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ANIGHTMAREON ELM ST..5:TH£DREAMC/ljLP

Robert
Englund:

life os
Freddy"
The story in
pictures
Scene by
|Scene!
Horror FX
explained!
Behind the
scenes
All color
photos
 A UNIVERSE OF WONDER
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 "

A NIGHTMARE DIRECTORS BEHIND THE THE "NIGHT*

ON ELM STREET Wes Craven, Renny SCREAMS A jfallery MARE" QUARTET
5:THE DREAM Harliti and Stephen of outtakes, produc- Synopses of the first
CHILD The amazing} Hopkins talk about tion pix and bloopers! four Freddy movies
story in pictures! their visits to"Elm
Street.
ROBERT
ENGLUND The
consuuijuatc actor on
playiuji the most
famous horror fijjtirc,
Freddy Kruetfcr

FREDDY FX
Hollywood's top FX
flcniuses have
jjathered to make
"Nifjhtmare 5 " the
best show of all.

POSTERS Four
frijjhtful Freddy faces

THE STARS
OF ELM STREET
Can they defeat the
Dream Killer?

ANTHONY TIMPONE
J. PETER ORR
EMILY FREY SLOVES
MARC SHAPIRO
MICHAEL GINGOLD
DAVID McDonnell
CALVIN LEE ^
ANTHONY MARCHESANT
NORMAN JACOBS
RITA EISENSTEIN

MILBURN SMITH
ARTHUR SCHULKIN
W.R. MOHALLEY
JOAN BAETZ
M-irirliiin llimiur
FRANK M. ROSNER
FANGOUA PRESENTS NEW LINE CINEMA’S 'FREDDr' is pub-
DANIEL WINELL lished by Snriog Communicaiions International, Inc., business and edi- :

lorial offices located at 475 Park Avenue South, New York, NY 10016,
DAVID LEIBOVITZ under exclusive license from New Line Cinema. Reprinting or repro-
I

LAURIE MORRIS duedon in whole or in parr without the publishers' written permission
|

STEVE JACOBS is strictly forbidden. 6 1989 The Fourth New Line-Heron Venture. All
PAUL HALLASY Rights Reserved. 'A Nightmare on Elm Street," "Freddy," "Freddy
;

CONNIE BARTLETT ICrueger" and the distinctive likenesses of the Freddy Krueger character
MARIA DAMIANI are Trademarks of The Fourth New Line-Heron Venture. Additional
PETER HERNANDEZ copies of this magazine may be obtained by sending S3, 95 (* SI. 55

JAMES lANNAZZO
KIM WATSON U.S.A UPC 46020 published 8 times a year as Star Trek Magazine.
1 A . year after Alice
destroyed Freddy, wicked
dreams return to plague the
The story in pictures'
former Dream Master.
Behind the wall of sleep,
Alice finds herself trapped
scene by gruesome
in the asylum on the night
of Krueger's obscene scene.
conception.

4 FRKDDV
 2. And then she is awake,
and the world is back to
normal. She is with Dan,
and it is the morning before
their graduation. Still, the
thought of Freddy’s
reemergence in her dreams
unsettles her, because
Freddy dreams don't have
between
clear borderlines

...and horrible fantasy.

5. A poignant note occurs as Alice leaves the

ceremony and meets her father. No longer a dis-
graced drunkard but instead a recovering alco-
holic, the man still chose to watch his daughter
graduate from afar rather than embarrass her by
attending. When Alice coaxes her dad into joining
her friends' families for a group photo, we realize
that Alice and her father have grown closer and
stronger in the past year.
 6 On
. her way Co work,
Alice somehow slips into
dream while still awake.

Abruptly she is present t(

witness Freddy Krueger's
hideous birch.

7< Told that her deformed

baby is nonetheless a child
like any other in the eyes of
the Almighty, the victim-
ized nun Amanda Krueger
replies, "That is no creature
of God!"

8* And indeed it is not.

The grotesque infant

scurries from the delivery
room. As she pursues the
misshapen toddler, Alice
realizes that it is growing.
She follows it through a set
of doors only to discover
the thing has led her to the
ruined church where she
last saw Freddy.

6 FREDDY
9 . Speak of the devil! Ol' Fingcrknivcs has resur-
rected himself by restaging his own disgusting
birth in Alice's dream. Weak and disjointed,
Freddy cackles at his fiendish trick and ominously 10 . The Dream Killer's
pats Alice's stomach while announcing his return. smug banter is cut short by
a visit from Amanda
Krueger. The nun vows not
to release Freddy's evil
upon humanity again. She
leaves Alice with this
cryptic message: "Bring
him home."
Alice stumbles into the
Crave Inn, unable to under-
stand horfiahe could dream
without slee^MKpA
co-worker tells she's
been missing for hours.

11 . Meanwhile, at a graduation party in the

Springwood High pool, Dan socializes with his
and Alice's friends. There's Mark, an aspiring
cartoonist in love with rising model Greta, and the
gang is completed by talented high-diver Yvonne.
Relaxing for the first time in months, they trade
stories about how hard their parents drive them.
A franticphone call from Alice sends Dan out
in his truck unetrieve her.

1
1
'

ilp vJ'

If T"
 12.. E||i route to the Crave Inn, Dan is joined by
an unwanted stowaway who gleefully opens the
champagne Dan brought to celebrate with Alice.
Buckling Dan into the driver's seat, Freddy sets
the pickup on a lethal collision course...

14. His troubles have just

begun, though, for the bike
is yet another of Krueger's
deadly pranks. Dan's flesh
peels as cables burst from
beneath his skin...
 15. ...transforming him
into a helpless part of the
Freddy cycle, wailing at
reckless speeds along
Springwood's sleepy
From the gauge
streets.
panel, Freddy's face sneers:
"Don't dream and drive!"
Too late, Dan. realizes
he's still in his pickup
truck, and Freddy has de-
luded him into falling
aaleep at the wheell

9-11

16. Inevitably, disaster follows.

17. Pinned in theflaming

wreckage, Dan uses the last
few precious seconds of his
life to contact Alice.
18 . At the Crave Inn, Alice
experiences another waking
nightmare. She witnesses
Dan's death, then her
lover's face disappears and
reality returns, at which
point a wild spasm of pain
wracks Alice's stomach.
Terrified, she runs to the
accident scene, arriving just
in time to hear Dan's last
words: "It was him\" Alice
collapses.

19 . Alice regains con-

sciousness in the hospital
where Yvonne works. There
she learns two disturbing
developments: The police
have written off Dan's
death as a drunk driving
fatality, and Alice is preg-
nant with Dan’s child.

20 . Predictably, no one

believes Alice's bizarre

story that Springwood's
most notorious villain has
returned from the erave.
21 . In the dead of night, Alice has a visitor, a
small boy who introduces himself as Jacob. He
tells Alice he is sorry about Dan and leaves.
Questioning Yvonne about the odd child, Alice
finds out there are no children in the hospital.

22. None of Alice’s friends

23. At the dinner party, Greta exchanges harsh
words with her mother over Greta's lack of ap-
petite. Angered, Greta's mother turns the matter
over to Frederick the caterer.
accept her story, but Da'a's
death upsets them, partica-
Uirly Greta, who is appalled
at her mother's callousness
when she forces Greta to
attend a dinner party

FRKDDY 11
24 - Greta learns too late never to trust a caterer

in a green and red striped bow tie. Krueger yanks

her guts out and teeds them to her.
 23. Somehow, Greta's hideously bloated face ap~
pears in Alice's refrigerator. Alice valiantly strug-
gles to free her friend from-Freddy, but she loses
her grip. The refrigerator slams shut, and when
Alice reopens it, normality has returned.
Except that, at Greta's mother's soiree, the
young model has choked to death. And Alice's
stomach undergoes another strange throb of pain.

26. Greta's death hits Mark hard, and Alice con- while uncovered the story
soles him. While she makes coffee, however, Mark of Krueger's genesis, which
falls asleep and drops into a dream. Alice returns,
Yvonne dismisses as non-
discovers the situation and dives into the dream to sense-until Krueger attacks
rescue him. and nearly kills Yvonne as
After sending Mark back to his waking state, she practices her diving.
Alice again encounters the lonesome Jacob. Now the three friends, with
Stunned, she deduces that this is in fact her own no doubt in their minds,
son, and she is alarmed to hear the boy's hostility arc united against their
toward her-hostility fed by things Jacob claims he common enemy.
heard from "my friend, with the funny hand."

FRKODV 13
 .

28 But that can't help

them if they face him alone.
While perusing a comic
book, Mark falls asleep and
actually slips into the
comic, where he becomes
his own superhero charac-
ter, the Phantom Prowler.
mi
r

29 The tactic catches

Freddy off-guard. Still, no
matter what surprises Mark
may dish out, the sinister
Krueger reigns in the dream
world, and Mark is discov-
ered crushed by a toppled
shelf in his studio.
This time, Alice realizes
the significance of her
stomach spasms: "Krueger
killed them, and now he's
feeding them to Jacob!"

30 More determined than ever to defeat the

Dream Killer, Alice and Yvonne split up to contact
Amanda Krueger's ghost. Alice ventures into the
dream world, and Yvonne journeys to the aban-
doned asylum where the girls know Amanda's
body must be hidden. As Mark theorized before
his death, Amandas soul is trapped with her
corpse.
In Alice's dres she finally comprehends
Amanda's warniiS o bring Freddy home,
Turning the table" m Krueger, she impales hi
the ugly spokes of sinister baby stroller.
 31. Alice then hurls
Freddy into his own worst
nightmare-the asylum ward
where Freddy's unspeakable
conception took place. His
100 maniacal fathers set
upon him, pulling him to

3Z. Not surprisingly,

Freddy will not die so
easily. So long as he has a
grip on Jacob, he can re-
main alive. Pleased with his
wretched hold on the inno-
cent child, Freddy cackles:
"I've got you both."

33. He has spoken too soon, because Jacob

quickly flees to his mother's side. Now Krueger
tries his most despicable ploy-disguising himself
as Dan Jordan. At the last instant, Jacob detects
the stunt and escapes.

FREDDY 15
34> Enraged, Freddy bellows: "If I can't have
him, nobody cani" He has underestimated the
power of a mother's devotion to her young. Alice
won't cave in under his onslaught. A battle ensues.
Alice fights not only for Jacob but for herself and

35. On the earthly plane,

Yvonne has located and
freed Amanda Krueger's
spirit. The long-suffering
nun conquers her evil off-
spring, warning Alice:
"Don't come near. Take
your son and leave!"

36. The terror subsides,

and Springwood is once
more a beautiful place to
For NIGHTMARE 2,
Kevin Yagher
redesigned
Freddy's makeup
and shortened
the application
process.

Freddy
unmasked!

"Freddy I# the
'incarnation of s oimBroff
deepes^nd[)|^M^'tJ|||r
frightem^^^^^JSw
obert Englund
has been look*
K ^ ing into the
scar-tissued,
pockmarked, mangled
face of Freddy Krueger
since 1984. But he never
 Specially deiigned black & white makeup, seti
and coicumes provide the illusion for the
:

Phantom Prowler's comic book world.

:

productions ot Peter Pan, the role and break the

Hansel anil Gretel and typecasting that was fol-

Pinocchio. lowing me around."

Following high school, Englund remembers that
Englund continued his act- directorWes Craven first

Krueger emerges from the shadows to become

ing education at UCLA considered larger-sized
and the Royal Academy of actors to play Freddy. But
screen sensation in the original A NIGHTMARE
ON ELM STREET. Dramatic Art. It was then he convinced Craven he
Q
that he received what he was the man for the role.
0 seems to be at a loss for ghost story told around a considers his first big "They originally wanted a
something new to say campfire by a camp coun- break-a part in the re- Glenn Strange type for the
about his character. selor. We've become so gional production of part, but when the casting
"I think what audiences sophisticated and jaded Godspcll. Englund fol- director saw how physical
like about Freddy is a that we've lost the idea of lowed that with more the- and ready to go down to
combination of things,” telling ghost stories and ater work and a string of the wire I was, she brought

saysEnglund, while being just possibly having them film roles that included me to the attention of
made up into everybody's come For many peo-
true. and Billie, Stay
Blister Wes and I got the part."

favorite Dream Killer on ple, Freddy Krueger repre- Hungry, The Last of the After the surprise suc-
the set of A Nightmare on sents an element of fan- Cowboys and Bijy Wednes- cess of A Nightmare on
Elm Street 5:The Dream tasy and fear that gives us day. Fie also appeared in Elm Street, Englund
Child. "They like his per- a thrill." the television films Hob- quickly discovered what
sonality, his cruelty, his Englund came by the son's Choice, I Want To celebrity was all about.
wisecracking. There's a character of Freddy Krue- Live and the miniseries "Since 'V,' I had been do-
"
lot about Freddy Krueger ger after a long and dis- "V ing the science fiction
to like." tinguished career in film, "I was working, but I conventions where these
u
The actor pauses a mo- television and theater. was also finding myself motherly types would
ment, obviously deep in Born and raised in South- getting typecast as the come around because of
thought. "Rut you know ern California, a young sidekick and the buddy," the attachment to the I
what the main reason is Robert Englund became remembers Englund. "So character of Willie,” he
that Freddy continues to interested in acting at age when I heard they were relates. "But after Night-
12. As a member of
'i
be so popular? It's be- casting around for some- mare came out, I started
cause he represents some- California State Univer- body to play Freddy to notice a lotmore heavy
thing in society we've sity's children's theater Krueger, I went for an au- metal kids coming around.
lost. Freddy is the creepy program, he appeared in dition hoping I would get Hell! They were even 3

18 FREDDY
 _I. or many
people, Freddy
represents an
element of fan
tasy and fear
that gives us a
thrill."

DrctfiB lUUer meet* Dr«am Child.

 "

dressed like me. I I wanted to play him a series Freddy's Night-

thought at that point little older and a little mares. For the most
something about this more like a dirty old part, Krueger's contribu-
character must have man. tions to the show were
struck a nerve." "I really would like to limited to vignettes that
see Freddy age," contin- bookended the seg-

r he good time hn-

glund was having
with Freddy Krueger
continued when he was
called back to reprise
the role in A Nightmare
on F.lm Street 2: Freddy's
Revenge.
"Playing Freddy is a
pleasure for me," En-
glund says, "I get to
scream, run around and
torture nubile teenage
girls. Hey, who could
ask for more than that?"
On Nightmare 2, Eng-
lund found himself with
a better handle on the
nature of the Freddy
character. "Krueger's
your classic boogeyman
and a Freudian kind of
nightmare," he notes.
"He's the physical incar-
nation of some of our
deepest and most fright-
ening fears. Freddy's
more than just a onc-di
mensional splatter filrr
killer."
Nightmare 2 was a Nightmare 4 director
major hit and the talk
was that A Nightmare on
Elm Street 3: The Dream
lF«rrtorr would be tai-
lored even further in the
direction of mainstream
audiences. That possibil-
ity was of no concern to
ues the aetor. "Or maybe
do a story where we re-
gress the Freddy story
ments, but Englund is
steadfast in saying that
the series is doing right
back to a point where by the character.
we could finally see
Freddy without the
makeup.
He got his wish to a
large extent in A Night-
mare on Elm Street 4:
The Dream Master. In
this continuation of the
Dream Warriors story-
line, Englund is out of
makeup in a sequence in
which he plays a school
nurse. But at the same
time, the role had be-
come second nature to
the horror star.
"I don't do a lot of
prepping to play Freddy
anymore," he concedes.
"Freddy's literally like
putting on a shoe. I'll sit
down in the makeup
chair and just the act of
the makeup going on my
face will start the juices
going."
Renny Harlin, however,
was quick to point out
that the audience had "Translating the film
grown to see Freddy in a A Nightmare on Elm
new light. Street to television has
"We've reached a not gotten away from
point where the audi- the true intent of the
ence sees Freddy as the Freddy Krueger charac- this is necessarily going

Englund. hero," Harlin notes. ter," he notes. "There to be a scarier movie,

"Sure, we're Caking
the scries in a different
direction. But there's
still plenty in these
movies for the hardcore
FANGORIA people who
discovered these films in
the first place," he says.
Englund indicates that
he's essentially on "auto-
matic pilot" when it
comes to playing Fred-
dy. "It has gotten to the
point where I instinc-
tively know where Fred-
dy should be cracking
wise and where he
should be scary,"
notes. "On Nightmare 3,
"They come to these
movies to hear his funny
lines and to see him do
those amazing things.
Freddyis now seen in a
more heroic light and
has more screen time.
People still fear Freddy
Krueger, but at this
point, they are also
cheering him on."
"TJ ans continued to
Jl* cheer Freddy on
when, after the comple-
tion of Nightmare
Englund jumped to the
small screen to anchor
the anthology television
has always been an un-
derlying tone to the
N ightmare films that
Freddy is waging war on
the status quo. To my
way of thinking, the TV
series is carrying on in
that tradition."
On A Nightmare on
Elm The
Street 5: Dream
Child, Freddy has gone
back to his horror roots.
"There are a lot of real
primal things going on in
this movie," Englund ac-
4, knowledges. "We're get-
ting to see much more
of the cruel side of
Freddy. I don't know if
but I do know that we're
going to see Freddy
more as a basically cruel
and extreme being than
we have in quite a long
time."
Englund sees a future
for Freddy beyond the
expected Nightmare 6.
"We've definitely got a
good thing going with
the Nightmare films,"
Robert Englund prom-
ises, "and there's still a
lot of places we can go
with the Freddy charac-
ter. I can't wait to see
what the filmmakers
come up with next."
Freddy really
starts showing
his age in
NIGHTMARE 5's
explosive j
InociJ

iproud papa? Baby

mator David Miller
touches up his puppet.

Freddy makeup
designer David Miller
delivered a jowlier
Krueger incarnation for
NIGHTMARE 5.
 elcome back
to the
Nijfhtmare
on Elm
Street that
never ends!
Feast your eyes on
the center ring, where
Alan Munro and Todd
Masters perform cre-
ative magic on a pros-
thetic appliance that,
when finished, will
graphically simulate an
actress spilling her guts.
Not enough? How about
David Miller, back for
another round of Night-
mare madness, tucking
Robert Englund into his
Freddy makeup? Still not
enough? Check out R.
Chris Biggs, out on loca-
tion and putting the fin-
ishing touches on a met-
aloid creature suit for a
I ' Freddy dream sequence.
And in the sideshow?
The KNB team sculpt-
ing a series of distorted Englund has spent more
Freddy heads and Rick time under makeup
Lazzarini's Freddy fetus. than just about any
Throw in a diving horror actor.
board that turns into a
Freddy claw, a Jacuzzi Howard Berger (right)
from hell and a black- and his KNB partners
and-white comic book
won the film's climactic
FreddX'Alice transform
world, and it's not hard mation, a scene that
to see how the special also boasts stop>motion
visual and makeup FX animation by Ted Rae.
mania has slipped into
high gear on A Night- hell if it doesn't end up
mare on Elm Street 5: being blazingly original?
The Dream Child. "None of the effects
Alan Munro, who last in this film are going to
worked magic on
his be real gross-out kinds
Beetlejuice, was tabbed as of things," Munro adds.
visual FX supervisor on "I know the Freddy birth
this latest N
ightmare sequence and Freddy
picnic. During a recent getting inside Alice's
break in filming, Munro womb sound like they
attempted to sort have real gross-out po-
through all the goings- tential, but we're going
on. more for a Gothic, stv’T
"What with all the ized look than a gory
previous films and the one."
television series, a lot of Aiding and abetting
the effects are going to Nightmare 5's FX ap-
seem a bit derivative," proach is director Steph-
Munro defends. "But we en Hopkins. The Aus-
decided early on that if a tralian helmer is a big
gag is good, what the fan of deep perspective
and wide lenses, all of
which is sure to enhance
Munro and company's
work in a spooky, William
Castle sort of way.

Miller hasn’t
avid
been on Elm Street
since he made up Freddy
on the groundbreaking
first Nightmare oh Elm
Street. But when Kevin
Yagher was not available
to do the Freddy face,
Miller stepped into the
breach on the condition
that he could "play with
the design a little bit."
"What I did was cut the
number of pieces of the
makeup down to three and
basically gave Freddy an
older look," says Miller.
"The eyes are a bit more
sunken and the skin is
more droopy and jowley.
We’ve even given him a
double chin."
Miller is also respon-
sible for the Freddy baby
scene. "The baby is a pup-
pet," he e.xplains, "that is
hand operated. The face is
articulated and radio con-
trolled, while the arms are
rod puppeted."
R. Chris Riggs had his
hands full when he ac-
cepted the assignment to
cteate the major elements
of the Freddy motorcycle
sequence. In the scene,
Dan rides a chopper which
suddenly turns into Freddy.
Then the bike shoots tubes that we .sanded to whatever Kurtzman, Greg Nicotero the entire Nightmare S
and wires into Dan, who texture was needed. The and Howard Berger), w ho FX experience was state
becomes a hu-
eventually hands and feet were are burning the candle at of the art. Miller recalls
manoid/metal extension sculpted." both ends with their an element of the Freddy
of the cycle. Biggs, who was also re- N ightm arc duties. The birth sequence in which
was the only one
"I sponsible for makeup FX most awesome ei'fect, ac- more imaginative moves
crazy enough to accept the on the Critters movies and cording to Nicotero, is were required.
job," jokes Biggs. Once Nightmare 4, sums up the scene in which Freddy "In the very early stages
he stopped laughing, what working on a Night- attempts to break out of of the birth sequence, we
Biggs got down to work. mare film is all about. Alice's bodv. needed something small
The task began with break- "We’re really living "We did a Freddy underneath the birth blan-
ing down a full-sized cycle the life of vampires on makeup on Lisa [Wilcox] ket to simulate movement.
and stripping it. this film," he laughs. "On and then sculpted a series First we tried a bulldog
"We took a Yamaha V paper, we're usually sup- of three siretched-out and btit it was too frisky. Then
Max apart and molded posed to wrap night distorted Freddy heads. In we put a kitten under the
approximately 25 pieces shooting by 2 a.m. Hell, the scene, the camera pans blanket, which worked
which would become the most nights on this him artjund on one head, pretty well except for one
major elements of the I'd settle for that." there’s a cut and the other small problem: FA’crytime
Freddy cycle," he reveai.s. head is brought in and the we put the kitten under the
"For the suit, we used a itto KNB HFX Freddy head continues.” blanket, it would curl up i

basic foam construction (made up of Robert But lest you think that and fall asleep." 4^

FREDDY 25
Ni^tn>ares
are made of.

Bal^Stinl^i

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(graveyard)
 "Alice is basically on
even terms with
Freddy, and her powers
are equal to his."
ijjhtmare on
/ Elm Street mo-
j %/ vieshave been
-A- » conspicuous
for their ability to por-
tray teens and support-
ing characters as real,
multidimensional peo-
r.ither than card-
•

ple, 'A
board cutouts with the
word victim stamped on
their foreheads. Past
-f \ 'V
films have in-
troduced the world to The beautiful Lisa
the talents of Heather Wilcox says that Alice .« "A?' ' V

Langenkamp, Patricia isFreddy's equal on Che

dream scene. Tough
Arquette, Robert Rusicr *
and Tuesday Knight. A
Nightmare on Elm Street
talk, huh?
Ife -'A
5: The Dream Child con-
•
>
tinues that policy by
displaying some new
kids and one dedicated
mother to Nightmare on claims Alice has growi
EAm Street audiences.
Making a return visit "My character has
to Elm Street after definitelychanged be-
kicking Freddy's butt in tween Nijihtmarc •#and
Nijjhtmare 4 is actress this film," says Wilcox.
Lisa Wilcox as Dream "In Nijjhtmare 5, Alice
Master Alice. In this has a sense of confi-
outing, Alice is pregnant dence and outrage that
and fighting Freddy for makes her almost a
the soul of her unborn madwoman. What makes
child. Less wimpy and Alice different from the
more confident than in previous N ijjhtm are
Nightmare 4, Wilcox women is that she is
 "And I like the idea that
she is willing to put her
life on the line for the
ones she loves."

R ejoining
actor Danny Hassel
in the role of Dan. If you
Wilcox is

think Dan took his lumps

in Nightmare 4, you've
got to feel for Hassel who
doesn't get off easy in the
latest sequel.
"I get to die twice in
this one," says Hassel.
"First in a dream and then
for real. I've spent a lot
of time wearing prosthet-
ics in Nightmare 5.
There's the motorcycle bit
in the dream sequence and
then my real death in the
truck. But at least they
just let me die in this one
rather than beating the
hell out of me."
Hassel, a veteran of
episodic TV, sees some
differences in the charac-
Alice indoctrinates a ter of Dan this time out.
new Dream Warrior. "He's a bit more willing
to commit to Alice and
basically on even terms he's more willing to do
with Freddy, and her hisown thing. I'd say that
powers arc equal to his." Dan has more going for
Lisa Wilcox's acting him in this film."
credits include recurring
Bocpple por-
roles in the soap operas
General Hospital and the
television scries Falcon
B
of
eatrice
trays
Amanda
the pivotal role
Krueger, the
Crest. She has also ap- mother of Freddy. It is a
peared in episodes of part the actress did a
Hotel, McGyver and It's A great deal of preparing
Livinpf. "Alice is in con- for.
trol," says Wilcox of her "In playing Amanda
best-known character. Krueger, I felt it was im-
portant to get the point
across that Amanda loves
Freddy in the purest sense
of the word," Boepple of-
fers. "She's not proud of
him but she loves him and
I felt it was important to

the history of Freddy

Krueger to have someone
somewhere who really
cares about him."
Some of Bocpple's
preparation consisted of

The latest NIGHTMARE

entry capitalizes on the
current skateboard and
comic book crazes with
the character of Mark
(Joe Seeley).

46 FREDDY
 into acting while holding
down a full-time job as a
grip, has played parts in
the movies Mask^ The
Principal, Summer School
and The Lost Boys. The ac-
tress knows her way around
an acting job and, in the
case of Nijybtmare 5, was
not above asking for and
getting a few changes in
Yvonne's makeup.
"Yvonne was originally
this nice black Cosby kid
who was going to medical
school," Minter reveals.
"I suggested that the char-
acter might play better as
this normal, unremarkable
girl who just wanted to be
a diver and who lives in a
neighborhood where cvcr\'-
body is being killed."

M ark Grey's death at

Freddy's claw while
trapped in a black-and-
white comic book world is
one of the highlights of
this latest trip down Elm
Tragedy brings the
Street. Joe Seely, the ac-
Springwood graduates
closer together.
tor who plays Mark, en-
joyed his character before
Freddy turned him into
while, I would look at paper and made a doily
Freddy and just sort of out of him.
feel sorry for him," she "Mark's an interesting
recalls, fellow who goes through
"The big challenge in quite a few changes," says
playing Amanda was bal- Seely. "First, he's this
ancing the feeling of guilt withdrawn kid who's not
in not destroying him at comfortable with people.
birth, with the mother Then he becomes caught
love and the pain of hav- up in Alice's problem and
ing to destroy him now be- gets up a real head of
fore his pure evil is un- steam."
leashed on the world." Seely, who has appeared
in the films Shajj, The
he jumped through her Iron Triangle and Tou^b
S diving board-turned- Guys, gives Freddy one
Freddy claw. She survived hell of a battle in the
a dip into his jacuzzi aforementioned dream
from hell. Yvonne is made battle,
of strong stuff. So is the "It's wild,” Seely en-
actress who plays her, thuses. "Freddy draws me
Kelly Jo Minter. into this world and chases
"Yvonne is probably the me on a skateboard. I turn
strongest kid in the into a comic book hero
bunch," Mintcr declares. called the Phantom
"She's levelheaded, skep- Prowler and blast holes in
Yvoonc (Kelly Jo being around Robert tical and a real tough Freddy. Things seem to be
Mintcr) progrcises from Englund and peering into cookie. Which is the main going Mark's way. Until
•keptic to believer to Freddy's dark eyes. "The reason why she's still alive Freddy turns me into pa-
•urvivor In the film's
day
first I looked at him, I at the end of this movie." per.And. ..well, you know
tory.
thought 'yuck!' But after a Minter, who stumbled the rest." -4l

48 FREDDY
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 obert Englund
g J has been play-
ing Freddy
It's hard to believe that
it has only been five

Krueger for years since the first

long that the consensus is NIGHTMARE ON ELM
that he could probably di-
STREET.
rect himself.
Not so, says Englund.
"There arc certain se-
quences where I kind of
know what to do,” says the
actor, "but I do have .

tendency to sometimes gi
over the top or be too
subtle. I definitely need
help and, luckily for my-
self and the Nightmare
series, the directors we've
had on these films have all
been very talented."
The A Nightmare on
Elm Street films have, in-
deed, been blessed with
some unique directorial
talents. From Freddy cre-
ator Wes Craven through
the current installment's
Stephen Hopkins, direc-
tors have contributed
monstrous abilities and
individual visions of what
A Nijfhtmare on Elm
5freef should be.
The original ^

Nightmare on Elm Street

was turned down by every
studio in town before New
Line Cinema decided to
back Wes Craven's vision
of a dream killer. The "They keep finding these
company was rewarded
with a film that effec- talented directors, and they
probed the hereto-
tively
fore untapped realm of keep coming in and doing a
the subconscious as a vi-
able horror source and un- wonderful job."
leashed the most diaboli-

50 FREDDY
 "

A behlnd'thc'tcene* ahot
reveala the fTC harneaa
used in the scriea' fleet
kill scene.

cal terror titan to date in

"77
JO reddy is
the guise of child
Freddy Krueger.
killer

Craven's directorial
the ultimate approach mixed expres- „
sionistic dream sequences §
bad father who with shaded mood and 0
attacks youth tone, and the result was e
the first chapter in a con-
and innocence. tinning Nightmare on Elm ^
^

He's the most Street mythology. »

I

"I have always felt that 2

evil human I

I
Freddy is the ultimate »
bein^ you can I
symbol of the threatening 2
adult," says Craven, g
imagine. I

I
"Freddy is the ultimate 2
-Wes Craven, I
bad father who attacks J
I youth and innocence. He's 2
director of the most evil human being ^
A
I

Nightmare you can imagine, some- E.

body who goes after chil-

on Elm Street dren." a
"Everything that's good 3
about the Nightmare ^
I series and the mythology ?

FREDDY 51
 "the one-dimensional
blood and guts things that,
by now, are totally e.\-
pccted by the audience and
don’t have the impact that
they once did. We used a
lot of 'woo'-type scares,
things that you know are
coming, but that don’t
come off in quite the way
you expected them to."

reddy Krueger entered

F new
Chuck
territories
(The
under
Blob)
Russell's direction in A
Nijjhtrnare on Elm Stjret
3: Dream Warriois. GcJue
to a large extent were the
grim themes that popu-
lated the first two
Nijjhtmare films. Freddy
cracks wiser, the imagery
takes its first giant steps
toward the surrealism that
will populate future films
and the dream sequences
took on a slani-bang,
right-to-the-gut quality.
"As was doing that
I

of horror films, halluci- movie, I was thinking,

Returning as co-script-
er,Craven brought back
Nancy (Heather
Langenkamp) for the
third NIGHTMARE.
that transcends them we
owe to Wes," applauds
Englund. "Everytime we
do a scene, Wes' idea of
what 'Nightmare is be-
comes deeper and richer.
We owe Wes all of that."
NIGHTMARE Z featured
the series' only male
teen protagonist.
Craven, whose credits
include The Hills Have
Eyes, The Serpent and the
Rainbow and the upcom-
ing Shocker, feels that the
firstNiyjhtniare film was
"not only a film of great
craft and imagination,"
hur a lilm that broke new
ground in terror cinema.
"What the first Nijyht-
7)1 are film did was to
spawn a new kind of horror
directing, one that expan-
ded the envelope of what
realit)' and illusion are.
It began a new direction
natory terror that is not
restrictedby day to day re-
ality. The first Nijjhtinare
on Elm Street e.xpandcd
the boundaries of reality."
And it was a reality that
Jack (The Hidden) .Sholder
punched up in his directo-
rial turn on A Nijjht/nare
on Elm Sti-ect 2: Freddy's
Kevenffc. Sholder's version
took the Hi^httnarc
odyssey into a highly
charged sexual arena and
brought Freddy, figura-
tively and literally, out of
the shadows and into the
light. Under Sholder's di-
rection, the imagery is
sharper and the tone more
over the top.
"I went into Hijihtmare
2 knowing I had no choice
but to top the original,"
says Sholder. "There are
blood and graphic .scenes
of violence, but we cook
great pains to make it a
different kind of horror
movie.
"We tried to avoid the
obvious 'boo' kind of
scares," Sholder adds.
'I'm going to be ruined
for future films because
what can be more fun than
to creep up on an audi-
ence with this terrific de-
vice of dreams?'" Russell
recalls. "In Nijjhtmare 3, „
you never know whether s
you're in a dream or not." ^
Russell claims he i
seized the opportunit)' in ^
Nijjhtmare 3 to fully ex- 5
plore all sides of the t.
dream world. "With
Nijjhtmare 3, we dealt
more with the actual
nightmares from Freddy's
point of view," he notes.
"With the first two films,
the nightmares were based
in the real world. People
would fall asleep and
Freddy would appear. In
the Dream Warriors, we
went deeper into Freddy's
territory. The characters
are lured into the dream
world where Freddy forces
them to confront their
deepest fears."
"Chuck really beat me
up,” Englund recalls. "He
worked me so damn hard!

52 FREDDY
 "T
J- felt that

Krueger's status
a hero was
something that
could be
exploited in an
arty, action-
oriented way."
-Renny Harlin,
director of
Nightmare 4
 "

than had been done in pre- on

vious Nijjhtiiinrc films."
NewLine (linema took
,a rather daring step for-
ward with A Nijjhtniare on
Elm Street 4: The
Master when they
relative unknown Renny
Marlin to direct. For, de-
.spite a filmography high-
lighted with the films
Prison and Born American^
Marlin's prevailing atti-
tudes ran contrary to the
Elm Street bibic.
Harlin saw Freddy as a
heroic character rather
than a killer. To his way
of thinking, Nijtbtmare
4's script wasn't so much
a horror film as it was a
coming of age stor\’. His
film style? A dizzying ar-
ray of light, shadow and
MTV-.style camera tricks.
Nij!ljt7nare 4 rolled
Marlin's creative dice and
came up .seven. The film, a
continuation of the
Dream Warriors
delivers an overall unnen'-
ing effect. The tried and
true Freddy elements are
in place.
"I knew going in that,
if nothing else, this movie
had to look great," says
Marlin. "I spent a lot of
time trying to emphasize
the s'isiial side of things in
luctant to cut the cake
a fourth Nijjhtmare film.
But he read between the
lines and found a great
deal that challenged him.
Dream "I felt Freddy
tagged Krueger's status as a hero
was something that could
be exploited in an arty,
action-oriented way," he
explains. "I succeeded in
capturing the essence of
the Nijjhtmare films in a
truly scary way."
Stephen Hopkins,
whose suspense film A
Danjjerous Game brought
him to the attention of
New Line, appears to have
attempted the impo.ssible
with A Nijjhtmare on Elm
Street 5: The Dream Child.
For openers, he's doing
Part ,5 of a successful
series. Then there's his
approach to making this
movie which, he offers,
"is kind of taking Freddy
back to his roots."
storyline, "I'm concentrating
more on horror and sus-
pense than was done in
previous films," he ex-
plains. "1 fed like Freddy
may have been a little
overexposed in Nijjhtmare
4 and so, with this film,
I'm having him step back
into the shadows. Freddy
is also going to be a little

the most exciting way less jokey and much more

possible. I utilized a lot cruel.
of light and shadow and One thing is certain.
focused those elements Hopkins will, no doubt,
into an overall feel that be the latest in a continu-
emphasized the creepy ing line of talented direc-
tone of Nijjhtmare 4." tors to come out of
Harlin found a taker in nowhere and give Freddy
actor Flnglund during the Krueger creative and terri-
course of filming fying life.
Nijjhtmare 4. "I don't know where
"Renny had a great eye they keep finding them,"
for all facets of the says Englund. "But they
Nijjhtmare world," says keep coming up with these
Enghmd. "He's hip to the talented directors, and
rollercoaster ride and the they keep coming in and
action that these films doing a wonderful job.
must have, and he just nat- What they've done for the
But he certainly turned the of the third movie. "But urally zeroed in on the Nijjhtmare series is one
corner in terms of turning we went to great lengths sick and the offbeat things of the main reasons I keep
the Nijihtware movies to make the fantasy deaths that a less subtle director coming back-because I
into hallucinogenic gonzo much more interesting might miss. He has an in- know there's always going
kinds of films." than the literal slasher stinctive feel for what is to be somebody great to
Russell offers that gore deaths. We also did more downright scary." pick up the ball and run
was an important element with the characterization Harlin was initially re- with it." 4lt

54 FREDDY
 The most audacious usX'
of surreal imageiy in
NIGHTMARE 5 Is Mark's
black ff white >

dream/dca^ scnwicA

acting talent is Robert EnglhndiTfamed on'set

demeanor. Endurabilitjr is absolutely essential
to creativ^ on a tight budget. And he really
does like kidSi. too. Boiled. '' ^
BACK ISSUES
BACK ISSUES BACK ISSUES BACK ISSUES
G

ihe terror begins
Tina Gray's
sleep. In her
dreams, a horri-
ble disfigured man with
long knife blades for fin-
gers chases her through a
dark boiler room, slashing
at her. When she wakes up,
she finds four long slashes
in her bedsheets. She cc
fides in her boyfriend Rod
and two friends,
Thompson and her sort-of
boyfriend Glen, and they
are startled to realize
that they have ail dreamed
about the same murderer.
The next night, as the
three friends sleep over at
Tina's (Rod in her bed),
she has the dream again—
and this time it invades
reality, Tina is lifted
as
off the bed, screaming and
gushing blood from cruel
slashes that appear in her
.
skin. When Tina dies. Rod
is arrested for her murder
:
by Lt. Thompson, Nancy’s
i. father, despite Nancy's
:
protestations that the
;
dream spirit is responsi-
: ble.
Glen's blood geyser,
the nrst NIGHTMARE'S
EX highlight.
Freddy calls collect.
Threatened by the
when she falls asleep in
class, and again in her
bath, Nancy realizes that
she and her friends are
still in danger, but she and
Glen arc too late to save
Rod while he sleeps in his
jail cell. Only the young
couple know that Rod's
Nancy death wasn't suicide, and
Nancy discovers who their
tormentor is when her al-
coholic mother reveals a
dark secret from her past.
Twenty years ago, she and a
number of other outraged
parents tracked down Fred
Krueger, a child murderer
who was freed on a techni-
cality, and burned him
death in his boiler
A film icon is born.
killer
to
room
hideout. Mrs. Thompson
still keeps Krueger's blad-
ed glove in her basement,
and Nancy realizes that
the psycho is carrying out
his revenge in her friends'
sleep.
After yet another night-
mare, Nancy awakens with
.
N«
1984
Copyright
Photoj:
All
Freddy's hat clutched in
her hand, and realizes that
she can pull Freddy into
the real world as well, and
possibly kill him. She
formulates a plan with
Glen and booby-traps her
house, but Glen falls
asleep and is dragged to a
bloody death by Freddy.
Nancy manages to bring
Freddy into reality, but
cannot save her mother
from falling victim to the
maniac. But as Freddy
moves in on her, Nancy
turns her back to him,
draining him of his power
and sending him into
limbo. She wakes up the
next morning with her
friends and mother safe—
but not for long. .
FREDDY 59
 Prcddy'i posaestioa of
Jcaac (Mark Patton) ec
ablea him to flnd a
foothold in the real
world.

'Three, four, better lock your door.

Poor Jesse begins to lose
his

t's a bright, sunny

morning on Elm

J
ing the
Street, and the
school bus is mak-
usual rounds. A
pair of
girls giggle at
Jesse, the "weird" new-
comer to school sitting
behind them, but their
laughter turns to terror as
the bus hurtles to the edge
of a hellish canyon and the
driver sprouts a glove with
long blades... Jesse Walsh
wakes up screaming in the
house he and his family
have just moved into, the
house on Elm Street where
(so he is told) Nancy
Thompson went crazy after
seeing her mother commit
suicide. Later, while un-
packing with his new girl-
friend Lisa, Jesse discov- reluctant to get physical
ers Nancy's diary and with Lisa, and when they
learnsabout Freddy Krue- start to make out at a
ger's past. At school, pool party, a black, horri-
Jesse makes friends with bletongue bursts from his
Grady, and the two are mouth and he flees in hor-
punished by sadistic gym ror to Grady's house. He
coach Schneider. Freddy begs Grady to watch him
continues to invade Jesse's while he sleeps, but Grady
nightmares, telling him also dozes off, and awak-
that they'll be working to- ens to see Freddy bursting
gether. Jesse dreams that from Jesse's body to im-
Freddy murders Schneider pale him with the razored
before passing the glove glove. When Jesse be-
on to him; he is horrified comes himself again, he Lisa follows Freddy to his at last, from his remains.
when he awakens and learns runs back to the party, but old boiler room, where The next day, Jesse and
that Schneider has been Freddy then appears and she begs Jesse to fight off Lisa take the bus to
killed in real life. slashes at the kids. Real- Freddy's influence. Freddy school-and Freddy's
Fearing that Freddy is izing that the killer has catches fire and dissolves, gloved hand suddenly
possessing him, Jesse is indeed possessed Jesse, with Jesse emerging, safe bursts from Jesse's chest.

FREDDY 61
 umM wmions
"Five, six, grab your
crucifix..."
cenagcd Kristen
Parker stays up
iatc to build a
model house
from popsicle sticks, to avoid falling victim.
only to fall asleep and Nancy herself is taking
find herself at the door an experimental drug to
of the real house-thc give herself dreamless
one on Elm Street sleep, which alarms her
where Freddy Krueger friend Dr. Neil Gordon.
committed his mayhem. Kristen has another
Pursued by Freddy, dream about Freddy,
Kristen thinks she during which she de-
wakes up and escapes, monstrates an unusual
but when she enters her power by pulling Nancy
bathroom, Freddy's into her nightmare. The young Joey in the guise
claws spring from the two girls survive, but of a nurse and captured
fixtures and slash her Phillip and Jennifer are him in the dreamworld.
wrists. Taken to a psy- not so lucky; Freddy Neil and Nancy are
chiatric hospital (she has turns the former into a dismissed for their un-
been diagnosed as suici- human puppet and drops orthodox dealings with manage to rescue Joey.
dal), she becomes hys- him from the hospital's the kids, and Neil meets Meanwhile, Freddy also
tericalwhen doctors try roof and pulls the latter the nun again, who re- kills Lt. Thompson at a
to sedate her, and is into a TV set. veals that Freddy was junkyard, and adopts his
calmed only by the ar- At their funeral, Neil the child of a young guise to trick Nancy,
rival of a new doctor- is met by a mysterious nurse who was raped re- who also killed. But
is
Nancy Thompson, who nun, who tells him that peatedly by insane pa- Neil manages to lay the
knows what she's going Freddy's remains must tients. With the help of remains to rest and kill
through. be buried in hallowed Nancy's father, Lt. Freddy, before waking
The two young wom- ground. Later, at a group Thompson, Neil goes to up and finding that the
en are introduced to therapy session with bury Freddy's remains nun was the spirit of
Phillip, Jennifer, Joey, Neil and Nancy, the while Nancy and the sur- Freddy's mother. The
Taryn, Will and Kincaid, teenagers slip into a viving kids enter Fred- next night, after he tells
six other teenage pa- common dream with dy's domain. Punk prin- Kristen that he can visit
tients, all of whom claim Kristen's help and show cess Taryn and crippled Nancy in his dreams, he
that Freddy is stalking off their dream powers, Will are murdered by lies asleep~and a light
their sleep and are tak- but at the same time, Freddy, but Nancy, comes on in Kristen's
ing extreme precautions Freddy has seduced Kristen, and Kincaid model house...
 wo years after her she dies, she pulls Alice

T terrible experi-
ences with Freddy
Krueger, Kristen
Parker has a dream that
convinces her the maniac
into her dream and passes
on her powers to the other
girl. Soon
the ability to
Alice finds that
draw others
into her dreams is provid-
is fighting his way back to ing new victims for
power in her sleep. Freddy: first Sheila, when
Kincaid and Joey scoff at Alice falls asleep in
her, but then Kincaid class, and then Rick,
dreams that his dog Jason whose martial arts skills The Elm Street bouae plays host to another
helps set Freddy's remains are no match for Freddy. potential victim.
free. The maniac kills As her friends die,
'

Kincaid, and then lures Alice finds she is acquir- her rescue, Alice and Dan reflect Freddy's evil back
'
Joey to his death, drowned ing their traits and skills, crash in his truck; Dan is at itself, whereupon the
i
in his own waterbed. and begins to plan with taken to the hospital, souls he's trapped burst
;
Kristen, realizing what's Dan to defeat Freddy once where he's about to be put from his body and destroy
:
happening, confides in and for all. She goes to a under for surgery. Alice him. Alice wakes up, and
; Alice, the sister of her movie theater, but falls takes sleeping pills to back in the real world is
! boyfriend Rick, as well as asleep and dreams of be- join him in the dream rejoined by Dan. The two
, friends Sheila, Debbie and ing sucked into the screen, world, where they confront face the future together,

I
Dan, whom Alice has where Freddy serves up a and fight with Freddy. But with Freddy Krueger just a
i
crush on. Alice tells pizza with her friends' the doctors bring Dan memory...
;
Kristen of a "Dream faces on it. Later, as she back to consciousness,
Master" who can be in- and Dan prepare for leaving Alice alone with “RJflOOBo QQQDo
i voked to make bad dreams dream battle, Debbie is the frenzied killer. Re-
'
good, but this fails to save attacked by Freddy, who membering the Dream sD9@[p
; Kristen when Freddy at- turns her into a cockroach Master rhyme, Alice uses
S tacks her again. Before and crushes her. Racing to a piece of broken glass to efpflUooo'®
FREDDY 65
CAST OF CHARACTERS
Bobcri Enclund
Ll>a Wilcox
Danny Hasiel
Joe Seeley
Kelly Jo Mincer
Erilu Andcraon
Nick Melc
Burr DeBenninf
Valorie Armstron
Pat Sursce
Clarence Felder
Bcalcice Boeppic
Malt Borlenghi
E.R. Davie*
Bill Dunnam
Whitby Hertford
Don Maxwell
Cameron Perry
Stacy Elliot
Marc Siegler
Andre Ellingaon
Beth Depatic
FROM;

of spilled blood, or revel in the joy of a clean

V beheading, you're Freddy's kind of people. So

grabapen, fill outthe Freddy Fan Club
'^'Qhimnrp — (35-tPa'i

mem-
" bership form, and start dreaming about all the
f
Nis/iimare

Revenge
Posfer
good stuff you’ll get. Things like 3 color shots of Ntg/timare W'x?7-^
Mr. Krueger, amembership card and wallet-size —
|
I
j

photo, a Freddy button, the bio of Fred from alive to , (^rx27-ij

dead, an actual storyboard page from "A Nightmare /j£[!
on Elm Street 3,’'
a subscription to The Freddy PVo

^
Times, and a freaky Freddy folder. Plus, get
access to Exclusive Club Merchandise, like L
movie posters!
H
^
original
Ifyou'diiketogetyourhands
on a membership as
-por
p'sc

much as Freddy would

like to get his hands on

you. don't choke up.

Send in your member- ^225^
ship form and fee now! City

CDUjVTRv
 ,.vo.don',wan,

® ° '
and hlidNnT^oeign:

EHir"’~
NAME

STREET