Professional Documents
Culture Documents
Cat Winter2018
Cat Winter2018
QUARTERLY
winter 2018
Adrian Tomine
Red Winter
Anneli Furmark
Von Spatz
Anna Haifisch
Moomin Winter
Tove Jansson
new paperback edition
After enjoying over six months on the story, “Killing and Dying,” centers on par-
New York Times Bestseller list and enthood, mortality, and stand-up comedy.
receiving a rave review from the same In six interconnected, darkly funny stories,
institution, acclaimed cartoonist Adrian Tomine forms a quietly moving portrait of
Tomine’s Killing and Dying is now avail- contemporary life.
able in paperback, with an updated cover Adrian Tomine is a master of the small
and French flaps. With this work, Tomine gesture, equally deft at signaling emotion
(Shortcomings, Scenes from an Impending via a subtle change of expression or writ
Marriage) reaffirms his place not only as large across landscapes illustrated in full
one of the most significant creators of con- color. Killing and Dying is a fraught, realist
temporary comics, but as one of the great masterpiece.
voices of modern American literature. His
gift for capturing emotion and intellect res-
onates: the weight of love and its absence, Praise foR KILLING AND DYING
the pride and disappointment of family, the “Pocket epics of romantic, creative and
anxiety and hopefulness of being alive in social frustration set in recognizably
the twenty-first century. drab, drably picturesque American land-
“Amber Sweet” shows the disastrous scapes.”―New York Times
impact of mistaken identity in a hyper-
connected world; “A Brief History of “[Tomine] is an emotional x-ray machine.
the Art Form Known as Hortisculpture” All-seeing, all-knowing.”―Guardian
details the invention and destruction of a
vital new art form; “Translated, from the “Deft and subtle, with a bittersweet under-
Japanese,” is a lush, full-color display of standing of the tension between aspira-
storytelling through still images; the title tion and loss.”―Los Angeles Times
FEB 2018 • $19.95 USD/$21.95 CAD • color • 6.5 X 9.25 • 128 pages
COMICS & GRAPHIC NOVELs/Literary • ISBN 978-1-77046-309-7 • PAPERBACK
The scene is late seventies Sweden: the mother without fully understanding it. Siv
four-decade-long reign of the once in- and Ulrik drift through the season, mus-
destructible socio-democratic party has ing on their actions, their politics, their
come to an end. Parties on the far left be- love, and its inevitable consequences—
gin to mobilize, hoping to overcome the while Furmark’s delicate hues of blue and
prevailing capitalist model on a national orange heighten the cinematic qualities
scale, but also in the streets, factories, and of northern Sweden’s isolated landscape.
small towns to the North. This is where Red Winter is a tale of a love that haunts in
we meet Siv: a married mother of three the darkness of winter.
employed by the youth sector of her local
socio-democratic chapter. Without warn- Praise foR RED WINTER
ing, Siv falls in love with a young Maoist, “A quiet but dramatic portrayal of the
Ulrik, who recently arrived from the south remarkable political sects who took over
of Sweden to militarize—and gain control— the number of people living in the seven-
of the steelworkers union. ties sweden.”–Goodreads
Anneli Furmark’s Red Winter weaves
together the story of Siv, Ukrik, and the “Red Winter remains a sensitive, beau-
concentric circles of tension that slowly tifully written comic strip, simply and
build around them, threatening to disin- warmly rendered, swept with beautiful
tegrate her family’s foundation. Her three and effective blue watercolors. A
children look on, noticing a shift in their curiosity.”–Bodoii
JAN 2018 • $21.95 USD/$24.95 CAD • color • 6.13 X 8.44 • 168 pages
COMICS & GRAPHIC NOVELS/literary • ISBN 978-1-77046-306-6 • paperback
John Porcellino makes his love of home visited and stated more eloquently than
and of nature the anchors in an increas- ever before: serendipity, memory, and the
ingly turbulent world. He slows down and quest for meaning in the everyday.
visits the forests, fields, streams, and over- Over the past three decades, Porcellino’s
grown abandoned lots that surround every beloved King-Cat thas offered solace to his
city. He studies the flora and fauna around readers: his gentle observational stories
us. He looks at the overlooked. Porcellino take the pulse of everyday life and reveal
also digs deep into a quintessential Ameri- beauty in the struggle to keep going.
can endeavour—the road trip. Uprooting
his comfortable life several times in From Praise foR king-cat
Lone Mountain, John drives through the “John Porcellino is comics’ reigning master
country weaving from small town to small of minimalism.”–AV Club
town, experiencing America in slow motion,
avoiding the sameness of airports and over- “The rawness of Porcellino’s work, its unfil-
whelming hustle of major cities. tered directness, is the essence of its charm.”
From Lone Mountain collects stories –Los Angeles Times
from Porcellino’s influential zine King-
Cat—John enters a new phase of his life, “Intentionally simple drawings, largely
as he remarries and decides to leave his autobiographical tales and renderings of
beloved second home Colorado for San dreams...Porcellino is a master at minia-
Francisco. Grand themes of King-Cat are ture poignance.”-Entertainment Weekly
MARCH 2018 • $22.95 usd/$24.95 cad • B+W • 5.5 x 8.25 • 320 pages
COMICS & GRAPHIC NOVELS/LITERARY • ISBN 978-1-77046-295-3 • paperback
Walt Disney is exhausted both physi- lation, part tale of a begrudging cama-
cally and mentally. After a break- raderie, daily life at the center mixes
down where he trashes his office, his with reminiscences from the world
wife Lilian brings him to a retreat to outside. Wryly written, precisely com-
recover—the Von Spatz Rehabilitation posed, and glowingly colored, Von
Center. With a campus that includes Spatz is a hilarious, heartwarming
studio buildings, a gallery, an art absurdist tale.
supply store, a hot dog booth, and a
penguin pool, the clinic is a paradise Praise foR anna haifisch
for artists in crisis. There Disney meets “Simultaneously satirical yet heartfelt...
Tomi Ungerer and Saul Steinberg, and What’s striking about seeing the series in
together, they embark on a regimen of its entirety is the richness and referen-
relaxation and art therapy. tial irony of Haifisch’s opening panels.”
Haifisch looks at the fervent drive –AIGA Eye on Design
and crippling insecurities of the aver-
age artist and places those same issues “Haifisch’s work is very funny [with] a
on the shoulders of three celebrated charming, scratchy line and a faintly
20th century artists. Part study of iso- unsettling colour palette.”–Quietus
Ichiro and Sachiko are young artists, tem- Red Colored Elegy is informed as much
peramental and discouraged about what by underground Japanese comics of
life has to offer them. They fall in and out of the time as it is by the French Nouvelle
love, jealous of one another’s interests and Vague. Its influence in Japan was so large
unchallenged by their careers. Red Colored that Morio Agata, a prominent Japanese
Elegy charts their heartache, their passions, folk musician and singer/songwriter,
and their bickering with equal tenderness, debuted with a love song written and named
creating a revelatory portrait of a stormy after it. This new paperback edition features
love affair. an essay on Red Colored Elegy and
A cornerstone of the Japanese under- Hayashi’s contributions to contemporary
ground scene of the 1960s, Seiichi Hayshi Japanese comics from art historian
wrote Red Colored Elegy between 1970 Ryan Holmberg.
and 1971, in the aftermath of a politically
turbulent and culturally vibrant decade Praise foR RED COLORED ELEGY
that promised but failed to deliver new “[Red Colored Elegy] is a condensed visual
possibilities. Sparse line work and visual poetry that still feels avant-garde nearly
codes borrowed from animation and film forty years later.”—Believer
beautifully capture the quiet lives of a young
couple struggling to make ends meet. Ichi- “Traced photographs, blank word bal-
ro and Sachiko hope for something better, loons and nearly cubist sex scenes…
but they’re no revolutionaries; their spare beautifully lament Ichiro and Sachiko’s
time is spent drinking, smoking, daydream- failed relationship…the story is heart-
ing and sleeping together–and at times breakingly universal.”
with others. —Publishers Weekly Starred Review
FEB 2018 • $21.95 USD/$24.95 CAD • B+W • 6.25 x 8.5 • 296 pages
COMICS & GRAPHIC NOVELS/Manga/General • ISBN 978-1-77046-212-0 • paperback
Kitaro the Vampire Slayer is the fifth vol- The four stories in this volume are col-
ume in Shigeru Mizuki’s bizarre stories lected from the late ‘60s golden age of
about a yokai boy and his entourage of Gegege no Kitaro. Appearing in Eng-
otherworldly friends. One of the most pop- lish for the first time, this kid-friendly
ular Kitaro tales, the title story pits Kitaro edition is translated by Mizuki-scholar
and his family against a Beatles-inspired Zack Davisson and includes bonus fea-
mop-topped, guitar-playing vampire tures like “Yokai Files,” which introduce
named Erit and his castle of horrors. Japan’s folklore monsters, and the fifth
In an unexpected twist—spoiler alert!— installment of the “History of Kitaro” essay
Kitaro meets his demise, but even death is by Davisson. For fans of quirky horror,
hardly enough to keep our favorite yokai Kitaro the Vampire Slayer is a must-read!
boy down.
Along with the villainous vampire, Kita- Praise foR kitaro
ro faces a trio of monsters straight from “These humorous and spooky entries in-
Japanese folklore. Mizuki often pulled troduce readers to one of the most famous
from classic Japanese folk tales for inspi- characters in Japan.”—School Library
ration, as shown in these three stories. A Journal
certain serpent and temple bell appear in
“The Phantom Steam Engine,” then it’s “Family-friendly horror done well is hard
onto a bird-like creature with a big beak in to find, making this series valuable as
“Ubume,” and Kitaro had better not look both an introduction to a classic manga
behind him when the Ushiro Gami comes character and purely enjoyable reading.”
to town. —Booklist
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