Bériot), 448;
(Joachim Wieniawski), 450;
(modern), 451f;
(Beethoven), 456f;
(Schubert), 456;
(Mendelssohn), 458;
(Brahms), 460;
(Lalo), 461f;
(Tschaikowsky), 463f;
 (Glazounoff), 464f;
(Bruch), 465;
(Sibelius), 465;
(Reger), 466;
(modern Bohemian and Italian), 466.
See also Violin solo, sonata for.

Violin études, (Gaviniés), 409;

(Kreutzer), 432.

Violin methods, (Geminiani), 401;

(L. Mozart), 417;
(Conservatoire), 433;
(Baillot), 435;
(Spohr), 442.

Violin music, before Corelli, 379ff;

(English, 17th cent.), 393;
(18th cent.), 396ff;
(19th cent.), 430ff.

Violin playing (in Middle Ages), 371, 372;

(16th cent.), 373;
(popularity of, in 18th cent.), 400f;
(Gaviniés), 409;
(in Germany, 18th cent.), 412f;
(Benda), 415;
(Tartini), 431;
(Paganini), 438f;
(Spohr), 442;
(modern), 452.
See also Violin technique.

Violin solo, concerto for, 399;

sonata for (Gaviniés), 409;
(Handel), 421;
(Bach), 422, 424;