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Table contents:
Structure and Bonding
Acids and Bases: Functional Groups Structure and Stereochemistry of
Alkanes
The Study of Chemical Reactions Stereochemistry Alkyl Halides.
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Language: English
SECOND SERIES
MY INDIAN FRIENDS
BY
F. M. M.
Index 269–271
AULD LANG SYNE.
MY INDIAN FRIENDS.
I.
It was when I had left school, and had gone to the University of
Leipzig in 1841, that my vision, like a revenant, appeared again, and
assumed then a more tangible and permanent form. I was getting a
little tired of Greek and Latin, and the warmed-up cabbage, the
crambe repetita, of Homer and Horace, when I heard of the
foundation of a new Chair—a Chair of Sanskrit—and saw lectures on
Indian literature advertised by Professor Brockhaus. Here my
curiosity was roused at once; I had already had a slight flirtation with
Arabic, but now I fell seriously in love with Sanskrit, and became
more and more faithless to my first classical love. Professor
Brockhaus was an excellent, kind-hearted, and helpful teacher. I
began Sanskrit with a will, and, after I had attended his lectures for
several semesters at Leipzig, and had read with him such ordinary
books as Nala, Sakuntalâ, and even a little of the Rig-Veda, I went to
Berlin to study under Bopp; and then proceeded to Paris, attracted
by the fame of Eugène Burnouf.
At that time my desire to see India, as I had seen it in the visions of
my schooldays, became very strong. As classical scholars yearn to see
Rome or Athens, I yearned to see Benares, and to bathe in the sacred
waters of the Ganges. But at that time such a thing was simply out of
the question. At that time to go to India seemed to be the privilege of
Englishmen only, and it took half a year to get there, and a great deal
more money than I could command. The dream of my life to see
India face to face has never been realised. When I was young enough,
I had not the wherewithal to go there, and when, later in life, I was
invited again and again by my Indian friends to go there, I was too
old and too much tied down by duties from which there was no
escape. Besides, unless I could have stayed in India at least two or
three years, could have learned to speak the languages, and come to
know the few native scholars still left, it was nothing to me. My India
was not on the surface, but lay many centuries beneath it; and as to
paying a globe-trotter’s visit to Calcutta and Bombay, I might as well
walk through Oxford Street and Bond Street But, though I never
stood on the ghats of Benares, and never saw the men, women, and
children step down from them into the sacred waters of the Ganges, I
have had the good fortune of knowing a number of Indians in
Europe, and no doubt some of the best and most distinguished of the
sons and daughters of India. I have often been told that I have been
misled by these acquaintances, and have taken far too favourable a
view of the Indian character; that I had seen the best of India only,
but not the worst. But where is the harm? I have seen what the
Indian character can be, I have learnt what it ought to be, and I hope
what it will be, and though we cannot expect a whole nation of
Rammohun Roys, of Debendranâth Tagores, of Keshub Chunder
Sens, of Malabâris and Râmabâis, we ought not to neglect them in
our estimate of the capabilities of a whole nation.
Dvârkanâth Tagore.
Indians did not travel so freely fifty years ago as they do now. The
crossing of the black water and all its consequences had not then lost
its terrors. When, therefore, in the year 1844, a real Hindu made his
appearance in Paris, his visit created a great sensation, and filled me
with a strong desire to make his acquaintance. He was a handsome
man, and, as he took the best suite of apartments in one of the best
hotels in Paris, he naturally roused considerable curiosity. I was then
attending Professor Burnouf’s lectures at the Collège de France, and,
as the Indian visitor had brought letters of introduction to that great
French savant, I too was introduced to the Indian stranger, and soon
came to know him well. He was the representative of one of the
greatest and richest families in India, Dvârkanâth Tagore, the father
of the Maharshi Debendranâth Tagore, who is still alive, and the
grandfather of Satyendranâth Tagore, the first successful native
candidate for the Indian Civil Service, whom I knew as a young
student in England, and who now, after serving his country and his
Empress with great distinction for many years, has retired from the
service.
Dvârkanâth Tagore was not a Sanskrit scholar, but he was not
unacquainted with Sanskrit literature. The first time I saw him was
at the Institut de France, when Burnouf presented him with a copy of
his splendid edition of the Bhagavat-Purâna. On one side was the
Sanskrit text, on the other the French translation, and it was curious
to see the Indian placing his delicate brown fingers on the white page
with the French translation, and saying with a sigh, “Oh, if I could
read that!” One would have expected that his wish would have been
to understand the ancient language of his own country; but no, he
pined for a better knowledge of French.
He was not an antiquarian, nor a student of his own religion or of
the language of his own sacred books. But when he was told by
Burnouf what my plans were, and how I had actually copied and
collated the MSS. of the Veda at Paris, he took a lively interest in me.
He invited me, and I often spent the mornings with him, talking
about India and Indian customs. Strange to say, he was devotedly
fond of music, and had acquired a taste for Italian and French music.
What he liked was to have me to accompany him on the pianoforte,
and I soon found that he had not only a good voice, but had been
taught fairly well. So we got on very well together. After
complimenting him on his taste for Italian music, I asked him one
morning to give me a specimen of real Indian music. He sang first of
all what is called Indian, but is really Persian music, without any
style or character. This was not what I wanted, and I asked whether
he did not know some pieces of real Indian music. He smiled and
turned away. “You would not appreciate it,” he said; but, as I asked
him again and again, he sat down to the pianoforte, and, after
striking a few notes, began to play and sing. I confess I was
somewhat taken aback. I could discern neither melody, nor rhythm,
nor harmony in what he sang; but, when I told him so, he shook his
head and said: “You are all alike; if anything seems strange to you
and does not please you at once, you turn away. When I first heard
Italian music, it was no music to me at all; but I went on and on, till I
began to like it, or what you call understand it. It is the same with
everything else. You say our religion is no religion, our poetry no
poetry, our philosophy no philosophy. We try to understand and
appreciate whatever Europe has produced, but do not imagine that
therefore we despise what India has produced. If you studied our
music as we do yours, you would find that there is melody, rhythm,
and harmony in it, quite as much as in yours. And if you would study
our poetry, our religion, and our philosophy, you would find that we
are not what you call heathens or miscreants, but know as much of
the Unknowable as you do, and have seen perhaps even deeper into
it than you have!” He was not far wrong.
He became quite eloquent and excited, and to pacify him I told
him that I was quite aware that India possessed a science of music,
founded, as far as I could see, on mathematics. I had examined some
Sanskrit MSS. on music, but I confessed that I could not make head
or tail of them. I once consulted Professor H. H. Wilson on the
subject, who had spent many years in India and was himself a
musician. But he did not encourage me. He told me that, while in
India, he had been to a native teacher of music who professed to
understand the old books. He had expressed himself willing to teach
him, on condition that he would come to him two or three times a
week. Then at the end of half a year he would be able to tell him
whether he was fit to learn music, whether he was in fact an
Adhikârin, a fit candidate, and in five years he promised him that he
might master both the theory and the practice of music. That was too
much for an Indian civilian who had his hands full of work, and
though he learnt many things from Pandits, Professor H. H. Wilson,
then, I believe, Master of the Mint and holding several other
appointments besides, had to give up all idea of becoming
apprenticed for five years to a teacher of music. Dvârkanâth Tagore
was much amused, but he quite admitted that five years was the
shortest time in which any man could hope thoroughly to master the
intricacies of ancient Hindu music, and I too gave up in consequence
all hope of ever mastering such texts as the Sangîta-ratnâkara, the
Treasury of Symphony, and similar texts, though they have often
tempted my curiosity in the library of the East India House.
There is another member of the Tagore family, Râjah Surindro
Mohun Tagore, a very liberal patron of Indian music, who has
published a great deal about it, but he too has kept aloof from
touching on the old science of music that once existed in India,
though we know as yet so little of its literature. If we could accept a
tradition that has been repeated again and again by Sanskrit
scholars, even by men of great learning, such as the late Professor
Benfey, we should have to believe that Guido d’Arezzo (about 1000 A.
D.) borrowed his gamut from the Arabs, and that they had adopted it
from the Persians, who had been the pupils of the Hindus. In itself
such a borrowing has nothing incredible in it, for we know that our
figures, not excluding the nought, travelled on the same road, from
the Indians to the Persians, the Arabs, the Spaniards, and the
Italians. It is true also that one of the Indian gamuts consisted of
seven notes, and that these notes went by the names sa, ri, ga, ma,
pa, dha, ni, which were the first syllables of their Sanskrit names. So
far, therefore, there is some plausibility. But if it is maintained that
these seven syllables were changed in Italian to the well-known do,
re, mi, fa, sol, la, si, we require some more of real historical evidence
of such a change before stating as a fact what is, as yet, a guess only.
Gladly as I should claim any merit for the people of India, it seems to
me that the differences between the names of the notes of the two
gamuts are greater than their similarities. All we can say is that it is
possible that we owe our gamut to India, but until more evidence is
produced, we cannot say more. If we remember that we owe the
nought to that country, mathematicians will be ready to confess that
this was one of the greatest discoveries in the history of mathematics
and of all the sciences that depend on mathematics, one of the
greatest benefits, in fact, that the East has conferred on the West.
Whether we owe to India Beethoven’s symphonies is another
question, that has yet to wait for an answer.
My Indian friend Dvârkanâth Tagore, though not learned, was very
intelligent, and a man of the world. He rather looked down on the
Brâhmans, and when I asked him whether he would have to perform
penance, or Prâyaskitta, after his return to India, he laughed and
said, “No. I am all this time feeding a large number of Brâhmans at
home, and that is quite penance enough!” The real penance was, of
course, the Pañkagavya, the five products of the cow which the
penitent had to swallow before he could be readmitted to his caste;
and these products were not only milk, sour milk, and clarified
butter, but likewise other products, such as Mûtra and Gomaya. That
penance still exists, and many of our Indian visitors have had to
undergo it after their return, though at present the five products of
the cow are reduced to infinitesimal proportions and swallowed in
the shape of a gilded pill.
But if he took a low view of his Brâhmans, he did not show much
more respect for what he called the black-coated English Brâhmans.
Much as he admired everything English, he had a mischievous
delight in finding out the weak points of English society, and
particularly of the English clergy. He read a number of English
newspapers, political and ecclesiastic, and he kept a kind of black
book in which he carefully noted whatever did not redound very
much to the honour of any bishops, priests, or deacons. It certainly
was a curious collection of every kind of ecclesiastical scandal, and I
have often wondered what could have become of it. His son, the
saint-like Debendranâth Tagore, the head of the Ârya-Samâj, would
hardly make use of such weapons; but his father delighted in the
book, and brought it out whenever the question turned on the
respective merits of the Indian and the Christian religions. All I could
say was that no religion should be judged by its clergy only, whether
in Italy, in England, or in India.