Professional Documents
Culture Documents
Being Cultured
Being Cultured
I
Sergei Bulgakov, a priest's son admirable survey of the Russian saying half a century later. Delbrel
who had recently and very cultural world before and after the puts it with her usual wit, saying
publicly returned to Chris 1917 revolution. Morson's chapter on that your "spiritual director" is the
the intelligentsia painstakingly fills
tian faith, published a long essay on phone that has to be answered, the
out Bulgakov's more abstract and
the crisis of Russian culture and the unwelcome visit that can't be post
mentality of the Russian intelligen polemical discussion, which anat poned, the weather, the delayed bus
tsia. It is important to recognize that omized in detail the controlling on the way to work ... In the mon
this distinctive mid-nineteenth moral and spiritual mythology that astery, says Bulgakov, everything is
century Russian coinage, intelligen- pervaded intelligentsia life. Morson "obedience," from silent contem
tsiya, meant for Bulgakov and his notes (citing another essay from the plation to washing up. He uses the
contemporaries something more same collection in which Bulgakov's Russian word podvizhnichestvo to
specific than it might today. It is not study appeared) that a true intelligent express this, a word quite impossi
a shorthand for the chattering class would despise his or her job, if he or ble to translate but referring to the
es; it refers to a distinct group of ex she had one; the idea of enabling or commitment to podvig, spiritual
treme radical activists, determined sustaining a viable economic life acceptance and effort, in every in
§ to destroy the structures of existing for the mass of the population was teraction with the world and others.
g society. This group's "maximalism" alien to the intelligentsia's ethos. Only something like podvizhnich
□ encouraged random violence and Bulgakov interprets this ethos estvo ultimately produces societies
« what Bulgakov called "political in terms of a passion for "heroism" that work for everyone, Bulgakov
proposes. To adapt a phrase from
Rowan Williams is a former Archbishop of Canterbury. William Blake, we need to love our
neighbors in the “minute particu of revolutionary self-sacrifice, the of imagination; the strange trans
lars" of shared life, asking at every reductio ad absurdum of "heroism." mutations of language itself; the
turn what makes life possible, liv alienness and the familiarity of the
able, for the other for whom we are orson expertly steers past (individual as much as collec
responsible. Bulgakov had been ex
perimenting with a form of Chris
tian socialism in the years before he
wrote his essay, much influenced
M us through the complex tive); perhaps ultimately—though
ities of the maximalist Morson does not go this far—the
mindset, including its fascination
difference of God and the world,
with mechanistic models of hu the ultimate gap between what is
by Dostoevsky's understanding of man behavior, and the concomitant conditioned and what is uncondi
mutual responsibility; and though disparaging of the life of the imag tioned. The title of Morson's book in
he would have some harsh things ination. The goal, wrote the Soviet effect puts before us the diverse re
to say about socialism as it played author and industrial commissar sponses we can make to difference:
itself out in the politics of his day, Aleksei Gastev (executed by Stalin in the wonder that accepts limita
he never abandoned this profound 1939), should be "the mechanization, tion, and the hunger for a world in
sense of mutuality at the heart of not only of gestures, not only of which we are never out of control,
social reality. production methods, but of every never at a loss, never discovering,
As Morson makes plain, mutual day thinking." It has often been said retelling, or rethinking. This ten
ity was what the conscientious in sion runs through the whole story
telligent would most passionately Morson tells, from the beginnings
repudiate. The grotesque tragedy of Russian radicalism in the mid
Morson traces is a story of two nineteenth century to the night
fold betrayal. First, it is the shame mares of Stalinism, from the battles
ful failure of those liberals whose of Herzen, Tolstoy, and Dostoevsky
armchair radicalism was given a against antihuman theorizing to
spice of dangerous drama by the the more recent work of writers in
"heroics" of the activists. Morson the same tradition, such as Svetlana
gives an unsparing account of the Alexievich and Eugene Vodolazkin.
atrocities committed by some of Morson starkly juxtaposes the end
these activists and of the refusal of lessly inviting exploration of human
bien-pensant progressives to con complexity by such writers with the
demn their tactics. Dostoevsky's feverish and monomaniacal obses
fictional representations of all this sions of nihilists and apocalyptic
in The Possessed and The Brothers radicals of all shades.
Karamazov turn out to be anything Unsurprisingly, one of his great
but exaggerations. Second, intelli est heroes (in a benign sense of the
gentsia heroics could be and were word) is Chekhov, that unchallenged
manipulated by the Bolsheviks, that certain kinds of revolutionary master of deflationary realism,
who institutionalized terror and rhetoric base their appeal on the si gentle irony, and unsentimental
indiscriminate butchery as a con multaneous celebration of total an compassion. He quotes Chekhov's
scious means of social control, "au archy and total determinism—the letter to his brother defining what
thority untrammeled by any laws" complete abandonment of a condi it means to be "cultured"—a series
(a phrase of Lenin's, which Morson tioning history, combined with the of characterizations that goes well
quotes). Authority of this kind could acceptance of an inevitable trajecto beyond what we might associate
systematically set out to "put an end ry toward a new social order. Each with that word. Self-respect, a
once and for all of [sic] the papist- flatters the ego in its own way: We sense of proper obligation to oth
Quaker babble about the sanctity are encouraged to think of ourselves ers, generous sympathy, a sense of
of human life" (Trotsky this time). as existing completely without con proportion, a profound antipathy to
The result was the corporate insan straint on our wills, and as somehow lying and posturing, and a willing
ity of Stalinism: the ceaseless purg ennobled by being in tune with the ness quite simply to work. All these
ing of every rank of public service arc of reality's evolution. things belong with genuine culture,
to secure an environment of fear What holds so much of the in putting into perspective any "cul
in the face of unpredictable force; telligentsia mindset together is a tural" ambition that does not attend
and the pathos of dedicated revo dread of real, embodied difference: to immediate material reality. This
lutionaries embracing their own the impenetrability of another con definition is remarkably in tune
arbitrary extermination as a form sciousness; the uncontrollability with Bulgakov's affirmation of the
prosaic "obedience" of the monk as values of human societies, includ otherwise, it seems. The reluctance
a model for social virtue. ing Christian societies. to acknowledge that human societ
Morson is, of course, concerned But unmoored from its doctrinal ies have learned and changed—in
to remind us that obsessional cer anchorage, yurodstvo drifts inexo other words, the reluctance to take
tainty, political tunnel vision, and rably toward contrarian anarchy, history seriously—is evident in the
what he calls "theoretism,” the pre a dissolution of all value and so barbarizing of much modern "con
ferring of theory to tangible reality, of any sense of the nonnegotiable servatism" in conspiracist rhetoric
are not the preserve of the political dignity of the embodied human. and nationalist paranoia, and the
left alone. Dostoevsky may be the The revolutionary hero is—and shapelessness of a progressive vision
finest critic in European literature of Bulgakov follows Dostoevsky in that has no fundamental doctrine
determinist and reductive doctrines diagnosing this—a secular messiah, of human dignity beyond the sum
of the human, and of the ease with and the promise he (it is normally a total of identitarian claims. And,
which good people are lured into ap "he”) offers is an apocalyptic trans as Morson reminds us, a would-
palling evils by utopian fantasy; but valuation of values, a terminally be "liberal” ethos that lets itself be
he has his own flirtations with theo violent catharsis through destruc captured by the romance of the ab
cratic ideals, and (to put it mildly) tion. George Steiner argued that solute individual will is at risk of
some problems with the "difference” the appalling, seductive, hopeless colluding with a profound destruc
of other nations, not least the Jews. figure of Stavrogin in Dostoevsky's tiveness—whether it is allied to un
Solzhenitsyn, nearer our own times, The Possessed is subtly presented as qualified identitarian activism or to
is both a lucid, moving witness to a kind of ersatz Christ, no less than economic laissez-faire.
the horrors of the Soviet camps and is the deceptively benign figure of Chekhov's humane, pragmatic ac
a fierce anti-Western polemicist, Myshkin in The Idiot. We should count of what it is to be "cultured”
stubbornly wedded to a kind of Rus never imagine that "secular" proj should stand alongside the bitter
sian exceptionalism whose legacy is ects are necessarily without mythol dramas of Dostoevsky or Pasternak
more and more disturbing. We do ogy, and Morson is good at alerting or Grossman as a lesson to be pon
not need much reminding of this us to the wafer-thin character of the dered. We talk glibly, angrily, and
shadow side, faced as we are with secular carapace in so much of the endlessly about culture wars; it
the brutality of a resurgent Russian Russian revolutionary agenda. wouldn't hurt to talk about what
messianism and a callous indiffer It is hard to do justice to Morson's counts as culture in the first place,
ence to random slaughter worthy of book in a brief space. Its importance and about what it might mean to
the most devoted intelligent. is not only in its analysis of the Rus inhabit a culture. What skills do we
sian imagination from the nine need in order to maintain a critical
ITHOUT RECYCLING teenth to the twenty-first century, and appreciative memory of the
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